Incl. New Year's greeting cards, articles, booklets, etc. (1-41) Forty-one New Years' and other greeting cards, var. techniques (collages, drawings, photogr., photomontages), var. places, 1961-2004, mostly postcard-sized, kept in sm. modern album. Very nice collection of lovingly produced, mostly unique greetings, each a small work of art, sent to Guido and Felicia van Deth in The Hague. (42) Alkema, H. De wondere wereld van Cilli Wang. Amst., Theater Instituut, 1996, 147 p., w. ills., orig. wr., 4to. Signed dedication in pen by Wang on title-p.: "Met veel liefde en wensen voor de toekomst". Also w. orig. drawing in black ink, gouache and gold by Wang, mounted on inside front wr. -and 14 others, mostly newspaper clippings but also incl. 4 theatre programmes. Wang was a Jewish dancer, cabaretière, theatre actress and wife of German poet and philosopher H. Schlesinger (d. 1945). They fled to the Netherlands during a tour in Sweden in 1938, after the Anschluss between Austria and Germany. In 1975 she returned to her birthplace, Vienna. (total 56)
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(1) Ritter, P., B. Bakker Schut & H.Th. Wijdeveld. De Bijenkorf, 's-Gravenhage. Uitg. ter herinnering aan de opening op 25 maart 1926. (Amst., Kasteel v. Aemstel, 1926), 123 p., richly ill. w. floor plan cross-sections, num. photogr. ills. of the outside and details on the inside, num. advertisements, layout and orig. cloth-backed dec. boards by Wijdeveld, folio. Sm. tear p. 33, some external imperfections. A good copy. Oldewarris et al. H.Th. Wijdeveld, Art Deco design op paper 61 and 62 (cover and title-p.). Fine monograph published on occasion of the opening of the new building of the department store De Bijenkorf at The Hague on 25 March 1926, one of the highlights of modern Dutch architecture, des. by the architect P. Kramer. -and 7 others, incl. 2 rare privately publ. items by Wijdeveld (one as "Dutchy", 1967) and 2 remarkable issues of Hitweek w. striking layout by Wijdeveld (Dec. 1966). Added: Oldewarris, H. et al, H.Th. Wijdeveld, Art Deco design on paper (2003). (total 9)
te Amsterdam Januari en Februari 1922. Catalogus der tentoonstelling. Amst., by Drukkerij "Volharding", Jan. 1922, 26,(2) p., typography and orig. stapled wr. printed in gold by Wijdeveld. Vague folds throughout, wr. faded and a a few minor other imperfections. Rare. Cf. Oldewarris at al, H.Th. Wijdeveld, Art Deco design on paper 42, w. the same ill. as on the cover of this catalogue, but printed in black. (2) De mise en scène van de architectuur. Plan the impossible. Nic. H.M. Tummers over het werk van H.Th Wijdeveld bij diens 80ste verjaardag. Hilversum, G. van Saane, 1965, 32 p., num. ills., signed by Wijdeveld in felt-tip pen on inside front wr., orig. comb-bound wr., folio. Front wr. loosening from comb at top of spine. Offprint from Bouwkundig Weekblad, nr. 19, year 83, 24 Sept. 1965. (3) H.Th. Wijdeveld. Naar een internationale werkgemeenschap. Santpoort, C.A. Mees, 1931, 17,(1) p., w. 16 plans/ photogr. ills., orig. dec. boards, sm. 4to. Contents a bit foxed, covers sl. discol. -and 4 others, incl. a flyer on house Elckerlyc in lage Vuursche (Wijdeveld's own house) and the prospectus Koop de zon op Mallorca. (total 7)
Architectuur, schilderkunst, beeldhouwkunst en ceramiek, textiel, typografie, theater, muziek en dans, fotografie en film. (Amst., n.publ., 1933), (29) p., 12 full-p. photogr. ills., orig. dec. boards w. transparent dust wr., sq. 8vo. Free endpapers sl. browned from offseting of pastedowns, dust wr. sl. dam. A very good copy of this rare prospectus for this broadly oriented, exclusive art academy led by Wijdeveld (director), Menseldssohn and Ozenfant. The different divisions were led by P. Binofas (potter), S. Chermayeff (architect), P. Gargallo (sculptor), E. Gill (engraver), P. Hindemith (composer), E. Mendelssohn (architect), A. Ozenfant (painter) and Wijdeveld (architect).
Paris, by Le Foyer for Collection l'Art Contemporain, 1935, (16) p. w. contributions by Leger, Brzekowski, A. Chamson, J. Martel and G. Bauquier, 20 plates showing works of art by Wanda Wolska, "composition graphique" by C. Grabowska, orig. pictorial wr., 4to. Bookblock detached, wr. w. a few defects. In all, an acceptable copy, with owner's entry of V.W. van Gogh, dated "26 sept. '35" on title-p., "Wanda Wolska. Artiste peintre, fille de Lukasz Wolski architecte polonais et de Madame Stanislawa Wolska. Décédée en pleine jeunesse d'une mort tragique en 1933, à Juan-les-Pins." Chodasiewicz Grabowska is Wanda Chodasiewicz-Grabowska (Nadia Léger). Very rare, only 1 copy in OCLC (Poland). Loosely inserted: 4 contemp. orig. photogr. depicting works of art by Wolska, 3x w. stamp of photogr. M. Vaux (Paris) verso (1 torn).
