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Lot 74
An aquamarine and diamond ring, in the Art Deco style, with central rectangular cut aquamarine, 8.8mm x 6.6mm x 4.2mm, with four round brilliant cut diamond corners, in rub over setting, with two/three design baguette cut diamond sides, white metal band, stamped 18ct, ring size N½, .2g all in.
Lot 276
Helen Stuart (fl. 1880s), portrait of a Maori wearing a huia -feather head-dress, over-painted gelatin silver print, signed and dated 1885, 22" x 21", framed, together with a bronze prize medallion from the Colonial and Indian Exhibition London 1886. The Christchurch Star of 5th November 1886 reported that a photograph of a Maori coloured by Helen Stuart was Included In an exhibition of New Zealand art, part of the Colonial and Indian Exhibition, held at the Royal Albert Hall In London, where examples of Martins ethnological and topographical Photographs are also recorded as being exhibited.
Lot 260
A GEORGE V SILVER RECTANGULAR CIGARETTE BOX, Art Deco style engraved corners and engine turned hinged cover, cedar wood lined interior, makers Sanders & Mackenzie, Birmingham 1936, width 17cm x depth 8.5cm x height 4cm, together with a George V silver ashtray of square form, engine turned borders, maker's mark rubbed, Birmingham 1934, 9.5cm square, a cased pair of Edwardian silver shall shaped butter dishes, maker Atkin Brothers, Sheffield 1903/04, with a near pair of mother of pearl handled butter knives with silver blades, makers Vale & St John Ltd, Birmingham 1922, dishes approximate weight 2.1ozt, 65 grams and a cased set of six silver handled dessert knives and forks, James Deakin & Sons, Sheffield 1913 (4) (condition: cigarette box has a number of dints to all surfaces, hallmarks partially rubbed, one butter dish has a slight dint to an edge, butter knives have different engraving and one handle is shorter than the other, the longer handle is loose from the silver mount, the ashtray has surface scratches and dints to corners, three of the dessert forks have been glued to the handles and are slightly twisted)
Lot 645
AN ART DECO BURR WALNUT SIDEBOARD, lipped top flanked by shaped front corners, central breakfront above four drawers, flanked by single cupboard doors with brass shaped handles, width 170cm x depth 75.5cm x height 95cm (condition: recently refurbished with some newer timbers, some veneer lifting a but not severe)
Lot 662
AB ROGERS (1968-PRESENT), a bespoke children's pod/bed, made out of fibreboard painted with high gloss red, one of an opposing pair (left side pod) made for art dealer Kenny Schachter, the pods were to house desks, T.V's and mattresses for children, the pod has a single red button which releases a pneumatic hinged escape door, the idea came from when the Kenny's children AB Rogers pictures of race cars, spaceships and SpongeBob Square Pants to help design the pods, length 235cm x depth 160cm x height 102cm (condition: structure solid, magnetic button working, some edges and corners with lifted gloss revealing fibreboard, the interior with wear and clear usage, overall restoration work is required)
Lot 351
CLEMENT MASSIER, a tall lustre glaze vase with stylised leaf decoration of the Art Nouveau period, impressed and painted 'Clement Massier, Golf Juan' to the base, due to damage to the top it currently stands at approximately 38cm, it would have been 60cm pre-damage (condition: small chips to the glaze and reduced in height due to damage)
Lot 532
L.S. LOWRY (BRITISH 1887-1976), 'Peel Park, Salford', a limited edition lithograph print 387/850, signed in pencil to the margin lower right, Fine Art Trade Guild blind stamp lower left, published by Venture Prints of Bristol in 1975, mounted, unframed, approximately 42cm x 79cm (Artists Resale Rights May Apply To This Lot) (condition: the print is in very good condition, no sign of fading, no tears, dirty marks to the mount) As per catalogue description the print is in good condition but the mount is dirty, however the print has been sellotaped to the mount backing/hinge
Lot 235
AN ART DECO 18CT GOLD DIAMOND AND SAPPHIRE COCKTAIL WATCH, the rectangular white dial with black Arabic numerals, scrolling and beaded milgrain detail to the case, set with eight diamonds and four sapphires, to the black leather cord strap, mechanical hand wound movement, case back stamped 18k, gross weight 12.5 grams
