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Sammlung von 12 Ausgaben von XXe siècle. Mit insgesamt 26 Original-Graphiken von u.a. Henri Matisse, Marc Chagall, Fernand Léger, Max Ernst, René Magritte, Sonia Delaunay und Dalí. Enthält: Nr. 14, 1960. Mit 3 OFarblithogr. v. Alechinsky, Fiedler u. Chagall. - Nr. 20, 1962. Mit 3 OFarblithogr. v. Manessier, Ernst u. Baj. - Nr. 22, 1963. Mit 3 OFarblithogr. v. Magritte, Brauner u. César. - Nr. 23, 1964. Mit 1 Einbandlithogr. v. Ernst. - Nr. 26, 1966. Mit 2 OFarblithogr. v. Vieira da Silva u. Chagall. - Nr. 29, 1967. Mit 2 OFarblithogr. v. Chagall u. Magnelli. - Nr. 39, 1972. Mit 2 OFarblithogr. v. S. Delaunay u. Estève. - Nr. 43, 1974. Mit 4 OFarblithogr. v. Dalí, Hérold, Lam u. Lapicque. - Nr. 44, 1975. Mit 2 OFarblithogr. v. Baj u. Rosenquist u. 1 OSerigr. V. Velickovic. - Nr. 46, 1976. Mit 1 OFarblithogr. v. Miró. - Numéro spéciale 1970. Hommage à Matisse. Mit 1 OLinolschn. - Numéro spéciale 1971. Hommage à Fernand Léger. Mit 1 OFarblithogr. - Einbände teils etwas berieben. Gute Exemplare mit den vollständigen Original-Graphiken. - Dabei: Cahiers d'art. 1954, II. Mit zahlr. tls. farb. u. montierten Tafeln. S. 125-279. OBroschur (berieben und etwas verfärbt). Collection of 12 editions of XXe siècle. With a total of 26 original prints by Henri Matisse, Marc Chagall, Fernand Léger, Max Ernst, René Magritte, Sonia Delaunay and Dalí, among others. - Contains: see above. - Bindings partly somewhat rubbed. Good copies with the complete original prints. - Added: see above.

Da Vinci, Leonardo - - Die Zeichnungen und Miscellania von Leonardo da Vinci in der Sammlung ihrer Majestät der Königin in Schloss Windsor. Anatomische Studien. Prachtedition mit losen Faksimile-Tafeln von 83 Zeichnungen. 2 Bde., Kommentar und Tafelmappe. Stuttgart, Belser, 2017. Folio. Silbergepr. OLdr. mit dreis. Silberschnitt (Kommentar) und silbergepr. OLwd. (Tafelmappe) zusammen in silbergepr. OHLdr.-Kassette. Eines von 950 nummerierten Exemplaren der Prachtedition. - Sehr gutes Exemplar. Da Vinci, Leonardo - Splendid edition with loose facsimile plates of 83 drawings. 2 vols., commentary and plates. Folio. Silver-embossed orig. leather with silver edges (commentary) and orig. cloth portfolio (folder of plates) together in orig. half leather cassette. - One of 950 numbered copies of the special edition. - Very good copy.

