Two albums containing a collection of Wills's cigarette cards circa 1900-1910 including Arms of the Bishopric 1907(full set), School Arms (incomplete), various Borough and City Arms (incomplete), Borough Arms 3rd Series 1905 (full set red), Borough Arms 3rd Series 1905 (full set grey) , Borough / City Arms 4th Series 1905 (full set), Nelson Series 1905 (missing 1, 10, 11, 12, 14, 17, 19, 20, 40 and 45), Town / City Arms 1904 (full set), another similar 1904 (full set), another 1903 (46/50), Vanity Fair 2nd Series (missing No. 29). Locomotives 1901 (28/50), Animals and Birds 1900 (x 9), Time and Money in Different Countries 1908 (full set), Royal Families of Europe 1908 (full set) (x 2), Naval Dress and Badges 1909 (full set), Billiards by John Roberts 1909 (x 17), Old English Garden Flowers 1910 (full set), Fish and Bait 1910 (full set), Arms of the British Empire 1910 (full set), The World's Dreadnoughts 1910 (full set) (25), Aviation 1910 (full set), The Coronation Series 1911 (full set), Signalling Series 1911 (full set), Celebrated Ships 1911 (full set), together with two albums of Wills's cigarette cards circa 1910-20 including A Series of 50 Roses, A Series 1912 (full set), Arms of Foreign Cities 1912 (full set), Musical Celebrities 1912 (full set), Historic Events 1912 (full set), Second Series of 50 Roses 1913 (full set), Old English Garden Flowers 1913 (full set), First Aid Series of 50 1913 (full set), Riders of the World Australian Issue 1913 (full set), A Series of 50 Alpine Flowers 1913 (full set), Arms of Companies A Series of 50 1913 (full set), Overseas Dominions (Canada) 1914 (full set), A Series of 50 Garden Life 1914 (full set), Musical Celebrities Second Series 1914 (missing No. 5, 15, 23 and 29), Physical Culture 1914 (Exercises) (full set), A Series of 12 Reproductions of Recruiting Posters 1915 (full set), Famous Inventions 1915 (full set), Famous Inventions New Zealand Issue 1915 (missing 15 Electric Tram), Overseas Dominions (Australia) 1915 (full set), Gems of Belgian Architecture 1915 (full set), British Birds 1915 (full set), Mining 1916 (full set), Military Motors 1916 (no Censor) (full set), Military Motors 1916 (Censor) (full set), Gems of French Architecture 1916 (full set), Gems of Russian Architecture 1917 (full set), Allied Army Leaders 1917 (full set), Britain's Part in the War 1917 (full set) (24) and three albums of Wills's cigarette cards circa 1920-30 including Did You Know 1922 A Series (full set), Wild Flowers 1923 (full set), Lucky Charms 1923 (full set), Gardening Hints 1923 (full set), Merchant Ships of the World 1924 (full set), Did You Know 1924 Second Series (full set), Railway Engines 1924 (full set), Flowering Trees and Shrubs 1924 (full set), Flower Culture in Pots 1925 (full set) and Ships Badges 1925 (full set), New Zealand Butterflies, Moths and Beetles 1925 (New Zealand Issue), Life in the Treetops 1925 (full set), Do You Know Third Series 1926 (full set), Roses 1926 (full set), Flags of the Empire 1926 (full set) (25), Wonders of the Past 1926 (full set), Roses 1926 (full set), Lighthouses 1926 (full set), Zoo 1926 (New Zealand Issue) (full set), Household Hints 1927 (full set), Engineering Wonders 1927 (full set), British Butterflies 1927 (full set), Homeland Events 1927 (New Zealand Issue) (missing 12 and 49), Units of the British Army and RAF 1928 (New Zealand Issue) (full set), Ships and Shipping 1928 (New Zealand Issue) (full set), Cricketers 1928 (full set), Wonders of the Sea 1928 (full set), Cinema Stars First Series 1928 (full set) (25), Cinema Stars Second Series 1928 (full set) (25), Romance of the Heavens 1928 (full set), English Period Costumes 1929 (full set), Rugby Internationals 1929 (full set), Flags of the Empire Second Series 1929 (full set) (25), Cricketers 1929 (full set), Famous Picture in 48 Sections "Between Two Fires by FD MILLETT" (x 1), together with another set (missing No. 5, 20, 21, 28, 29, 33), Railway Locomotives 1930 (No. 6, 11 and 50 of 50), Household Hints 1930 (full set) and three albums of Will's cigarette cards, full sets, large, including Old Silver 1924, Flowering Shrubs 1934, Trees 1937, Celebrated Pictures by British Artists 1916 2nd series, Arms of Universities 1923, Old Furniture 1st Series 1923, Old Furniture 2nd Series 