▲ Philip Turner (1918-1997), 'Perching', bronze, numbered '1/4', on a Perspex cube, 63cm high overall Provenance: The Reid Gallery, London, 1964. Born in Sussex in 1918, British sculptor Philip Turner was educated at Marlborough College, before commencing his studies at St Martin’s School of Art in 1936. Later, he would study the basics of painting and sculpting under the tutelage of British sculptor Leon Underwood, and in 1948, would receive a Diploma of Fine Art from the Slade. Turner is credited as one of the first post-war sculptors to employ casting as a means in and of itself to create the final form, and was known to be an expert authority on bronze pouring to his colleagues. Turner had an uneasy relationship with mass-production and would take care to finish each piece by hand, welding, grinding, flaming and polishing, to produce similar, but never identical, forms. Unlike many of his contemporaries, who chose to depict man as tortured and anxious, Turner, who described his role as artist as something between oracle and entertainer, used wit, irony and optimism in his representations.
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Art Deco, a walnut dining suite comprising:a dining table,c.1930s, the top over a curved base,184cm long91cm wide82.5cm high, six dining chairs,each upholstered in mustard velvet with a walnut back,45cm wide54.5cm deep88.5cm high, seat 47cm high, anda sideboard,the central section with two bow-front doors, opening to reveal a bank of three drawers with brass handles, flanked by two cupboards with scalloped doors opening to three shelves each side, raised on a plinth,153cm wide53cm deep111cm high (9)
Émile Gallé (French, 1846-1904), an Art Nouveau walnut, rosewood and marquetry side table, c.1900, the shaped rectangular top with floral marquetry, above a conforming undertier, marquetry 'Gallé' signature,79cm wide50cm deep73.5cm highCondition ReportStructurally sound. There has been some sun staining to the wood. Some loses to the marquetry in places. Some light marks, scuffs, and very light scratches.
Royal Worcester, a pair of Art Deco bookends modelled as polar bears, ceramic and wood, with Royal Worcester red ink stamp with number, and 'modelled by Ethelwyn Baker' inscribed in red ink,13.5cm wide8.9cm deep18cm high (2)Condition ReportCrazing, pitting, and surface dirt - particularly to the crevices. One example with two hairline cracks.
John Nash RA (1893-1977) 'Harvesting'a lithographic poster, 1945, printed by Baynard Press for School Prints Ltd.49.5 x 76cmThis is an original lithographic print by the British artist John Nash RA (1893-1977) and published by School Prints Ltd., 1947. The design depicts a traditional harvesting scene in progress, with horse-drawn harvester and newly cut wheat sheafs scattered about an open field.School Prints Ltd. was set up in 1945 by Brenda Rawnsley to supply original, high quality, contemporary art to schools. The project commissioned both well-known and emerging artists, with the lithograph printing undertaken by the Baynard Press. Each lithograph had a drawn frame so that the print could be pinned to the wall. In the words of the Victoria and Albert Museum, 'the scheme was a unique attempt at giving children access to original works of art in a period of austerity'.
Charles Locke Eastlake (1836-1906), an Aesthetic oak chest of drawers, c.1870, with two short over three long drawers, each with brass ring handles, enclosed with carved sides,103.5cm wide61cm deep101cm highLiterature: For a near identical design, see Jeremy Cooper, 'Victorian and Edwardian Furniture and Interiors: From the Gothic Revival to Art Nouveau', p.242, pl.240.Condition ReportIn good structural order. Recently cleaned and waxes. The extension to the back of the top appears to be a period feature. Visible join/split line to the centre of each side and the top. All drawers work smoothly.
Epstein, an Art Deco Epstein walnut cocktail cabinet, c.1930, of demilune form, with a pair of central cupboards flanked by a smaller pair, fronted with a bevelled peach glass shelf, over a further pair of cupboards enclosing decanter compartments,143cm wide45cm deep163cm highCondition ReportLosses to the handles, veener, and interiors. Knocks, rubbing, splits, and wear throughout.
▲ Claudia Blume (German, b.1955), 'Woman', a painted and carved wooden sculpture, 45.5cm wide11cm deep60.5cm highProvenance: From the contents of Brook House, Ongar, the former home of Gillian Raffles (1930-2021), an art dealer and owner of the Mercury Gallery in Cork Street, London, in 1964. Gillian exhibited and promoted the work of young figurative British artists and dealt in sculpture, paintings and works of art by 20th-century British and European artists.
