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Click here to subscribeBodenvaseChina, 20. Jh., bauchige Form mit langem Hals, naturfarbene Glasur, die Wandung polychrom bemalt mit erhabenen Emaillefarben, mehrfigurige Palastszene mit Kindern, Schulter und Hals mit mehrfachen, umlaufenden Ornamentbändern in Rot und Schwarz verziert, unterglasurblaue Bodenmarke (Nachahmung) "Da Qing Qianlong Nian Zhi", H: ca. 61 cm.
The frontispiece leaf from an extremely early copy of the Apocalypsis Nova, attributed to the mystic Amadeus of Portugal, in Latin, fine Renaissance manuscript on parchment [northern Italy (the Veneto), c. 1500] Single leaf, with opening words of text in 6 lines of ornamental capitals in liquid gold on a purple panel, this above a 4-line initial 'E' (opening "Ego Amedeus fui raptus et spelunca ...") in gold, on blue and dark green grounds, with full border of Renaissance architectural features on blue and burgundy grounds, enclosing numerous putti, angels playing musical instruments, God the Father appearing at the head of the page, and the bas-de-page with the symbols of the evangelists Luke (ox) and Mark (lion) before column bases, either side of angels who support a coat-of-arms (azure, a lion rampant argent flanked by two palm fronds or: perhaps that of the Dirossi family, all beneath a cardinal's or bishop's galero in black with only two tassels, i.e. in form used for priests), with the initials 'IO' and 'AT' at its sides (most probably abbreviations for the Latin forms of the original owner's first two names), this before a grassy and mountainous landscape, text in single column of 25 lines of an excellent humanist script on recto, and 30 lines of same on verso, some modern dealer's pencil marks on reverse, some scuffing and paint chipping due to folds, and losses to outer corners of leaf, some red (such as galero) oxidised to silver, overall in fair condition, 316 by 227mm. Provenance:1. Written and decorated for a priest whose family arms appear in the bas-de-page of the recto; the arms without the palm fronds are recorded for the Dirossi family of the Veneto, and the owner may well have been a member of that family. Despite his lowly ecclesiastical office he clearly had wealth and influence, and given the extremely early date of this copy (the text was purportedly only discovered in 1502) its original owner may have been an important Amadean (a follower of Amadeus' reformed branch of the Franciscans: see below).2. From the collection of Roger Martin (1939-2020) of Grimsby. Text:Amadeus of Portugal was an influential mystic in Italy in the fifteenth and first half of the sixteenth century. He was born João de Menezes da Silva in 1420 to a prominent Portuguese family, and changed his name when he became a monk and then a Franciscan friar in Milan. There he was the subject of reports of miracles and went on to found a reformed branch of the Franciscan Order which bore his name (the Amadeans or Amadists). He served as private confessor to Pope Sixtus IV, and his followers established twenty-eight of their own houses in Italy. After his death in 1482, he was beatified, but not canonised, and in 1568 his reformed branch was swept away among others in a papal reunification of the Franciscan Order.This text is part of the genre of prophetic-mystic works relying heavily on the Book of Revelations that emerged in late fifteenth-century Italy, and purports to have been dictated as a revelation to its author by the Archangel Gabriel. In it, Gabriel describes the future coming of a pope named 'the Angelic Pastor' who was to work with the emperor to restore harmony to the Church and reunite the Eastern and Western Churches, ushering in a new age of Christendom. However, the text was reported not to have been discovered until 1502, when Cardinal Bernardino Carvajal and the theologian Giorgio Benigno Salviati opened it after its discovery in either a cave or Amadeus' tomb, and so it may be in fact the work of an immediate follower of Amadeus, produced to further the interests of his reformed branch of the Franciscans.
