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Lot 38
JEAN HIPPOLYTE MARCHAND (FRENCH, 1883-1940) (5)Place de la Concord pencil on paper 22 x 22cm together with Houses on the corner of the street; Paysage; Study of a man seated on a bench; and Study of a carriage by the same hand (5) Provenance Crane Kalman Gallery, London, from whom purchased by Terence Mullaly; Property from the collection of art critic Terence Mullaly
Lot 224
A SILVER FOUR PIECE TEA SET AND A PAIR OF SILVER SUGAR TONGS (5)The tea set comprising; a teapot, a hot water jug, a twin handled sugar bowl and a milk jug, each piece of Art Deco inspired design and monogram engraved, the larger pieces with black composition fittings, Birmingham 1936, the sugar tongs with engraved decoration, combined gross weight 1450 grams
Lot 40
JEAN HIPPOLYTE MARCHAND (FRENCH, 1883-1940) (5)Study of a semi-nude water carrier pencil on paper 40 x 25cm together with Figure study by a wheel; A street corner; Study of a hilltop toen; Figure study (5) Provenance Crane Kalman Gallery, London; Property from the collection of art critic Terence Mullaly
Lot 155
MARGARET METCALFE (BRITISH, 1877-1972) (7)Study of an African soldier pencil 34 x 21.5cm (unframed) together with six other studies of people in pencil, watercolour and pen and ink, the largest 46 x 25cm, (all unframed) (7) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 39
JEAN HIPPOLYTE MARCHAND (FRENCH, 1883-1940) (4)Self-portrait ink on paper 20 x 16.5cm together with Gun Carriage; Figures by a cart; and Still life with fruit and a cup (4) Provenance Crane Kalman Gallery, London, from whom purchased by Terence Mullaly; Property from the collection of art critic Terence Mullaly
Lot 147
LANTA SPURRIER (BRITISH, 1905-1981) (QTY)Trees in a landscape signed 'Lanta Spurrier' (lower left) watercolour 28 x 38.5cm (unframed) together with a quantity of watercolour and pencil sketches by the same hand, the largest 63 x 51.5cm, and exhibition posters (qty) ARRFootnoteATALANTA (LANTA) SPURRIER (1905-1981)Was a British painter known for painting en plein air with direct, bold brushwork and a strong sense of colour. She studied at the Chelsea School of Art under Augustus John, by then considered one of Britain’s foremost painters of a broadly impressionistic style. Spurrier subsequently established a studio in Chelsea where she also taught. She later moved to the Surrey/Sussex borders and worked from a studio at South Holmwood, near Dorking. Spurrier travelled widely, painting in France, Switzerland, Austria, Greece and most frequently Italy. Alongside her studio practice Spurrier also worked in commercial art design, mostly book covers and posters, with projects including the National Henry Wood Fund and the London Olympic Games Exhibition.
Lot 145
LANTA SPURRIER (BRITISH, 1905-1981) (9)View across fields signed 'Lanta Spurrier' (lower right) watercolour 38 x 51cm (unframed) together with eight other watercolours by the same hand, the largest 38.5 x 56cm, (all unframed) (9) ARRFootnoteATALANTA (LANTA) SPURRIER (1905-1981)Was a British painter known for painting en plein air with direct, bold brushwork and a strong sense of colour. She studied at the Chelsea School of Art under Augustus John, by then considered one of Britain’s foremost painters of a broadly impressionistic style. Spurrier subsequently established a studio in Chelsea where she also taught. She later moved to the Surrey/Sussex borders and worked from a studio at South Holmwood, near Dorking. Spurrier travelled widely, painting in France, Switzerland, Austria, Greece and most frequently Italy. Alongside her studio practice Spurrier also worked in commercial art design, mostly book covers and posters, with projects including the National Henry Wood Fund and the London Olympic Games Exhibition.
