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Der Fußballspieler - Tschudin, Raymond grün und braun patiniert, rechteckiger Sockel mit Schriftzug Tschudin, Werk des französischen Bildhauers und Medailleur Alexander Raymond Tschudin (*2.11.1916 Champigny-sur-Marne, †28.11.1998 Provinzen), war studierte an der National School of Fine Arts im Atelier von Henri Dropsy, gehörte dem Salon der französischen Künstler an und stellte da aus, 1938 wurde er mit einer Bronze- und 1944 mit einer Silbermedaille sowie 1945 für Medaillen ausgezeichnet, Quelle Internet, die Darstellung eines Fußballers wurde vom Künstler für die Weltmeisterschaft 1938 in Frankreich geschaffen, H ca. 39,5 cm, auf langrechteckiger Marmorplatte ca. 35 x 12 x 2 cm

NO RESERVE Machiavelli (Niccolò) Tutte le opere...divise in V. Parti., 5 parts in 1, collation: [*2] a-z aa-zz aaa-hhh4 : *4 a-r4 s2 : à4 è4 a-z aa-yy4 zz2 : a-z aa bb4 [cc2] : *2 a-z aa4, woodcut portraits to general and divisional titles, [cc2] a double-page battle plan, *4, è4, zz2 and aa4 at end blank, pencil underlining, occasional spotting and light staining, lightly browned, contemporary mottled calf, gilt spine in compartments and with green morocco label, backstrip all but detached and with small piece missing, rubbed, 4to, [?Geneva], no printer, 1550 [but c.1630].⁂ A 'Testina edition', which uses the woodcut portrait of Comin da Trino's 1541 edition of Il Principe. Dated 1550, but in fact published in the first half of the 17th century. Some of the later editions bear a Geneva imprint, hence the tentative attribution of this edition to Switzerland.Literature: Adams M9; EDIT 16 CNCE 64604.

NO RESERVE Le Pautre (Jean, French designer and engraver, 1618-1682), Circle of. Bookplate, or cartouche with eagles and decorative ornament, engraving on laid paper with indistinct watermark, central cartouche with pen and brown inscription that reads 'Di Giovanni le Potre/ Incise da Lui/ Stampe no.', platemark 197 x 159 mm (7 3/4 x 6 1/4 in), sheet 165 x 205 mm (6 1/2 x 8 in), damp-stain and abrasion to lower right quadrant, other minor surface dirt and spotting, unframed, [circa 1650].

Two Elizabeth II silver pill boxes, one embossed with putti, the other with floral decoration, Da-mar Silverware, London, 1976, and import marks for S M C, London, 1978, lengths 4.3 and 4.4cm, gross weight 1.35ozt.

An assortment of silver coins to include a Portuguese 1898 1000 reis coin celebrating the 400th Anniversary of the Discovery of India with Maltese cross marked CENTENARIO DA DESCOBERTA DA INDIA. 1000 REIS. and CARLOS I REI E AMELIA RAINHA DE PORTUGAL. An 1894 Bulgarian 5 leva silver coin featuring a bust of Ferdiand I and Cyrillic script to verso and a French 20 francs silver coin featuring the French national motto Liberte Egalite Fraternite with bust to verso and Republique Francaise and a 100 francs Casino De Monte Carlo silver coin. Total weight 91g. 

Love - Forever Changes (EKL4013) and Da Capo (EKL4005), both records and covers appear at least VG

A Tascam DA-98HR DTRS digital multi-track tape recorder. Condition - not tested.

Brown (J.W.), THE LIFE OF LEONARDO DA VINCI WITH A CRITICAL ACCOUNT OF HIS WORKS, first edition, full leather, laid paper, engraved frontispiece, engraved illustration of The Last [Lord's] Supper, William Pickering, London 1828 (at fault)

* After ROSSI (GIACOMO GIOVANNI), a hand coloured engraved map titled 'Isola Di Malta, Gozzo Comino E Cominotto cauata dalle piu recenti notitie e da ta in luce da Gio. Giacomo de Rossi dalle sue stampe in Roma alla Pace con Priu del S. Pont l'anno 1686' [Islands of Malta, Gozzo Comino And Cominotto informed by the most recent news and highlighted by Gio. Giacomo de Rossi from his prints in Rome to Peace with Priu. del S. Pont in the year 1686], with lower inset 'Valetta And Its Fortifications' with surrounding key to thirty seven locations, 40.5cm x 54cm, framed and glazed NOTE: We believe the map to be a 19th century copy of the 1686 original. 