(1) Botsky, K. De drinker. Dutch transl. K. Vorrink. Amst., N.V. "Ontwikkeling", (1923), 208 p., orig. dec. cl. des. by Cohen (w. her monogram in the technique), w. dust wr. des. by R. Gerbrands (w. his signature in the technique). H-title cut out, dust wr. vaguely waterst. A splendid art deco binding design by Cohen. Van Dam Van Praag cat. 24 and full-p. ill. on p. 19. Woodcut publisher's mark by Cohen, Van Dam/ Van Praag cat. 54a and ill. on p. 13. (2) J. Stoop - Snouck-Hurgronje. Brieven over kinderlectuur. Ibid., idem, (1922), 63 p., woodcut series title, title-p. and orig. woodcut covers by Cohen (w. monogram/ signature in the technique). Published as the third volume in the series Socialistische Vrouwen-Bibliotheek. Van Dam/ Van Praag, cat. 28 and ills. on p. 12. (3) Jong, A.M. de. Aan den Stroom. Ibid., idem, (1924), 101 p., w. ills. by G. van Raemdonck and orig. pictorial cl. printed in yellow and blue by Cohen (signed in the technique). Published as vol. 6 of the Stichtsche Bibliotheek voor Jongens en Meisjes. Cf. Van Dam van Praag cat. 19 and ill. on p. 18. -and 5 others publ. by N.V. de Ontwikkeling. (total 8)
(1) K. Haring: Schilderijen, Tekeningen en een Velum/ Paintings, drawings and a velum. Amst., Stedelijk Museum, 1986. 84 p. Introd. by W. Beeren, text in English and Dutch. Stiff ill. wr. (2) Sussman, E. Keith Haring. New York, Whitney Museum, 1997. 296 p. Cl. -and 2 others on Haring. (3) Mercurio, G. Roy Lichtenstein. Meditations on Art. Milan, Skira, 2010. 1st ed. 371 p. Hc. (4) Roy Lichtenstein. Sculpture. New York, Gogosian Gallery, 2005. 132 p. Hc. -and 2 others on Lichtenstein and 1 other about pop art. (total 9)
London Transport Posters 1908-1949. London, Art and Technics, 1949. Hc w. (sl. torn) dust-j. (2) Scheerlinck, K. Affichekunst aan Zee 1887-1970. Brugge, Wiele, n.d. 175 p. Hc w. dust-j. (3) Affiches van de Belgische Kust 1890-1950/ Affiches de la cote belge. Ibid., idem, n.d. 208 p. Hc w. dust-j. (4) Dam, P. van. Cacao- en chocoladefabriek C.J. van Houten & Zn 1815-1971. 256 p. Eindhoven, Lecturis, 2012. Hc. (5) Kunst fürs Kino. Die Plakate des Filmpreisträgers Klaus Dill. 183 p. Berlin, Henschel, 2002. Hc. -and 18 others. All in good condition. (total 23)
Many about film poster art. Incl. a.o.: (1) Czech Film Posters of the 20th Century. Brno, Moravian Gallery, 2004. 495 p. Sc w. dust-j. (2) Masters of Polish Poster Art. Buffi, 1995. 239 p. Sc. (3-4) Polish Film Poster and Polish Theater Poster. Galeria Plakatu, 1996/ 2000. 249/ 319 p. Both sc. -and 20 others, incl. 3 works on Roman Cieslewicz. Added: 2 Czech theatre posters from the 1970s. Some signs of wear, but generally in good condition. (total 26)
Psychedelic Rock Posters of Haight-Ashbury. San Diego, San Diego Museum of Art, 2001. 89 p. Sc w. dust-j. (2) High Art. A History of the Psychedelic Poster. London, Sanctuary, 1999. 175 p. Sc. (3) Drate, S. Swag. Rock Posters of the '90s. New York, Abrams, 2003. 160 p. Sc. (4) McClelland, G. Rick Griffin. Ibid., Perigee, 1980. 95 p. Sc. (5) Mouse & Kelley. Limpsfield, Dragon's World, 1979. 127 p. Sc. Bookblock loose. -and 4 others. (total 9)
1964-1971/ 1972-1977. Paris, Arte-Adrien Maeght, 1985-89. Vols. 1-2. Both hc w. dust-j. (2) Plakate. Exchange. Mainz, H. Schmidt, (1995). German ed. Hc. (3) Tanchis, A. Bruno Munari. Design as Art. Cambridge, MIT, 1987. 137 p. Hc w. (sl. torn) dust-j. (4) Wichmann, H. and F. Hufnagl. Künstler-plakate. Frankreich/ USA (...). Basel, Birkhäuser, 1991. 330 p. Hc w. dust-j. -and 5 others. All in very good condition. (total 10)
Short Messages. Munich, Prestel, 2002. 96 p. Hc w. dust-j. (2) The Great Poster Trip: Art Eureka. Palo Alto, Coyne & Blanchard, 1968. 96 p. Pictorial wr. des. by R. Griffin. (3) Gundel, M. Rauschenberg Posters. Munich, Prestel, 2001. 96 p. Hc w. dust-j. (4) David Lance Goines Posters. Natick, Alphabet Press, 1985. Hc w. dust-j. (5) Rennert, J., ed. The Poster Art of Tomi Ungerer. New York, Darien, 1971. 208 p. Hc w. dust-j. -and 7 others. (total 12)
Brussels, Etablissements "Plantin", n.d. (early 20th cent.). Lovely art deco style typeface in orig. art deco wr. (2) Two Deberny et Peignot (Paris) type specimens: Etoile (1935) and Le Jacno (n.d., stamp on front cover). (3) Le caractère Vulcain. Paris, Fonderie Typographique Française, ca. 1930. W. inserts and supplements. Orig. dec. wr. (4) Making your acquaintance with Some Type Personalities (...). Amst., Lettergieterij "Amsterdam", ca. 1920. Spiral bound. -and 10 other type specimens by Lettergieterij "Amsterdam", incl. Reiner Script, Excelsior, Studio, Pascal, Mercator and Mistral. -and 6 others. Added: Encres d'Aniline pour papier cristal. Reims, Prot frères, n.d. (early 20th cent.). Beautiful catalog of var. ink col. Orig. gilt wr. -and 3 others. (total 24)