‡ Six initials on cuttings, with five humans, including a hunter with a bow and a hare slung over his shoulder, a cat and a finely drawn hunting hound, from two illustrated manuscripts on parchment [France, twelfth century] Six figure initials, each trimmed to edges: (a) fine penwork hound, his fur picked out in lappeting penstrokes, with his torso and front paws through an initial 'O' touched in purple-brown wash, as he turns his head to look at the text behind him, reverse with remains of single column of 8 lines of a good Romanesque hand written with a thin nib, and with a strong ct-ligature, text too slight and obscured to allow identification, mid-twentieth-century "#66" and "ABE" in pencil, initial 42 mm. diameter, whole cutting 70 by 65mm., France, first half of twelfth century; (b) five cuttings from the same manuscript: (i) a hunter cut from an unknown initial, in red robes, leading two dogs by chains and with his bow slung over his shoulder from which hangs a dead hare suspended by its feet, 110 by 75mm., (ii) a 'R' formed by a priest in a red tunic and green and blue robes preaching or blessing two kneeling supplicants (one wearing a pale green robe), the figures linked by a single blue and red acanthus leaf frond, 75 by 77mm., (iii) a 'C' in blue and red enclosing a male saint's bust, he wearing blue robes edged with green with rectangular designs picked out on it, and a pale green halo, this with what is probably a mid-twentieth-century "ABE" on reverse in pencil, 50 by 50mm., (iv) an 'I' formed from a standing saint in green and blue robes, 90 by 125mm., (v) an initial 'I', formed from a stylised lion, rearing up and with foliage emerging from its roaring mouth, on blue, green and grey wash grounds, this with mid-twentieth-century "#66" and "ABE" in pencil on reverse, 95 by 22mm., all apart from hunter with remnants of text on reverse, in good pre-gothic bookhand with capitals stroked with red penwork, that on item (ii) enough to permit identification as from Augustine's Sermo 142 ("... [da]ndo redim[ere. Bonum est ieiunare] fratres; sed me[lius est eleemosy]nam dare. Si quis [sic for 'aliquis'] [utrumque] potest ['facere' inserted here'] [duo sunt bona:] si vero non [potest, melius e]st eleemosynam [dare. Si p]ossibili[tas n]on [fuerit ieiunandi, eleemosyna sufficit sibi sine ieiunio; ieiunium sine elee]mosy[na] ..."), France, mid-twelfth century; all in item (a) here somewhat scuffed, with small stains in places and paper adhering to reverse from previous mounting, overall fair and presentable condition; once framed together and with card mount from that framing with darkened sections showing that they were together in this form for some decades From the collection of Vladimir Gregorievitch Simkovitch (1874-1959), Russian émigré to Germany then America, professor of Economic History at Columbia University, New York. The dog jumping through the initial 'O' here as if it were a hoop is finely executed and suggests Parisian work in its understanding of shading and its use of penwork to create the texture of fur. However, while the other cuttings are more rustic in quality, they also include a rare scene from everyday life: a hunter leading dogs and carrying his bow and a dead hare. The palette, notably the use of vibrant reds alongside dark muted greens finds parallels throughout central and south-western France (see for example W. Cahn, Romanesque Manuscripts, 1996, no. 31 and 26, from south-western France and Tours, respectively). The simplistic facial modelling and the large pupilled eyes are in line with other manuscripts from the same regions, such as the mid-twelfth-century Cartulary of Vierzon (BnF. Lat. 9865: ibid., no. 6). Any examples of drawings of humans of this great antiquity are of significant rarity on the market, while those performing secular tasks such as hunting are almost absent from it.‡: A double dagger (‡) indicates that the lot is being sold whilst subject to temporary importation and that VAT is due at the reduced rate (5%) if the lot remains in the UK.
Collection of over 1400 different stamps in two binders, attractive presentation as an effort has been made to include only neat cds postmarks. Much is in short sets however some better sets also present including sets to £1 of Gambia, Sierra Leone and Tristan da Cunha, range of Malaysian States incl. Penang sets to $5, etc.
A CHINESE KESI SILK ‘DA JIE’ FAN CASE, QING DYNASTY, 19TH CENTURY 清 大吉紋緙絲扇套 十九世紀With gold metallic thread, double gourd and da jie characters, painted details to the gourdsCase length: 30cm Provenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe stitching down the sides of the fan case has perished and there is light discolouration to the silk commensurate with age.