After Rembrandt van Rijn (Dutch, 1606-1669),'The Stoning Of St Stephen',Pen and ink on paper,Initialled 'G.L 1828' lower left,9.5cm x 8.5cm,Framed and glazedWith a print after Adriaen van Ostade (Dutch, 1610-1685), depicting drinkers in a tavern, 13cm x 18cm, framed and glazed, and a print after Simone Martini (1284-1344), 'Guidoriccio da Fogliano at the Siege of Montemassi', 20.5cm x 58.5cm, framed and glazed (3) (at fault)

After Raphael (Italian, 1483-1520),'Self Portrait',Oil on oval board,Unsigned,21.5cm x 17cm,Unframed,With a further unframed oval oil portrait after the Lucan portrait of Leonardo da Vinci, unsigned, 21.5cm x 17cm, unframed (2) (at fault) CONDITION REPORT:Raphael portrait: The paint surface may not be on its original support, or additional support may have been added. The piece shows losses to the edges of the painted surface around approximately half of the portrait. These losses have been somewhat crudely infilled with paint. much of the remainder of the edge shows cracking to the paint surface. There is a 7.5cm long crack running from the left had edge towards the centre at approximately 10 o'clock. The black shirt shows fine craquelure, with further areas of fine craquelure across the central areas of the piece. Examination under UV reveals evidence of minor restoration to the central areas of the piece.Lucan Leonardo: The paint surface may not be on its original support, or additional support may have been added. The paint surface shows craquelure across the majority of the piece. There are several areas of loss to the paint surface around the edge of the piece, which have been somewhat crudely infilled with paint. Examination under UV reveals evidence of minor restoration to the piece.

TASCAM - digital audio tape deck DA-20 MkII

LOVE - LPs. Really Lovely pack of 4 x essential LPs from Love. Titles are Love (original UK mono copy, gold labels/black text, EKL-4001 - Ex+ record in superb condition showing only a couple of extremely faint and wispy paper marks/strong Ex condition sleeve, a couple of very light and small creases), Da Capo (UK original mono copy, red/black text, EKL-4005 - Ex+ super clean condition again showing few marks/Ex a couple of very small and minor creases), Love Lost (ltd edition 2009 double LP, SUNDAZED LP 5281 - 'as new' records/Ex+) and Four Sail (UK original, red/silver text labels, EKS 74049 - Ex+ top condition record/Ex a little edgewear).

60s FEMALE ARTISTS - EPs. Lovely collection of 17 x original EPs from these famous 60s Female artists. Artists/titles are Maureen Evans - Melancholy Me (Oriole EP 7076 - Ex/VG), The Crystals - Da Doo Ron Ron (RE-U 1381 - Ex+/Ex+ a superb copy), Timi Yuro - Make The World Go Away (LEP 2252), Ketty Lester (RE-N 1348), Brenda Lee (OE 9488), This Is Julie Grant, Aretha Franklin - S/T (scarce Iranian copy, Top 4 Records EX-4296, VG+ copy), Marianne Faithfull (DFE 8624), Kathy Kirby, Dusty Springfield - I Only Want Yo Be With You (BE 12560 - impressive Ex+/archive copy), The Springfields - Hit Sounds, Nancy Sinatra - Run For Your Life, Nashville Nancy and Movin' With Nancy, Sandie Shaw, Susan Maughan and Julie London. Condition is typically neat VG+ to Ex+.

