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‘Ubayd Allah b. Ziyad, drachms (4): DŠ (Dasht Maysan) 60h, 2.89g (Walker 89; SICA I, 280-282); DA (Darabjird) 46ye, 3.76g (Walker p.63, B.15; SICA I, 248); GD (Jayy) 61h (2), 2.88g, 2.13g (Walker 101, 102; SICA -), all clipped, one with countermark, otherwise very fine (4)

`Ubayd Allah b. Ziyad, drachms (5): BCRA (Basra) 60h, 63h, 3.97, 3.98g (SICA I, 66ff, 95ff); DA (Darabjird) 48ye, 3.98g (SICA I, 250); GD (Jayy) 60h, 2.73g (SICA I, 290ff); SK (Sijistan) 56h, 3.80g (SICA I, 365), the fourth clipped, otherwise very fine and better (5)

‘Abd Allah b. al-Zubayr (60-73h), drachms (2): DA (Darabjird) 59ye, 4.07g (Walker -; SICA I, 259-261), DA-P (Fasa) 54ye, 3.58g (Walker 43; SICA I, 270); ‘Umar b. ‘Ubayd Allah (67-70h), drachm, BYŠ (Bishapur) 67h, 4.02g (Walker 194; SICA I, 156-158), the first two very fine, the last better (3)

* `Abd al-Malik b. Marwan (65-86h), drachm, DA+RA (Darajbird) 60ye = 71/2h, 3.76g (Walker p.28, Asc.1), slightly clipped, very fine and scarce

* al-Hajjaj b. Yusuf, drachm, DA-P (Fasa) 71ye, governor’s name written in Pahlavi, 3.80g (Walker -; SICA -; Gaube -), very fine and very rare

* Abd al-Rahman b. Muhammad (fl. 80-83h), drachm, DA+RA (uncertain mint in Darabjird) 70ye, with long marginal inscription in second and third quadrants, 4.13g (cf Album 38), about extremely fine, very rare

Arab-Sasanian, Anonymous, fulus (3), all with Sasanian bust right, comprising DA (Darabjird) 60ye, 3.68g (Gyselen 10b); KSRUN (Kazerun) undated, rev., rider on horseback, 0.80g (Gyselen 35a), and Zaranj (in Arabic), undated, rev., legend in three lines, 1.99g (Gyselen 50a), fine to very fine (3)

Dow, 2000 1 bottle Royal Oporto, 1970 1 bottle Croft, 1987 Quinta Da Roeda Label torn 1 bottle Cruz, 1989 1 bottle Taylor, LBV 1997 1 bottle Taylor, 10 year old Tawny Port 1 bottle Taylor Select Port 1 bottle Ruiz & Hermanos Pale Cream Reserve 1 bottle Above 9 bottles

Quinta Da Noval, 1963 8 bottles

British Commonwealth, comprehensive stamp collection, inc. high values, George V to Elizabeth II, comprising Sudan, Tonga, Trinidad & Tobago, Tristan da Cunha, Turks & Caicos Islands, Virgin Islands and Zanzibar (from 1898), mint, in album (small lot)

Davies Ltd. (Peter publisher) 7 vol 1932 § West (Rebecca) St. Augustine 1933 § Linklater (Eric) Mary Queen of Scots 1933 § Bates (Ralph) Schubert 1934 § Leacock (Stephen) Mark Twain with related postcard inscribed by the author loosely inserted 1932 § Bryant (Arthur) Macaulay 1932 § Bax (Clifford) Leonardo da Vinci 1932 first editions all signed by the author on either title or front free endpaper original black buckram with coloured title section on spine lettered & ruled in gilt a handsome group 8vo(7)

CHARLES ANDERSON RSW, DA Gryffe Wraes Farm acrylic on board 61cm x 61cm Usual Gallery Price £2400

CHARLES ANDERSON RSW, DA Nearly Hay Time-Kilmacolm acrylic on board 66cm x 59.5cm Usual Gallery Price £2500

CHARLES ANDERSON RSW, DA Still Life in Blue acrylic on board 45.5cm x 45.5cm Usual Gallery Price £1600

CHARLES ANDERSON RSW, DA Room with a View acrylic on board 61cm x 61cm Usual Gallery Price £2400

OIL ON CANVAS PORTRAIT - DOROTHEA LANDAL DA FANO, ALICE MAYNARD

Morrona (Alessandro Da) Pisa Illustrata 2 vol. titles within typographic border folding engraved plan and 16 plates most folding a couple with tears occasional foxing later calf gilt joints worn spine ends chipped 8vo Pisa Francesco Pieraccini 1787-92.