Ω A CHINESE EXPORT PORCELAIN ‘SWEDISH MARKET’ NEO-CLASSICAL VASE, QING DYNASTY, QIANLONG PERIOD, CIRCA 1780清 乾隆 外销粉彩瓶After a Swedish faience Marieberg original, painted to either side with grisaille scene of lovers, within moulded laurel leaf green and gilt cartouches, cover missingA similar pair of vases are in the coleção Ricardo do Espírito Santo Silva, Lisbon, illustrated in Porcelanas da China, Lisbon, 2002, cat no. 56, p.70.Height: 29.5cmProvenance: The Mujintang collection, TaipeiTO BE SOLD WITHOUT RESERVE沐錦堂私人珍藏 拍品號172至222Condition ReportWith the exception of some wear to the gilded decoration, the vase is in good condition.
A CHINESE GILT-BRONZE FIGURE OF AMITAYUS, INSCRIBED QIANLONG MARK AND PERIOD, DATED1770清 銅鎏金無量壽佛坐像《大清乾隆庚寅年敬造》The crowned figure seated in dhyanasana holding hands in dhyana mudra above his feet, seated on a rectangular pierced plinth base, with inscription: Da Qing Qianlong gengyin nian jing zao, detachable separately cast flaming mandorla (2)Height: 20cmA similarly dated figure was sold at Bonham’s Knightsbridge, 9th – 10th May 2022, lot 270Provenance: From an English private collectionCondition ReportThe vessel held in the hands is missing and there is minor rubbing to the gilded decoration, otherwise in good condition.
EUSÉBIO (DA SILVA FERREIRA); a black and white photograph of the footballing legend holding the Overseas Sports Personality of the Year award, bearing his signature and dated 2007, 25.5 x 20cm.We have not authenticated this signature, please satisfy yourself as to the veracity of the item prior to bidding.
Celine Ali To The Moon and Back, 2022 Acrylic and Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Celine Ali is a London-based artist whose practice explores and alludes to the concept of the multiplicity of identity, human connectivity, emotional intimacy, questioning unconventional ideas of identity and social ideals through abstract and vibrant visual compositions. She spent her childhood navigating between the two cultures of Romania and her ethnic country, Turkey. She graduated with a Bachelor's degree in Interior Design from Northumbria University Newcastle (2019) and recently, she completed her Masters' degree in Fine Art at London Metropolitan (2021). Her practice is a mixture of figurative and abstract with a surrealist aesthetic. Hence, Celine is interested in creating dream-like imagery with rich and vibrant colours, full of mystery which are like an invitation to explore her own thoughts. Education 2021 MFA Fine Arts, London Metropolitan University, London, United Kingdom 2016 - 2019 BA Honours in Interior Design, Northumbria University, Newcastle, United Kingdom Select Exhibitions/Awards SELECTED GROUP EXHIBITIONS 2022 'Eternal Feminine | Eternal Change, Florence Biennale', Fortezza da Basso 2022 'The Other Art Fair London', The Old Truman Brewery 2021 'Ubiquity and Fluidity', The Holy Art Gallery 2021 'Through Her Eyes' - Online Exhibition, Singulart 2013 '9th Florence Biennale,Ethics DNA of Art', Fortezza da Basso 2012 'Autumn Exhibition', Real Academia de Bellas Artes de Santa Isabel de Hungria Sevilla, Spain 2011 'Biennale of Chianciano' -'Leonardo Award, Young Artist', Chianciano Art Museum 2009 Solo Show, 'Chromatic Reflections', County Library Ioan N. Roman, Constanta, Romania Award: 2011 'Leonardo Award, Young Artist', 'Biennale Of Chianciano', Chianciano, Italy Statement about AOAP Submitted Artwork The body of work donated explores the raw emotions, the vulnerabilities and the sensitive side of the woman identity. The theme of the postcards revolves around concepts of loneliness, failed love, insecurities and longing that every woman has faced once in a lifetime. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Celine Ali Endless Night, 2022 Acrylic and Crayons on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Celine Ali is a London-based artist whose practice explores and alludes to the concept of the multiplicity of identity, human connectivity, emotional intimacy, questioning unconventional ideas of identity and social ideals through abstract and vibrant visual compositions. She spent her childhood navigating between the two cultures of Romania and her ethnic country, Turkey. She graduated with a Bachelor's degree in Interior Design from Northumbria University Newcastle (2019) and recently, she completed her Masters' degree in Fine Art at London Metropolitan (2021). Her practice is a mixture of figurative and abstract with a surrealist aesthetic. Hence, Celine is interested in creating dream-like imagery with rich and vibrant colours, full of mystery which are like an invitation to explore her own thoughts. Education 2021 MFA Fine Arts, London Metropolitan University, London, United Kingdom 2016 - 2019 BA Honours in Interior Design, Northumbria University, Newcastle, United Kingdom Select Exhibitions/Awards SELECTED GROUP EXHIBITIONS 2022 'Eternal Feminine | Eternal Change, Florence Biennale', Fortezza da Basso 2022 'The Other Art Fair London', The Old Truman Brewery 2021 'Ubiquity and Fluidity', The Holy Art Gallery 2021 'Through Her Eyes' - Online Exhibition, Singulart 2013 '9th Florence Biennale,Ethics DNA of Art', Fortezza da Basso 2012 'Autumn Exhibition', Real Academia de Bellas Artes de Santa Isabel de Hungria Sevilla, Spain 2011 'Biennale of Chianciano' -'Leonardo Award, Young Artist', Chianciano Art Museum 2009 Solo Show, 'Chromatic Reflections', County Library Ioan N. Roman, Constanta, Romania Award: 2011 'Leonardo Award, Young Artist', 'Biennale Of Chianciano', Chianciano, Italy Statement about AOAP Submitted Artwork The body of work donated explores the raw emotions, the vulnerabilities and the sensitive side of the woman identity. The theme of the postcards revolves around concepts of loneliness, failed love, insecurities and longing that every woman has faced once in a lifetime. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Celine Ali To Forget The Pain, 2022 Oil and Crayons on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Celine Ali is a London-based artist whose practice explores and alludes to the concept of the multiplicity of identity, human connectivity, emotional intimacy, questioning unconventional ideas of identity and social ideals through abstract and vibrant visual compositions. She spent her childhood navigating between the two cultures of Romania and her ethnic country, Turkey. She graduated with a Bachelor's degree in Interior Design from Northumbria University Newcastle (2019) and recently, she completed her Masters' degree in Fine Art at London Metropolitan (2021). Her practice is a mixture of figurative and abstract with a surrealist aesthetic. Hence, Celine is interested in creating dream-like imagery with rich and vibrant colours, full of mystery which are like an invitation to explore her own thoughts. Education 2021 MFA Fine Arts, London Metropolitan University, London, United Kingdom 2016 - 2019 BA Honours in Interior Design, Northumbria University, Newcastle, United Kingdom Select Exhibitions/Awards SELECTED GROUP EXHIBITIONS 2022 'Eternal Feminine | Eternal Change, Florence Biennale', Fortezza da Basso 2022 'The Other Art Fair London', The Old Truman Brewery 2021 'Ubiquity and Fluidity', The Holy Art Gallery 2021 'Through Her Eyes' - Online Exhibition, Singulart 2013 '9th Florence Biennale,Ethics DNA of Art', Fortezza da Basso 2012 'Autumn Exhibition', Real Academia de Bellas Artes de Santa Isabel de Hungria Sevilla, Spain 2011 'Biennale of Chianciano' -'Leonardo Award, Young Artist', Chianciano Art Museum 2009 Solo Show, 'Chromatic Reflections', County Library Ioan N. Roman, Constanta, Romania Award: 2011 'Leonardo Award, Young Artist', 'Biennale Of Chianciano', Chianciano, Italy Statement about AOAP Submitted Artwork The body of work donated explores the raw emotions, the vulnerabilities and the sensitive side of the woman identity. The theme of the postcards revolves around concepts of loneliness, failed love, insecurities and longing that every woman has faced once in a lifetime. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Iván Navarro One Continent, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ivan Navarro (Chilean, b.1972) is a world-renowned sculptor, who was born in Santiago, Chile. He obtained his BA in Fine Arts from the University of Chile in Santiago, Chile. He has contributed to the post-punk movement by using cold neon light as his medium. One of his most notable works is Red and Blue Electric Chair, which is Navarro's interpretation of a common chair. It features a frame constructed of purple neon tubes. Education 1995 - received BFA, PUC University of Chile, Santiago, Chile Select Exhibitions/Awards Iván Navarro Selected Exhibitions in 2017: Fanfares, Galerie Daniel Templon, Paris, France (solo exhibition) Iván Navarro Selected Exhibitions in 2016: Mute Parade, Paul Kasmin Gallery, New York, NY (solo exhibition) Parcours: Art by Iván Navarro in the Birsig Tunnel, Art Basel Parcours, Basel, Switzerland (solo exhibition) Transparência e Reflexo, Museu Brasileiro Da Escultura, São Paulo, Brazil Light Show, CorpArtes, Santiago, Chile On the Immense and the Numberless, David Risley Gallery, Copenhagen Denmark You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Iván Navarro One World, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ivan Navarro (Chilean, b.1972) is a world-renowned sculptor, who was born in Santiago, Chile. He obtained his BA in Fine Arts from the University of Chile in Santiago, Chile. He has contributed to the post-punk movement by using cold neon light as his medium. One of his most notable works is Red and Blue Electric Chair, which is Navarro's interpretation of a common chair. It features a frame constructed of purple neon tubes. Education 1995 - received BFA, PUC University of Chile, Santiago, Chile Select Exhibitions/Awards Iván Navarro Selected Exhibitions in 2017: Fanfares, Galerie Daniel Templon, Paris, France (solo exhibition) Iván Navarro Selected Exhibitions in 2016: Mute Parade, Paul Kasmin Gallery, New York, NY (solo exhibition) Parcours: Art by Iván Navarro in the Birsig Tunnel, Art Basel Parcours, Basel, Switzerland (solo exhibition) Transparência e Reflexo, Museu Brasileiro Da Escultura, São Paulo, Brazil Light Show, CorpArtes, Santiago, Chile On the Immense and the Numberless, David Risley Gallery, Copenhagen Denmark You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Numismatics interest - The London Mint Gold-plated silver Tristan Da Cunha 'Queens Titles' Five Pound coin, together with a 2008 World's first triple precious metal, triple precious gemstone, double thickness Proof Crown in honour of Queen Elizabeth II becoming Britian's oldest reigning monarch, both cased with certificates. (2)
A LARGE PLASTIC BOX CONTAINING COINS AND COMMEMORATIVES, to include Bradford exchange/Windsor mint items, two cases of Concorde 70mm gold layered commemoratives representing final flights, farewells, specs etc with eight large and 1 small coin, a case with six 50mm gold layered portraits of the queen, 2 x 100mm layered coronation and queens 90th birthday commemoratives, a ten crowns of Tristan da Cunha and gold layered proof, a battle of Britain Tristan da Cunha Douglas Bader two coin layered set, two other banknote layered coins from Windsor mint, a two 70mm gold layered coins Diana princess and Diana legend in album, three D-day coin/stamp albums, 1995 BU year set of coins other coins and commemoratives etc
Unbekannte Künstler, Italien, 18./19. Jh., Vielfigurige, antike Szene, 42 x 90 cm; Zeus bzw. Jupiter mit Quadriga, bez. Raffael Sanctius Urbinates pinxit Romae in Aedibus Vaticanis A. MDXV; Artemis bzw. Diana in Sulky, bez. Antonius Allegri da Corregio pinxit A.MDXX in Coenobio Monialtum Divi Pauli Parmae, beide 37 x 52 cm. 3 x Mischtechnik auf Papier / Gouache, Altersspuren
Giovanni Battista Piranesi (1720 Venedig - Rom 1778), 3 Radierungen: "Tempio antico volgarmente detto della Salute su la via d'Albano, cinque miglia lontan da Roma", Ca. 41 x 56,5 cm; "Veduta interna dell' antico Tempio di Bacco in oggi Chiesa di S. Urbano..." (Tafel 61 aus "Vedute di Roma"), ca. 42 x 60,5 cm; "Veduta interna del Tempio della Tosse costruito di mastonie di tufi A. Muri ...", ca. 62 x 45 cm, feine kontrastreiche Drucke, Altersspuren. Zugabe: "Veduta del tempio della Sibilla in Tivoli", 36,5 x 50,5 cm, Nachdruck.