Ceramics and Glass - an Art Deco Wellington China part tea service, decorated with summer flowers, on a yellow ground; tea cups and saucers, including Royal Grafton, Royal Albert, etc; a Victorian part tea service; an Art Nouveau Ernst Wahliss vase, 32cm high; a Murano style lobed vase, 24cm high; etc, qty
A selection of 9ct gold jewellery,to include an art nouveau style aquamarine and diamond brooch, a rose gold garnet set heart shaped stick pin and a box link chain, the brooch is set with a pale blue pear cut aquamarine stone measuring approx. 5.5mm (L) and a melee round brilliant cut diamond measuring approx. 0.04ct, the brooch measuring approx. 3.2cm (L) x 1.8cm (H), stamped "375", the stick pin measuring approx. 4.5cm (L), stamped "9CT", the chain measuring approx. 36cms long, stamped "9KT 375", total gross weight of the jewellery approx. 7.5g
An Art Nouveau 9ct rose gold blue paste stone pendant with 9ct gold fetter link chain,the pendant set with a lagoon blue round old cut paste stone measuring approx. 4mm diameter, the pendant measuring approx. 3.5cm (H) including bale and approx 2.2cm (W), stamped "9CT", the chain stamped "9c", measuring approx. 42cms long, total gross weight approx. 5.3g, a/f, boxed
An Art Deco jug, by Gray's Pottery, hand-painted with garden flowers in tones of pink and yellow, the handle picked out in gilt, 13cm high overall; a Newhall commode shaped teapot; a Gaudy Welsh Burma pattern teacup and saucer; other ceramics including Royal Doulton, Imari teapot, lustre ware, egg and spinach ware, ironstone jugs, Sarreguemines plates, Royal Worcester peppers, etc (qty)
A selection of silver, base metal jewellery and an Art Deco wristwatch, the silver jewellery includes a commemorative Queen's Silver Jubilee silver ingot pendant, a gate bracelet, a vintage blue and white paste stone feather? brooch and a "I LOVE YOU" spinner heart pendant necklace, total gross weight of the silver jewellery approx. 51g, there is also a base metal fancy link chain and a lady's Art Deco cocktail wristwatch, a/f
This Royal Krona Sweden crystal elephant figurine, designed by renowned glass artist Mats Jonasson, captures the majestic presence of the elephant with intricate detailing in clear crystal. The textured surface enhances its lifelike appearance, showcasing the fine craftsmanship of Scandinavian glasswork. Marked Royal Krona Sweden with an etched signature on the base, this collectible sculpture is a stunning addition to any art glass or wildlife-inspired collection. 6"H.Dimensions: See DescriptionCondition: Age related wear.
Limited edition lithograph poster titled Benkei The Warrior after Hisashi Otsuka, numbered 229 of 500, published in 1981 by Images International of Hawaii and printed by Tea Lautrec Litho in the USA. This artwork features a dynamic depiction of Benkei, the legendary warrior monk, portrayed in a traditional kabuki-style composition with intricate detailing and vibrant colors. The scene showcases Benkei in an expressive pose, adorned in elaborate samurai armor with floral and geometric patterns, set against a stylized backdrop of lush pine trees. The composition reflects Otsuka's mastery of blending classical Japanese aesthetics with modern print techniques. Signed and stamped by the artist, this lithograph embodies the dramatic intensity and refined craftsmanship characteristic of Japanese warrior art.Artist: After Hisashi Otsuka (Hawaiian b. 1947)Issued: 1981Dimensions: Including backing: 24"L x 32.50"HCountry of Origin: HawaiiCondition: Age related wear.
This offset color lithograph by French artist Michel Delacroix, depicts a picturesque autumn scene of the White House with a gathering of people on the lawn. Delacroix's signature naive style is evident in the finely detailed yet whimsical composition, featuring crisp architecture, warm seasonal hues, and nostalgic figures evoking a sense of timeless charm. The artwork showcases the artist's signature muted palette and delicate brushwork, characteristics that have made him renowned for capturing Parisian and American historical scenes with a dreamlike quality. Presented in a black frame with matting, this piece exemplifies Delacroix's enduring appeal as a modern master of naive art. Signature in plate on lower left. Artist: Michel Delacroix (French, b. 1933)Issued: c. 2000Dimensions: 32"L x 28"HCountry of Origin: FranceCondition: Age related wear.