Christian Gottlieb Lorek. Interessante Sammlung von 10 Reisebeschreibungen, Atlanten und Karten des 18. und 19. Jahrhunderts in 14 Bänden. Enthält: Barrow, J. Voyage à la Cochinchine, par les �les de Madère, de Ténériffe et du cap Verd, le Brésil et l'Ile de Java. Paris, Arthus-Bertrand, 1807. 2 Teile (Text) und 1 Atlas (Tafeln), zus. 3 Bände. Mit 18 (3 doppelblattgroßen, davon 2, 1 grenzkolorierte Kupferstichkarten, 2 kolorierte) Kupfertafeln von Délignon, Guyot, Maillet u. a. nach Tardieu. Mod. HLdrbde. - Borba de Moraes 88. - 1. Franz. A. - Zwei seltene alte Kupferstichkarten der Kanarischen Inseln. - Enthält: Da Borda, Carte particulière des Iles Canaries, (1776). 61,5 x 92 cm.. - Coronelli, Isole Canarie, (1696). 51 x 71 cm. - Je mit geglättetem Mittelfalz. Teils etwas gebräunt und braunfleckig. Insgesamt wohl erhalten. - Schmidl, A. Das Königreich Dalmatien. Mit gestochenen Titel und 20 gestochenen Tafeln. Stuttgart, 1842. Hlwd. d. Zt. - Prévost (d'Exiles). Continuation de l'histoire générale des voyages. Bd. 18. Mit 10 (6 gefalt.) Kupferkarten und -plänen und 26 (5 gefalt.) Kupfertafeln. Paris, 1768. Kalbsldr. d. Zt. - Sabin 65402 Anm. Erste Ausgabe. - Über Island und Sibirien. - Stieler. Hand-Atlas. Mit 84 doppelblattgroßen gestoch. Tafeln. Gotha, 1872. Folio. Or.-HLdr. mit goldgepr. RTitel (Rücken restauriert, leicht fleckig). - Erste Bll. mit kleinen Randläsuren, erste 5 Karten nur mit kl. Fleck in oberer Ecke außerhalb der Darstellung. - Ders. Handatlas. Mit 95 Tafeln. Gotha, (1897). Folio. HLdr. mit goldgepr. RTitel (leicht fleckig). - Stielers Hand-Atlas. Mit 100 Karten in Kupferstich und 162 Nebenkarten. 9. Aufl., 2. Abdruck. Gotha 1906. Folio. Dekorat. OHLdr. (etwas beschabt). - Butler, S., An Atlas of Ancient Geography. Mit 20 gestoch., grenzkol. Karten. London, 1822. (Spät.) HLdr. - Världsatlas. En Skildering av Jorden och Stjärnhimmeln. Mit 50 farb. dppblgr. Karten. Stockholm 1934. Folio. OLwd. (Kapitale beschabt). - Grundemann, R., Kleiner Missions-Atlas.Mit 12, z.T. doppelblattgr. Karten. Calw & Stuttgart, 1886. 4°. Mod. Pp. mit aufgezogener OBroschur (etwas braunfleckig). - Zweite Auflage. - Stellenweise (meist verso) leicht braunfleckig. 2 Bll. mit hinterlegtem Randeinriss. - Cooke, W., A new picture of the Isle of Wight. Mit 1 doppelseit. farb. Karte u. 36 gestoch. Tafeln. Southampton, 1813. HLdr. d. Zt. (berieben u. beschabt, teils fleckig, Gelenke geplatzt). - 2. Auflage. - Vorstatz mit hs. Eintragung von alter Hand. Tafeln mit Blindstempel. Papierbedingt stärker gebräunt u. teilweise mit etwas Abklatsch von den Tafeln. Teils wasserrandig.

Sammlung von drei Faksimile-Ausgaben und zwei Kommentarbänden. Enthält: Leonardo da Vinci. Traktat über den Flug der Vögel. Würzburg, Edition Georg Popp, 1978. 4°. OLdr. mit goldgepr. RTitel. Eines von 800 numm. Ex. - Abraham Ortelius. Theatrum Orbis Terrarum. Faksimile des Originals 1301/A5 der Univeristätsbibliothek Leiden. 2 Bde., Faksimile u. Komm. Lausanne, Sequoia, 1964. Folio u. 4°. Goldgepr. OLwd. in Lederoptik, in OHLwd.-Schuber (dieser berieben). - Egenolf v. Staufenberg. Die Geschichte vom Ritter Peter. Faksimile der Inkunabel 317 der Fürstl. Fürstenbergischen Hofbibl. Donaueschingen. 2 Bde., Faks. u. Komm. Stuttgart, Müller u. Schindler, 1975. 4°. Blindgepr. OKunstleder und OBroschur in ill. OPp.-Schuber (dieser berieben). Eines von 1000 numm. Ex. - Gregory T. Clark. Das Stundenbuch der Isabel La Católica. Kommentarband. Münster, Bibliotheca Rara, 1997. Gr.-8°. Ill. OBroschur. - Das Evangeliar Heinrichs des Löwen. Kommentar zum Faksimile. Frankfurt a.M., Insel, 1989. Folio. OLwd. in OPp.-Schuber. Collection of three facsimile editions. - Contains: see above.

