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Click here to subscribeA Minton's four tile panel in the manner of A.W.N. Pugin, modelled in low relief with radiating flower stems and foliage with central sun roundel and Peace scroll, in colours, mounted on board, a Minton's Art Pottery Studio tile of a medieval musician by Edward Hammond, a Minton's Iznik tile, a tile panel in the style of Dr Christopher Dresser and four other tiles, marks concealed, 29.5cm, square (8) Provenance The Tile collection of Carolyn Wraight.
Three Minton's Art Pottery Studio tiles by John Christian Henk, painted with frogs, a dragonfly, and a fish with a shrimp, in blue on a cream ground, and six various tiles printed and painted with animals, impressed and painted marks, 15cm. square (9) Provenance The Tile collection of Carolyn Wraight.
An Art Nouveau tile, modelled in low relief with a maiden wearing a rose in her long flowing hair, glazed mint green, a Maw & Co twin-tile panel of a peacock, two Carter's tiles and a collection of tiles including Alan Caiger-Smith, unmarked, 15cm. square (a lot) Provenance The Tile collection of Michael Blood The Tile collection of Carolyn Wraight.
A Pilkington's Lancastrian tile designed by Lewis F Day, dust-pressed with a stylised flower and foliage, glazed in shades of yellow, green and mushroom on a brown ground, a Henry Richards Art Nouveau tile and a collection of Art Nouveau floral tiles, unsigned, minor chips, 15.5cm. square (a lot) Provenance The Tile collection of Carolyn Wraight. Literature Angela and Barry Corbett Pilkington's Tiles 1891-2010, Pilkington's Lancastrian Society, page 28 this design illustrated. Catalogue Notes It is believed this design was exhibited at the 1901 Glasgow exhibition.
A Morris & Co Daisy tile designed by William Morris, on Dutch Delft blank, painted with clumps of daisy flowers in yellow on a white ground, a Cantagalli Hispano Moresque tile, modelled in low relief with Arabic script, a Thomas Elsley Sunflower tile, a Minton's encaustic tile designed by A.W.N. Pugin and a collection of Art Nouveau tiles, unsigned, minor chips, 15.5cm. square (a lot) Provenance The Tile collection of Carolyn Wraight. Literature Richard & Hilary Myers William Morris Tiles, page 16 for variations of this design.
A modern four tile panel originally designed by Rafaello Bordalo Pinheiro, modelled in low relief with frogs seated on a lily pad, with watercress flower border, glazed in shades of green, white and yellow on a brown ground, another similar four tile panel with central water-lily flower, a Grasshopper four tile panel, a four tile cat panel, a Butterfly tile and four other tile panels, impressed marks, 26cm. square (frog panel), (9) Provenance The Tile collection of Carolyn Wraight. Literature Hans Van Lemmen, Art Nouveau Tiles, Laurence King, page 148 for a comparable frog tile illustrated.
A Modernist Poole Pottery Everest Ware vase, flaring, ribbed form with inverted top rim, spray glazed with bands of grey, mushroom and cream on a black foot, another smaller and five other Poole Art Deco vases with experimental glazes, impressed marks, over-painting to foot rim, 15.5cm. high ( 7)
A large Della Robbia Florentine vase by Ruth Bare, the pear-shaped body with applied dolphin handles, incised and painted with Art Nouveau flowers and foliage, incised marks and artist RB monogram, restored top rim and handles, 34cm. high Literature Della Robbia Pottery Birkenhead Williamson Art Gallery & Museum, figure 27 for a comparable vase.
Gideon a fine Della Robbia two-tile panel designed by Ford Madox Brown, by Emily Margaret Wood, possibly dated 1898, modelled in low relief with Saint Gideon in full armour, on a scrolling vine ground, painted in colours, framed incised and painted marks, EMW monogram, incised 3/98, 70 x 42cm. (panel) Literature Rob Higgins & Christopher Stolbert Robinson William De Morgan Arts and Crafts Potter Shire Library, page 62 this actual tile panel illustrated. Charles Sewter The Stained Glass of William Morris & His Circle, Yale, catalogue number 75 for the original cartoon. The Harrimann Judd Collection of British Art Pottery, Part 2, Sotheby's New York October 6th 2001 lot 380 for the only other known example (now in the Delaware Art Museum) erroneously listed as a female knight. Catalogue notes The panel has a paper label to the reverse stating that the figure is Archangel Michael designed by Ford Madox Brown for Morris & Co and made by his pupil Harold Rathbone at the Della Robbia Pottery. It is actually from Ford Madox Brown's design of Gideon for a stained glass window by Morris & Co at St Martins on the Hill, Scarborough. The window depicts Joshua, St Michael and Gideon and was designed in 1862.