After Ambrogio da Predis c.1455-c.1506- Portrait of Beatrice d`Este; oil on canvas, this an early 20th century copy, after the original executed circa.1490 and held at the Pinacoteca Ambrosiana, Milan, 47x28cm: Note: Giovanni Ambrogio de Predis born in Preda, Italy and established a reputation as a illuminator and a portrait painter. While working as the court painter to the Duke of Milan, Ludovico Sforza, he entertained Leonardo da Vinci upon his arrival to Milan in 1483 and is known to have worked with Leonardo da Vinci and with his own brother Evangelis, in the altarpiece of the Virgin of the Rocks for the Confraternity of the Conception.

SPRINGBANK-21 YEAR-OLD Distilled by J. & A. Mitchell & Co, Ltd., Springbank Distillery. Tall bottle. Level: Top of Shoulder. In original box. Single malt, 70cl, 46% volume SPRINGBANK ORGANIC DA MHILE-7 YEAR-OLD Distilled June 1992, bottled September 1999. Spirit of the year 2000. Distilled and bottled by J & A Mitchell & Co. Ltd., for Da Mhile. Bottle 202 of 1000. Signed by John Savage- Onstwedder. Single malt, 70cl, 46% volume. 2 Bottles.

MACALLAN-GLENLIVET-36 YEAR-OLD 1945 Distilled 1945. Label is designed for the Italian Market. Imbottgliato Da Gordon & MacPhail, Elgin. Imported da Co. Import Pinerolo. Level: Top of Shoulder. Single malt, 75cl, 43 degree.

A 1959/1960 autographed England tour sheet of the West Indies cricket signed by PBH May, MC Cowdry, DA Alan, KV Andrews, KF Barrington, BR Dextor, T Greenoff, R Illingworth, AE Moss, G Ullar, MJK Smith, JB Statham, R Subba-row, R Swetman and FS Trueman, also a quantity of autographed and other golf programmes to include Tom Watson signed programme for the Roy Burke Dell 112th open golf championship 14/17th July 1983, small quantity of further golf memorabilia and a quantity of 1990s Manchester review football programmes and a 1985 FA Challenge cup final programme Everton v Manchester United

Mary PR Allan DA (b.1917) Chrysanthemums Watercolour, 53cm x 45cm

12 bottles Calem Quinta da Foz 1966 Vintage Port (1 x in, 4 x vts, 4 x ts, 3 x us)

Three International diesel aero engines: an Indian Aurora 1cc side port Mills replica with Gold Head, c.1990, LN a Russian Mk 16 1.5cc, No 71A1652, with Rose-Red Head and spinner, c.1958, LN; and a Norwegian DA Drabant Series 2. 2.5cc, c.1960 EXC-LN (3)

BOXING Eight boxing programmes, large format issues, including Witherspoon v Villegas, Michael Watson v Lee, McGuigan v Perez (+Benn v Sanda), Benn v Williams, Honeyghan v Vaca, Duke McKenzie v Bohol, McGuigan v Da Cruz (+ Benn v Hall). All these issues are 1988. Also includes McAuley v Penalosa 1989 Flyweight Championship of the World (IBF). Generally

A VIOLIN AND BOW in case, the violin with an interior paper label inscribed "Caspar da Saloin Brescia, 1571", length of back 14"

* TOM MCKENDRICK DA RSW RGI (Scottish contemporary) Dark Arcs mixed media 71cm x 51cm

* JAMES FULLARTON DA In For A Paddle oil on board, signed 20cm x 25.5cm

* JAMES FULLARTON DA 12 Sandyford Place, Glasgow oil on board, signed 25cm x 20cm