(1) Hirsch & Cie. De zijde-industrie te Lyon op de Exposition des Arts Decoratifs Paris 1925. Letterpress card, 11.5 x 22.2 cm, printed in green by W.J. Portielje, typography and des. by Wijdeveld. Rare. Not in Oldewarris et al, H.Th Wijdeveld, Art Deco design on paper (2003). (2) V.A.N.K 25 jarig bestaan. (...) Commissie van voorbereiding wij... ondergeteekenden. (...) Mej. T. Baanders. H. Ellens. W.H. Gispen. J de Meijer. H.Th. Wijdeveld, voorzitter. Letterpress card, 21 x 21 cm, printed in gold and green, typography and des. by Wijdeveld. A bit foxed. Oldewarris et al 20. (3) Architectura er Amicitia. De 1422ste vergadering wordt gehouden op maandag 1 december [1919] 8 uur Heerengracht 545-549 - te Amsterdam. Letterpress postcard, 9 x 14 cm, printed in grey, typography and des. by Wijdeveld. Not in Oldewarris et al. Stamped and addressed to A. Smit in Arnhem, the post stamp dated 29-XI-1919. -and 8 miscell. others. (total 11)
Amst., Galerie Collection d'Art, June 1970 - September 1999, ills., var. sizes and formats, some stapled as issued. Lacks an unknown number of issues (irregularly publ.), but also incl. duplicates. The collection also includes a bibliography for the years 1-10, a bibliography for the years 1-20 (= year 21, nr. 4) and 12 related publications such as newsletters. A very large run of this periodical, issued by the famous and influential Amsterdam art gallery Collection d'art, founded in 1969 by C. de Vries and run by her for 35 years (until 2004). (total 263)
Ed. by R. McLean. London, Shenval Press, 1959-62. Vols. 2-5 and 7-9. Beautiful silkscreen covers and endpapers des. by a.o. R. Stewart, L. Scarfe, R. Guyatt, R. Brazil and E. Bawden, ills. throughout. All hc. 4to. Some wear to covers and spines. Periodical covering a wide variety of topics such as art history, graphic design, architecture, typography and photography. (total 7)
Year I, vols. 1-12 and Year II, vol. 2. Haarlem, Kleinmann, 1905-06. Ills. Orig. paper wr. des. by Hana. Rare periodical about modern art, design, applied art and architecture. Articles by a.o. Hana, J. Wormser, K. van Leeuwen, H. Ellens and J. van den Bosch. Overall in good condition. Lacks 5 plates. Added: Wolf, N.H., ed. De Kunst. Een algemeen geïllustreerd en artistiek Weekblad. 55 issues, 1917-19. (total 68)
Nos. 1-5, 8, 15-18, 22-32, 36-39 and 43-45. 1967-73. Contemporary arts periodical conceived in 1967 by a collective of art critics determined to open Paris and the French art world to a new era. Publ. by G. Fall, w. signature des. by R. Cieslewicz. Regular contributors were J.C. Lambert, A. Tronche, A. Jouffroy and J.J. Lévêque. A few duplicates. Good condition. (total 26)
No. 2, 1921 and nos. 6 and 9, 1922. Berlin, A. Kogan "Russische Kunst", 1921-22, 3 vols. of the series, w. tipped-in col. plates after and num. (full-p.) ills. after a.o. S. Sorin, A. Jakowlew, B. Grigoriew, J. Bilibin, B. Kustodiew, W. Schuchajew and L. Bakst, num. advertisements, orig. wr. after Bilibin, L. Brailowsky and B. Kustodiew, folio. All vols. spine strenghtened w. tape, no. 2 w. marginal missing pieces, mostly repaired w. tape, occas. other internal and external sm. defects. The famous post-revolutionary art journal Jar-Ptitza ("The Firebird"); only 14 issues published in total from 1921 to 1926. (total 3)
Eerste jaargang. De Hooge brug, Reguliersgr. 19 Amsterdam. Prijs F 4. Original woodcut ordering form, printed in grey on yellow paper, 17.7 x 17.7 cm, 1919, des. by H.T. Wijdeveld. Vague folds. Rare. Le Coultre Enclosure 2-1 d.2., ill. on p. 47; Oldewarris et at, H.Th Wijdeveld, Art Deco design on paper 32. (2-3) Bijlage Prisma, Nov. 1936. In aansluiting op onze vorige aanbiedingen, melden wij dat wij nog de volgende nummers van het tijdschrift: [stamped:] Wendingen tegen voordelige prijs kunnen aanbieden. Deze nummers zijn zéér gezocht en onze voorraad is slechts klein, zodat omgaande bestelling aanbeveling verdient. Stenciled list of 17 numbers of Wendingen w. reduced prices, 34 x 21 cm, issued by N.V. De Torentrans, Zeist, Nov. 1936, as an advertisement accompanying the mentioned and also present Bijlage Prisma, a col. lithogr. plate by R. Wijdeveld, 23 x 17.5 cm. (4) Wijdeveld's Wonderlijke Wendingen. Amsterdam. GHB. Tentoonstelling typografisch werk & vroege tekeningen H. Th. Wijdeveld 1966. Printed invitation, issued by G.H. Bührmann's Papiergroothandel N.V., Amst., etc., (4) p., orig. stapled wr. printed in gold, black and grey, des. by Wijdeveld. Cf. Oldewarris et al, 68, listing the exhibition catalogue with the same wr. design. -and 3 others concerning Wendingen, incl. Technisch gedeelte, year II, No. 4 and 6, and Mededeelingen No. 8-9, 1920. (total 7)
à l'Usage des Peintres. Paris, Monrocq frères, n.d. (ca. 1895). 17 (of 19?) chromolithogr. plates, loose as issued. Orig. (worn) cloth-backed portfolio. Folio. Plates (esp. margins) browned/ foxed, but colours still vibrant. Very rare and beautiful collection of samples of shop sign designs in art nouveau style.