Fotografie - Erotica - Curiosa - - David Hamilton. Holiday Snapshots. Mit zahlreichen farb. Abbildungen. Zürich, Edition Olms, 1999. 215 S. 4°. Illustr. OKt. (berieben und bestoßen, etwas bekratzt). Mit einer Einführung von Liliane James und Bildunterschriften von James und Hamiltons Ex-Frau Gertrude Hamilton. Enthält 314 Fotografien, oft unverstellte Porträts in unterschiedlichen Szenerien. "Holiday Snapshots" wurde nur in begrenztem Umfang vertrieben, da es privat gedruckt wurde und in erster Linie über Hamiltons inzwischen aufgelöste Website Hamilton-Archives.com verkauft werden sollte. - Die Vorsätze etwas fleckig, ansonsten sehr schönes und sauberes Exemplar. With numerous col. illustrations. Illustr. orig. paperback (rubbed and bumped, a bit scratched). With an introduction by Liliane James and captions by James and Hamilton's ex-wife, Gertrude Hamilton. Contains 314 photographs, often candid portraits in a variety of settings. "Holiday Snapshots" had limited distribution, as it was privately printed and intended to be sold primarily through Hamilton's now-defunct website, Hamilton-Archives.com. - Endpapers a bit stained, otherwise a fine and clean copy.

Italien - Südtirol - - Sammlung von ca. 141 OPhotographien mit Ansichten aus Südtirol (Dolomiten). Vintages. Silbergelatineabzüge. Um 1910. Format je ca. 7,5 x 12 cm. Gesteckt in Album d. Zt. Quer-4°. Ldr. mit Goldschnitt u. Goldfilete (berieben). Die tls. im Negativ u. meist auf dem Abzug hs. bezeichneten Aufnahmen zeigen u.a.: Marmolata, Arabba, Croda da Lago, Cinque Torri, Tofana di Rozes, Palagruppe, Passo Rolle, Talsperre bei Fonzaso, Tuenno, Mezzolombardo, Andalo, Molveno etc., darunter wenige Aufnahmen aus Bamberg und München. - Tls. etwas ausgesilbert, insg. gut erhalten. Italy - South Tyrol - Collection of approx. 141 orig. photographs with views from South Tyrol (Dolomites). Vintages. Silver gelatin prints. Mounted in contemp. album. Leather with gilt edges and gilt fillets (rubbed). - The photographs, partly in the negative and mostly inscribed on the print, show among others, as listed above. - Partly somewhat silvered, overall good condition.

Picture Disc Singles, twenty-two Picture Disc Singles, all with their plinths and with artists comprising Tears For Fears, Tina Turner, Whitesnake, Cyndi Lauper, T Rex, Joan Jett, Grace Jones, Phil Collins, Models, Thomas Leer, Paul Young, Madam X, Jimmy Nail, Dead Or Alive, Auto da Fe, Broken English, Dwight Yaokam, Cameo, Julian Lennon, Girltalk, Robin George and Marilyn Martin - various years and conditions

Stamps - Prestige Stamp Books - an album of assorted unused decimal stamps Prestige Stamp Booklets. x23 in total, to include; The Great War 1916, Beatrix Potter, Windsor Castle, Game Of Thrones, The RAF Centenary, Star Wars, Marvel, Harry Potter, Leonardo Da Vinci, Behind The Scenes Of James Bond, Visions Of The Universe, Star Trek, Only Fools & Horses, Queen (band), DC Collection and others. Face value unknown, likely £120+ (estimated, not guaranteed). All mint / as new. Housed in an official Benham flocked album.

Stamps - First Day Covers - two albums of 2017-2019 (inclusive) Royal Mail issued First Day covers / FDCs. Includes; Star Wars, Christmas, Game Of Thrones, Platinum Anniversary 2017 (with £20 Silver Proof Coin), Votes For Women, RAF Centenary, Owls, Dad's Army, Hampton Court, The Great War, Harry Potter (many - including the larger scale Limited Edition issues), Marvel, Leonardo Da Vinci, Birds Of Prey and others. All mint / as new, housed in official Royal Mail albums. Small amount of unused decimal First Class stamps also present (<£10)

MARIA HELENA VIEIRA DA SILVA - 1908-1992, "Praia", gouache on cardboard, signed (circa 1948), Dim. - 23 x 38 cmNote: reproduced in WEELEN, Guy; JAEGER, Jean-François - "Vieira da Silva - Catalogue Raisonné". Genève: Editions Skira, 1994, p. 112, nº 563, where the possible date is indicated; and "Vieira da Silva". Lisboa: Fundação Calouste Gulbenkian, 1970, p. 88, fig. 52.

