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Lot 1163
Großes Elfenbein Netsuke "Liegender Karako mit Schildkröte", Haarknoten in Horn eingelegt, Japan, 1. Hälfte 18.Jh., Edo Periode (1603-1868), L. 6cm, große Himotoshi, schöne Gebrauchspatina, Altersrisse, 1 Schuh rest., Genehmigung nach Art. 10d VO (EG 338/97) liegt vor (kein Export außerhalb der EU)
Lot 1203
Paar große Bronze Regentrommel der Karen in Stundenglas Form mit konzentrischen Bändern und vier Froschgruppen am Rand, Burma oder Thailand, wohl 18./19.Jh., H. 48cm, Ø 65cm, Altersspuren, partiell wenige kleine Beschädigungen, Spuren von Korrosion, Vgl.: S. Fraser-Lu, Frog-Drums, Art of Asia, Sept/Oct. 1983, S.50-63, Provenienz: Slg. Joachim Podbielski/ Hamburg, danach Hamburger Privatsammlung
Lot 47
Spectacular clear crystal figure of Isadora, celebrating the art of dance. A blue scarf around her neck flows to the back. Blue crystals are embedded along the back. Includes description plaque 2.5"L x 1.5"W x 1"H. Swarovski backstamp. 279648. This item has a base included 5.5"L x 4.5"W x 1.25"H. This item has its original box: 6.5"L x 11"W x 6"H. Artist: Adi StockerIssued: 2002Dimensions: 4.5"L x 3.25"W x 7.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 161
Limited edition 728 of 9800 and the second of six issues in the Art of Kabuki collection. Hand painted unglazed porcelain figure of a Japanese theater performer. Dressed in traditional kabuki attire in red, black and white colors with gilded highlights. The Hamilton Collection: The Art of Kabuki stickered on the underside. Artist signed. Issued: 20th centuryDimensions: 8"L x 5"W x 9.5"HEdition Number: 728 of 9800Manufacturer: Hamilton CollectionCountry of Origin: JapanCondition: Age related wear.
![[Cook (Sir Edward Tyas, journalist, friend and editor of the writings of John Ruskin, 1857-1919)] [Diary], autograph manuscri](https://cdn.globalauctionplatform.com/8e3ecf1b-8da3-4e3b-9f67-b1da00f62373/692bbdc5-3ffd-43cb-9a12-b1da00fbd167/468x382.jpg)
Lot 58
[Cook (Sir Edward Tyas, journalist, friend and editor of the writings of John Ruskin, 1857-1919)] [Diary], autograph manuscript, 242pp., on lined paper, ff. loose, first f. extensively browned, other ff. slightly browned, folio, 1887. *** John Ruskin, "I sat next to Mrs. F. Harrison. Apropos of her husband's friendship with Ruskin, she said he had sometimes been down to Denmark Hill [Ruskin's home] during R's mothers life time. R's goodness to the mother was extreme. She instanced as a moving piece of filial devotion that on Sundays he respected her scruples by having all the pictures turned with their frames to the walls." - Cook.E.T. Cook was a journalist, biographer and a well connected man of letters in Victorian London. He became assistant editor of the Pall Mall Gazette under the celebrated and controversial W.T. Stead and on Stead's resignation in 1889 was appointed editor of the Gazette. The diary records the awkward relationship between Cook and Stead during the latter's protracted resignation. Along with Alexander Wedderburn Cook edited the complete works of Ruskin and there are numerous meetings with Ruskin throughout the diary, including an account of his mental instability while staying at Brantwood. During their first meeting Ruskin talks of a recent visit to the National Gallery, "I don't like Raphael... but Botticelli's circles of angels is most lovely. With most painters you see at once the pains they were at, but here it is not obvious." During several conversations about art and fellow artists Ruskin reveals his anger towards the National Gallery, "the whole treatment of Turner (and of me) is abominable." Throughout the diary Cook has meetings with almost every politician of note, including Gladstone, Lord Russell, Balfour, Rosebery and Randolph Churchill and records many of their conversations over a succession of dinners. The diary contains numerous political conversations and anecdotes relating to some of the leading figures of the age. Whilst dining with Lord Curzon and Balfour the former remarks that "Randy is the best conversationalist he knew" and at another dinner, Lord Russell remarks "Mrs Gladstone is famous for her habit of not being quite all there." The diary also makes numerous mentions of the Irish Question and the serious state of Egypt and South Africa.