ten dienste van nijverheids- en teekenscholen schilders teekenaars enz. Zutphen, W.J. Thieme, n.d. (ca. 1910). 32 lithogr. plates (title-p. col. lithogr. plate), loose as issued in orig. (sl. discol.) cloth-backed col. lithogr. portfolio w. ties. Folio. Nice collection of designs for signboards, etc. in art deco style. Added: (1) Bakhuizen van den Brink Ozinga, C. Zelf ontwerpen van vlakversieringen. Apeldoorn, Talens & Zoon, n.d. (ca. 1930). (2) p., text booklet loosely inserted. 24 col. lithogr. plates and orig. cloth-backed boards des. by G.J. van Lerven. (2) Haan, J. de. Alphabet. Letters van allerlei vorm. N.pl., n.publ., n.d. (ca. 1905). 72 (col.) plates, printed by D. Osseman, loose as issued in orig. (worn) dec. cl. portfolio w. ties. Folio. Plates w. worn edges, some foxing/ browning. -and 3 others. (total 6)
Gouda, Mulder, ca. 1923. (2) Neuhuys, T. (1878-1921). Programma van het Concertgebouw te Amsterdam. 1906. (3) Schwartz, M. (1876-1942). 3 Stadsschouwburg programmes (same des. but different col.). (4) Cramer, R. Stadsschouwburg programme. (5) Bernier, M. Alhambra programme (Brussels). (6) Vlaanderen, A. Nationaal Instituut voor Zelfontwikkeling. Course informational booklet. (7) Devos, H. 2 Rotterdamsche Schouwburg programmes. -and 9 others, all w. beautifully designed covers, some in art deco and art nouveau styles, early 20th cent. Some wear to covers (1 cover detached), browning. Amazing collection of incredibly designed pieces. (total 19)
(1) Sample in green, red, yellow and black. Ca. 1920. 36 x 22.5 cm. Stamp verso 'R. & D. No 52783 (...) Jaap Gidding'. (2) Art deco style sample of fabric on paper in brown, orange, black and beige. 31 x 24 cm. Stamp verso: 'RD no. 44121 (...) Hollandsch ontwerp Postuma (=Posthuma)'. -and one more sample in green, pink, beige and black fabric by the same. (total 3)
Folio hcl. album w. 6 double-p. wallpaper samples by Nieuwenhuis, ca. 1894. (1) Branches, berries and butterflies. (2) Umbellifers, butterflies and dragonflies. (3) Flowers, butterflies and dragonflies. Each in 2 col. variants. Pasted letters W.C. on the front cover of the album (possibly E.J. van Wisselingh & Co art trade; they owned a workshop during the turn of the 19th century in which G.W. Dijsselhof, C.A. Lion Cachet and Nieuwenhuis all worked as interior designers for Amsterdam aristocrats). Album 60 x 42 cm, all samples 79.5 x 60 cm. Album sl. worn, but contents in very good condition.
Rijswijk, J. Noordenbos, ca. 1930. 87 lvs w. num. col. labels. Orig. wr. 4to. Rare trade catalogue w. num. examples of label designs, some in art deco style, for alcoholic beverages. (2) Assortiment d'étiquettes. Modèles pour vins de liquer. Bordeaux, Wetterwald Frères, 1942. Approx. 75 col. labels. Orig. wr. w. protective paper wr. Obl. sm. 8vo. Rare trade catalogue w. num. examples of label designs for wines and wine liqueurs. Wrinkled. (3) Album of approx. 120 labels for alcoholic beverages, incl. for wine, champagne, cognac and port. Incl. blank example labels w. different variations on the designs (perhaps a salesman's album?). Album worn, but labels in good condition (labels glued to pages). (total 3 albums)
(1) Neemt het schoone! Leerdam, Glasfabriek Leerdam, n.d. (1927), (8) p. printed in yellow and black, typography by "M.W.", orig. stapled purple and gold wr., 15 x 15 cm. Staples a bit rusty, wr. faded at fore-edge. A fine copy of this splendidly designed art deco advertorial booklet. (2) Het Schoone glaswerk. Ibid., idem, (1926), 16 p., 15 woodcut ills. (probably by A.D. Copier), orig. stapled wr. printed in blue, red and grey (possibly des. by J. Jongert), 17.3 x 10 cm. Back wr. w. remnants of former mount along spine, otherwise fine. Advertising designs by De Bazel, Berlage (the famous canary-yellow pressed glass), Copier, Gidding, Lebeau, Lannooy, De Lorm and Leerdam Unica. (3) Oud. Advertorial booklet. Wageningen, by Vada for Wed. G. Oud Pz. & Co, Wijnhandelaren in Haarlem, n.d. (ca. 1930), 22,(2) p., 12 photogr. ills. by A.D. Copier, orig. stapled gold-col. wr. (4) Nederlandsche Kunst en fabrikaat 1934. Proof for a probably never published work (not in NCC), (4) p. ("Voorlopig"), the two central p. advertising glass by Glasfabriek Leerdam, typography and des. by C. Ehrlich, orig. stapled wr. w. mounted photomontage plate, 4to. -and 7 others, incl. 2 different spiral-bound trade catalogues of N.V. Nederlandsche Glasfabriek Leerdam, 1953 and 1948 (w. Spanish language index). (total 11)