Lot 141
LANTA SPURRIER (BRITISH, 1905-1981) (10)Trees in a landscape with floodwater signed 'Lanta Spurrier' (lower right) watercolour and gouace 38 x 51 (unframed) together with nine other works on paper by the same hand, the largest 41.5 x 56cm (all unframed) (10) ARR Five works are signed, five works unsigned.FootnoteATALANTA (LANTA) SPURRIER (1905-1981)Was a British painter known for painting en plein air with direct, bold brushwork and a strong sense of colour. She studied at the Chelsea School of Art under Augustus John, by then considered one of Britain’s foremost painters of a broadly impressionistic style. Spurrier subsequently established a studio in Chelsea where she also taught. She later moved to the Surrey/Sussex borders and worked from a studio at South Holmwood, near Dorking. Spurrier travelled widely, painting in France, Switzerland, Austria, Greece and most frequently Italy. Alongside her studio practice Spurrier also worked in commercial art design, mostly book covers and posters, with projects including the National Henry Wood Fund and the London Olympic Games Exhibition.
Lot 144
LANTA SPURRIER (BRITISH, 1905-1981) (10)Trees in a landscape, downland beyond watercolour and bodycolour 40.5 x 51cm (unframed) together with nine other works on paper by the same hand, the largest 38 x 56cm, (all unframed) (10) ARRFootnoteATALANTA (LANTA) SPURRIER (1905-1981)Was a British painter known for painting en plein air with direct, bold brushwork and a strong sense of colour. She studied at the Chelsea School of Art under Augustus John, by then considered one of Britain’s foremost painters of a broadly impressionistic style. Spurrier subsequently established a studio in Chelsea where she also taught. She later moved to the Surrey/Sussex borders and worked from a studio at South Holmwood, near Dorking. Spurrier travelled widely, painting in France, Switzerland, Austria, Greece and most frequently Italy. Alongside her studio practice Spurrier also worked in commercial art design, mostly book covers and posters, with projects including the National Henry Wood Fund and the London Olympic Games Exhibition.
Lot 149
MARGARET METCALFE (BRITISH, 1877-1972) (4)Portrait of a boy wearing a white tunic and cap signed with initials 'M. M.' (lower left) watercolour and white 28.5 x 19cm (unframed) together with two other watercolours by the same hand; Portrait of a boy in a white tunic and cap, 23.5 x 18cm; A boy sitting by a plant, 29 x 23cm; and a pastel portrait by the same hand, 41.5 x 30.5cm, (all unframed) (4) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 93
ARCHIBALD THORBURN (BRITISH, 1860-1935) (5)Mallard on the shore signed 'Archibald Thorburn' (in lower margin), published by W.F. Embleton, with Fine Art Trade Guild blindstamp (lower left) reproduction print 29.5 x 40cm together with two copies of Pintail on the Shore; Wigeon in flight; and Capercaillie in a scots pine forest, reproduction prints by the same hand (5)
Lot 801
A VIETNAMESE WORK ON PAPER FOR A COMMUNIST PROPAGANDA POSTERCirca 1968 'We did our utmost to construct and defend in the North Support the Revolution for Liberating the South', signed lower right Binh, mixed media on paper, later mounted and framed, 93.5 x 74cmProvenance: Acquired from Ben Thanh Art, Fine Art Gallery, Ho Chi Minh City
Lot 156
MARGARET METCALFE (BRITISH, 1877-1972) (7)Yoa Dancer and Singer, Minstrel inscribed (lower left and right) watercolour and pencil 28 x 18.5cm (unframed) together with five watercolours and one pencil study of African people, the largest 31 x 24cm, (all unframed) (7) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 153
MARGARET METCALFE (BRITISH, 1877-1972) (9)The Little Fruit Shop, Zanzibar signed and dated 'M. Metcalfe Feb 36' (lower right) and titled (lower left) pastel 37 x 29cm (unframed) together with eight other pastels of African scenes by the same hand, the largest 30 x 46cm, (all unframed) (9) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 41
JEAN HIPPOLYTE MARCHAND (FRENCH, 1883-1940) (5)View from a hilltop town pencil on paper 19.5 x 30.5cm together with Study of rooftops with a church beyond; Figure study; Study of a church through trees; Study of factory buildings (5) Provenance Crane Kalman Gallery, London; Property from the collection of art critic Terence Mullaly
Lot 142
LANTA SPURRIER (BRITISH, 1905-1981) (11)Artichoke signed 'Lanta Spurrier' (lower right) watercolour and bodycolour 40.5 x 16.5cm (unframed) together with ten other works on paper by the same hand, the largest 51 x 61cm, (all unframed) (11) ARRFootnoteATALANTA (LANTA) SPURRIER (1905-1981)Was a British painter known for painting en plein air with direct, bold brushwork and a strong sense of colour. She studied at the Chelsea School of Art under Augustus John, by then considered one of Britain’s foremost painters of a broadly impressionistic style. Spurrier subsequently established a studio in Chelsea where she also taught. She later moved to the Surrey/Sussex borders and worked from a studio at South Holmwood, near Dorking. Spurrier travelled widely, painting in France, Switzerland, Austria, Greece and most frequently Italy. Alongside her studio practice Spurrier also worked in commercial art design, mostly book covers and posters, with projects including the National Henry Wood Fund and the London Olympic Games Exhibition.