1924, Heraldic Signs & their origin 1925, British Castles 1925, English Period Costumes 1927, Public Schools 1927, British School of Painting 1927, Modern British Sculpture 1928, Old Sundials 1928, Animals and their furs 1929, Rigs of Ships 1929, Cathedrals 1933, Arms of the British Empire 1st Series 1933, Arms of the British Empire 2nd Series 1933, Arms of Public Schools 1st Series 1933, Arms of Public Schools 2nd Series 1934, Famous British Liners 1934, Old Pottery & Porcelain 1934, Famous British Liners 2nd Series 1935, Round Europe 1936, Old Inns A Series 1936, Roses 1936, Famous British Authors 1937, Butterfles & Moths 1938, The King's Art Treasures 1938, Garden Wild Flowers New Varieties A Series 1938, Garden Flowers New Varieties 2nd Series 1939, Racehorses & Jockeys 1938 - 1939, Old Inns 2nd Series 1939
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A brass ball of mistletoe four branch hanging light in the Art Nouveau taste, set with glass beads, on large hanging hook, 40 cm high CONDITION REPORTS Unknown if working. Some of the "berries" are loose and there appear to be a couple missing (ie empty wires). In need of a good clean. Some damage throughout, particularly in the areas where it has been pinned using the brass holders. Otherwise general wear and tear conducive with age and use. See images for further detail.
A pair of Wood & Sons Burslem "Elers ware" vases with stylised floral and foliate decoration in the Art Nouveau taste 27.5 cm high CONDITION REPORTS Both vases are in need of a good clean. One has a rough mark / slightly heavy scratch to its shoulder area. Otherwise both general wear and tear conducive to age and use to include some light surface scratching, firing / glaze faults etc. See images for more details.
A carved oak Gothic Revival style side table on turned legs united by a centre stretcher 83 cm wide x 42.5 cm deep x 88 cm high, a white painted kidney shaped dressing table with floral loose cover and associated triple dressing mirror, a mahogany open bookcase with adjustable shelving 76.5 cm wide x 22 cm deep x 124 cm high and an early 20th Century oak glazed display case in the Art Deco style 57 cm wide x 33 cm deep x 127 cm high
A set of three brass wall lights in the Art Nouveau taste, together with a pair of brass hanging twin branch rise and fall lamps in the circa 1900 taste, one with replacement shade, together with a brass wall mounted adjustable reading light with lace decorated shade No'd, "RD315340" and three further modern wall lights (2 boxes)
An Art Deco Beswick 'Sundial' cheese dish; another, butter dish; other Beswick dishes, etc; a Royal Crown Derby Blue Aves water jug; a pair of Chinese cloisonne vases and covers; a stone advertisong ginger beer bottle, D.W. Bardill, Derby & Burton on Trent; another, W.E. Burrows, Derby; a Burrows & Sturgess advertising pin dish; glass sweets; etc, qty
A pair of Art Deco style marcasite earrings, set with black onyx and amethyst, marked 925; a George V silver cigarette case, Birmingham 1911; a George V silver bar brooch with letter "C" and vine leaves, Birmingham 1918; a lady's Le Rage powder compact, others, Stratton, Coty, Margaret Rose; Revlon face powder, wind-milled, Tawny Rachel, boxed and sealed; Boot's No7 Copper Rose face powder, opened; etc
Miscellaneous Tokens and Checks, WARWICKSHIRE, Birmingham, William Davis and John Macmillan, New Centenary tokens (3), all 1893, in white metal, revs. Council House & Art Gallery, 9.46g/12h (Davis 841); School of Art, 9.32g/12h (Davis 856); School Board Offices, 6.70g/12h (Davis 859), all 29mm [3]. Some surface marks, otherwise extremely fine and excessively rare £200-£300 --- Provenance: S.H. Hamer Collection, Glendining Auction, 26-8 November 1930, lot 702 (part); W. Waite-Sanderson Collection, Glendining Auction, 16-17 November 1944, lot 403 (part); G.W. Spencer Collection, Spink Auction 28, 28 April 1983, lot 152; W.J. Noble Collection, Noble Numismatics Pty Auction 61B (Melbourne), 3-4 August 1999, lot 391; D.E. Litrenta Collection, Part II, DNW Auction 66, 6 July 2005, lot 931; D.B. Griffiths Collection, Part VIII, 3 October 2019, lot 986 First only illustrated. Only three complete sets in white metal were struck, although it is possible that these pieces may not be from a broken set.