R&B - EPs/7" COLLECTION. Great pick of 13 x 7"/EPs loaded with rarities. Titles are Russell Byrd - Hitch Hike (Sue WI-305 - clean Ex condition), Wynder K. Frog - Turn On Your Lovelight (Island WI-280 - sharp Ex condition), Jimmy Reed - Got No Where To Go (POP 1579 - top Ex+) and Shame, Shame, Shame (SS 330), Booker T - R & B With (RE-K 1367) and Vol 2 (AET 6002), The Ramsey Lewis Trio (CRE 6019), The Platters - Pick Of The Platters No. 1 (ZEP 10000) and The Fabulous, Big Dee Irwin & Little Eva - Swinging On A Star, The Crystals - Da Doo Ron Ron (RE-U 1381 - VG+/VG) and Ray Charles - At Newport and I Can't Stop Loving You. Condition is often neat VG+ to Ex+.

THIRTY SEVEN LILLIPUT LANE SCULPTURES FROM THE BRITISH COLLECTION, various backstamps, some boxed and deeds where mentioned, comprising Green Gables (deeds), Flatford Lock (deeds, chip to fence), The Windmill (deeds and boxed), The Right Note (deeds and boxed), Cornish Tin Mine (boxed and chimney rubbed), Little Beehives (boxed), Greenfingers Nursery (label ripped), Wishing Well & Flower Bells (base rubbed), Full Steam Ahead (deeds and engine chimney restored), Burley Street Garage (deeds), Firemans Watch, The Lobster Pot, Queen of Windermere, Buckle my Shoe, The Royal Observatory Edinburgh, Old Crofty (deeds), Out for a Duck (deeds), Bobby Blue (deeds), Chatsworth Blooms, The Millar & The Mariner, Jamaica Inn, Amazing Grace (deeds), Welford Garlands (deeds), Ullswater Boat House (deeds), The Stonemason, The Old Forge (deeds), The Sandcastle (deeds), Warwick Castle Boat House, Braywood Lodge, Chatterbox Corner (deeds), Tintagel Old Post Office, Bear Necessities (deeds), Davy Jones Locker (deeds), Iechyd Da (deeds), Travellers Rest (deeds), Catch a Cold and Bill and Ben's (deeds) (37) (Condition report: as description, quite a few have been touched up with paint)

Carlo Costantino Tagliabue (Italian 1880-1960) "Monte Rosa da Macugnaga", Oil on Wood Panel, Signed, Signed again with Title on Verso. Sight Size: 5.75 x 8.75 in. Overall Framed Size: 15.75 x 18.5 in.