Lot 113
Byron (George Gordon Noel, Lord).- Thirty Illustrations of Childe Harold. The Original Drawings Produced Expressly for the Art-Union of London, frontispiece portrait and 30 engraved plates, each with library ink-stamp, one leaf of letterpress with marginal tear, occasional light soiling, some light foxing or scattered spotting, original printed boards, rebacked and recornered in cloth, printed library label to upper cover (obscuring some text), boards soiled, quite worn, 1855 § Byron (George Gordon Noel, Lord) Marino Faliero, Doge of Venice, one of 275 numbered copies signed by the illustrator, 13 etched illustrations by Sepp Frank, all but the title vignette initialed in pencil by the artist, ex-library with embossed stamp to head of title and ink reference to foot to verso, some light dust-soiling to first few leaves, original half vellum, library blind-stamp to upper cover, some light soiling, lightly rubbed, t.e.g., others uncut, Vienna & Leipzig, 1922; and others Byron related, v.s. (c.75)
Lot 8164
Art Deco ladies platinum diamond manual wind wristwatch, rectangular silvered dial with Arabic numerals, on a diamond link and cord strap, case stamped All Platinum, clasp stamped 9ct, total diamond weight approx 0.90 caratCondition Report:Approx 14.6gm (excluding movement), movement functioning, case diameter = 11mm (excluding crown), overall length = 17cm, all tested
Lot 238
Fabian Perez (Argentinian 1967-) "Study for Man at Red Sign" Signed and numbered 23/195, with autograph and certificate of authenticity on verso, published by DeMontfort Fine Art, hand embellished giclée print on canvas.59 x 44.5cm (framed 82.5 x 67.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 145
Group of Art Glass Comprising an Art Deco opalescent "Bird" pattern bowl by Jobling, a crackle vase in graduated colourway with partial label to base and a Mdina-type vase with navy ground .The bowl 19cm diameter, 8.2cm high; the taller vase 25.4cm highPrivate collection, Welsh Borders.Some light generalised wear but no damage or other issue to note.
Lot 239
Fabian Perez (Argentinian 1967-) "Smoking under the Light in a White Suit" Signed and numbered 32/195, with autograph and certificate of authenticity on verso, published by DeMontfort Fine Art, hand embellished giclée print on canvas.68 x 54.5cm (framed 91.5 x 77.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 164
Simon Gate for Orrefors Swedish Art Deco Crystal "Wave" Bowl Circa 1930s, the clear body with cut pattern and raised on black tinted tapered foot, etched OF GA 400/7 marks to base.19cm external diameter, 11cm highBlack detail to rim has almost entirely rubbed off, one very small chip to foot, some surface scratches, scratches and a couple of minor nicks to bowl interior from use, no other issues to note.
Lot 45
Art Deco Style Display Column or Plinth Modern manufacture, square-section, black laquered with inlaid detail.121cm high, the top 25 x 25cmPrivate collection, Staffordshire.Some scratches and surface nicks to top from use, corners and edges a different shade from centre, possibly from light exposure and previous display of an object with circular base, otherwise a couple of tiny surface nicks to edges lower half and very light generalised wear, additional images available.
Lot 57
Art Deco Uplighter Early-mid 20th century, copper finish, the upturned shade housing two-bulb fixture, raised on tapered circular column with three ebonised bands to circular foot.182cm high, the shade 70cm diameterPrivate collection, Staffordshire.Some tarnish and discolouration, the shade with several slight knocks and misshaping to rim, some wear to ebonised finish of bands, column stands at a slight angle when on an even level.
Lot 56
Art Deco Chromed Table Lamp Circa 1930, mounted with a female dancer and moulded opaque glass shade, raised on shaped oval base to ball feet, unmarked.32cm long, 29cm highWill need to be rewired, shade with some scuffs and marks but free from cracks, the thumb of the dancer's right hand has been replaced, pitting and some rubbing to the chrome, further generalised wear commensurate with age and use.