17th Century Tokens, KENT, Rochester, Art. Brooker, Farthing, 1.07g/6h (N 2711; BW. 458); William Campian, Farthings, 1658 (2), 1.16g/6h, 1.03g/12h (both N 2698; BW. 460); Robert Cart, Farthing, 1668, 0.52g/6h (N 2699; BW. 461); Robert Churchell, Farthings, 1669 (2), 0.94g/12h, 0.58g/12h (both N 2700; BW. 462); Alice Cobham, Farthing, 1651, 1.05g/6h (N 2703 rev., different obv.; BW. 464); Richard Cobham, Farthings, 1651 (2), 1.12g/6h, 1.03g/6h (both N 2701; BW. 463); Richard Hutcheson, Farthing, 1.19g/6h (N –; BW. 467); John Kennon, Farthing, 1.05g/6h (N 2705; BW. 468); Anthonye Lovell, Farthing, 0.93g/6h (N 2712; BW. 470); Robert Michell, Farthing, 0.99g/6h (N 2706; BW. 472); Richard Newbery, Farthings, 1666 (2), 1.17g/6h, 1.11g/3h (both N 2707/1; BW. 474); Thomas Palmer, Farthing, 0.97g/12h (N 2707/2; BW. 475); Joseph Travers, Farthing, 1666, 1.10g/6h (N 2709; BW. 478); Gilbert Young, Farthings, 1664 (2), 0.74g/3h, 0.58g/12h (both N 2710; BW. 480) [19]. N 2700 at 0.58g, 2705, 2706 and 2707/1 at 1.11g fine, others in varied state, N 2710 at 0.58g pierced and damaged £80-£100 --- Provenance: N 2698 at 1.03g, 2700 at 0.58g, 2701 at 1.12g, 2703 var., 2707/2 and 2709 A Collection of 17th Century Tokens, the property of a Lady, Spink Auction 51, 16 April 1986, lot 128 (part); N 2699 and 2707/1 at 1.17g bt J.L. Holman July 1995; N 2700 at 0.94g with L. Clements September 1914, bt Seaby September 1968; N 2705 bt A. Judd; N 2706 with L. Clements February 1914, bt Seaby September 1968; N 2710 at 0.74g, 2711 and BW. 467 R.E. Josland Collection, Simmons Mailbid Sale 93, 10 June 2020 (66, 71, 78)
PAIR OF OAK, LARCH, AND EBONY MARQUETRY SLATE-TOPPED CABINETS, ATTRIBUTED TO GEORGE BULLOCK EARLY 19TH CENTURY in the Greek Revival style, the grey slate tops above long frieze drawers and pairs of ebony moulded panel doors inlaid with stylised palmettes. anthemions and flower heads, the corners marked with bullseye roundels, enclosing shelved interiors, on bracket feet raised on integrated plinth bases (2) 85cm wide, 97cm high, 45cm deep Note: Several cabinets associated with Bullock are decorated with the same pattern on the door panels and further details are given in Clive Wainwright ed., George Bullock, Cabinet-maker, 1988, pp. 65-66, cat. no. 4 and fig. 24, pp. 104-5, cat. nos. 40-1. The cabinet is also typical of his furniture with its moulded top and heavy plinth. For an example attributed to George Bullock with a similar raised plinth, see Frances Collard Regency Furniture, pg. 112; and for an example with matching inlay to the doors, also attributed to Bullock and supplied to Blair Atholl, Perthshire, in 1817, see the same publication, pg. 134. A cabinet with similarities to the present pair and with identical marquetry to the doors is in the collection of the Victoria & Albert Museum, Access. W.32:1 to 33-1979. The design for the marquetry is among a collection of tracings, originally bound in a scrapbook inscribed 'Tracings by Thomas Wilkinson from the designs of the late Mr. George Bullock 1820' (Birmingham Museum and Art Gallery, unbound no.240). The tracing for this particular design is dated August 1816 (unbound number 240).