Bill Brandt (1904-1983) Francis Bacon walking on Primrose Hill, London 1963  Gelatin silver print, printed 1970s. 34 x 28.9 cm (13 3/8 x 11 3/8 in.) Signed in ink on the mount recto.  Provenance John Swannell Collection  Literature Bill Brandt: Shadow of Light, New York: Da Capo Press, 1977, pl. 86 Bill Brandt: Behind the Camera. Photographs 1928-1983, Philadelphia Museum of Art, 1985, p. 51 Bill Brandt: Photographs 1928-1983, London: Barbican Art Gallery, 1993, p. 159 Photo Poche: Bill Brandt, Evreux: Centre national de la photographie, 1994, pl. 50 B. Jay, Brandt: The Photography of Bill Brandt, New York: Harry and Abrams, 1999, pl. 202
18 kt Gold Ring mit Diamanten und Smaragden, GG 750/000 (gepr.), Schiffchenring, zentral5 Smaragde im Treppenschliff zus. ca. 1.10 ct ct, umgeben von 28 Altschliffdiamanten zus. ca. 1.50 ct feines Weiß-Weiß/p1, RW 56, variabel da Ringschiene offen, ca. 5.0 g Schätzpreis: 4100, - EUR18 kt gold ring with diamonds and emeralds ,YG 750/000 (tested), marquise ring, 5 emeraldsin trap cut total approx. 1.10 ct ct, surrounded by 28 old cut diamonds total approx. 1.50 ct Top Wesselton-Wesselton/p1, ringsize 56, variable splint open, approx. 5.0g Valuation Price: 4100, - EUR
1 bt Tignanello 1983 Antorini vts 1 bt Vignaserra Vino da Tavola Roberto Voerzio 1988 ts 1 bt Florio Morsi di Luce Vino Liquoroso 1989 vsl bs 2 bts Petrognano Pomino 1994 i.n 1 bt Mascarello Dolcetto D'Alba Pianromulado 1994 vts 1 bt Avignonesi Capanelle 50 & 50 Vino da Tavola di Toscana 2000 i.n Above seven bottles
1 bt La Spinona Barbaresco 1985 Berutti Pietro i.n, sl bs 1 bt Mascarello Nebbiolo della Langhe Vino da Tavola 1992 vts 1 bt Barbi Brunello di Montalcino 2001 i.n 1 bt San Cristoforo Sassi 2001 Barbaresco vts 1 bt Baroncini Brunello di Montalcino 2002 vts 1 bt Sesti Grangiovese Rosso 2002 Toscana i.n sl bs 1 bt Cantine Carpentiere Pietre dei Lupi Castel del Monte 2005 ts 1 bt Valle Berta 2008 Barbaresco i.n 1 bt Podere Castellinuzza Chianti Classico 2001 bs 2 bts Pian delle Vigne Brunello di Montalcino 2006 Marchesi Antinori i.n, vts 1 bt Tesco 2010 Bolgheri Above 12 bottles
1 hf bt Maculan Torcolato Vin Dolce Naturale 1990 1 hf bt Maculan Torcolato Breganze 1999 1 hf bt Pellegrino Passito di Pantelleria 1997 sl bs 1 hf bt Carluccio's Vin Santo 1998 i.n 3 hf bts Cà Dei Frati Tre Filer Vino Da Uve Stramature Dulce 2008 1 hf bt I Capitelli Anselmi Bianco Veneto 2011 2 hf bts Prunotto Moscato D'Asti 2013 1 hf bt Inama Veneto Bianco Vino Dolce 2001 sl bs 2 hf bts Roccolo Grassi La Broia Recioto di Soave 2008 Above 13 half bottles
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