This striking Italian porcelain figurine captures the essence of Eastern aesthetics through a Western lens. It is meticulously crafted, displaying a vibrant blend of cultural motifs and intricate details. The figure is dressed in an ornate costume that features a mix of green, gold, and black patterns against a pristine white backdrop, enriched with scenic and oriental designs. The porcelain figure holds a position of grace and elegance, with one hand delicately holding a fan, suggesting a moment captured in tranquil contemplation. Her attire, including the impressively detailed hat, is reminiscent of traditional Eastern garments but interpreted through Italian artistic expression, highlighting the fusion of cultural art forms. Marked with "P.K. 24 ITALY" on the base, this figurine exemplifies the skilled craftsmanship of Italian artisans, known for their ability to blend their own artistic traditions with influences from around the world. This piece not only serves as a stunning decorative item but also as a cultural bridge in the form of art, making it a compelling addition to any collection of fine porcelain.Issued: 20th centuryDimensions: 17"HCondition: Age related wear.
Vibrant color serigraph by Italian artist Giancarlo Impiglia titled The Grand Party, dated 1986. This artwork captures a lavish Art Deco-inspired social scene, featuring elegantly attired figures in geometric stylization, characteristic of Impiglia's distinctive approach. Set against a dramatic nighttime cityscape, the composition is framed by ornate arches adorned with classical motifs, reinforcing the opulent aesthetic. The figures, depicted in angular and fragmented forms, reflect Impiglia's signature fusion of Cubism and Futurism with a contemporary sensibility. Hand-signed and dated by the artist in pencil, lower right, with the edition marking H.C. 1/15, denoting it as a hors commerce proof outside the standard edition.Artist: Giancarlo Impiglia (Italian, b. 1940)Issued: 1986Dimensions: 42"L x 34"HCountry of Origin: ItalianCondition: Age related wear.
Vibrant and dynamic color serigraph by Giancarlo Impiglia titled At the Bar, created in 1987. This work exemplifies Impiglia's signature Art Deco-inspired style, featuring angular, stylized figures dressed in elegant evening attire, immersed in a lively social scene. With rich geometric compositions, bold color contrasts, and sophisticated detailing, Impiglia captures the energy and glamour of high society. The composition is accentuated by a fan-like architectural backdrop, reinforcing the Jazz Age aesthetic. Signed and dated by the artist in the lower margin and numbered 25/300.Artist: Giancarlo Impiglia (Italian, b. 1940)Issued: 1987Dimensions: 39"L x 43"HCountry of Origin: ItalyCondition: Age related wear.
A finely detailed antique botanical print featuring various species of Pelargonium, meticulously hand-colored and framed under glass. The engraving showcases delicate floral illustrations with Latin inscriptions, highlighting the precision of historical botanical studies. Elegantly mounted within a cream and gold-tone wooden frame with decorative accents. The back of the frame includes gallery labels indicating provenance. A charming addition for collectors of botanical art and vintage engravings.Issued: c. 19th centuryDimensions: 17.25"L x 22"HCondition: Age related wear.
A finely detailed hand-colored botanical engraving bookplate from Flora Universalis, created by German botanist and artist David Dietrich between 1831 and 1835. This exquisite illustration features various species of Pelargonium flowers from the Geraniaceae family, meticulously rendered with scientific precision. The delicate hues of pink and red, along with detailed foliage, exemplify the 19th-century tradition of botanical art, which combined scientific accuracy with artistic refinement. This engraving is elegantly framed in an antique-style gold and cream-toned frame, enhancing its historical charm. Dietrich's Flora Universalis remains a significant work in botanical illustration, celebrated for its detailed depictions of plant species.Artist: David Dietrich (German, 1800-1888)Issued: c. 1831-1835Dimensions: 17"L x 22.50"HCountry of Origin: GermanyCondition: Age related wear.
A powerful limited edition porcelain sculpture by Laszlo Ispanky, this figurine captures the biblical figure Moses in a moment of divine authority, holding the tablets of the Ten Commandments inscribed in Hebrew. Hand-painted details emphasize the texture of the flowing robe, lifelike arms, and expressive face. This intricately sculpted piece is marked Ispanky Porcelains, Made in USA, and is part of a limited edition of only 400. A striking and spiritual statement piece for collectors of religious art. Measures approximately 13.25"L x 12.75"H.Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
This large-format art book, 'Alvar', authored by Francesc Miralles and Miquel Alzueta, was published by Edmund Newman Inc. in 1993. The book explores the work of Spanish Modernist artist Alvar Sunol (b. 1935), known for his unique blend of surrealism and classicism. This limited edition volume, only 5000 copies, features 359 pages of detailed imagery and analysis of Alvar's work. It is personally autographed by Alvar Sunol in 1993 during an event at Atlas Galleries in Chicago, making it a valuable collector's piece. ISBN: 0-9636243-0-X.Artist: Francesc Miralles and Miquel AlzuetaIssued: 1993Dimensions: 10"L x 12.5"HCountry of Origin: United StatesCondition: Age related wear.