Hochmusealer Musizierender EngelFlämisch1460/1480Bronze perdu; in verlorener Form gegossen & ziseliertSkulptur: Höhe 48 cm, Breite 47 cm, Tiefe 20 cmMit Sockel: Höhe 58 cm, Breite 52 cm, Tiefe 21 cmDiese meisterliche Skulptur stellt wohl einen musizierenden Engel flämischer Herkunft, der gegen Mitte des 15. Jahrhunderts datiert werden kann, dar. Die gehöhlte Rückseite sowie die Abreibungsspuren zeugen vom Alter der Bronzeskulptur (Maße: 48 x 47 cm), die im Wachsausschmelzverfahren hergestellt wurde, wie dies ab dem frühen 14. Jahrhundert üblich war.Die androgyn wirkende sitzende Figur könnte ebenso als männlicher Heiliger oder Stifter gedeutet werden, wobei die spannungsvolle Unbestimmtheit der Darstellung mit langen geöffneten Haaren mit großer Wahrscheinlichkeit auf eine Engelsdarstellung hinweist. In der Hand könnte dieser eine Lilie (als Verkündigungsengel) oder ein Musikinstrument – beispielsweise eine Laute – gehalten haben (vgl. Meister von Frankfurt: Hl. Familie mit musizierendem Engel, Hl. Katharina von Alexandria, Hl. Barbara 1510 – 20, Museo del Prado, Madrid).Der mit dieser Interpretation erzeugte christlich-sakrale Bezug könnte ebenso durch eine mythologische Zuschreibung ersetzt werden: der flügellose Jüngling könnte auch einen Genius darstellen, ein Schutzgeist, der sich seit der römischen Antike großer Beliebtheit erfreute.Bronzeskulpturen dienten häufig für den privaten Gebrauch, da weltliche Mäzene die Kirche als Auftraggeber von Kunst ablösten. Diese Figur ist durch den detaillierten Realismus stark in der frühen Niederländischen Renaissance verankert, die von Jan van Eyck ab den 1420ern popularisiert wurde. Dabei könnte die hypothetische Darstellung des Genius auch schon Anklänge des Renaissance-Humanismus aufweisen, da besonders in dieser Zeit Motive der klassischen Antike umgesetzt wurden. Der nahezu fotografische Realismus ist nicht an der vorausgegangenen Gotik orientiert, sondern nimmt Anregungen aus der italienischen Früh- und Hochrenaissance (vergleiche Lorenzo Ghibertis “Paradiespforte”.Die Skulptur ist sitzend dargestellt und ihr Blick frontal auf den Betrachter ausgerichtet; die linke Hand ist erhoben, ähnlich einem Lautenhals haltend, ebenso wie die rechte, wohl in einer die Saiten zupfenden Geste. Das markante, plastisch modellierte Gesicht ist umrahmt von schulterlangen gewellten Haaren. Die elegante Haltung der feingliedrigen Finger sowie die Bordüren des reich verzierten Mantels, der mit einer Brosche über der Brust zusammengehalten wird, sind verwandt mit den Figuren des Genter Altars (1420er-1432)Der reiche Faltenwurf mit voluminös-plastischen Knickfaltenkonfigurationen von übereinander gelagerten und aufgebauschten Falten entwickelte sich aus dem Schönen Stil der Internationalen Gotik, wobei hier weniger die Anatomie der Figuren, sondern die ausgeprägte stoffliche Textur der Oberflächencharakterisierung im Vordergrund steht. Die “maschenartigen” Falten sind vergleichbar mit den Gewändern des Mérode-Triptychons von Robert Campin. Jedoch ist hier das brokatähnliche-schwere Textil mit retadierenden gotischen Dreipassmotiven geschmückt, die man häufiger in der Architektur und seltener als Kleidungsmotive antrifft, während die Bordüren in einem exotisierenden Zickzack-Fries gestaltet sind. Die Innenseite ist mit typisch gotischen Sternmotiven geschmückt, die den Fokus zusätzlich auf die hochwertige Materialität des Stoffes legt, wobei dies ein besonderes Merkmal der flämischen Kunst des 15. Jahrhunderts ist.Während die Skulptur in ihrer Gewandmotivik noch Nachklänge der Spätgotik aufweist, deutet die reiche, voluminös konstruierte Draperie bereits auf eine stilistische Zuordnung in die Niederländische Renaissance hin. In seiner Physiognomie – mit der geraden Nase und mit den markanten Wangenknochen – und stilisierter Gewanddrapierung ist der Engel mit den Grabfiguren von Isabella von Bourbon (1476) verwandt, die von Reiner van Thienen, einem flämischen Bronzegießer (aktiv 1465-1498) aus einer Bildhauerfamilie, geschaffen wurden. Er war ein angesehener Brüsseler Bürger und bekleidete 1477-91 mehrere städtische Ämter. Da sich die Engelsfigur in der Oberflächenstrukturierung der Textilien von dem Oeuvre des Bronzegießers unterscheidet, liegt die Vermutung nahe, dass der Künstler die Werke van Thienens kannte und die Figur in dessen Umfeld fertigte.