Lot 244
A GEORGE V SILVER CIRCULAR BON BON DISH, beaded rim above a border pierced with foliate scrolls and panelled base, on four open scroll cabriole legs, makers S & Co, Birmingham 1923, diameter 11cm x height 4.5cm, a George V silver oval sauce boat with wavy rim, 'C' scroll handle, on three cabriole legs, makers Viner's Ltd, Sheffield 1936, an Elizabeth II Art Deco style silver sugar caster, maker Sanders & Mackenzie, Birmingham 1968, height 14cm and a twin handled sugar bowl, marks rubbed, possibly Birmingham 1903, approximate gross weight 12ozt, 375 grams (4) (condition: caster has a dent towards the base, sugar bowl has rubbed marks)
Lot 535
SIR WILLIAM RUSSELL FLINT (1880-1969), three signed limited edition prints to include 'Rosa and Marisa' 182/700, 'The Nuns Class, La Chariti' incorrect number, edition size 325 and 'Group of Idlers' 119/850, all with Fine Art Trade Guild blind stamp bottom left, largest approximately 52cm x 68cm, mounted, unframed (Artists Resale Rights May Apply To This Lot) (condition: prints are in very good condition, creases to the corners of the mounts)
Lot 317
AN ART NOUVEAU ROYAL DUX TABLE CENTREPIECE, circa 1900, modelled as a maiden seated feeding two doves before a semi-circular dish moulded with swags of roses, bears applied pink triangle mark and with printed and painted marks, height 23cm x width 26cm (condition: the dove facing the maiden has a chip to the tail feathers, the underside has a little crazing in the glaze, no other damage noted)
Lot 533
SIR WILLIAM RUSSELL FLINT (1880-1969), four signed limited edition prints, to include 'The Silver Mirror' 832/851, 'Cecelia' 727/750, 'The Danza Montana' 422/751 and 'Variations IV' 432/850, all with Fine Art Trade Guild blind stamp bottom left, mounted, unframed, largest approximately 51cm x 66cm (Artists Resale Rights May Apply To This Lot) (condition: the prints are in very good condition, small creases to the mounts)
Lot 522
MANNER OF WILLIAM SHAYER (BRITISH 1787-1879), THE KELP GATHERERS, grey pony and covered cart with four figures on a beach, boats, figures and coastline beyond, oil on canvas, attribution and titled scratched into top stretcher, bears Lot No. for Biddle & Webb Lot 859 March 2005 Fine Art / Prints auction, papered canvas edge inked S.B.F. No.2, 44cm x 59cm (condition: no signature or date visible to front of canvas, checked under UV light, oils have crackled in places, especially upper left hand quarter but no losses, holes or patches noted)
Lot 547
AN AMERICAN FOLK ART COLLAGE DEPICTING AN AFRICAN AMERICAN MAN AND WOMAN, both are depicted wearing working clothes and are hand in hand, they are boarded by a pair of curtains, framed and glazed, approximately 25cm x 20cm, the picture was given as a gift to the vendor by the American Billionaire Howard Gilman
Lot 534
SIR WILLIAM RUSSELL FLINT (1880-1969), three signed limited edition prints, to include 'Eve and Yasmin and an Unfinished Picture' 418/701, 'A Question of Colour-Portovenere' 750/751, 'Variations on a Theme' 423/850, with Fine Art Trade Guild blind stamp bottom left, mounted, unframed, largest approximately 49cm x 63cm (Artists Resale Rights May Apply To This Lot) (condition: prints are in very good condition, small creases and dirty marks to the mounts)
Lot 82
Collection of British 19th century scrapbooks, folios, photographs and drawings. Includes the designs for the grave monument of Rev. John Henry Robertson Sumner and his wife Elizabeth Anne Sumner, a watercolour copy of a Rubens self-portrait, watercolour of HMS Cornwallis, signed photograph of the composer Sir George Martin, a group of Continental prints depicting Venice and Belgium dated 1932 and 1934 by the same hand. Further folios contain reproduction prints of renaissance art, watercolours and sketches by an unknown hand, and early 20th century theatre photographs. A Quantity, various sizes (Qty: Quantity)
Lot 420
