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Lot 584

ART NOUVEAU STERLING SILVER BACKED VANITY MIRROR decorated in relief with flowers and female face

Lot 70

VINTAGE OAK ART NOUVEAU STYLE KNEE-HOLE DESK with shelf top and bank of four drawers to either side

Lot 515

A mixed lot of vintage bakelite/plastic ware including dressing table items, art deco photo frame, retro Smiths Astral clock etc.

Lot 9

A quantity of coloured glass including an art deco perfume bottle

Lot 220

3 pieces of retro orange art glass vases

Lot 259

An art glass bowl, cranberry glass lidded pot, small oriental teapot and a bowl

Lot 185

Art deco Adderley ware graduated meat platters and blue and white tureen and plates

Lot 304

6 pairs of earrings including art deco

Lot 224

A modern art pressed metal wall plaque

Lot 468

2 art glass bowls and a pair of glass pipes on wooden rack

Lot 154

Phillpotts (Eden) The Girl and the Faun, one of 350 copies on hand-made paper signed by the author and artist, decorative title & frames to text printed in plate brown and tipped-in colour plates by Frank Brangwyn, later half green morocco, by Zaehnsdorf, t.e.g., others uncut, 1916 § Stevenson (R.L.) Prayers written at Vailima, printed in red and black with colours from an illuminated manuscript by Alberto Sangorski and heightened in gold, light spotting, handsomely bound in contemporary crushed purple morocco elaborately blocked in gilt with decorative corner-pieces and central lozenge, spine gilt, t.e.g., others uncut, 1910 § Butterworth (A.M.) William Blake, Mystic: a Study, one of 250 copies, engraved illustrations, original buckram, uncut, spine browned, Liverpool & London, 1911 § Day (Lewis F.) Of William Morris and his work, Easter Art Annual, Art Journal Extra Number, colour plates, illustrations, advertisement for William Morris & Company bound in, modern half navy morocco, original pictorial wrappers bound in, uncut, 1899, 4to (4)

Lot 172

NO RESERVE Peissi (Pierre) & Carola Giedion-Welcker. Antoine Pevsner, first edition, signed and inscribed by the first author "A Monsieur Ben Nicholson en très cordial hommage. P.Peissi 1962. Votre charmant occueil (Juin 1961) est inoubliable. PP" on front free endpaper, colour plates, illustrations, original cloth, a little faded, 4to, Neuchatel, 1961.⁂ An interesting association. Antoine Pevsner (1886-1962), Russian-born sculptor and older brother of Naum Gabo, was an originator of Constructivism and a pioneer of Kinetic Art and one of the first to use a blow-torch in sculpture. The abstract painter Ben Nicholson (1894-1982) and his wife, the sculptress Barbara Hepworth, were both closely linked to Constructivism.

Lot 40

NO RESERVE Birds.- Anker (Jean) Bird Books and Bird Art, facsimile reprint, The Hague & Amsterdam, 1979 § Thorburn (Archibald) British Birds, 4 vol., colour plates, book-label of Finn Salmonsen (author of 'The Birds of Greenland'), 1925-26 § Jennings (C.) The Eggs of British Birds, second edition, chromolithographed plates, modern cloth, Bath, n.d., the first two original cloth, the second with faded spines, 4to & 8vo (6)

Lot 6

NO RESERVE Medical & Cookery.- [Collection of recipes], manuscript, c. 150pp, with a 16pp. work by William Varley at beginning, together 176pp., in a variety of hands, 2 recipe manuscripts loosely inserted, browned, new endpapers, original reversed calf-backed boards, rubbed, 77 x 200mm., 1815.⁂ Includes at beginning a 16 page fair copy of a work by William Varley, A Few Observations on Art, published in 1816.Recipes include: "Elixir for the toothache"; "Saturnine Lotion - Dr. Bishop's receipt - Tenterden"; "Samson Maynard's Receipt from Mulled Wine"; "Ginger Wine"; "Soda Cake"; "Captn. Appleton's receipt for making Punch"; "Marmalade de Pompon - From Mr Ian Macey"; "Guernsey Hearts"; "Lobster Pudding"; "To fry salt Cod fish"; "Napoleon's Pectoral Pills"; "Sheep's head soup... (Cobbett)"; "Windsor Soap"; "Cholera Morbus" etc.