Lot 285
Bill Graham Presents in San Francisco Five Psychedelic Promotional Concert Handbills Comprising #56 Moby Grape, Chambers Brothers and The Charlatans, art by Wes Wilson, 1967; #65 Big Brother and the Holding Co. with Steve Miller Blues Band, art by B. Maclean, 1967; #76 Muddy Waters with Buffalo Springfield and Richie Havens, art by B. Maclean, 1967; #86 Donovan One Night Only, art by B. Maclean, 1967; #94 Donovan with H. P. Lovecraft and Mother Earth, art by Nicholas Kouninos, 1967; all unframed. The largest (#65) 20.3 x 11.7cm The Rob 'Bluebird' Ruggeri Collection. Some pinholes, some light wear to corners and edges, otherwise good.
Lot 109
Ana Silva (Guatemala 1982-) Footed Vessel, From the Series "Tzukxul V" ("Sheep" in Q`eqchí) Hand-thrown stoneware, textured surface, black glaze. US$ 450 15cm diameter, 15cm high Mira-Mira is Ana Beatriz Silva’s personal project. Unique pieces that pay tribute to the imperfection and the art around the pre-Hispanic roots in Guatemala. "In the imperfection relies the soul of the craftsman as well as the art’s." This collection is inspired in the utilitarian ceramic as a native ancestral technique based on the beautiful Guatemalan plateau landscapes, using organic and contemporary techniques and shapes.Each one of the pieces is unique and seeks to create harmony together or by itself, like every element that compose our landscapes and its different natural protagonists, cherishing as a whole or as an individual like a specific universe.The elements: Animals. Its beauty and naivety, its beautiful and subtle existence. Plants. As organic entities in constant movement. Water. As the central element of life.Each piece is designed to become in an object that participates in our daily living, making tribute to our nature and its relevance in our daily life. Besides, as every utilitarian piece is a co-creation because it’s not finished until the user completes it.
Lot 72
Leeds Art Pottery Majolica Jardiniere on Stand Late 19th century, stamped mark and no. to base of jardiniere.Jardiniere 31 cm high, stand 78cm highHairline to interior base of jardiniere, otherwise light wear but no notable damage; small chip to raised rim section of base; tightly crazed and as such dull or 'flat' sound when tapped, a little resonance but not to be classed as a 'ring'.
Lot 54
Attributed to Jacques Adnet (French 1900-1984) Art Deco Chromed and Mirrored Serving Tray Stepped design with raised frame and further raised on square section feet, the glass set against canvas wrapped back/base board, unmarked.32cm x 53cmSome expected wear and pitting to chrome, original silvering with some spotting, original glass with some scratches, overall stable and ready to use.
Lot 112
Ana Silva (Guatemala 1982-) Organic Vessel, From the Series "Aj V" ("Reedbed" in Q`eqchí) Hand-thrown stoneware, mottled spinach green glaze, signed to base. 32cm wide, 18.5cm high Mira-Mira is Ana Beatriz Silva’s personal project. Unique pieces that pay tribute to the imperfection and the art around the pre-Hispanic roots in Guatemala. "In the imperfection relies the soul of the craftsman as well as the art’s." This collection is inspired in the utilitarian ceramic as a native ancestral technique based on the beautiful Guatemalan plateau landscapes, using organic and contemporary techniques and shapes.Each one of the pieces is unique and seeks to create harmony together or by itself, like every element that compose our landscapes and its different natural protagonists, cherishing as a whole or as an individual like a specific universe.The elements: Animals. Its beauty and naivety, its beautiful and subtle existence. Plants. As organic entities in constant movement. Water. As the central element of life.Each piece is designed to become in an object that participates in our daily living, making tribute to our nature and its relevance in our daily life. Besides, as every utilitarian piece is a co-creation because it’s not finished until the user completes it.
Lot 46
Art Deco Style Display Column or Plinth in the Manner of Epstein Modern manufacture, square-section, bird's eye maple veneer with inlaid ebonised detail and raised on four ebonised ball feet to plinth base.120.5cm high, the top 25.3 x 25.3cmPrivate collection, Staffordshire.One veneer hairline or crazing line to top, a couple of slight grooves or indets to the top but overall good condition with only light generalised wear, stable and ready to use.
