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Lot 294

French School, 1883 Still life of a drinks tray with cognac and other spiritsdated lower right 31.1.83oil on canvas, unlined, the stretcher with an anchor in a circle stamp (Parisian art suppliers Lefranc et Cie)44 x 63.5cm

Lot 108

A 1920s Art Deco 9ct cased gentleman's manual wind wristwatch and a lady's 9ct bracelet wristwatch. The gent's watch hallmarked London 1929, unsigned 15 jewel movement, case 26mm; the lady's wristwatch hallmarked London 1912, on a generic 9ct expanding bracelet, total weight 18.7g.Gent's doesn't wind or run. Lady's doesn't run.

Lot 155

An Art Deco platinum and diamond lady's cocktail bracelet wristwatch. The rectangular silvered 9mm dial with Arabic numerals and arrow hour markers, unsigned 17 jewel Swiss movement, the case with two round brilliant cut diamonds each of 0.20ct approximately and in a millegrain collet setting and further pave set diamonds, the links set with six smaller round cut diamonds each of 0.06ct approximately and prefusely with smaller pave set diamonds, the case stamped ALL PLATINUM, weight excluding movement 20g.The movement runs but doesn't wind. The large bottom case diamond has a crack or surface scratch at the 1 o'clock position and is included. The too large diamond on the case is good but included. The bracelet is in good condition, but the hinge to the clasp is very stiff, the hinge covering has become detached. No missing diamonds.

Lot 175

A silver-cased WWI period wire lug trench wristwatch. Import marks for Birmingham 1918, the 23mm white dial with luminous Arabic numerals and minute track and cathedral hands, unsigned Swiss movement, case 28mm; together with an Art Deco nickel cased trench wristwatch with hinged covered front, with 18mm silvered dial with luminous Arabic numerals, unsigned Swiss movement, case 30mm.Both do not run.

Lot 180

An Art Deco platinum and diamond cased lady's manual wind wristwatch. The silvered 17mm dial with black Roman numerals and minute track, unsigned 15 jewel movement, the case and lugs set with small round cut diamonds in a millegrain setting, stamped PLATINUM, on a black cord strap, case 19mm, weight excluding movement 8.5g.Currently winds and runs.

Lot 24

A 1920's Art Deco 18ct gold cased crown wind slim dress pocket watch by Tavannes Watch Co. The 40mm silvered dial with black Arabic numerals and subsidiary seconds dial, the 15 jewel movement signed TAVANNES WATCH Co 1009, the case with import hallmark for 1924, case 46mm, 58.7g.winds and runs.

Lot 26

A Longines 18ct Art Deco crown wind slim dress pocket watch. The 29mm signed silvered dial with black Arabic numerals and subsidiary seconds dial, Swiss 15 jewel movement, case maker AB with London import hallmark, case 46mm, 48.5g.Winds and runs.

Lot 35

A Waltham 14ct gold cased Art Deco slim dress crown wind pocket watch. The signed 38mm silvered dial with stylised gilt Arabic numerals and subsidiary seconds dial, the signed lever movement with 21 jewels and numbered 24384397, with 14ct Keystone case, case 44mm, 50g.Not running.

Lot 110

Ferdinand Richard Wilm, an Art Deco German sterling silver dish, H J Wilm, Berlin circa 1930, planished oval form with applied tubular wire handles, 15cm long, 3.78ozt

Lot 515

Keith Murray for Stevens and Williams (attributed), an Art Deco cut glass vase, spherical form, martele body with geometric chequered collar, 8.5cm high

Lot 590

A large WWII cream bakelite wall plaque, dated 1943, moulded stepped Art Deco design, 'War Savings Campaign, 1943, Presented by the Air Ministry in Recognition of Successful Achievement in Wings for Victory Week', with RAF insignia, De La Rue Plastics, 58 by 35cm

Lot 114

Keith Murray for Mappin and Webb, an Art Deco silver tankard, Birmingham 1938, tapered cylindrical form on stepped foot, turned wooden handle, 11cm high