COSTA MOTA SOBRINHO - 1877-1956, A vase, Art Nouveau, clay from Caldas da Rainha, with relief decoration, unsigned, marked from the Fábrica de Faianças das Caldas da Rainha, dated 1913, Dim. - 22,5 cm

NORONHA DA COSTA - 1942-2020, Untitled - Lady, cellulose paint on canvas, signed, Dim. - 65 x 54 cm

SEQUEIRA, Gaspar Cardoso de.- PRONOSTICO | GERAL, E LVNA- | RIO PERPETVO, ASSI DAs | luas nouas, & cheas, como quartos | crescentes, & minguantes. | Composto por Gaspar Cardozo de Sequeira, Mathematico, natural da Villa | de Murça. | [gravura] | Com licença da Sancta Inquisição...- [Coimbra]: Na Empressam de Nicolao Carualho, Empressor da Vniversidade Anno 1614.- [30] f.; 18 cm.- E., Little is known about the author (16th/17th century), apart from what he himself says on the title pages of his works: born in Murça, Master of Arts in Alcalá and professor of Mathematics in Lisbon and Coimbra; he was born in the last quarter of the 16th century and still lived in 1631. Gaspar Sequeira is also the author of the famous “Tesouro de prudentes”. João Arouca (17th century Bibliography) records seven editions of the work in the 17th century alone. The copy, slightly handled and with slight browning, has some leaves with small cuts in the lower margin, not affecting the text. Otherwise, it is complete and clean. Bound full of flexible parchment (period?), with new endpapers. Inocêncio, III, p. 125. Arouca, 324.

CAMÕES, Luís de.- OS | LVSIADAS | DO GRANDE | LVIS DE CAMOENS. | PRINCIPE DA POESIA HEROICA. | Commentados pelo Licenciado Manoel Correa, Examinador synodal | do Arcebispado de Lisboa, & Cura da Igreja de S. Sebastião da | Mouraria, natural da cidade de Eluas. Dedicados ao Doctor D. Rodrigo d'Acunha, Inquisidor Apostolico | do Sancto Officio de Lisboa. | Per Domingos Fernandez seu Liureiro. | (gravuras com as armas de Portugal) | Com licença do S. Officio, Ordinário, y Paço.- Em Lisboa: Por Pedro Craesbeek, Anno 1613.- [6], 308 f.; 19 cm.- E., Edited commented by Manuel Correa, priest of Mouraria and a personal friend of Camões, whose comments, published posthumously, were reformed by Pedro de Mariz who bought them in auction after the death of their author. The biographical summary of Camões that Mariz outlines in his introduction was the first news about the Poet's life and contains almost all the data that is known about his life today. Copy with slight browning and other imperfections: excessive cropping, without affecting the current titles; restoration with adhesive paper on the outer edge of the cover sheet, without loss of support; rudimentary marginal restoration on the sixth preliminary sheet; last page handled, with old restoration, affecting about 30 letters in the final four lines (rebuilt by hand) along the outer margin. Binding from the 19th century, in full sheepskin, with endpapers in printed paper; weak joints. Regarding this edition, of which there are at least two variants, one should see the extensive comments dedicated to it by José do Canto (18) and Inocêncio (XIV, nº 18, p. 49). Samodães, 533. Arouca, C 50.

GONÇALVES, Pe. Joaquim Afonso, S.J.- Arte china constante de alphabeto e grammatica comprehendendo modelos das differentes composiçoens / composta por J. A. Gonçalves sacerdote da Congregação da Missão.- Macao: Impressa com licença regia no Real Collegio de S. Jose., anno de 1829.- [2[, VIII, 502, [1 br.], 46, [2] p.; 19 cm.- E., Rare edition printed in Macao, authored, according to Couling (Encyclopaedia Sinica, p. 208), by one of the most eminent sinologists of the 19th century, who devoted himself passionately, for 30 years of his life, to the study of the Chinese language. A member of the Royal Asiatic Society and the Lisbon Academy of Sciences, he was highly regarded within the Chinese intellectual community itself. The edition, the second work to be produced at the Saint Joseph Seminary, includes much of the text in Sinic characters. Untouched copy, with the title page signed and restored. Half leather binding, recent, with gold closed panels on the spine. Inocêncio, IV, p. 57. Samodães, 1433. Macanese Bibliography, 5269. Jack M. Braga (Primórdios, Appendix III), 19.

