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A 1920s Art Deco 9ct cased gentleman's manual wind wristwatch and a lady's 9ct bracelet wristwatch. The gent's watch hallmarked London 1929, unsigned 15 jewel movement, case 26mm; the lady's wristwatch hallmarked London 1912, on a generic 9ct expanding bracelet, total weight 18.7g.Gent's doesn't wind or run. Lady's doesn't run.
An Art Deco platinum and diamond lady's cocktail bracelet wristwatch. The rectangular silvered 9mm dial with Arabic numerals and arrow hour markers, unsigned 17 jewel Swiss movement, the case with two round brilliant cut diamonds each of 0.20ct approximately and in a millegrain collet setting and further pave set diamonds, the links set with six smaller round cut diamonds each of 0.06ct approximately and prefusely with smaller pave set diamonds, the case stamped ALL PLATINUM, weight excluding movement 20g.The movement runs but doesn't wind. The large bottom case diamond has a crack or surface scratch at the 1 o'clock position and is included. The too large diamond on the case is good but included. The bracelet is in good condition, but the hinge to the clasp is very stiff, the hinge covering has become detached. No missing diamonds.
A silver-cased WWI period wire lug trench wristwatch. Import marks for Birmingham 1918, the 23mm white dial with luminous Arabic numerals and minute track and cathedral hands, unsigned Swiss movement, case 28mm; together with an Art Deco nickel cased trench wristwatch with hinged covered front, with 18mm silvered dial with luminous Arabic numerals, unsigned Swiss movement, case 30mm.Both do not run.
An Art Deco platinum and diamond cased lady's manual wind wristwatch. The silvered 17mm dial with black Roman numerals and minute track, unsigned 15 jewel movement, the case and lugs set with small round cut diamonds in a millegrain setting, stamped PLATINUM, on a black cord strap, case 19mm, weight excluding movement 8.5g.Currently winds and runs.
A 1920's Art Deco 18ct gold cased crown wind slim dress pocket watch by Tavannes Watch Co. The 40mm silvered dial with black Arabic numerals and subsidiary seconds dial, the 15 jewel movement signed TAVANNES WATCH Co 1009, the case with import hallmark for 1924, case 46mm, 58.7g.winds and runs.
A Waltham 14ct gold cased Art Deco slim dress crown wind pocket watch. The signed 38mm silvered dial with stylised gilt Arabic numerals and subsidiary seconds dial, the signed lever movement with 21 jewels and numbered 24384397, with 14ct Keystone case, case 44mm, 50g.Not running.
Harry Powell for James Powell and Sons, an Arts and Crafts Water Lily or Lotus service etched glass finger bowl, circa 1899, flared form, engraved with sinuous flowering lotus tendrils in the Art Nouveau style, 11.5cm diameterNote: designed for the Prince of Siam who visited London in 1897 for Queen Victoria's Diamond Jubilee; see Evans, W. et al. 1995, Whitefriars Glass, p.81, fig.82, for an illustrated example of this bowl
T..Hamlet (British, fl. early 19th Century), a bronze bust of His Royal Highness the Duke of York, dated 1823, portrayed in later years, togate with head turned to dexter, the reverse inscribed 'Published by T. Hamlet, 1 January 1823', mounted on a socle atop a cylindrical pedestal inscribed 'His Royal Highness, The Duke of York', all-over rich brown patina, 28cm high. Note: Hamlet appears to have been far from prolific in his output, although he was clearly highly accomplished and patronised by the very highest-placed members of society. Three years after producing the bust of the Duke of York, Hamlet sculpted his brother Prince Augustus Frederick, Duke of Sussex. Indeed, a bronze reduction was produced (dated 1826) which matched the current bronze in height exactly, and it is quite possible that Hamlet sculpted two or more of King George III's sons and daughters as an intended set See Sotheby's London, European Sculpture and Works of Art, 9th December 1993, lot 131
Joyce Himsworth, a collection of Art Deco watercolour and sketch designs for ceremonial and other silverNote: Born in 1905, Himsworth studied at the Sheffield College of Art and the Central School of Arts in London under H G Murphy, exhibiting designs and pieces at the Sheffield Art Crafts Guild from 1925. Most of her output was for commission and many pieces are now in museum collections in London and Sheffield.
WMF, a Jugendstil silver plated visiting card tray, model 279A, circa 1900, cast in relief with an Alphonse Mucha style profile bust of a maiden, within a bracketed frame of festoons, cast number, 21.5cm wideNote: see Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik; English Catalogue 1906, 1988, Woodbridge: Antique Collectors Club, p.168, for an illustration of this design
Grand Prix d'Europe, Castrol motorcycle trophy, a Swiss Art Deco silver cup and cover, Baltensperger, Zurich 1928, inverse baluster form, engraved in the round with a stylised band of nude women dancing amongst foliage, the lid with a cast standing figure, inscribed Coupe offerte par representants generaux de l'huile Castrol pour la Suisse, Grand Prix D'Europe Geneve 1928, 38cm high, 23.79ozt
Kate Harris, an Arts and Crafts parcel gilt metal cup and cover, circa 1900, twin handled pedestal bowl form, knotted whiplash handles with cast berries, on an organic splayed stem, the finial modelled as a woman in the Art Nouveau style, 33cm high Note: silver examples of the same form made by William Hutton are known to exist
An Art Pottery garden or conservatory double bench, late 19th Century, of naturalistic rustic design with triple Gothic arched back, the whole in the form of branches and tree stumps with foliage, green and brown glazes, apparently unmarked, 100cm high, 113cm wide, 58cm deep. Note: the 19th Century Skey Pottery of Tamworth, Staffordshire is noted for its 'rustic' wares, some of which bear a passing similarity to this bench albeit not on such a large scale. It has also been suggested the origin of the piece could be Scotland and made as a special commission or exhibition piece
Daum, an Art Deco cameo engraved glass and wrought iron table lamp, circa 1925, the rounded conical shade cased with orange over frosted colourless glass, with fruiting leaves, on an organic leaf and fluted dome stand, engraved marks, Daum Nancy cross of Lorrain, 33cm high
Tessa Pullan (British, 1953), a pair of plaster maquettes of horses in the Art Deco style, one signed with initials and dated 1982 verso, 51 by 90cm (2). Note: from 1971-1974 Tessa Pullan was apprenticed to the renowned sculptor John Skeaping. Note: Artist Resale Rights apply
A 19th century redware Portland vase, probably Wedgwood or Samuel Alcock, circa 1850, transfer printed and over painted with and band of dog roses, turquoise handles and rims, 25.5cm highNote: similar to Wedgwood vases decorated by students at the South Kensington School of Art (RCA) as trials for their design studies, this example could also have been decorated at the school.
A Victorian beadwork sweetheart pin cushion, with hearts and hands within a multicoloured grid of foliage, 14 by 14cm, another Victorian beadwork pin cushion with a bird on a branch, wavy border, 19 by 25cm, a pin cushion with a sequin flower and a 1920's beadwork cocktail bag with geometric Art Deco design (4)
Josef Riedel, a Secessionist etched, frosted and enamelled glass vase, circa 1910, ogee rimmed navette section boat form, decorated with central panels of knotted tendril and Art Nouveau foliate motifs in gilt enamel, on a semi iridescent incuse carved rustic tiger stripe ground, 14cm long

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640875 item(s)/page