Large framed limited edition serigraph on paper titled Reverie by Israeli artist Itzchak Tarkay. This composition captures Tarkay's signature style, depicting an elegant seated woman in a richly patterned dress, outlined in expressive lines and vibrant hues. Executed in serigraph, the piece blends painterly textures with graphic precision. Itzchak Tarkay was a Yugoslav-born Israeli artist known for his dreamlike portrayals of women in introspective settings, often inspired by French Impressionism and Post-Impressionism. A Holocaust survivor, Tarkay immigrated to Israel in 1949 and studied at the Avni Institute of Art and Design in Tel Aviv. His work, which merges acrylics, watercolor, and serigraphy, is widely collected and admired for its romantic and contemplative tone. Signed Tarkay in pencil lower right. Edition number on lower left 338/350. Housed in an ornate gold frame with linen matting.Artist: Itzchak Tarkay (Yugoslav/Israeli 1935-2012)Dimensions: 51.50"L x 66.50"HCountry of Origin: Yugoslavia-IsraelCondition: Age related wear.
Elegant Orrefors crystal bowl designed in the form of a blooming lotus flower, crafted in clear crystal with fluid organic lines and a polished base. The bowl is signed “Orrefors” on the underside, showcasing the craftsmanship of the renowned Swedish glassworks, known for its fine art glass since 1898. The design highlights the clarity and brilliance of Swedish crystal in a floral form that works beautifully as a centerpiece or decorative accent. 3.5"H x 5.5"diameter. Issued: 20th century Dimensions: See DescriptionCountry of Origin: SwedenCondition: Age related wear.
Elegant Capodimonte porcelain figurine titled Mode Liberty, sculpted and signed by Italian artist Sandro Maggioni. This refined piece depicts a stylish woman dressed in a flowing pale green gown and white wrap, inspired by the graceful aesthetics of the Mode Liberty (Italian Art Nouveau) movement. Finely detailed and hand-painted with gold accents, the figurine stands on an ornate base signed Sandro Maggioni and marked with the Capodimonte crown. The underside includes the inscription Maude Leblanc anno 1928, linking the piece to early 20th-century elegance. Measures 9"H. Issued: 1928Dimensions: See DescriptionCondition: Age related wear.
Royal Doulton porcelain figurine titled Promenade, model HN3072, from the Reflections Collection. Designed by Adrian Hughes and issued in 1985, this Art Deco-inspired figure features an elegantly dressed woman in a pale flowing gown and blue cloche hat, strolling with her graceful Afghan hound. Finished in soft pastel glazes, the piece highlights Royal Doulton’s refined hand-painting and sculptural detail. Marked on the underside with the Royal Doulton backstamp, Reflections Collection branding, and full model details.Issued: 1985Dimensions: 13.25"HCountry of Origin: EnglandCondition: Age related wear.
American Verlys Glass Art Deco centerpiece bowl featuring raised reliefs of koi fish. The design incorporates detailed fish motifs encircling the bowl, with sculpted bubbles and water ripples. The double-handled structure is crafted with each handle shaped as a fish tail, seamlessly integrating into the overall aquatic theme. Made from frosted glass, the bowl reflects the Art Deco aesthetic with its stylized forms and flowing lines. Produced by Verlys, an American glass manufacturer known for its high-quality molded glass pieces, this centerpiece showcases craftsmanship characteristic of the early to mid-20th century.Issued: 20th centuryDimensions: 19.5"L x 7.5"W x 4.25"HCondition: Age related wear.
Charming limited edition serigraph issued by The Walt Disney Company featuring Snow White accompanied by three of her beloved dwarfs. This vibrant artwork beautifully captures a classic scene from Disney's groundbreaking 1937 animated feature, "Snow White and the Seven Dwarfs." A treasured collectible for Disney enthusiasts and animation art collectors alike, marked with the official Disney limited edition authentication seal. Artwork can be unframed and rolled for shipment.Issued: 20th centuryDimensions: 17.25"L x 11.25"HCountry of Origin: United StatesCondition: Age related wear.