LEÃO, Duarte Nunes de.- DESCRPÇAO [sic] | DO REINO | DE PORTVGAL. | Per Duarte Nunez do Leão, desembarga- | dor da casa da supplicação. | Dirigida ao illustrissimo & muito excellente sñor | Dom Diogo da Sylua, Duque de Francauilla, Con- | de Salinas & Riuadeo, Presidente do conse- | lho da coroa de Portugal.- Em Lisboa: Impresso com licença, por Iorge Rodriguez, Anno. 1610.- [12], 161 (i. é 162) f.; 19 cm.- E., Duarte Nunes (1530-1608), erudite historian, graduated in Law and judge of the Casa da Suplicação; after the death of King Cardinal Henrique he warmly embraced the cause of Philip I, whose right to succession he defended in writing against those who impugned him. Posthumous edition by the author's nephew, Gil Nunes de Leão. Variant with error in the first word of the title, later corrected. The last two sheets have the same number 161. Copy slightly cropped, but clean, with good margins. White seal of a foreign religious institution, on the first and last pages. Contemporary binding, full flexible parchment, slightly worn and missing ties. Inocencio, II, p. 211. Ameal 1648. Arouca, L 30.

BARROS, João de; COUTO, Diogo do.- Da Asia de João de Barros e Diogo de Couto.- Nova edição.- Lisboa: Na Regia Officina Typografica, 1778-1788.- 24 vols: il.; 16 cm.- E., Complete set of the beautiful edition of the Decadas printed at the Oficina Régia. The four "Decades" by João de Barros are part of the first eight volumes, followed by a general index (and biography) and illustrated with three portraits (author, Prince Henry and Afonso de Albuquerque) and five folding maps; also the remaining nine decades of Diogo do Couto, illustrated only with his portrait, are presented in 14 volumes plus the respective index. In 1808, António Lourenço Caminha published a volume with unpublished works by Diogo do Couto, which this collection does not include. It should be noted that the Tenth Decade is now printed for the first time. Very clean set, with all portraits and maps, covered in 19th century bindings, full sheepskin, with mottled patina with smooth spines. Inocêncio, III, p. 322 and II, p. 154.

HISTOREA | DA VIDA E MARTYRIO | do glorioso sancto Thomas Arcebispo, se- | nhor de Cantuaria, Primas de Inglater- | ra, Legado perpetuo da sancta see A- | postolica, tresladada nouamen | te de latim em lingoage[m] | Portugues.- Coimbra: Per João Alvarez, impressor da vniversidade de Coimbra, M. D. LIIII. [1554].- [8], cccj [i. é ccciij], [1 br., 20] p.; 20 cm.- E., First and only Portuguese edition of a free translation from Latin, attributed to Diego Afonso de Miranda, of the oldest biography of Saint Thomas Becket (circa 1118-1170), Archbishop of Canterbury, murdered in his cathedral by followers of Henry II, and canonized just three years after his death by Pope Alexander III. With the exception of the preliminary sheets, the first lines of the text (p. 1), the colophon (p. cccj) and the current titles and first line of the final Tavoada, all the rest of the text is composed in Gothic rotunda characters. Copy slightly cropped, probably washed. Cover page with restoration in the lower outer corner; other minor marginal restorations. Recent binding, full of rigid parchment. Inocêncio, II, p. 141. Anselmo, 60. BN (16th century), 314. King D. Manuel II Library, 194.