Lot 475

Harry Powell for James Powell and Sons, an Arts and Crafts Water Lily or Lotus service etched glass finger bowl, circa 1899, flared form, engraved with sinuous flowering lotus tendrils in the Art Nouveau style, 11.5cm diameterNote: designed for the Prince of Siam who visited London in 1897 for Queen Victoria's Diamond Jubilee; see Evans, W. et al. 1995, Whitefriars Glass, p.81, fig.82, for an illustrated example of this bowl

Lot 197

An Austrian Art Deco nickel and wood figure, circa 1930, modelled as a woman in evening dress, in the style of Hagenauer, carved ebonised body with plated head and hands, stamped marks Made in Austria, 28.5cm high

Lot 113

Keith Murray for Mappin and Webb, and Art Deco silver two piece cruet, Sheffield 1937, the mustard pot of hemispherical footed bowl form with conical concentric ring and stepped foot, broad rimmed and flat domed lids, blue glass liner, 8cm high (2)

Lot 246

A selection of The Studio bound volumes, illustrated magazine of applied and fine art, up to volume 42, 30+ volumes including duplicates

Lot 512

An Art Deco enamelled glass cocktail shaker, Bohemian, circa 1930s, shouldered conical form with concentric blue and white bands, 21cm highNote: see McConnell, A. 2018, The Decanter, for an illustrated example of this design

Lot 513

Ludwig Kny for Stuart, a pair of Art Deco amber and cut cocktail glasses, circa 1935, conical form, decorated with stylised geometric flower stem motifs, on knopped conical feet, 12cm high (2)

Lot 115

Keith Murray for Mappin and Webb, an Art Deco silver plated muffin dish, circa 1936, the broad rimmed bowl with concentric ring decoration and removable liner, stepped domed cover with octagonal finial, model W27699, 19.5cm diameter

Lot 116

Charles Boyton, an Art Deco silver mug, London 1937, the planished rounded beaker bowl on a tapered square section plinth base and loop handle, facsimile signature, 9cm high, 13.28ozt

Lot 372

Charles Robinson Sykes (British, 1875-1950), Barges on the Thames, signed l.l., oil on board, 34.5 by 40cm, framed. Provenance: Memorial Exhibition, Walker Art Galleries

Lot 619

Tonnel, an Art Deco miniature travel time piece, shagreen covered gilt brass, applied gold monogram, in fitted leather case, 3.7cm high

Lot 42

A pair of Art Deco marcasite and malachite earrings, stepped drop form with triangular studs, 4.5cm long

Lot 235

T..Hamlet (British, fl. early 19th Century), a bronze bust of His Royal Highness the Duke of York, dated 1823, portrayed in later years, togate with head turned to dexter, the reverse inscribed 'Published by T. Hamlet, 1 January 1823', mounted on a socle atop a cylindrical pedestal inscribed 'His Royal Highness, The Duke of York', all-over rich brown patina, 28cm high. Note: Hamlet appears to have been far from prolific in his output, although he was clearly highly accomplished and patronised by the very highest-placed members of society. Three years after producing the bust of the Duke of York, Hamlet sculpted his brother Prince Augustus Frederick, Duke of Sussex. Indeed, a bronze reduction was produced (dated 1826) which matched the current bronze in height exactly, and it is quite possible that Hamlet sculpted two or more of King George III's sons and daughters as an intended set See Sotheby's London, European Sculpture and Works of Art, 9th December 1993, lot 131

Lot 97

Joyce Himsworth, a collection of Art Deco watercolour and sketch designs for ceremonial and other silverNote: Born in 1905, Himsworth studied at the Sheffield College of Art and the Central School of Arts in London under H G Murphy, exhibiting designs and pieces at the Sheffield Art Crafts Guild from 1925. Most of her output was for commission and many pieces are now in museum collections in London and Sheffield.