Striking clear art glass sculptural bowl featuring a fluid, organic form. The base features applied green felt pads, indicating a design that prioritizes stability and surface protection. The piece's freeform design suggests it is likely Magnor Norway Art Glass.Issued: 20th centuryDimensions: 3.5"HCondition: Age related wear.
Exquisite frosted crystal perfume bottle stopper featuring an elegant Art Deco design of three entwined nude figures in a fluid composition. The intricate detailing and frosted finish highlight the craftsmanship and timeless artistry. This stopper exemplifies elegance and sensuality in glasswork, making it a striking collectible or decorative piece. 7"H.Dimensions: See DescriptionCondition: Age related wear.
Vibrant serigraph on paper by by renowned Post-Impressionist Israeli artist Itzchak Tarkay, depicting an outdoor cafe scene with elegantly dressed women seated in conversation. Tarkay's signature use of bold color blocks, fluid outlines, and impressionistic details creates a captivating composition that blends modernism with a refined Art Deco aesthetic. The setting is brought to life through vivid umbrellas, rich textiles, and an interplay of light and shadow. Signed in the lower right and hand-numbered 10 from a limited edition of 350, with a publisher's blind stamp in the lower margin. Framed under glass in a gold-tone frame with a double mat.Artist: Itzchak Tarkay (Israeli, 1935-2012)Issued: c. 2005Dimensions: 47"L x 40"HCountry of Origin: IsraelCondition: Age related wear.
A finely detailed hand-colored engraving bookplate from Flora Universalis, created by German botanist and artist David Dietrich between 1831 and 1835, depicting various species of Pelargonium flowers. Labeled as Plate 326, this botanical study belongs to a series that captures the scientific and artistic elegance of plant illustration in the 19th century. The composition features delicate pink and red blossoms with precise anatomical renderings, accompanied by Latin botanical names. The engraving is framed in a decorative two-tone frame with gold and pale green accents, enhancing its period aesthetic. The meticulous hand-coloring adds depth to the finely executed engraving, making it an exceptional example of historical botanical art. Dietrich's Flora Universalis remains a significant work in botanical illustration, celebrated for its detailed depictions of plant species.Artist: David Dietrich (German, 1800-1888)Issued: c. 1831-1835Dimensions: 17"L x 22.50"HCountry of Origin: GermanyCondition: Age related wear.
Hand-painted Capodimonte porcelain figurine titled Mode Liberty anno 1933 by Italian artist Sandro Maggioni. This elegant Art Deco-style figure depicts a woman in a flowing seafoam green gown, gazing into a gilded compact mirror while adorned with detailed gold and pearl-like jewelry. The base is inscribed with the artist's signature and marked with the Capodimonte crown over "N" hallmark. The underside includes a commemorative inscription and date.Issued: 1982Dimensions: 9.5"HCountry of Origin: ItalyCondition: Age related wear.
A stunning hand-blown art glass by renowned glass artist Ron Hinkle, signed on the base. This iridescent piece features a mesmerizing blend of blue and teal hues, with a swirling organic design reminiscent of flowing water or delicate petals. The base bears a Buckhannon, West Virginia, Ron Hinkle Glass Studio label. Measures 4.25"H x 4.5" diameter.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Cartier: An Art Deco onyx and diamond brooch circa 1920 Centrally set with a pyramidal-cut onyx, within an openwork geometric plaque set with single-cut diamonds, accented at the cardinal points with square step-cut diamonds, millegrain detail throughout, diamonds approx. 0.95 carat total, signed Cartier Paris Londres, numbered, French assay mark, length 2.6cmAccompanied by a Cartier case.