Lot 121

The Mysteryes of Nature and Art conteined in foure severall Tretises.., London: for Ralph Mab 1634, small 4to, first edition, engraved title, marked 'T. Willoughby' at head in a contemporary hand, illustrations throughout, early ink MS notes to final blank, separate titles to each part, 1 plate at f.14 (=T4 according to BL catalogue), lacking portrait, G4 is a full page illustration, apparently lacks p.143 (a blank? before 2A1 title of Book of Extravagants), otherwise gatherings seem to collate without loss, repaired early calf with chipped spine. Note: STC 1577

Lot 122

The Art of Distillation, London: R Cotes for T Williams, 1651, 8vo, first edition, engraved title in red and black, woodcut illustrations, some soiling and browning, detached front board

Lot 171

A Closet for Ladies and Gentlewomen, Or, The Art of Preserving, Conserving and Candying. With the manner how to make diverse kinde of Sirups, and all kinde of banqueting stuffes. Also diverse soveraigne Medicines and Salves for sundry Diseases. London: for Charles Green 1644, 16mo, incomplete, lacks most of signatures E, F and G, and H1; bound with - Delights for Ladies.., 1644, lacking leaf H1, in late 19th century sprinkled calf

Lot 177

The Art of Fencing, or, the Use of the Small Sword. Translated from the French of the late celebrated Monsieur L'Abbat; Master of that Art at the Academy of Toulouse, by Andrew Mahon, Professor of the Small Sword in Dublin, first edition in English, Dublin: James Hoey, 1734, 8vo, 12 plates, slightly age toned throughout, later half calf (scarce)

Lot 207

A History of the City of Dublin, 3 vols., 1859, 8vo, folding plan, all rather toned, Marquess of Headfort bookplates, original cloth, in custom made drop back box; PYLE (Hilary) Jack B. Yeats, Catalogue Raisonne, 3 vols. 1992, slip case; few others Irish art reference, four first editions by Patrick Leigh Fermor; Shakespeare's Sonnets with wood engravings, bound for Asprey, etc

Lot 219

Memoirs relative to Egypt... General Bonaparte. London 1800, 8vo, folding chart and map, worn calf; [GLEIG (George R)] A Narrative of the Campaigns of the British Army at Washington and New Orleans, 1821, 8vo; CLERY. A Journal of Occurences at the Temple during the Confinement of Louis XVI. London 1798, 8vo, 3 plates, tree calf; [COLLIER (Jane)] An Essay on the Art of Ingeniously Tormenting, 2nd edition 1757, 8vo, frontispiece, foxing to first and last leaves, calf; few others, various

Lot 264

The Art of Cookery. Containing above Six Hundred and Fifty of the most approv'd Receipts ... Also, a Bill of Fare for every Month in the year. First edition, Newcastle Upon Tyne, 1758, 8vo, ink name to head of title 'Hannah Forster 1758', slightly age toned, calf with good reback

Lot 274

French Art from Watteau to Prud'hon, 3 vols. folio, Dickinson's 'Edition Royale', no. 7 of 35 copies, illustrated, full vellum;

Lot 276

Pietro Paoletti (Italian, 1801-1847) Collection of Grand Tour plaster intaglios, Rome, early 19th century Collection of 'Grand Tour' plaster cast medallions, housed in ten volumes of faux-book boxes, each with marbled covers and gilt-tooled leather bindings, each volume enclosing two compartments with an assortment of plaster casts of engraved cameos, sculptures, and monuments with hand inscribed catalogue of contents to front and back inside covers, spines marked "Paoletti Impronte" with various further captions below: Museo Capitolino, Museo di Firenze e Parigi , Museo di Napoli Albani e Sommariva , Museo Vaticano, Opere di Canova , Opere di Gibson , Opere di Thorwaldsen, and, Opere di Vari Autori, 3 vol.; together 10 vols.Footnote: Note: The Paoletti firm advertised themselves in Count Hawks Le Grice's guide Walks though the Studii of the Sculptors at Rome (1841) as follows: Paoletti begs to inform the public that he has arranged a collection of impressions (Impronte in Scajola) of many of the works in sculpture executed by distinguished artists ... Although the Impronte are but miniature copies; yet they exhibit all the fidelity and beauty of the original, and convey to the eye a better idea of sculpted works of art than the most finished engravings. The Paolettis, whose studio was located on the Piazza di Spagna in Rome until 1847, enjoyed a stellar reputation, and counted among their clients Catherine the Great of Russia and Ferdinand III, Grand Duke of Tuscany. The firm continued to do business after the death of Pietro until at least 1865. The current lot dates from the lifetime of Pietro, as shown by the inscription in a few of the volumes: 'Si fanno in Roma da Pietro Paoletti, dimorante di Studio in Piazza di Spagna num˚ 49'. Examples of the Paolettis' casts are conserved in the Victoria & Albert Museum, London, and the Yale Center for British Art, New Haven, Connecticut.