Lot 144
Three Art Glass Vases Likely Scottish, all with profuse bubble inclusions, the first and largest in light brown colourway with aventurine inclusions, the second light green with polychrome inclusions, the third yellow with flared neck, all with polished pontil.The first and largest 28cm highPrivate collection, Welsh Borders.The largest with internal hairline to body, area of repair to base/foot, the smallest with blisters to rim and body, otherwise light generalised wear.
Lot 222
Tony Bevan R.A. (British 1951-) Study for the head of Alfred Brendel Signed on verso, acrylic, pigment and charcoal on canvas. 56 x 56cm Vivian Starr Art, Salford, Manchester.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The painting is in very good, original condition. The surface of the painting is a little grubby, and there are one or two surface marks found across it. The painting is unframed.
Lot 132
Wedgwood Large Art Deco Black Basalt Vase Circa 1930, tapered form, impressed sans-serif Wedgwood Made in England mark to base. 23.5cm high, 20.3cm wide Private collection, Staffordshire. Chip to foot rim with three additional flea bites, small hairline crack to foot encompassing another flea bite, surface scuffs and marks, additional images available. Shipping to a UK address £38+VAT. Private collection, Staffordshire.
Lot 111
Ana Silva (Guatemala 1982-) Organic Vessel, From the Series "Aj III" ("Reedbed" in Q`eqchí) Hand-thrown stoneware, mottled spinach green glaze, signed to base. 24cm high Mira-Mira is Ana Beatriz Silva’s personal project. Unique pieces that pay tribute to the imperfection and the art around the pre-Hispanic roots in Guatemala. "In the imperfection relies the soul of the craftsman as well as the art’s." This collection is inspired in the utilitarian ceramic as a native ancestral technique based on the beautiful Guatemalan plateau landscapes, using organic and contemporary techniques and shapes.Each one of the pieces is unique and seeks to create harmony together or by itself, like every element that compose our landscapes and its different natural protagonists, cherishing as a whole or as an individual like a specific universe.The elements: Animals. Its beauty and naivety, its beautiful and subtle existence. Plants. As organic entities in constant movement. Water. As the central element of life.Each piece is designed to become in an object that participates in our daily living, making tribute to our nature and its relevance in our daily life. Besides, as every utilitarian piece is a co-creation because it’s not finished until the user completes it.
Lot 168
Loetz Art Nouveau Iridescent Glass Vase Circa 1900, waisted form with enamelled fruiting vine decoration within stylised outlining on mottled yellow ground, polished pontil.25cm highSome minor rubbing to outlines but majority extent, some light surface marks and minor flecks/inclusions from manufacture but overall in good condition and free from damage.
Lot 163
Art Deco Black and Silvered Glass Flower Brick Circa 1920s/30s, bearing stylised foliate decoration overall, the body with leaping stag within roundel to each side, raised on shaped feet, unmarked.20cm wide, 11.8cm highSome light generalised overall wear, one fleabite to cover rim, otherwise free from damage.
Lot 237
Fabian Perez (Argentinian 1967-) "Cynzia II" Signed and numbered 1/195, with autograph and certificate of authenticity on verso, published by DeMontfort Fine Art, hand embellished giclée print on canvas. 74.5 x 50cm (framed 97.5 x 73cm) Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The print is ornately framed but not glazed.
Lot 15
Heal's of London Art Deco Limed Oak Tallboy Circa 1930, with twin cupboard doors above four graduated drawers, set with geometric handles and bearing Heal's ivorine label to upper drawer.92cm wide, 153cm high, 50cm deepSome very light generalised wear commensurate with age but overall excellent condition and ready to use.
Lot 9
Heal's of London Art Deco Oak Reading Chair Circa 1930, featuring magazine racks to both sides and upholstered with modern cream fabric cushions.75cm deep, 63cm wide, 77cm highGood condition, some light generalised wear commensurate with age but overall excellent and ready for use; adjustable/reclines.
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641361 item(s)/page