Lot 148
MARGARET METCALFE (BRITISH, 1877-1972) (3)'What will your wealth profit you, if you return to find your home destroyed', Study for poster signed, dated and inscribed 'M. Metcalfe august 1940' (lower right) and further inscribed (lower left) watercolour 57 x 39cm (unframed) together with two other watercolours by the same hand, Portrait of a man, signed (lower right) and inscribed and dated '1959' (on mount), 43.5 x 27cm; and Study of a woman, inscribed (lower left), 48 x 31cm, (both unframed) (3) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 740
MICHAEL FLEISCHER (S.AFRICAN 1915-1991): A BRONZE CAST OF 'THE TRUMPETER 'With monogram 'MF' and edition 3/6 to the cast, 20cm high (ARR)Fleischer studied classical art in West Germany, Rome, Paris and Madrid before moving to South Africa in 1963. He had over 100 solo exhibitions in in Romania, Germany, and South Africa.
Lot 152
MARGARET METCALFE (BRITISH, 1877-1972) (7)Sitting for a portrait black and white chalk 24 x 32cm (unframed) together with six pastels by the same hand; A tribal mask, 31 x 24cm; A village street, 23 x 32cm; The porch of a house, 38 x 28cm; A tree lined path, signed, 38 x 30.5cm; Still life of fruit, 38 x 35cm; and Surreal pink figure, 51 x 38cm, (all unframed) (7) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 150
MARGARET METCALFE (BRITISH, 1877-1972) (4)Durban Docks signed and dated 'M. Metcalfe 50' (lower right) and titled (to mount) watercolour 20.5 x 16cm (unframed) together with three other watercolour by the same hand; Harvesting Bananas, 36.5 x 21.5cm; A woman in tribal dress, 19.5 x 14cm; and A study of a man sitting on a wall, with a pencil study of a man (verso), 26.5 x 18cm, (all unframed) (4) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 809
AN ART DECO MARBLE AND BRONZE 8 DAY MANTEL CLOCKMounted with a reclining Saluki, inscribed to the cast ‘Lemo’, the recumbent hound beneath circular dial encased in alabastro fioritio, mounted with portor marble plinth, 67cm long Condition report: Dirt, dust and general inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age. Tarnishing / oxidization also commensurate with age. The movement with a winding key. No guarantee of working order: when wound it appears not to work. See image of reverse. Gold medallion seal for F. Marti.
Lot 154
MARGARET METCALFE (BRITISH, 1877-1972) (7)Study of a boy seated watercolour and pencil 28 x 19cm (unframed) together with six other watercolour studies of people, the largest 23 x 28cm, (all unframed) (7) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 151
MARGARET METCALFE (BRITISH, 1877-1972) (7)Zanzibar signed 'M Metcalfe' (lower right) and titled (lower left) watercolour 31 x 23cm (unframed) Exhibited Natal Society of Artists together with six other watercolour by the same hand; The Old Thorn Tree, Zomba Plateau Road, signed, 23.5 x 32cm; Lake Shilwa from Zomba Plateau, signed, 44 x 27cm; Tarmac, Ntondwe, signed, 26.5 x 22.5cm; Fire in the Blue Gums, signed, 25.5 x 36cm; Smoulder, signed, 24 x 34cm; and Drakensburg, signed, 24.5 x 34.5cm, (all unframed) (7) ARRProvenanceThe artist, thence by descent to her grandson;Private collection, UKFootnoteMargaret was brought up in Horsted Keynes, East Sussex. She studied art at the Slade under Professor Tonks alongside Gwen and Augustus John. She then set up and ran a small commercial art studio in London. When she married, she moved to Nyasaland (Malawi) with her husband who worked for the Agriculture Department of the Colonial Office. They had a small farm of their own where Metcalfe stayed until moving back to the UK in the early 1960s. Throughout her long life she produced a large and varied body of work, much of it recording the people and landscapes of her beloved African home. She regularly exhibited her work both in Malawi and South Africa.The purpose of this sale of work is to raise money for the charity “Mary’s Meals” so as to provide free lunches for schoolchildren in Malawi.