2 advertising portfolios of samples from L. Marfurt's printing company. (1) Les créations publicitaires 1935. Suite of 11 reproductions of some of the company's most famous posters: Minerva, Belga, Marouf, Unico, Davros, "Les fines bouteilles de nos caves", 12e Salon de l'alimentation de Bruxelles, Remington, Perfecta, "Lner Harwich Continent" et l'expo universelle de Bruxelles 1935. All 24 x 18 cm. (2) Suite of 6 reproductions of the company's posters: Tabacs vander Elst, Exposition internationale coloniale maritime art flamand Anvers 1930, Purfina, Cigarettes Belga, Fonds du logement des familles nombreuse and Belgian railways. W. typed letter, in orig. envelope. All 16 x 15.5 cm. Lovely portfolios, unique publications. Marfurt created his company in 1927, and it exercised a strong influence on advertorial graphic design in Belgium from the 1930s to the 60s. (total 2)
Lichtenberg etc., n.d. (ca. 1900), 10 lvs of different types of paper (incl. stapled wr.), 20 differently col. p. w. Jugendstill ill. Very finely produced Art Nouveau trade catalogue. (2) H.H. Ullstein. Ibid., ca. 1900, 17 lvs of different types and col. of paper w. embossed Jugendstil ill., printed on 1 side only. Front wr. faded, back wr. lacks a sm. portion. (total 2)
Mostly Dutch or French language, ca. 1900-60, var. techniques (incl. many chromolithographs). The colourful collection comprises a number of notable art deco designs, several designs are signed Noordenbos in the technique. Added: A similar collection of approx. 300 labels for alcoholic beverages, like the first containing striking art deco designs, some also signed Noordeloos in the technique. Many duplicates/ variants. (total approx. 600 in 2 binders)
(1) Approx. 38 menu cards from the Holland-American Line (also incl. a few passenger lists, programs and luggage tags). Most items early to mid 20th cent. Incl. a.o. an art deco style menu card from 1929, a 1932 menu card printed by Joh. Enschedé en Zonen, a series of 1950s menu cards by R. Dirksen and some items des. by Westra. (2) Approx. 34 menu cards from the Stoomvaart Maatschappij "Nederland". Most items mid 20th cent. Incl. a.o. a series of menu cards featuring depictions of Indonesian dancers and a menu card des. by A. Harker. (total approx. 72 in 2 binders)
menu cards, passenger handbooks and other items. Most items early 20th cent. Incl. a.o.: (1) Korte route beschrijving Boottrein Holland-Genua. Lovely art deco style wr. Stamps on front cover. (2) Sm. portfolio w. 5 menu cards des. by M. Bauer w. images of Bali, Egypt, India and Palestine. 1934. (3) Brochure on the MS Colombia w. cover des. by E. Gaillard. Ca. 1930. (4) Vacantiereizen naar Algiers en Genua. Brochures for Jan. 1931 and Mar. 1932, des. by Shep. A few duplicates. Lovely collection. (total 24 in 1 binder)
Ca. 1900-70. A very fine collection, including nice series, fine art deco/ art nouveau designs, a few cloth or plastic (and 1 metal) specimens. Comprises a.o. advertorial bookmarks for Van Houten's Cacao, Delftsche Slaolie, Van Nelle, A.N.W.B. Wegenwacht, a number of bookmarks in the shape of toothpaste tubes, bottles, hands, fish, lamps, movable caricatures of people, bookmarks depicting ships and trains, etc. Designs by a.o. C.A. Lion Cachet (for Stoomvaart Maatschappij Nederland), P. van Praag, J. Coster, D.A.H. Hofman, A. Vlaanderen, D. Elffers, F. van Noorden, D.J. Muller, L. Gestel, R. Vincent, Sepo, Fabriano, Girard and T. Simatoepang (Taroetoeng, for the exhibition "Hoe tekent het kind in Indië"). Also incl. loosely inserted periodical 'Uitgelezen Boeken', year 1, no. 3, mai 1982, a special on bookmarks. Some duplicates/ variants. (total approx. 200 in 1 album)
Mostly French language, ca. 1890-1950, in 4 modern portfolios. The portfolios are all labelled "Le vieux papier" on spine, one of them contains over 40 items concerning the Société Archéologique, Historique & Artistique "Le Vieux Papier" in Paris, incl. invitations/ announcements for dinners and expositions, business cards, menu cards, etc. The other albums contain miscellaneous ephemera, such as entry tickets, train tickets, lottery tickets and advertorial cards (incl. for cars, furniture, interior decorations, works of art, ceramics, glass, tapestries, etc.). (total approx. 300 in 4 albums)
Mostly Dutch, but also incl. a few (pro) German items, ca. 1938-45. A varied collection, also including a number of items produced just after the war. A number of items have a caricatural nature, the collection also includes some modern reference works on this kind of art produced during the war. Incl. a.o.: (1) "Zeer geachte heer Schreuder. Indien mogelijk zouden wij het zeer op prijs stellen indien de kinderen nog even aan de schoolvoeding konden deelnemen, daar wij in het geheel geen aardappelen hebben [signed]." Short letter in pen, dated 16-5-1945. (2) "Geachte heer, gaarne zou ik zien, dat één of meer van mijne kinderen in de komende tijd aan de warme schoolvoeding zouden kunnen deelnemen [signed]. Short