Lot 358

Peches, Peches de Mer, 35 plates from Diderot's Cyclopedie, some damp staining, disbound folio; Du MONCEAU (Duhamel) Art du Chandelier, 3 plates, cloth; album of 19th century 'Monkeyana' cartoons; some artist biographies; few other loose plates, etc (condition varies)

Lot 417

Rubaiyat of Omar Khayyam, Hodder and Stoughton [no date], 4to, colour plates, original cloth gilt, a few gatherings starting; DELAMOTTE (P H) The Art of Sketching from Nature, London 1871, 4to, colour illustrated, original green cloth gilt (2)

Lot 433

for ‘Art and Society’ by Herbert Read and ‘The Evolution of Travel’ by L. Sargent, lithographs, together with watercolours and drawings of traction engines, draymen, horses, road menders, historical costume, anatomical studies, farm animals etc,, variously signed/dated and a group of miscellaneous antique prints and maps.

Lot 464

painting and engraving, quantity including Bryan's Dictionary, 1920; ARMSTRONG (W) Sir Joshua Reynolds, Heinemann 1900, folio, photogravure plates, half morocco by Bumpus; Gainsborough and his place in English Art, 1898, folio, foxing; others on Degas, Lord Leighton, Ambrose McEvoy, Van Dyck, etc

Lot 503

Collected Animal Poems, first edition, 4 volume set 1995, vol. I signed by the author, fine in slip case; PULLMAN (Philip) The Scarecrow and his Servant, 2004, first edition signed; Blake Trust and Folio Society. Jerusalem, 2007, morocco backed, slip case; and other first editions, modern fiction, art reference, etc (quantity)

Lot 519

various dates and subjects, including theology, foreign language (several early works in Italian), art and other reference, one or two in old mansucript, odd volumes and incomplete sets, all in varying condition, some rebound or ex library, vellum bindings, etc. (quantity). Sold with all faults and not subject to return.

Lot 521

quantity, with some art reference and biography (quantity)

Lot 90

The Art of Glass. London 1662, small 8vo, title and text slightly browned or soiled, small tear to margin, imprint leaf at end repaired without loss of text, old calf binding. Note: ESTC calls for a final gathering 2A which includes errata and appendix not bound into this copy.

Lot 167

Early 20th Century French Art Deco-style copper-cased alarm clock with oblong dial, 6.5cm high, in triptych case, together with two 19th Century brass pocket telescopes (3)

Lot 125

Postcards - Collection of postcards including; topography, children's art etc, in four binders

Lot 261

Six Royal Worcester Art Deco-style figurines comprising: Daisy 1922, Constance 1924, Clara 1925, Millie 1926, Annie 1927 and Kitty 1928 (6)

Lot 282

Edwardian mahogany Art Nouveau-style music cabinet, fitted one bevelled glass door enclosing three shelves, 47.5cm wide

Lot 158

A SUBSTANTIAL AMOUNT OF PICTURES AND CANVASES INCLUDES DOCTOR WHO AND MARVEL WALL ART

Lot 127

STUDIO ART GLASS BULBOUS VASE

Lot 278

3 FRAMED ITEMS INC BEVELLED CIRCULAR GILT FRAMED MIRROR TOGETHER WITH ART NOUVEAU PRINT ETC

Lot 39

A BOX OF ASSORTED WARE INC STUDIO ART GLASS WARE ETC

Lot 257

4 ART DECO LADY FIGURES FROM THE LEONARDO COLLECTION

Lot 412

ASSORTED COLLECTABLES comprising a Great War French brass trench art matchbox cover; a treen pot; an 'A.R.P.' whistle; a 'G.P.O.' whistle; a clay pipe with football scene in relief to the bowl; five pen knives; five enamel badges; a small brass tape measure; and a Corgi Classics 1915 Ford Model T.