Cartier: An aquamarine and diamond brooch circa 1935 Designed as two demi-lunes, composed of oval-cut aquamarines and brilliant-cut diamonds, connected by a rectangular step-cut aquamarine, diamonds approx. 0.60 carat total, signed Cartier London, numbered, width 3.5cm By repute, purchased in the 1930s from Cartier. The original owner was an English socialite who had a home in Kent and was good friends with Lady Vita Sackville-West, the well regarded author, who lived nearby at Knole House. Hence by descent. Following the US Stock Market Crash in 1929, the global economy felt the shockwaves. Although disproportionally affecting those in lower economic classes, the jewellery industry was not untouched. As prices, supply and demand for top coloured stones, such a rubies, sapphires and emeralds felt the repercussions, so to did the spending power of clients. Jacques Cartier chose to make a unique strategic move. For several years the three Cartier brothers subtly bought up the best quality aquamarines (as well as topaz) on the wholesale market. Jacques Cartier was particularly drawn to aquamarines, as well as topaz, as those stones lent themselves to the rectangular cuts which complimented the architectural style of Art Deco jewels. In order not to alert their competitors that they were planning new ranges of jewels featuring these “semi-precious” gemstones, they would acquire the best gems available, but never so much as to draw attention to themselves.Cartier’s aquamarine jewellery appears to have been predominantly produced from the London workshop starting in 1932. Several American clients ordered aquamarine jewellery specifically through the New Bond Street London premises. One of the most notable advocates for Cartier’s aquamarine collections was the famed American interior designer Elsie de Wolfe. She commissioned a striking aquamarine spiral halo tiara in 1935, and to complete the look, had her hair tinted blue to match. Due to their strategic gemstone buying in both London and Paris, when the Cartier store windows were filled with aquamarine and platinum jewels as well as topaz and yellow gold creations, their competitors found it almost impossible to find premium gemstones. If they were offered any, the gemstones would cost substantially more than the Cartier brothers had paid.See Rudoe, Judy Cartier 1900-1939, British Museum Press, London, 1997, page 263 and Cartier Brickell, Francesca, The Cartiers, Ballantine Books, New York, 2019, pages 323-325.
Cartier: A 5.08 carat diamond single-stone ring circa 1925 Set with a cut cornered, step-cut diamond, weighing 5.08 carats, in a four-claw setting, signed Cartier, numbered, ring size PAccompanied a later Cartier case as well as a Letter of Expertise from IAJA Expertise stating that the ring is a genuine Cartier New York item from circa 1925. Letter numbered XP2197-290125, dated 29th January 2025.The diamond has been assessed unmounted by GCS and a verbal result given that the diamond is L colour, VS1 clarity. It is rarely discussed in jewellery history who actually cut the diamonds and gemstones which find themselves adoring fabulous jewels. The role of the lapidary is even further removed from the limelight than that of the goldsmith.However one name in diamond cutting has managed to carve out a well deserved reputation. The Amsterdam based firm of I J Asscher Diamond Company has cut some of the most famous diamonds in history, including the 3,106 carat Cullinan Diamond.Founded in 1854 by Joseph Asscher, its global headquarters are still located on the original site Tolstraat 127, Amsterdam, The Netherlands. In 1904 they patented a cut of diamond unlike anything else at the time. The Asscher-cut is almost square and was composed of 50 or 58 facets. The geometric style meant that it perfectly suited the Art Deco jewels made in the coming decades.Asscher was well known to be a preferred diamond supplier to Cartier. A diamond of similar appearance to this one, appears central in the Patiala necklace made by Cartier in 1928.Sadly a large amount of the Asscher firm’s archives was lost in the Nazi occupation during WWII. Like the vast majority of other diamonds, it is not possible to know for sure who cut this particular diamond but the style and angular facet arrangement are indicative of the firm’s output.
Cartier: An Art Deco onyx and diamond cocktail watch Case No. 1532/5418/6133, circa 1915-1920 Mechanical hand-wound 18 jewel movement adjusted to 8 positions, silvered dial with black numerals, tonneau-shaped platinum case, the bezel set with alternating borders of rose-cut diamonds and French-cut onyx, between collet-set old brilliant-cut diamond lugs, with a diamond-set crown, gold reverse, later associated mesh bracelet with Swiss assay mark for 18 carat white gold, Dial signed Cartier, movement signed Cartier Paris, case numbered, French assay marks, Width 25mm, later bracelet adjustable From the property of an English Lady, a descendent of the original owner, this watch has remained in the same family from new and is offered for sale for the first time since purchased circa 1915. For a similar wristwatch which sold recently at auction, see Bonhams “Fine Watches”, London, 15 June 2022, Lot 37.
Cartier: A gold tie pin 1978 Designed as a 9 carat gold safety pin, signed Cartier, maker's mark C&F; for Cropp & Farr, London hallmark, length 4.5cmAccompanied by a Cartier case. Croop & Farr were known suppliers to Cartier’s London store beginning in the 1920-30s. Jacques Cartier set up English Art Works in 1922 to train goldsmiths and craftsmen in London who could work to the exacting standards set by the Pairs workshops. However, they still relied on a variety of local suppliers thereafter for certain items. Each supplier had a speciality, such as Wright & Davis on Rosebery Avenue who supplied Cartier with cigarette cases and lighters. Cropp & Farr were known to supply studs and links. See Rudoe, Judy Cartier 1900-1939, British Museum Press, London, 1997, page 43.
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641361 item(s)/page