letter in pen, dated Amsterdam, 14 mei 1945. (3) "Oorlogswinter 1944-1945." Large fold. plate after L. Visser, the sheet measuring 49.5 x 65.5 cm, publ. by Vondel in Amst., (1945). Caricature showing the difference between fat Germans and starving Dutch people. (4) English language folded silk soldier's map of France, no date. (5-6) Two variants of the game "zoek het 5de zwijn/ where is the 5th pig"; when folded correctly, creates a portrait of Hitler. (7) Passierschein. Der deutsche Soldat, der diesen Passierschein vorzeigt, benutzt ihn als Zeichen seines ehrlichen Willens, sich zu ergeben. Safe conduct. The German soldier who carries this safe conduct is using it as a sign of his genuine wish to give himself up. Sm. folded leaf printed on both sides, w. the printed signature of Dwight D. Eisenhower. Sm. defects. (8) Tentoonstelling van fotografische opnamen van Duitse concentratiekampen en verwoest Arnhem. N.pl., n.publ., n.d. (1945), 32 p., orig. stapled wr. A shocking documentary series of photographs. (9) Hoef, A. v.d. Mijn kamp. Gedichten uit het Concentratiekamp, Amersfoort. Groningen, Werkman, (1945), 32 p., orig. stapled wr. (10) 22 sm. photographs, 8 showing the destruction after the bombing of Rotterdam, 14 Mai 1940. Some duplicates. (total approx. 220 in 1 box)
Early to mid 20th cent. Incl. programmes for a.o.: (1) Bleeke Bet at the Centraal Theatre in Hilversum. Ca. 1934. (2) Pygmalion met Lily Bouwmeester. Ca. 1937. (3) De Spooktrein. Ca. 1939. (4) Theater Roxy (Amst.) programme, 1928. (5) Corso Cinema (Amst.) programme, 1928. (6) Rembrandt Theater (Amst.) programme des. by G. Wiegman. Some programmes in art deco style. A few duplicates. Nice collection. (total 48 in 1 ring binder)
Ca. 1900-40. Incl. programmes for theatres in a.o. Utrecht, Haarlem, Hilversum, Leiden and Amsterdam. Programmes des. by a.o. B. Osen, G. Robben, A. Eiffert, M. Meerens and A. Visser. Many programmes in art deco style. A few duplicates. Lovely and unique collection. (total 52 in 1 ring binder)
Early to mid 20th cent. All from the Koninklijke Schouwburg in the Hague and Concert Gebouw in Amsterdam. Programmes des. by a.o. F. Zur Haar Jr., E. Veterman, T. Neuhuys, N.J. v.d. Vecht, J. Visser, E. Penning and J.M. Wattez. Some programmes in art deco style. Incl. duplicates. Nice collection. (total 60 in 2 ring binders)
1960s-80s, var. sizes. Incl. a.o.: (1) Zeg nee 17 mei. Tegen de opheffing van Amsterdam. Des. by Opland (R. Wout). (2) Terroristenspel. Des. by Willem (B.W. Holtrop). (3) Come in! and Take a Seat. (Des. by R. Crumb?). (4) Holland Festival. Willem de Ridder presenteert stadsschouwburg Portable Vaudeville. Des. by Pontiac. (5) Trip de Reiziger. Newspaper w. art by W. de Ridder (?). Some duplicates, some sm. defects (sm. tears/ pinholes/ tape), but generally in good condition. (total 37)
(1) No 1. Oz Publications Ink ltd, London, 1967. Ed. Richard Neville. Assistant Ed. Paul Lawson, design Jon Goodchild. Art direction Martin Sharp. 18 pp. Lacking part of the back-cover, incl. the fold-out. With: (2) No 2, lacking part of the cover. (3) Oz Magazine no. 7, with Martin Sharp Bob Dylan cover (4) Oz magazine no. 16. -added 6 more underground magazines from the 1960s. (total 10)
Paris, Art Editions, ca. 1923. 4 albums: IV, V, XV & XVI. Each page w. a different model, each model shown in 5 different poses. Wr. (worn). Photogr. in good condition. Unique and rare publication. Added: (1) Nus. Photos originales d'André Dienes. Paris, Société parisienne d'éditions artistiques, 1951. Orig. (worn) wr. Bookblock detached. (2) Everard, J. Artist's Model. London, Bodley Head, 1958. Cl. Sl. browned. (total 6)
behelsende in't cort de Thiende-Rekeninghe, de principaelste ende noodigste Grond Regelen der Geometrie, met exempels bevestight (..) ten meerderen deele ghetrocken uyt de Schriften van sekeren Eerw. Pater Joannes Baptista Doemen, Carthuyser, door desselfs discipel nu geswoen Landt-Meter Martinus van Dycke (...). Brugges, P. van de Capelle, 1714. 2 parts in one vol., (10),160; 41,(1) p. (some errors). Fold. table, 36 engr. fold. plates and 1 plate w. moveable parts. Later gilt half leather. Sm. 8vo. The very rare original edition of this mathematical treatise, with all but plate Z1 conforming to the binder's index. We could not verify (no copies with plates digitized online), but we suspect that plate Z1 was executed in pen in all copies, due to the layering of the plate and a description on page 60. A nice element of this edition are the puns: the name of the author on the title page (in a special diamond shape) and on the praise poem, where every letter of Van Dycke's full name is used as the first letter of a stanza (see images). Very rare treatise on surveying art.