Lot 117

R. E. Stone, an Art Deco silver caddy spoon, London 1935, circular planished bowl with open geometric coronet finial, 7.5cm long, 0.82ozt

Lot 488

An Art Nouveau iridescent glass and silver overlay vase, probably Quezal, American circa 1900, flattened baluster form, decorated with maiden's head and butterfly with sinuous hair and flowers, 15.5cm long

Lot 82

An American Art Nouveau silver shaving mug, Unger Brothers, New Jersey circa 1900, applied with a relief bust of a maiden smoking in profile, 7.5cm high, 4.22ozt

Lot 111

Arthur Edward Harvey for Adie Brothers, an Art Deco silver lidded jug, Birmingham 1935, footed beaker form with stepped lid and wooden C form handle, facsimile signature A E Harvey, 16.5cm high, 11.35ozt

Lot 176

WMF, a Jugendstil silver plated visiting card tray, model 279A, circa 1900, cast in relief with an Alphonse Mucha style profile bust of a maiden, within a bracketed frame of festoons, cast number, 21.5cm wideNote: see Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik; English Catalogue 1906, 1988, Woodbridge: Antique Collectors Club, p.168, for an illustration of this design

Lot 26

An Art Nouveau gold, sapphire and emerald accent openwork pendant, suspending a green gem cabochon drop, length 5.2cm, 4.2g

Lot 189

An Austrian Art Deco bronze table casket, circa 1920's, surmounted with a dancer, 13cm high, 14cm long, Ivory Exemption Certificate No.UABJ4PM7

Lot 761

C H Brannam, an art pottery wall pocket, 1900, modelled as a Japanese figure clinging to an upturned umbrella, slip glazed in blue, green and brown, incised marks, 26.5cm long

Lot 712

Eliza Symmance for Royal Doulton, a stoneware vase. shouldered form, tubelined with flowers and leaves in the Art Nouveau style, impressed and incised marks, 34 cm tall

Lot 281

Peter Blake (British, 1932), 'Pop Art', a set of four square enamel studs, limited edition No.1803/2000, commissioned by Pallant House Gallery, Chichester, 2006, 3.5 by 3.5cm each, in a cardboard presentation box with certificate. Note: Artist Resale Rights apply

Lot 194

An Art Deco patinated art metal and resin figure of a woman, circa 1925, in the style of Ferdinand Preiss, modelled with one knee on a plinth, filvered and cold painted, on green onyx vase, printed mark Germany, 24cm high

Lot 760

An art pottery turtle soup tureen, circa 1880, green faience glazed earthenware, modelled as a turtle with two terrapins on its back, 26cm long

Lot 516

Monart, an Art Deco glass vase, shape UA, colour 42B, shouldered ovoid form, purple and magenta over white cased, 29.5cm high

Lot 109

Grand Prix d'Europe, Castrol motorcycle trophy, a Swiss Art Deco silver cup and cover, Baltensperger, Zurich 1928, inverse baluster form, engraved in the round with a stylised band of nude women dancing amongst foliage, the lid with a cast standing figure, inscribed Coupe offerte par representants generaux de l'huile Castrol pour la Suisse, Grand Prix D'Europe Geneve 1928, 38cm high, 23.79ozt

Lot 73

Kate Harris, an Arts and Crafts parcel gilt metal cup and cover, circa 1900, twin handled pedestal bowl form, knotted whiplash handles with cast berries, on an organic splayed stem, the finial modelled as a woman in the Art Nouveau style, 33cm high Note: silver examples of the same form made by William Hutton are known to exist

Lot 660

Paul Utzschneider & Cie, Sarreguemines, an Art Nouveau art pottery jadiniere, circa 1900, ogee bowl form, tubelined with sinuous tendrils and gilt stylised seaweed motifs in the Secessionist style, on a blue ground, turquoise interior, impressed marks 3417, 17cm high

Lot 157

David Veasey for Liberty and Co., an Arts and Crafts Tudric pewter twin handled bowl, model 011, footed drum form, cast with stylised rose trees in the Art Nouveau style, behind a mottoed ribbon band with a verse from Tennyson's Maud, 32cm wide

Lot 759

An Art Pottery garden or conservatory double bench, late 19th Century, of naturalistic rustic design with triple Gothic arched back, the whole in the form of branches and tree stumps with foliage, green and brown glazes, apparently unmarked, 100cm high, 113cm wide, 58cm deep. Note: the 19th Century Skey Pottery of Tamworth, Staffordshire is noted for its 'rustic' wares, some of which bear a passing similarity to this bench albeit not on such a large scale. It has also been suggested the origin of the piece could be Scotland and made as a special commission or exhibition piece

Lot 155

David Veasey for Liberty and Co., an Arts and Crafts Tudric pewter twin handled vase, model 010, conical form, cast with stylised rose trees in the Art Nouveau style, above a mottoed ribbon band with a verse For Old Times Sake, 20cm high