THREE BOOKS ON ITALIAN OLD MASTERS 'Raffaello' published by Grange Books, ITALY 1998 'Leonardo Da Vinci' published by Grange Books, ITALY 1996 'Michelangelo' published by Grange Books, ITALY 1996 with box and pamphlet 28cm wide x 38cm long x 6cm deep Condition: Minor signs of wear commensurate with age and use, in good condition overall - slight wear to dust jackets

Pathescope 9.5mm projector with motor, projector screen made by Da-Lite of Warsaw, Indiana, USA, another projector, collection of film reels

John Pinches cased set of fifty Leonardo Da Vinci silver ingots, 2650grams approx

Three Royal Mint issues including: Morocco: silver (3) 50 dirhams set ref: (a) 20th anniversary independence (b) international women year (c) anniversary green march circa 1975 Tristan Da Cunha silver 25 pence 1977, Westminster Abbey medal struck for the 25th Coronation anniversary Elizabeth II, all in cases - Condition: EF-UNC

ROYAL DOULTON; a boxed limited edition The Pioneers Collection figure, HN4939 'Leonardo Da Vinci', no.213/250, in original box with certificate, height 27cm. CONDITION REPORT Overall good condition throughout, with no other obvious signs of faults, damage or restoration.

Art Deco style bronze owl on black marble base. Signed M. Da Costa. Dimensions: H 26 cm. 21st century. In good condition.

Bronze magpie in Art Deco style on black marble base. Signed M. da Costa. 21st century. Dimensions: 30 x 19 x 10 cm. In good condition.

Box of approx 115 single records and EP's including Champion Jack Dupree (Blue Horizon), Ronnie Hawkins, Crickets, Bruce Channel, Johnny Cash, Chuck Berry, Lou Christie, Larry Cunningham, Johnny Duncan, Paul da Vinci, Dowlands, Kenny Damon, Bob Dylan, Simon Dupree, Bo Diddley, Dakotas, and Everly Brothers, mostly grading at VG and Ex.

A collection of Royal Mail Mint Stamps to include presentation packs, strips and books, all themed on literature, art, theatre, etc. To include, Agatha Christie, The Bronte Sisters, Leonardo Da Vinci. Shakespeare, etc. 34 presentation packs, 16 strips, 7 books.

Andrew Martin Furniture - An original Andrew Martin ' Da Gama '  office desk. The desk being of chrome and leather construction having crossover peripheral stretchers with chrome square corner supports. Above a stunning leather bound edge desk top with drawers to one side. Measures 82cm x 150cm x 61cm. 

Italian school of the first half of the seventeenth century. School of "CORREGGIO" Antonio Allegri (Italy, 1494 - 1534). "Madonna and child with St. Jerome and Mary Magdalene". Oil on canvas. Re-tinted. With faults in the paint and repainting. Size: 207 x 137 cm; 209.5 x 141 cm (frame). This work faithfully reproduces the homonymous canvas realized by Correggio around 1530, today conserved in the Museo Nazionale of Parma. Faithful to the Italian's mannerist style, it is a tremendously complete and interesting composition, the fruit of his mature period. The treatment of the faces shows the admiration that Correggio felt for Leonardo Da Vinci, as well as the grandiloquence that accompanied him throughout his artistic career. Other aspects, such as the warm light that bathes the entire scene, the naturalness of the figures or the softness of their clothing, complete the contextualization of this work in Correggio's school. In this work Correggio represents the story narrated in the "Golden Legend" of Santiago de la Voragine, according to which Catherine had in a dream the vision of the Virgin with the Child in her arms, who refused to take her as his wife because she was not beautiful enough. She interpreted the dream and withdrew to the desert to learn the precepts of the Christian faith with a hermit, being baptized. In a new dream, Jesus accepted her beauty and made her his heavenly bride by placing a ring on her finger. This is the moment chosen by Correggio in his work, incorporating into the scene St. Sebastian, who contemplates from the background. It is precisely the figure of the saint that serves as a link with the background, where his martyrdom is represented; the saint appears tied to a tree, receiving the arrows of the Roman soldiers. The Italian master thus emphasizes the narrative. The characters, on the other hand, show the characteristic sweetness of Correggio's style, and their gestures are highlighted by the use of powerful lighting, which creates chiaroscuro effects derived from Leonardo's influence. The smile of the saint and the tender gaze of the Child towards the finger of the saint, two key points of the composition, are also noteworthy. Of special importance is also the delicate chromatic work, enhanced by an atmospheric effect that refers to the Venetian school.