GORDON G HENDERSON DA Glasgow Tenement oil on canvas, signed 21cm x 21cm

Portugal, Banco de Portugal, Fifty Reis (2), Two Thousand Five Hundred Reis, AAJ 01654, both 30 September 1910 (Pick 87, 89); Casa da Moeda, Fifty Reis, One Hundred Reis, both 1891, Ten Centavos (3), all 1917 (Pick 101, 105a, 105b, 107) [8]. 2,500 Reis with 20mm tear at top of centre crease, others fine to very fine

Nigeria, Central Bank of Nigeria, Presentation Book, ÔNigerian Decimal Notes 1973’, comprising Fifty Kobo (2), One Naira (2), Five Naira (2), Ten Naira (2), all DA/1 000000, stamped SPECIMEN, stuck down on corners and mounted to show each side (Pick 14a, 15a, 16a, 17a) [8]. Good extremely fine or better One 10 Naira note only illustrated

1962 World Cup football winner`s gold medal awarded to Brazil`s Amarildo (Tavares da Silveira): the contintental gold medal stamped .750 (18 carat)and inscribed on the obverse FIFA and embossed with the original Jules Rimet figure and on the reverse inscribed Campeonato Mundial De Futbol, Copa Jules Rimet, Chile 1962 and stamped Peka c/w suspension ring. Note: The 1962 FIFA World Cup, the seventh staging of the World Cup, was held in Chile returning to the continent of South America after 12 years. It was won by Brazil, who retained the championship by beating Czechoslovakia 3-1 in the final. Brazil`s Pele, the hero of 1958, was injured in the second group match against Czechoslovakia and was replaced by Amarildo. In the first round, Brazil topped their group with Czechoslovakia finishing second, above Mexico and Spain. Brazil went on to defeat England in the quarter finals 3-1, meeting the hosts Chile in the semi final where they found themselves 1-0 down after 15 minutes but turned the game round and won 4-2. Brazil again found themselves a goal behind in the World Cup final, however, just like the previous final four years earlier, Brazil soon hit back, equalising through Amarildo, then Zito and Vav‡ with the match ending 3-1 to Brazil, being only the second team in the history of the competition to successfully defend their title. Amarildo Tavares da Silveira, also known as Amarildo (born in Rio de Janeiro, June 29, 1939) was a Brazilian football player who played as a striker. His career lasted from 1957 to 1974 and he was capped 22 times for Brazil , from April 1961 to June 1966, and won the 1962 FIFA World Cup as a replacement for the injured Pele and in the process gaining the nickname "The White Pele" - scoring 3 goals including one in the final and was Brazils 3rd highest goal scorer in the World Cup just behind Garrincha and Vava on 4 each. Besides playing in South America he also played in Italy for Milan, Fiorentina and Roma. He won one "Coppa Italia" in 1967 with Milan, and the Italian title ("Scudetto") in 1969 with Fiorentina. This is a rare opportunity to acquire a World Cup winner`s medal associated with one of the most successful teams ever in the World Cup and is sold with papers of provenance and photograph of Amarildo with his medal

Savonarola (Girolamo). Opera di frate Hieronymo Savonarola da Ferrara, della semplicita della uita Christiana ..., two parts in one vol., Venice: Speranza, 1547, 64 + 32 numbered leaves, the second part with caption title “Dialogo del R.P. Fra Hieronymo Savonarola ...”, woodcut vign. to main title, woodcut initials, a little spotting and soiling and sl. dampstaining to lower outer corners of early leaves, minor worming affecting title and final leaf only, affecting lettering of two or three words without loss of sense, contemp. limp vellum, soiled, 8vo. Not in Adams. (1)

Raphael Sanzio (da Urbino). Logge del Vaticano, Rome, Niccola de Antoni, circa 1802, eng. title by Giovanni Balzar after Luca Comparini, and thirteen full-page plates by Carlo Lasinio after Raphael, all with fine antique-style hand-colouring, some scattered foxing mostly to margins, light waterstain to upper outer corner of title only, old plain wrappers, soiled and some fraying to edges, large slim folio (620 x 460mm) (1)

Allan L Easson DA (20th century) Waterbus Signed oil on canvas, 118cm x 118cm

A French gilt metal Medal, Electricite de France et Gaz de France, engraved Mme T. Gaillieux a medal Exposition Universelle Palais de l`Industrie 1853 and Souvenir da Tour Eiffel, 1889