19TH CENTURY engraved ‘PETER MYER, HISS HORN, ANO 1759’ as well as the British coat of arms, and a map of the forts in the Hudson and Mohawk valleys; with an attached horn tip plug with the intials P.M. 41cm long, 7cm diameter Note: The present lot similar in design to an 18th century powder horn in the Metropolitan Museum of Art, Accession no. 37.131.4
SIENA, CIRCA 1870 in the Renaissance style, the hinged cover with a raised and carved figure of a recumbent Cupid above richly carved panels with gryphons, insects, and foliate scrolls, opening to a red velvet lined interior; the sides panels with egg-and-dart and gadrooned borders enclosing carved panels with gryphons, masks and a central roundel with a pair of lovebirds, and raised on carved paw feet, signed ‘GOSI e QUERCI’ on left panel 43cm wide, 35cm high, 30cm deep Note: Gosi and Querci were both pupils of Pietro Giusti (1822-78), who carved the casket, dated 1857, now in the Metropolitan Museum of Art, which is based on the cassone by Antonio Barli (1453-1516), now in the Museo Civici, Siena, see H. Blairman & Sons, Furniture and Works of Art (1997), no. 12. For biographies of Gosi and Querci see Simone Chiarugi, Botteghe di Mobilieri in Toscana 1780-1900, 1994, I, p. 492 and p. 530.
A rare and early Doccia teapot, c.1750-52, the fluted baluster form transfer printed in underglaze blue with putti at various pursuits, including playing on a seesaw, after Jacques Stella's Jeux des Enfants, beneath a stampino flower sprays and leaves, the grooved spout with a large acanthus leaf at the base, the cover lacking, 21cm across.Provenance: the Mavis Watney collection.Illustrated: J V G Mallet, Transfer Printing in England and Italy, Transactions of the English Ceramic Circle, Volume 22 (2011). This teapot provided the evidence to back up previously made claims that Doccia combined the art of transfer printing with that of stencilling a stampa.
John Drummond – Street Scene, India, 20th century watercolour, signed, 30cm x 36.5cm, within a gilt frame. Note: John Drummond was a prominent figure in the world of design, born in County Antrim, Northern Ireland. After serving in India with the RAF during WWII, he studied Printed Textiles under Dora Batty at the Central School of Arts & Crafts. Drummond's talents garnered international recognition, with commissions in the UK and the USA for esteemed companies such as Cole's Wallpapers, Sanderson's and Katzenbach & Warren. Additionally, he created striking silk panels, murals and decorative glass panels for institutions worldwide, leaving an indelible mark on the landscape of interior design. Drummond's legacy also includes his contributions as a part-time tutor at notable institutions, including Central Saint Martins and the Royal College of Art.
John Drummond – ‘Varanasi Banaras, India, 2003’, watercolour, 52cm x 58.5cm, within a gilt frame with applied titled and dated plaque. Note: John Drummond was a prominent figure in the world of design, born in County Antrim, Northern Ireland. After serving in India with the RAF during WWII, he studied Printed Textiles under Dora Batty at the Central School of Arts & Crafts. Drummond's talents garnered international recognition, with commissions in the UK and the USA for esteemed companies such as Cole's Wallpapers, Sanderson's and Katzenbach & Warren. Additionally, he created striking silk panels, murals, and decorative glass panels for institutions worldwide, leaving an indelible mark on the landscape of interior design. Drummond's legacy also includes his contributions as a part-time tutor at notable institutions, including Central Saint Martins and the Royal College of Art.