Lot 462
A collection of clear and coloured art glassware, including an Art Deco scent bottle and stopper and a pot and cover, largest 54cm in length. Condition - mostly fair Orange vase in good condition - perhaps Whitefriars. Four other square-section vases also suggestive of Whitefriars, one with chip to neckrim, another with bruise to side, another with chipped corner at neckrim, the tallest with nicks to neckrim. Scent bottle wear to blue pigment and silver lustre, stopper small chip to top and to flange. Rectangular blue box chipped. Most other items with minor chips.
Lot 529
TWO BOXES OF CERAMICS, GLASS, DECORATIVE HOMEWARE AND SOFT TOYS, to include a Beswick preserve pot no 2245, a pink gourd shaped art glass vase, a smaller clear and purple glass vase, a Stonelite resin figure of a girl, a Leonardo Collection blue tit figure group, a small freestanding mirror, a box of assorted teddy bears and soft toys, etc (2 boxes) (sd)
Lot 558
TWO BOXES AND LOOSE MISCELLANEOUS SUNDRIES, to include a boxed 'The Doorman at Harrods of London', two brass kitchen scales, a brass nutcracker in the form of a dog, cast iron shoe last, two vintage umbrellas, a 1988 Beano annual, a May 17th 1933 edition of Punch, a book 'Cap Guns with Values' by James Dundas, a souvenir tribal art dart gun (possibly Aboriginal) and rain stick, etc. (s.d) (2 boxes + loose)
Lot 528
A GROUP OF CERAMICS AND SUNDRY ITEMS, to include a boxed Royal Worcester 'A Hero Comes Home' limited edition character jug, a Royal Doulton 'Fair Lady' HN2193 figurine, a Moorland Pottery art deco style conical sugar sifter, a boxed 1997 royal commemorative Bell's whisky decanter, a Jameson Irish Whiskey jug, nursery ware including a Staffordshire Potteries Ltd 'Ken Dodd's Diddymen 1970' cup and two Wedgwood Peter Rabbit cups, a netsuke in the form of mice in fruit and a similar piece depicting two rodents climbing on a bird cage, etc (18 + 2 boxes) (Condition Report: most pieces appear in good condition, there are a couple of tiny cracks in the base of the birdcage, pair of vases have a little glaze loss, sd to Worcester box)
Lot 386
A GROUP OF FIVE NYMPHENBURG WHITE PORCELAIN DOGS AND ONE OWL FIGURE, comprising an owl reading a book, embossed with the motto 'In Arte Voluptas' (In Art Lies Pleasure), height 15cm, a recumbent Borzoi hound, impressed and printed marks to the base, height 12.5cm x length 28.5cm, two small hunting dog figures, height of tallest 7.5cm , both with impressed and printed marks to base, a small terrier, height 6cm, together with a small Spaniel impressed and printed marks to the base, height 4cm x length 6.5cm (6) (Condition Report: would benefit from a wash, no obvious damage)
Lot 542
FIVE BOXES AND LOOSE CERAMICS AND GLASS WARE, to include a mid - twentieth century Austrian vase marked 4275-27, an art pottery figure of a hound (sd), hand painted Noritake tea ware, a nineteen piece Wedgwood Summer Bouquet part tea set, Magnor Norway Per Spook mugs and plates, a large Quantock Design studio pottery tankard with lion design, a Mary Gregory style cranberry glass claret jug, etc (5 boxes + loose) (sd)
Lot 464
A BOX OF VINTAGE VANITY WARE to include a boxed vanity set comprising two brushes and a hand mirror, a vintage Barbola bevelled mirror with flower design, an art deco Parkland LSM enamelled powder compact with original blusher inside, a vintage enamelled Kigu lipstick case with duck pattern, a handmade decorative panel with 1907 written on the reverse, a boxed vintage Hammersley porcelain rose brooch by Scruples for Royal Worcester, a vintage perfume bottle case, a tin of Les Carrés de Chocolate Maxim's de Paris inclusive of original chocolates, a Japanese vanity brush holder, a vintage compact, two souvenir miniature chairs (1 box) (s.d)
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