An Art Nouveau Doulton Lambeth two-tile plaque by Fanny Elliott, painted with a naked Venus holding a swirling scarf and standing on a scallop shell boat, escorted by a dolphin in the water and two white birds, in colours, in wooden frame, printed Doulton Lambeth mark and FE artist cipher, 20 x 19cm.
A rare Art Nouveau Minton's plaque designed by Leon V Solon, dated 1898, tubeline decorated with a maiden holding a lily flower stem, painted in colours on a cream ground with gilt highlights, impressed marks and date code, minor chips to corners, 45.5 x 30.5cm. Literature Joan Jones Minton, Swan Hill Press page 240 for a comparable example illustrated.
A Pilkington's Royal Lancastrian vase and cover by Richard Joyce, model no. 3152, the shouldered, cylindrical vase modelled in low relief with scaly fish amongst waterweed, the cover with moulded fish finial, covered in a golden and ruby lustre glaze, impressed mark to base, painted artist cipher, 15.5cm. high (2) Literature Anthony J Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 34 plate XIX for a comparable, larger example by Joyce in the Manchester City Art Gallery collection. Provenance The Collection of Mrs J Collier.
A rare Charles Vyse model of a Pekingese dog, modelled seated, covered in a tenmoku brown glaze Incised Charles Vyse Chelsea to base, 17cm. wide Provenance The Harriman Judd Collection of British Art Pottery Sotheby's New York, Literature Terence Cartlidge Charles & Nell Vyse Richard Dennis & Ed Pascoe, page 50 this model illustrated.
May Queen an unrecorded Chelsea stoneware sculpture by Charles Vyse, modelled riding side saddle, wearing a crown and holding a floral rod, covered in a pale grey glaze, impressed C Vyse to side of base, 28.5cm. high Literature Charles Vyse 1882-1971 Richard Dennis/Fine Art Society, 3-20th December 1974, page 40, catalogue number 53 for the standard version of this figure illustrated where she is modelled holding a bunch of flowers.
A Whitefriars Tangerine glass Drunken Bricklayer vase designed by Geoffrey Baxter, and another Whitefriars Cinnamon Drunken Bricklayer vase, unsigned, 21.5cm. high (tallest), (2) Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 140 plate 160 for comparable examples illustrated.
An Art Nouveau Royal Dux pottery model of a woman, standing in classical robes and fanning herself, glazed in matt colours and gilt highlights, another modelled as a peasant fisherwoman holding a basket, a pair of Royal Dux Art Nouveau vases and a large Amphora vase cast in low relief with a shepherd scene impressed marks, 25cm. high (Art Nouveau maiden), (5)
Hyacinth Girl a Beswick Pottery wall plaque, model no.8187, oval, cast in low relief and painted in colours, an unusual Gray's Pottery wall decoration modelled as two lovebirds, a pottery scottie dog wall mask and five Art Deco style wall masks each modelled as a lady, printed and painted marks, chip to back plate of Beswick plaque, 31cm. high (8) Literature Sue Lunt British Art Deco Ceramics, National Museum of Liverpool, page 103 catalogue number 106 for a comparable Beswick wall plaque.
An Art Nouveau Rozenburg egg-shell porcelain plate, painted by W.P. Hartgring, pattern no.401, painted with a bird perched on a flower stem, in colours on a white ground, printed factory mark, painted factory marks, 17cm. diam. Literature Dutch Art Nouveau and Art Deco Ceramics 1880-1940, The Boijmans Van Beuningen Museum Collection, page 97 for a comparable example illustrated, the painting attributed to H.G.A Huyvenaar.
An Art Nouveau Rozenburg egg-shell porcelain solifleur vase, painted by S Schellink, shouldered, square section, painted to one side with a bird perched on a flower stem, the other three sides with orange flowers, in colours on a white ground, printed factory mark, painted marks and artist cipher, 16cm. high Literature Dutch Art Nouveau and Art Deco Ceramics 1880-1940, The Boijmans Van Beuningen Museum Collection, page 100 for a comparable example illustrated, the painting attributed to H.G.A Huyvenaar. Provenance The collection of Rozenburg came from Peter Rudolf Wolter van Gessler Verschuir, born in Groningen in 1883. He went on to become Governor of Yogyakarta, Java from 1929 to 1932 before returning to the Hague. Thence by descent .