John Drummond – Street Scene with Camel pulling a Cart, India, 20th century watercolour, signed, 29cm x 36cm, within a gilt frame. Note: John Drummond was a prominent figure in the world of design, born in County Antrim, Northern Ireland. After serving in India with the RAF during WWII, he studied Printed Textiles under Dora Batty at the Central School of Arts & Crafts. Drummond's talents garnered international recognition, with commissions in the UK and the USA for esteemed companies such as Cole's Wallpapers, Sanderson's and Katzenbach & Warren. Additionally, he created striking silk panels, murals, and decorative glass panels for institutions worldwide, leaving an indelible mark on the landscape of interior design. Drummond's legacy also includes his contributions as a part-time tutor at notable institutions, including Central Saint Martins and the Royal College of Art.
John Drummond – ‘Gateway of India, Mumbai’, 20th century watercolour, signed recto, titled label verso, 27cm x 32.5cm, within a gilt frame. Note: John Drummond was a prominent figure in the world of design, born in County Antrim, Northern Ireland. After serving in India with the RAF during WWII, he studied Printed Textiles under Dora Batty at the Central School of Arts & Crafts. Drummond's talents garnered international recognition, with commissions in the UK and the USA for esteemed companies such as Cole's Wallpapers, Sanderson's and Katzenbach & Warren. Additionally, he created striking silk panels, murals, and decorative glass panels for institutions worldwide, leaving an indelible mark on the landscape of interior design. Drummond's legacy also includes his contributions as a part-time tutor at notable institutions, including Central Saint Martins and the Royal College of Art.
An Art Deco diamond and blue zircon pendant, collet set with a cushion shaped blue zircon above a circular cut blue zircon within an abstract geometric design, otherwise mounted with variously cut diamonds, unmarked, weight 6g, length 3.5cm, with a later 9ct white gold box link neckchain on a boltring clasp, detailed ‘375’, weight 5.8g, length 50cm, with a case.
John Drummond – The River Ganges at Varanasi, India, 20th century watercolour, signed, 30cm x 39cm, within a gilt frame. Note: John Drummond was a prominent figure in the world of design, born in County Antrim, Northern Ireland. After serving in India with the RAF during WWII, he studied Printed Textiles under Dora Batty at the Central School of Arts & Crafts. Drummond's talents garnered international recognition, with commissions in the UK and the USA for esteemed companies such as Cole's Wallpapers, Sanderson's and Katzenbach & Warren. Additionally, he created striking silk panels, murals, and decorative glass panels for institutions worldwide, leaving an indelible mark on the landscape of interior design. Drummond's legacy also includes his contributions as a part-time tutor at notable institutions, including Central Saint Martins and the Royal College of Art.
Florentine School, after Rembrandt – Self Portrait as a Young Man, 19th century oil on board, inscribed verso ‘Paoletti, 15 via dei Fossi, Firenze’, 19.5cm x 15cm, within a gilt Florentine frame. Note: Ferretti e Paoletti was a commercial art gallery recorded as being in operation at this address in 1880, see ‘Indicatore generale della città di Firenze amministrativo, commerciale, artistico, industriale e stradale’ (Tip. Galletti e Cocci, Florence, 1880) p.105.
Collection of assorted items to include: Art pottery Welsh red dragons; one marked Nantgarw chinaworks 2014 and both with inscribed initials JH, Royal Doulton shoe shaped ceramic pin cushion, a Steuben glass geometric shaped paperweight with covering bag and a brass bell with carved wooden handle. (B.P. 21% + VAT) Height of Dragons: 22.5 and 19cm high approx. No obvious damage.
Vintage Carlton Ware pink 'Buttercup' flower design breakfast set comprising; small teapot, sugar bowl, milk jug, two cups and saucers and a marmalade dish. Together with a Royal Paragon Art Deco style tulip design breakfast set to include: teapot, water jug, sugar basin, milk jug and a trio, marked replica of a service made for the Queen. (2) (B.P. 21% + VAT) Carlton ware has crazing in places. Paragon jug is chipped. Otherwise no obvious damage.
Two trays of china to include: Mostly Royal Doulton; floral miniature basket, moulded owl design wall pocket, Dickens ware jugs, pin trays and plates, a small tea caddy with impressed mark Noke for Charles Noke decorated with the figure of an old lady with a cup of tea, series ware cup and plate, landscape design plates, Tunis saucer, conserve pot, an Arthur Wood Art Deco design wall pocket etc.(B.P. 21% + VAT)
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641361 item(s)/page