CATALOGUE AMENDMENT: THERE IS NO EVELYN WAUGH AUTOGRAPH IN THIS LOT. PLEASE ALSO NOTE THE FOLLOWING 'A collection of letters written by King Charles I and King Charles II', Volume III, pub. Knapton, London 1735 WHICH HAS BEEN ON VIEW WITH THIS LOT IS NOT PART OF THIS LOT BUT 421: Famous Art and Literature, Historical and Statesmen including: J M Barrie (Peter Pan) (1860-1937), a letter; two letters from Arthur Conan Doyle (Sherlock Holmes)(1859-1930); artists including Alfred Gilbert, Ernest A Waterlow, Alma Tadema; Bishops including A F Winnington Ingram, Bishop of London 1901-39; and many other autographed letters; also a visitor's book from Victoria College, Alexandria (a lot)
Lot 418
Arts and Literature: Sir John Everett Millais (1829-96), English painter of the Pre-Raphaelite Brotherhood, a letter of acceptance to Sir William Tite, Architect, signed on Artists' General Benevolent Inst. Paper, dated 1872; and other letters to Tite including William Makepeace Thackeray, Novelist (1811-63) (and another to another recipient); four from John Ruskin, Art Critic, patron, social thinker and philanthropist (1819-1900); two from Daniel Maclise, Irish painter (1806-70); James Orchard Halliwell-Phillips , Shakespearian scholar (1820-99), two letters pertaining to the purchase of early Shakespeare editions; an interesting letter from Benjamin Robert Haydon (1786-1846), British painter of large historical pictures, regarding his proposed installation of large historical paintings in the newly rebuilt Royal Exchange, a proposal which was rejected at the time and then subsequently commissioned many years later; sadly Haydon did not see his vision come to fruition as he had taken his own life not long after the plan was rejected; Thomas Sidney Cooper, artist (1803-1902); Sir Charles Lock Eastgate PRA, British Painter, President of the Royal Academy and writer (1793-1865) x 2 (and one to another recipient); letters to other recipients by Sir Francis Leggatt Chantry RA, leading Regency portrait sculptor (1781-1841); William Etty RA, English historical painter (1787-1849); Alfred Parsons RA, English painter (1847-1920) x 2; Thomas Hughes QC, author of Tom Brown's Schooldays (1822-96); Thomas Carlyle, Scottish philosopher (1795-1881); Charlotte Mary Younge, English novelist (1823-1901); William Michael Rossetti, English writer and critic (1829-1919), signed catalogue of photographic prints of Dante Gabriel Rossetti's works; Robert Browning, poet (1812-89), signature only (27 items)
Lot 263
Edwardian 9ct gold and garnet openwork pendant necklace, the pendant centred with a round cut garnet in an Art Nouveau setting with flowerheads centred with small pearls and with a tear shaped garnet suspended beneath, the pendant 40mm x 22mm, with loop for suspension from a 9ct gold curb link necklace, length 45cm, gross weight approx. 7.8g
Lot 199
Rare Joseph Henry Medal, in 14ct gold, awarded by The Smithsonian Institution to Frank Augustus Taylor in 1968, produced by Medallic Art Company, New York, after original designs by W & C Barber, condition EF, 64mm diameter, weight approx. 183.2gNB: Awarded for exceptional service to the Institution. F A Taylor was Director General of the museum and the founder director of the National Museum of History & Technology, now the National Museum of American History
Lot 1385
A Rennell Island stone head club baukiaga Melanesia with an eight point basalt head, fibre bound to a wood handle, 19th century, 40cm long, on a stand. (2) Provenance Private Collection, Melbourne. Mark and Carolyn Blackburn, Hawaii. Bonhams, Los Angeles, Africa & Oceanic Art, 11 May 2016, lot 133 Published Kaeppler, Adrienne, Polynesia: The Mark and Carolyn Blackburn Collection, 2010, p. 273, fig. 231. According to Kaeppler "This rare club has a finely shaped stone head. Most known examples are entirely made of wood. Only four other stone-head examples are known. These are in the Otago Museum, Dunedin, N.Z.; British Museum, London; Cambridge Museum of Archeology and Anthropology, U.K.; and Brisbane Museum, Australia."
Lot 1558
A Maori presentation paddle New Zealand with a slender leaf shape blade and scroll handle, carved tiki, scrolls and notches, the tip painted gilt and the centre of the blade inscribed with the greeting Kia Ora, 177cm long. Provenance Woolley and Wallis, Tribal Art, 2nd September 2015, lot 781.
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641361 item(s)/page