representée en CIX figures en taille douce (...). Amst., D. Mortier, 1719, 22 descriptive p. for 109 engr. plates (partly (large) folding, double-p. or with several individually engraved ills. on one leaf), contemp. calf with gilt and ribbed back, folio. Text and prints rather tanned; one plate with large tear, occ. smaller tears, water stain to endpaper and some smaller defects. Leather on upper joint split and one corner of the sl. stained front board expertly restored. Still a good copy with the bookplate of VINCENT VAN GOGH (1866-1911) etched by Marius Bauer to inside front board. *Van Gogh's splendid print collection and library were sold at various auctions from 1911 to 1918. According to Herman de la Fontaine Verwey, this was one of the most extraordinary collections of books ever collected in the Netherlands. The standard work on architecture by Jacob van Campen and the art of Hubertus and Artus Quellinus for the Dam Palace, with engravings of all facades, plans of the entire building and the large hall, interior views and all sculptures. Particularly impressive are the giant plates of the tympana at almost 170 cm in width. Earlier editions appeared in instalments from ca. 1655. After our edition, the series was issued again several times in the 18th century.
Paris/New York, Galerie Denise René, 1955/1975. Manifesto originally issued for the show ‘Le Mouvement’ at Galerie Denise René, Paris, April 6 - 30, 1955, featuring Agam, Bury, Calder, Duchamp, Jacobsen, Soto, Tinguely and Vasarely. The groundbreaking exhibition was curated by Denise René, Victor Vasarely, Roger Bordier, and Pontus Hulten and marked the beginning of kinetic art. This copy is the facsimile edition released for the show held in 1975 at Denise René Gallery in New York, celebrating the 20th anniversary of the original event in Paris. Bright yellow sheet, printed both sides in black. Unfolded: 49.8 x 32.5 cm, folded: 24.6 x 16.2 cm. Contains the Manifesto by Victor Vasarely titled ‘Notes pour un Manifeste/ Le Manifeste Jaune’, as well as texts by Hulten and Bordier in French. The 1975 reprint is brighter and printed on thicker paper than the original 1955 edition. In very good state. Rare.
Catalogue for an important exhibition of the Nuclear Art Movement at Galleria San Fedele, October 12-30, 1957. Softcover, 30.5 x 21.5 cm, 8 pp. Twelve b/w ills. and one in colour (blue) by Yves Klein. Features Baj, Bemporad, Bertini, Dangelo, Yves Klein, Manzoni, Arnaldo Pomodoro, Gio Pomodoro, Rosello, Sordini, Verga, Jorn and Vandercam. Texts in Italian by Kaisserlian Boccioni, and Jaguer. Giorgio Kaisserlian, organizer of the show, notes that Manzoni is the youngest artist in the Movimento Arte Nucleare. Tiny incision along spine ends, generally in very fine condition. Extremely rare.
Arnhem, Nul-Verlag, 1963. Second volume of the periodical by the Dutch ZERO group featuring new movements in art. This issue was dedicated to the then recently deceased Yves Klein and Piero Manzoni. Edited by herman de vries, released in an edition of 300. Stapled booklet, 27.6 x 21.8 cm, 20 pp. text in German, French and English. Cover features Manzoni's enlarged fingerprints with hand stamped red O. Contributions by Schoonhoven, Aubertin, Haacke, Castellani et al. Includes the original collage with the 'Yves Klein-blue' square on black paper. Cover shows some age spotting, interior very good.
(1) Canemaker, J. Tex Avery: The MGM Years, 1942-1955. Atlanta, Turner, 1996. 224 p. Hc w. ill. dust-j. Folio. (2) Lambert, P. Tex Avery. L'art de Tex Avery au studio MGM. (Paris), Demons & Merveilles, (1993). 224 p. Hc w. ill. dust-j. Folio. (3) Treasures of Disney Animation Art. New York, Abbeville Press, 1982. 319 p. Hc w. ill. dust-j. Obl. folio. (4) Walt Disney's Donald Duck. Alle verhalen van Carl Barks, 1947-1948/ 1948-1949. Amst./ Haarlem, Loeb/ Oberon, 1987. Both hc w. ill. dust-j. Folio. -and 7 others. Minimal wear. (total 12)
Two issues of the magazine 'for the new conception in art and culture' edited and published by herman de vries in Arnhem. Assembling type magazine, with artists' contributions (some original). Mostly mimeographed, staple bound, 29.5 x 21.5 cm in varying lengths. Texts in German, Dutch, English and French. (1) No.2/3 May 1965. Zero Avantgarde 1965. Numbered in blue pen 160/300. Contributions by Diter Rot, Paul de Vree, Henri Chopin et al. Original prints by herman de vries and Wybrand Ganzevoort. Includes a large fold-out announcing the 'Zero-Avantgarde' show at Fontana's atelier in Venice 1965. Staples partly loose, creasing on overlap of edges, interior fine. (2) No.9 Summer 1967. Black thick paper cover (with some edge wear), numbered in black marker 289/320. Contains all original contributions: 6 black pages by Ad Reinhardt, 2 gold sheets by Mathias Goeritz and 6 white sheets by herman de vries. (total 2)
Includes: (1) Catalogue edited and designed by Henk Peeters, introducing the artists of the group with ills. of their work, published in conjunction with the exhibition 'Holländische Informelle Gruppe' at Galerie Gunar in Dusseldorf, 1959. Edition of 500. (2) Rare announcement and price list for the exhibition at G58, Hessenhuis Antwerp 14 May-4 June 1960, featuring the Dutch Informal Group and the New Vision Group from London. (3) Two issues of Art Actuel International (No.14 & No.16, 1960) featuring articles about the 'nouvelle école européenne' which also comprised the Dutch group. (4) Five sheets with exhibition program of the group in 1960-1961, some with Dutch Informal stamps and handwritten notes by Peeters. (5) Invitation card 'Holländische Informelle Gruppe' at galerie Wriss Kassel, 1960. (6) Invitation card Groupe Informel Hollandais, Galerie Kasper Lausanne, 1960. (7) Invitation card 'Neue Holländische Tendenzen', Galerie Wulfengasse, Klagenfurt and Galerie Carette Glücksburg, 1962. All items derive from the archive of Henk Peeters and are in fine condition. (total 13). The Dutch Informal Group (1958-1961), preceded the formation of the Nul group. Its members consisted of Armando, Henk Peeters, Jan Schoonhoven, Jan Henderikse and Kees van Bohemen. The group replaced the expression of emotions in paint with an attempt at an absence of 'personal signature'.