COSTA, Manuel da.- PATRVI | ET NEPOTIS DE SVCCES | SIONE REGNI PORTVGALLIÆ | TRACTATA QVÆSTIO: VTRVM PATRVVS, | Regis filius secundo genitus annis maior:an | verò eiusdem Regis nepos etiam infans, | ex primogenito conceptus, praeferri | debeat. [...] | ITEM ORATIO FVNEBRIS IN EXEQVIIS | Serenissimi Portugalliae Regis IOANNIS. III. | ab eodem autore Conimbricae habita.- Conimbricæ: Apud Ioannes Barrerium Typographum Regium. M. D. L. VIII. [1558].- [8], 216 [i. é 212] p.; 19 cm.- E., Manuel da Costa (c.1510-1562), Portuguese poet, humanist and jurisconsult, born in Lisbon, was a student of Jerónimo Cardoso and Martim de Azpilcueta Navarro, in Coimbra, where he later taught. The work addresses the issue of succession to the throne since D. Sebastian was only three years old at the time of the death of his grandfather King D. João III, on June 11, 1557. The edition, indicating that the “Decimo Calendas Augusti”, includes in the final 16 pages the “Oratio funebris” given by the author, in Coimbra, at the funeral of the pious King, on June 25, 1557. Copy a little cropped, but clean, with restoration on the outer margin of the title page, without affecting the text. Recent binding, full sheepskin, with the seal of the Oporto workshop Invicta Livro, with plant decoration, in the Renaissance manner, on both covers. Anselmo, 149. BN (16th century), 206. Sebastica, 281. King D. Manuel II Library, 133 (Res. 139 Adq.).

ENCADERNAÇÃO.- Collecção das leis da divida publica portugueza coordenada e publicada pela Junta de Credito Publico: primeira parte, divida interna: tomo I.- Lisboa: Imprensa Nacional, 1883.- VI, 421, [2, 1 br.] p.; 27 cm.- E., A remarkable copy for being covered in an excellent contemporary binding, entirely red morocco, with geometric interlaces in an ornamental border, in the covers, roll on the squares, stippled in gold in the thickness of the covers and gilt edges; at the centre of the front cover the crowned Gothic initials D. F. II. (king D. Ferdinand II); in the back cover, the royal crown. Upper joint slightly worn.

MACHADO, Simão, O.F.M.- COMEDIAS | PORTVGVESAS. | Feitas pello excellente Poeta, | Symão Machado. | Comedias do Cerco de Dio. | primeira, & segunda parte. | Comedias da Pastora Alfea. | primeira, & segunda parte. | Nesta vltima impressaõ, enmendadas, & acrescenta- | das, dous Entremeses, & quatro Loas famosas.- Em Lisboa: Por Antonio Aluarez. Anno de 1631.- [2], 94, [12] f.; 19 cm.- E., Apparently it is an unusual variant of the second printing, with the same date, of the comedies by Simão Machado (f. 1601-1640), a Franciscan religious, of whom little is known, who used, as a rule, the name of Fr. Bonaventura Machado. In fact, the title page does not correspond to the description by Inocêncio (I, p. 388 and VIII, p. 403) which indicates “Nesta segunda impressão...”, nor to the copy of the Samodães catalogue (1921), which reproduces a different frontispiece. The collation is also slightly different from those indicated in these two references, as it only includes two preliminary sheets. In the variants with the indication “Second impression” there are three preliminary sheets, the second integrating a dedication to D. Francisco de Sá de Meneses, Count of Penaguião. But the copy corresponds exactly to the description of the copy of the BNP. The addressee is also mentioned on the frontispiece of the reproduction of Samodães. However, this dedication disappears, both on the preliminary pages and on the title page of the present variant. Copy slightly cropped, with slight browning and occasional minor blemishes. Marginal restoration on the last leaf; two small amendments with ferrogallic paint, causing browning (f. F6 and H2). Title page with two small patched faults (± 28x21 mm), probably to remove stamps from the Livraria de Alcobaça (one still preserved on the front of the second folio). Ex-libris by Aníbal Fernandes Tomás (but not mentioned in his bookstore catalogue). Binding of the period, entirely flecked sheepskin, slightly worn, retaining the original endpapers on plain paper. Straw, 1236. Arouca, M 58.