Lot 493

Daum, an Art Deco cameo engraved glass and wrought iron table lamp, circa 1925, the rounded conical shade cased with orange over frosted colourless glass, with fruiting leaves, on an organic leaf and fluted dome stand, engraved marks, Daum Nancy cross of Lorrain, 33cm high

Lot 44

Two ladies 9 carat gold Art Deco wrist watches, including Rotary, on bracelet strap, the other with leather and link strap (2)

Lot 112

An Art Deco silver plated sugar shaker, Elkington and Co., Cardinal Plate, circa 1935, footed rounded beaker form with stepped lid and finial, 14cm high

Lot 277

Margaret Barnard (British,1900-1992) Grosvenor School (under Claude Flight), 'The Cove', linocut, 21 by 30cm, framed. Provenance: with Michael Parkin Fine Art, London

Lot 362

Edmund John Niemann (British, 1813-1876), View of Bolton Abbey; View of Otford, Kent, a pair, both signed l.l., one titled verso, oil on canvas, 51 by 76cm, gilt frames (2). Provenance: Lot 55, Paintings, Furniture & Works of Art, Phillips, Knowle, 3rd October, 2001

Lot 239

Tessa Pullan (British, 1953), a pair of plaster maquettes of horses in the Art Deco style, one signed with initials and dated 1982 verso, 51 by 90cm (2). Note: from 1971-1974 Tessa Pullan was apprenticed to the renowned sculptor John Skeaping. Note: Artist Resale Rights apply

Lot 67

A Jugendstil 800 silver figural comport, Lazarus Posen Witwe, Berlin circa 1900, modelled in the Art Nouveau style as a maiden in sinuous gown embracing a cornflower stem, the petals forming the tazza bowl, standing on a domed base of poppies, 33cm high, 37.29ozt

Lot 514

Keith Murray for Stevens and Williams, Royal Brierley, an Art Deco cut glass decanter and glasses, domed conical form with graduated random frosted lens cuts, flat lozenge stopper, 23.5cm high (3)

Lot 701

A 19th century redware Portland vase, probably Wedgwood or Samuel Alcock, circa 1850, transfer printed and over painted with and band of dog roses, turquoise handles and rims, 25.5cm highNote: similar to Wedgwood vases decorated by students at the South Kensington School of Art (RCA) as trials for their design studies, this example could also have been decorated at the school.

Lot 767

Keith Murray for Wedgwood, an Art Deco vase, circa 1934, spherical form with cylindrical neck, gray glaze, incised concentric rings, impressed marks and facsimile signature, 16cm high

Lot 212

A Victorian beadwork sweetheart pin cushion, with hearts and hands within a multicoloured grid of foliage, 14 by 14cm, another Victorian beadwork pin cushion with a bird on a branch, wavy border, 19 by 25cm, a pin cushion with a sequin flower and a 1920's beadwork cocktail bag with geometric Art Deco design (4)

Lot 20

Keswick School Industrial Art, an Arts and Crafts silver garnet set brooch, circular form, reticulated and cast with knotted flowers around a central cabochon stone, 3cm diameter, 7.3g

Lot 486

Josef Riedel, a Secessionist etched, frosted and enamelled glass vase, circa 1910, ogee rimmed navette section boat form, decorated with central panels of knotted tendril and Art Nouveau foliate motifs in gilt enamel, on a semi iridescent incuse carved rustic tiger stripe ground, 14cm long

Lot 100

Keswick School Industrial Art, an Arts and Crafts silver pin dish, Chester 1908, ogee rimmed circular form, planished and embossed with a central passion flower motif, 11.5cm diameter, 1.66ozt

Lot 2005

RUDOLF GLATZEL - a pair of Art Collection armchairs by Walter Knoll, the leather upholstered seat on cantilever steel frame, with maker's marks. Overall 59x87x64cm, seat 52x50x48cm.

Lot 2006

RUDOLF GLATZEL - a pair of Art Collection armchairs by Walter Knoll, the leather upholstered seat on cantilever steel frame, with maker's marks. Overall 59x113x64cm, seat 52x50x48cm.

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