A Bell & Howell Filmo 70 DA 16mm Cine Camera, drive not running, body G, with Gorlitz 7.5cm f/2.8 & Serital 1" f/1.9 lenses, elements P-F, fungus

SERGIO ASTI Lampada da terra in metallo cromato. Prod. Candle, Italia, 1960 ca. Cm 120x24x58.BibliografiaDocumenti d’archivio

MAZZEGA (Attribuito)Quattro applique da muro con struttura in metallo e vetro soffiato. Prod. Italia, 1970 ca. Cm 20x18x18.

EMILE GALLE’ Tavolino da salotto in legno con intarsi. Marchio originale. Prod. Emile Galle’, Francia, 1890 ca. Cm 71x53x74.

FABBRICA ARGENTERIA CLEMENTI dì GIOVANNI MANTEL & C., Bologna, XX secolo. Servizio di posate in argento 800 composto da: dodici coltelli grandi, undici coltelli piccoli, dodici forchette, diciassette forchette, tredici forchettine, sedici cucchiai, quattro cucchiaini e quattro posate da portata. Sul manico recano punzoni: stemma dell'argentiere, 800 e losanga locativa 1BO. Peso complessivo: 6156 gr.

Lotto composta da due piattini in argento 925 e due piattini in argento 800. Recano punzoni: Sterling 925/1000, 25, stemma dell'argentiere; 800 e stemma dell'argentiere. Rispettivamente di Ø cm 12x2,2 e 2x13,5x11. Peso complessivo: 187 gr.

ANELLO MASCHILE IN ORO BIANCO E DIAMANTE. Realizzato come una fascia larga bombata, centrata da diamante di vecchio taglio di circa 0,30 ct, posto entro castone a sei punte. Peso complessivo 11,60 grammi.

Lampada da soffitto con dieci luci in metallo e rifiniture in ottone. Prod. italia, 1960 ca. Cm 23x92x92.

Specchio da parete in teak curvato. Prod. Italia, 1960 ca. Cm 126x5x48.

PIERO FORNASETTI Lampada da tavolo con struttura in metallo e ottone della serie ‘Mongolfiere’. Prod. Fornasetti, Italia, 1970 ca. Cm 67x50x50.Bibliografia Fornasetti: the complete universe, Rizzoli, Mariuccia Casadio e Barnaba Fornasetti, 2010

FABBRICA ARGENTERIA CLEMENTI, Bologna, XX secolo. Servizio di posate in argento 800, composto da 147 pezzi: venti forchette grandi, venti coltelli grandi, venti coltelli piccoli, venti forchette piccole, venti cucchiai, venti cucchiai piccoli, diciasette cucchiaini, sei posate da portata e quattro posate miste. Sul manico recano punzoni: 800, stemma dell'argentiere e losanga locativa 1BO. Peso dell'argento: 5908 gr.

HANS J. WEGNER (Attribuito)Tavolo da pranzo in legno di quercia e teak allungabile. Prod. Carl Hansen & Son, Danimarca, 1960 ca. Cm 73x110x175 chiuso; Cm 73x110x235 aperto.

LUNGA COLLANA IN CORALLO. Realizzata ad un filo digradante di barilotti di corallo rosso-arancio italiano, diametri da 6 a 10mm, fermatura in oro giallo centrata da cabochon ovale in corallo. peso complessivo 64,8 grammi.

BAROVIER & TOSOLampada da terra con base e stelo in metallo e paralume in vetro soffiato. Marchio originale. Prod. Barovier&Toso, Italia, 1960 ca. Cm 187x38x38.

BRANDIMARTE, Firenze, XX secolo. Lotto composto da otto bicchieri in argento 925. Sul bordo superiore recano punzoni: stemma dell'argentiere BR, 925 e losanga locatica 283FI. Cadauno di cm 12,5x Ø 5,5. Peso 827 gr.

COLLANA IN ORO E CORALLI realizzata ad una fila a digradare di sfere di corallo intercalate da roselline in corallo incise e legate in oro giallo. Peso complessivo 23,06 grammi.