(1) Castellani Manzoni Schoonhoven. Group show catalogue, Galerie Delta Rotterdam, 1962. 23.5 x 22 cm, 12 pp. texts in Dutch by H. Sonnenberg and J.J. Schoonhoven. With stamp and notation of Art Information Center. (2) Armando, Henk Peeters, Schoonhoven. La Cavana Galleria, Trieste, 1963. Catalogue, 4 pp. with stamp of Peter van Beveren on rear. (3) Nul - Armando Henk Peeters Schoonhoven / Zero - Mack Piene Uecker. The Hague, Gemeentemuseum, 1964. Double sided catalogue presenting the Dutch Nul artists on one side and the German Zero artists on the other side. (4) Catalogue nul = 0. Galerie Delta Rotterdam, 8 - 20 August 1964. Stapled booklet, 4 pp. with loose inserted sheet listing 40 international Zero and New Realist artists and their exhibited artworks. Participants were Peeters, Dadamaino, Fontana, Kusama, Manzoni, Schoonhoven, Klein, Soto, Arman, Raysse, Rot et al. Stamp of Art Information Center in rear. (5) Jan Schoonhoven: tekeningen en reliefs. De Utrechtse Kring/Galerie Orez, 1969. Striking purple, green and red printed covers, 4 pp. Contains price list of exhibited works, texts in Dutch by Carel Blotkamp and K. Schippers (Portret van J.J. Schoonhoven in 16 mededelingen). Scarce. (6) Invitations for Schoonhoven exhibitions at Galerie Aujourd'hui Brussels (1962), galerie Delta Rotterdam (1964) and Galerie Wulfengasse Klagenfurt (1965). (7) Leaflet announcing a Dutch 0=Nul group show featuring Armando, Peeters and Schoonhoven at Halfmannshof in Gelsenkirchen, 1965. (total 9)
New York City, April 1967. Edited by Otto Piene and Aldo Tambellini. Newspaper in the form of a poster, 56 x 43.5 cm, folded to 28 x 21.5 cm as issued. Published to announce the program of the cross-genre, cross-media project space Black Gate in Manhattan’s East Village set up by Aldo Tambellini and Zero co-founder Otto Piene. As stated on the poster 'Black Gate is an empty room a testing ground for radical experiences. Artists of all media are invited to use it for experimental purposes ...' Live multimedia performances and installations listed on the poster include 'The Proliferation of the Sun' by Otto Piene and 'Blackout' by Tambellini in March and April 1967, and future programs with Takahiko Limura, Kosugi and Nam June Paik. Very light creases along edges and folds, generally in very fine shape. Apparently a follow up newspaper/poster was made by Tambellini titled Black Gate, and also numbered issue 1, featuring stills from his first videotape and a statement about the social reorientation of America in the Space Era. ref. Aldo Tambellini, Black Zero, Boris Lurie Art Foundation, 2011 p.70.
Cologne, Sammlung Ludwig Im Wallraf-Richartz Museum, 1969. Edited by Gert Von Der Osten and Horst Keller. Rare first edition. Original plexiglas binding, screw-bound, 30 x 24.5 cm. Abundantly illustrated on various types of paper. Very good copy of this truly Sixties Pop Art catalogue, designed by the Fluxus artist Wolf Vostell. Each artist is presented with a portrait on mylar and work on tipped-in plates. Legendary catalogue with the highlights from the private collection of chocolate magnate Peter Ludwig (1925-1996), one of the first collectors to recognize the merit of American Pop Art.
concept art, anti-art, indeterminacy, plans of action, diagrams, music, dance constructions, improvisation, meaningless work, natural disasters, compositions, mathematics, essays, poetry. New York, Heiner Friedrich, 1970. Designed by George Maciunas. This is the second edition of the seminal Fluxus publication that originally appeared in 1963. Softcover, 20 x 23 cm, 112 pp. Ill. with typographical designs, fold-out pages, tipped-in images and envelopes, on multi-coloured leaves. Contributions by George Brecht, John Cage, Simone Forti, Henry Flynt, Toshi Ichiyanagi, Ray Johnson, Nam June Paik and others. Very light rubbing on front cover, else a very good copy.
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