Lot 719

A CHROME PLATED AND GLASS ART DECO STYLE OCCASIONAL TABLE the oval top 80cm x 55cm, 56cm high

Lot 601

A GROUP OF COLOURED ART GLASS including Dartington, Murano, Czech etc.

Lot 574

A GROUP OF CROWN DEVON ART DECO WALL MASKS inscribed to reverse 'painted by Dorothy Ann'

Lot 550

A LARGE KITSCH ITALIAN ART POTTERY DOG 70cm high

Lot 582

AN ART GLASS BOWL with textured surface, applied with four trailing prunts, 17cm diameter 13.5cm high

Lot 576

A GROUP OF GERMAN AND OTHER ART POTTERY VASES AND JUGS

Lot 177

AN ART DECO LADY'S BLACK-ONYX AND DIAMOND TONNEAU-SHAPED WRIST WATCH, CIRCA 1930 the silvered dial with black painted Arabic numerals, two piece hinged case with a small eight-cut and single-cut diamond single-line shaped and millegrained bezel with a black onyx fan-shaped stone at 3 (a later replacement opaque-white stone at 9) and diamond foliate shoulders, unmarked, on a later associated black leather strap, Swiss tonneau-shaped 17 jewel movement, unadjusted

Lot 161

RECTA, AN ART DECO LADY'S DIAMOND CANTED-RECTANGULAR BRACELET WATCH Silvered dial with black painted Arabic numerals and hands, white and yellow two-piece hinged case with small eight-cut and single-cut diamond five stone terminals and foliate engraved sides, stamped 'H446' otherwise unmarked, on a Milanese bracelet, Recta Swiss 17 jewel movement

Lot 342

TWO EDWARDIAN METAL DOUBLE BEDSTEADS: an Art Nouveau style brass bed and another iron framed, both approximately 140cm wide, with corresponding irons

Lot 563

A BITOSSI ITALIAN ART POTTERY FIGURE OF A HORSE the 'Rimini Blue' body with incised decoration, 27cm high

Lot 637

A 1930'S 'ART DECO' GEOMETRIC WALL MIRROR with parallel line etched decoration, wooden backed with applied maker's paper label, 36' x 25'.

Lot 409

ADVERTISING & PACKAGING - ASSORTED TINS comprising a Rowntree & Co. 1902 Coronation confectionery tin; Savory Baby's Bottom tobacco tin; Dunhill Royal Yacht Mixture tobacco tin; Parkinson's Red Indian Germ Ointment tin; and two others; together with a Great War German brass trench art tobacco tin, (7).

Lot 646

AN ART DECO LIGHT FITTING the frosted glass inset shade with relief decoration, secured in hinged metal frame with threaded bolt fastening, 44cm high, 14cm wide

Lot 614

A WMF ART NOUVEAU LIDDED JUG relief moulded with semi-clad female and foliate designs, whiplash handle, impressed marks to base, 21cm high

Lot 172

THREE LADY'S GOLD WRISTWATCHES AND A COLLECTION OF OTHER WATCHES Comprising; an Art Deco 9ct gold canted-rectangular wrist watch, the hinged case with import marks for Glasgow 1934, and a gold-plated expanding bracelet; another similar with a damaged hinged case London 1937, on a moiré strap; Excalibur, a lady's 9ct gold tonneau-shaped wrist watch, Edinburgh 1962, on a gold-plated and stainless steel expanding bracelet; together with six other mostly modern lady's wrist and bracelet watches

Lot 593

AN ASEDA, SWEDEN CASED ART GLASS VASE on square base 31cm high, together with a millefiore glass paperweight

Lot 565

A BITOSSI ITALIAN ART POTTERY ASHTRAY 15cm square, and a lamp base 26cm high (excluding electrical fitting)

Lot 187

AN ART DECO MID-SIZE 18CT GOLD, JUMP-HOUR DIGITAL DIRECT-READ CANTED-RECTANGULAR WRIST WATCH, CIRCA 1930 the cream rotating round dials with black painted Arabic numerals, 31mm long x 21mm wide two-piece hinged case with shaped-apertures for hours, minutes and seconds, the concave back with internal Swiss marks and '18K' over '0.750', on a later associated dark-brown 'crocodile' strap, the movement unmarked apart from '66'

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