SILVER - WILLIAM AITKEN A LATE VICTORIAN/EDWARDIAN SILVER VISITING CARD CASE having a fancy rectangular outline, all over bright cut engraved decoration, un-engraved cartouche and a leather stitched pouch type fitted interior, 108mm x 78mm, Chester assay, da

A VIOLIN labelled "Caspar da Salo in Brescia 1532", length of back 70cm, late 19th c; two violin bows, one branded "Penzel" and a good quality contemporary brass mounted oak violin case by W E Hill &Sons, marked on lock++With inlaid two piece back and carved scroll

THREE EWENNY SLIPWARE CANDLESTICKS AND A BASKET including a chamberstick, covered in ochre, green or blue slip and incised Nos Dawch, Nos Da or Ffrwythau, largest candlestick 14cm h, impressed or incised Clay Pits Pottery Ewenny, early 20th c++Green candlestick - broken at the stem and neatly glued together, small spot of retouched flaking of the glaze around the foot

A blanc de Chine figure of Da Mo (Bodhidharma), possibly by Sue Xuejin (1869-1919), he stands on a wave mound, his hands clasped in the folds of his sleeves, he stares to his left, Dehua gourd shaped mark and square seal mark of Chaozong, 70cm (27.5in) high. Da Mo was a Zen Buddhist monk born in India and died in China about 534 AD

Antonio Senape (Italian, 1788-1850), A Panoramic View of Naples, 1834, inscribed upper right "Panorama di Napoli preso da una finestra di S Martino disegno dal vero da Ant. Senape, Romano, 1834", pen and ink, 27 x 150cm (10.53 x 58.50in) For a similar view by Antonio Senape of Naples, see Christie`s, London, Old Master Drawings Sale, 21 April 1998, lot 15

After Leonardo da Vinci (1452-1519) - `The Virgin on the Rocks`, 48" x 36" (a.f)

Bartolomeo Pinelli (Italian, 1781-1835) `Briganti sorpresi da un turbine` and 13 other similar plates coloured etchings, some dated `Roma 1819` in the plate, plate size 20 x 28 cm (8 x 11 in), unframed

A 5 shot 130 bore solid frame DA percussion revolver, 8¾” overall, barrel 4” with rammer on left side, B’ham proved, the frame engraved with scrolls and “Thomas Maker, No 1020”, one piece chequered walnut butt with oval steel cap. GWO & C (minor wear). Plate 12

A continental military style 6 shot 11mm open frame DA PF revolver, 10” overall, round barrel 6”, with loading gate and ejector rod on the right, folding trigger, bag shaped butt with lanyard ring and chequered walnut grips. GWO & C (has been lightly pitted and polished bright overall). Plate 12

A 5 shot .31” Cooper DA percussion revolver, 9½” overall, barrel 5”, the top flat stamped “Cooper Firearms Mfg Co, Frankford, Phila PA” and patent dates to 1863, number 2094 on all parts, brass trigger guard and backstrap, polished walnut grips. GWO & C (light pitting to barrel and cylinder). See front cover

Borsook.Mural Painters of Tuscany Oxford 1980 § Bellosi (L.) Cimabue New York 1998 § Pasquinucci (S.) & B.Deimling. Tradition and Innovation in Florentine Trecento Painting Florence 2000 § Eisenberg (M.) Lorenzo Monaco Princeton 1989 § Ladis (A.) Taddeo Gaddi Columbia 1982 § Gibbs (R.) Tomaso da Modena Cambridge 1989 § Smart (A.) The Assisi Problem and the Art of Giotto ex-library copy with stamps Oxford 1971. illustrations some colour original cloth or boards all but the last with dust-jackets the last rubbed; and 12 others 13th & 14th century painting mostly Tuscan 4to & 8vo(19)

Clark. Leonardo da Vinci Drawings 3 vol. second revised edition 1968-69 § Pedretti (C.) Leonardo da Vinci: The Royal Palace at Romorantin Cambridge Mass. 1972 § Kemp (M.) Leonardo da Vinci: The Marvellous Works of Nature and Man reprint 1989. illustrations some colour original cloth or boards dust-jackets the second rubbed; and 2 others on Leonardo 4to(7)