Elsie Henderson (1880-1967)p Leopard Drinking, conte and coloured pencil on paper, framed, and another Leopard listening, mounted but unframed and a conte on paper of a leopard by John Macallan Swan, framed two signed 32 x 21cm (Leopard Drinking), (3) Provenance Sally Hunter Fine Art (Elsie Henderson) Abbott & Holder (John Macallan Swan) Professor Luke Herrmann
A cast iron fireplace the design attributed to Charles Robert Ashbee and made at the Guild of Handicrafts, cast with a frieze of Art Nouveau tulip flowers, flanked with cast dove corbels supporting a shelf, the upper section with similar cast doves and central copper mounted circular mirror, with fire basket, 202cm. high. Literature Style & Spirit Paul Reeves & the House Beautiful, Christie's South Kensington, 12th June 2013, lot 627 for an identical fireplace illustrated. The Best of British Designs from the 19th and 20th Century, Paul Reeves/Sotheby's selling exhibition,14-20 March 2008 page 118 catalogue number PR98 for a comparable fireplace.
A Liberty & Co English Pewter four piece tea set designed by Archibald Knox, model no.0231, cast in low relief with Art Nouveau whiplash honesty stems, comprising teapot and hinged cover, milk-jug and sugar basin, hot-water jug and cover, on a matched hammered copper tray stamped marks, 19cm high (hot-water pot), (5)
French Hornby 0 Gauge 3-rail Electric ‘Le Bourgignon’ Train Set, comprising ‘OBB’ 8-wheel electric locomotive BB8051 in SNCF green, ‘Stef’ and ‘Saint-Freres’ wagons, circle of rails, clips and 220v controller (sold as work of art, unsuitable for UK use), all G-VG, in original set box, box F, heavily taped
DEAKIN & FRANCIS LTD; a George VI hallmarked silver Art Deco style four piece tea set comprising tea and hot water pots, cream jug and sugar bowl, all of octagonal form with angled handles on spreading circular bases, Birmingham 1945 (teapot) and 1946, height of water jug approx 21cm, combined approx 55ozt (4).
STOWER & WRAGG LTD; a George VI hallmarked silver Art Deco style four piece tea set of shaped rectangular form comprising a teapot, length 28.5cm, with ebonised and ivory detailed angled handle and finial and a coffee pot with fabric filter, a twin handled sugar bowl and a cream jug, Sheffield 1943, combined approx 58.8ozt (4).
JOHN GRINSELL & SONS; an Edward VII hallmarked silver mounted claret jug of ovoid form with clear rock crystal glass body decorated with Art Nouveau style floral motifs attributed to Stevens & Williams, on spreading circular foot, London 1903, height 26.5cm including cast finial. CONDITION REPORT: General condition is good, the silver mount with minor traces of usage commensurate with age such as mild scratches and odd small dints and areas of tarnish/pitting (black dots), with residues of cleaning products, the glass body appears to be intact with no obvious damage, wear to the base, minor surface dirt.
A quantity of hallmarked silver items comprising a pair of Art Nouveau small open salts, Joseph Gloster, Birmingham 1913, a sterling silver small pepper and a beaded napkin ring, both with import marks for Gorham Manufacturing Co, Birmingham 1905, a lidded mustard pot with integral line and associated silver salt spoon, Joseph Gloster, Birmingham, possibly 1914 (marks rubbed), and a loaded silver candlestick of waisted form, James Deakin & Sons, probably Chester 1911 (marks rubbed), weighable silver approx 3ozt, also a plated salt and pepper bearing enamel crest for SS Orcades Mediterranean Cruise 1953, and a plated open salt.
A circa 1900 oak smoker's cabinet with glazed door enclosing tobacco jar and pipe rack section above three drawers, with associated ceramic jar, also a pair of ship's wheel decorated bells, a hammered copper footed bowl by Hugh Wallis, diameter 21cm and a square Art Nouveau decorated dish (5).
An Art Deco silvered spelter figural lamp base modelled as two nude female gymnasts supporting a globular frosted crackled glass shade, height 48cm. CONDITION REPORT: This item is probably reproduction and there is general surface wear and some pitting. We would not be able to ship this item via our in house service and would recommend contacting Mailboxes, Etc. Their contact details can be found here http://www.adampartridge.co.uk/postage.php
A pair of Art Deco style French painted spelter bookends modelled as birds, height 19cm and a further bird ornament on square section plinth, height 15cm (3). CONDITION REPORT: We would recommend contacting Mailboxes Etc regarding postage of this lot, you can find their details on the link below.http://www.adampartridge.co.uk/postage.php
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