Lotto composto da portasigarette inglese in argento 925 con interno vermeille (William James Holmes; Birmingham, 1910) e scatolina in argento 800 con interno vermeille. Il portasigarette reca punzoni: sigla argentiere WJH, ancora, leone passant e lettera dataria L; la scatolina reca punzoni all’interno: 800 e losanga locativa non identificata. Portasigarette: cm 1,5x8,5x7,3. Scatolina: cm 2x6,6x4,7. Peso complessivo: 132 gr.

PIERO FORNASETTI Coppia di lampade da tavolo con struttura in metallo e ottone della serie ‘Architettura’. Prod. Fornasetti, Italia, 1970 ca. Cm 60x50x50.Bibliografia Fornasetti: the complete universe, Rizzoli, Mariuccia Casadio e Barnaba Fornasetti, 2010

BAROVIER & TOSO Tre applique da muro con struttura in metallo e paralume in vetro soffiato. Marchio originale. Prod. Barovier&Toso, Italia, 1960 ca. Cm 35x13x26.

JOE COLOMBO Coppia di lampade da parete in alluminio laccato e diffusore in vetro modello Fresnel. Prod. Oluce, Italia, 1966 Cm 32x20x28.Bibliografia Catalogo Oluce Italia

RIGUZZI GIORGIO, Bologna, XX secolo. Lotto composto da dodici piatti da dolce in argento 800. Sotto la base reca punzoni: 800 e losanga locativa 89BO. Cadauno di cm di Ø 20,7. Peso complessivo: 2717 gr.

Tavolino da caffè con base in metallo, piedi in ottone e piano in marmo. Prod. Italia, 1960 ca. Cm 47x48x85.

ANELLO IN ORO GIALLO E DIAMANTE. Realizzato come una fascia in oro giallo di impronta geometrica centrata da diamante di vecchio taglio di 0,60 ct circa. Peso complessivo 7,12 grammi.

FANI, Italia, XX secolo. Servizio da the composto da quattro elementi in argento 800. Sui coperchi recano punzoni: Fani, losanga locativa non leggibile, BREV.DEP e 800. Rispettivamente di cm 13; 13; 9,5; 6,5. Peso complessivo: 1190 gr.

Set da scrivania composto da cinque pezzi con parti in argento 800. Non reca punzoni evidenti. In scatola originale.

RINO GREGGIO, Padova, dal 1968. Servizio di posate per dodici persone composto da: dodici forchette, dodici forchettine, dodici cucchiai, dodici cucchiaini, cinque posate da portata, dodici coltelli grandi, dodici coltelli piccoli. Recano punzoni: 800, stemma dell'argentiere e losanga locativa 100PD. Modello Giorgio I. Peso complessivo: 3254 gr.

BORSA IN ORO. Borsa da sera in oro giallo e bianco 18K, di forma rettangolare bombata, realizzata in maglia d’oro intrecciata, corredata di specchio all’interno. Cm 14x12x4.5. Peso complessivo 434,22 grammi.

OROLOGIO DA TASCA In oro giallo, quadrante smaltato bianco con indici romani, decorato al retro con mezzaluna in piccole rose di diamante. Peso complessivo: 21,75 grammi.

ANELLO IN ORO CON ZAFFIRO E DIAMANTI. Realizzato con zaffiro blu ovale sfaccettato affiancato ai lati da dodici diamanti per 0,60 ct circa. Peso complessivo 5,11 grammi.

JENNINGS. Lotto composto da otto salsiere a forma di conchiglia in argento 925. Cm 1x7,5x7,5. Peso complessivo: 111 gr.

BRACCIALE IN ORO BIANCO E DIAMANTI. Realizzato ad una linea di diamanti rotondi delimitati da tre file di baguette di diamante. Pietre di centro: ct 3.60 ca totale, coloreF/G, purezza VS/SI; pietre di contorno: ct 15.0 ca totale, colo F/G, purezza VVS/VS. Peso complessivo 34,15 grammi. Allegata analisi gemmologica I.G.N. Roma.