Cohen.Art of Giovanni Antonio da Pordenone 2 vol. illustrations some colour original cloth dust-jackets together in slip-case Cambridge 1996; and another on Pordenone 4to(3)

Gere (J.A.) Taddeo Zuccaro: His Development studied in his Drawings Chicago 1969 § Clark (N.) Melozzo da ForlÃ

Harris (Ann Sutherland) Andrea Sacchi: Complete edition of the paintings with a critical catalogue Oxford 1977 § Campbell (M.) Pietro da Cortona at the Pitti Palace Princeton 1977 § Cocke (R.) Pier Francesco Mola Oxford 1972 § Emiliani (A. editor) Ludovico Carracci Milan etc. 1993 § Percy (A.) & others. Bernardo Cavallino of Naples 1616-1656. Cleveland 1984 § Scott (J.B.) Images of Nepotism: The Painted Ceilings of Palazzo Barberini Princeton 1991. illustrations some colour original cloth dust-jackets; and 2 others on 17th century Italian painting 4to(8)

Hirst (Michael) Sebastiano del Piombo Oxford 1981 § Steer (John) Alvise Vivarini: His Art and Influence Cambridge 1982 § Rylands (Philip) Palma Vecchio Cambridge 1992 § Humfrey (Peter) Cima da Conegliano reprint Cambridge 1985; The Altarpiece in Renaissance Venice New Haven & London 1993 § Richardson (F.L.) Andrea Schiavone Oxford 1980 § Berenson (Bernard) Lotto 1956 § Schulz (J.) Venetian Painted Ceilings of the Renaissance ex-library copy with stamps Berkeley & Los Angeles 1968. illustrations some colour original cloth dust-jackets the last two a little rubbed a few with slightly faded spines; and 11 others on Venetian Renaissance painting 4to(19)

Ruda (Jeffrey) Fra Filippo Lippi: Life and Work with a Complete Catalogue 1993 § Wohl (Hellmut) The Paintings of Domenico Veneziano 1980 § Roberts (P.L.) Masolino da Panicale Oxford 1993 § Berti (L.) Masaccio University Park & London 1967 § Hood (William) Fra Angelico at San Marco New Haven & London 1993 § Borsi (F. & S.) Paolo Uccello 1994 § Horster (M.) Andrea del Castagno 1980 illustrations some colour original cloth dust-jackets the fourth a little soiled and frayed the last also with dust-jacket; and 6 others early 15th century Florentine painting 4to & 8vo(13)

Klee (Paul) Notebooks &c edited by Jürg Spiller translated by Ralph Manheim 2 vol. vol. 1 name on title original cloth-backed boards rubbed and marked vol. 2 original cloth little marked 1961 & 1973 § Weelen (Guy) and Jean-François Jaeger. Vieira da Silva Catalogue Raisonné stamps removed from verso of title original cloth little rubbed torn and repaired and marked dust-jacket Geneva 1994 § Malingue (Maurice) Gaugin le Peintre et son Oeuvre morocco-backed cloth Paris 1948 § Dunoyer de Segonzac (André) Dessins 1900-1979. large inscription on half-title from the artist `Monsieur et Madame Edward Robinson` and with their bookplate original cloth chipped dust-jacket Geneva 1970 illustrations and 15 others art reference folio & 4to(3)

Tristan da Cunha 22 carat gold Trafalgar half guinea, one of an edition by the Royal Mint, limited to 499, in original box, 4.2 gms

A GERMAN PORCELAIN PLAQUE of plain rectangular form, painted in polychrome enamels with Leonard da Vinci`s "Last Supper", unsigned, indistinctly impressed, 5 3/4" x 9 3/4", unframed

Mr Manton - Gouache - “Napoli da Capodimonte” - Panoramic view of Naples, 17ins x 25ins, inscribed “Mr Manton, Strada S. Carlo, No. 32”, in gilt moulded frame and glazed

Two villeroy and boch mugs decorated in blue and a poole pottery da vinci vase

A collection of silver, including: a pedestal sugar caster, London 1911, loaded; an oval sauce boat by Nathan & Hayes, Chester 1900; another , London 1918; two plain circular napkin rings by Da-mar Silverware, Edinburgh and London 1977; various cruet items, some glass bodied including a silver coloured pair of baluster pepperettes, loaded