LUÍS DE GRANADA, Frei, O.P.- COMPENDIO | De doctrina Christãa re- | copilado de diuersos autores que desta mate- | ria escreuerão, pelo R. P. F. Luys de Gra- | nada, Prouincial da ordem de | S. Domingos. | Acrescentarãose ao cabo treze Sermões das principaes | festas do anno: pelo mesmo Autor.- Foy impresso em Lixboaem casa de Joannes Blauio de Agripina Colonia, Impressor Delrey nosso senhor. Acabouse aos XXV. dias Dabril. Anno. 1559.- [4], CLXXIIII, [2], LIIII f.; 19 cm.- E., First edition of a classic work of devotion, written in Portuguese, by a Dominican who left us a vast work that was reprinted multiple times, at least, until the end of the 19th century. Luís de Granada (1504-1588) lived in Portugal for the last 47 years of his life, he was confessor to King D. João III, Queen D. Catarina and King Cardinal D. Henrique. Bibliographer António Palau dedicates more than a thousand entries to it in about 40 pages of his “Manual del librero hispano-americano”. The text is almost entirely printed in Gothic rotunda characters. The thirteen sermons have their own title page and pagination. On the back of the last pages of each of the parts, the mark of the printer João Blávio de Colónia. Copy with slight browning, sometimes accentuated and occasional old marginal notes, harmed by the edging. Recent binding, full rigid parchment. Samodães, 1458. Palau, 107874. BN (16th century), 439. King D. Manuel II Library, 264.

GOUVEIA, D. Frei António de.- IORNADA | DO ARCEBISPO | DE GOA DOM FREY ALEIXO | DE MENEZES PRIMAZ DA IN- | DIA ORIENTAL, RELIGIOSO | da Ordem de S. Agostinho. | Quando foy as Serras do Malauar, & lugares em que morão os antigos Chri | stãos de S. Thome, & os tirou de muytos erros & heregias em que es- | tauão, & reduzio à nossa Sancta Fè Catholica, & obediencia da | Santa Igreja Romana, da qual passaua de mil an- | nos que estauão apartados. | Recopilada de diuersos tratados de pessoas de autoridade, que a tudo forão presentes, | Por Frey Antonio de Gouuea Religioso da mesma Ordem de Santo Agosti- | nho, lente de Theologia, & Prior do Conuento de Goa. | Dase noticia de muytas cousas notaueis da India, de | que a não auia tão clara. | Dirigida ao Reuerendissimo Senhor Dom Frey Agostinho de | IESV Arcebispo, & Senhor de Braga, Primaz das | Hespanhas Religioso da mesma Ordem.- Em Coimbra: Diogo Gomez Loureyro, 1606.- [6], 152, [2], 62, [9] f.; 26 cm.- E., The work describes the pastoral journey of the Archbishop of Goa to the ancestral community of Christians in S. Tomé, in the Malabar Sierra, who followed the traditional Syrian-Chaldean rite. It is therefore of the greatest importance for the history of this Christian Church of the East, of which little or nothing was previously known. The author (†1628), born in Beja, professed in 1591 in the Hermits of Saint Augustine, in the Monastery of Graça in Lisbon; in 1602 he integrated an embassy to the Shah of Persia whose account can be read in book III of the present “Journey”; shortly afterwards he was appointed Bishop of Cyrene and Apostolic Nuncio to the Shah of Persia. As usual, the volume includes, with its own title page and independent foliation, the “Synodo diocesano da Igreja e Bispado de Angamale dos antigos christãos de Sam Thome das Serras do Malauar das partes da India Oriental” ([2], 62 f.) , followed by the “Missa de qve vsam os antigos christãos de São Thome do Bispado de Angamale...” ([9] f.). Copy a little trimmed, especially to the head of the page, sometimes with tangential damage to some current titles and numbering of the pages. However, it is complete and very clean. 20th century binding, in natural shagreen. Inocêncio, I, p. 151. Samodães, 1454. Auvermann, 542. Arouca, G 122.

VITRUVIUS (Marcus Vitruvius Pollio).- I DIECI LIBRI | DELL’ARCHITETTVRA | DI M. VITVVIO, | TRADOTTI E COMMENTATI | da Monsig. Daniel Barbaro elleto Pa- | triarca d’Aquileia, da lui reuedu- | ti ampliati; & hora in | piu commoda da for- | ma ridotti.- In Venetia: Apresso Francesco de’ Franceschi Senese. M. D. LXXIIII. [1584].- [8], 505, [1 br.] p.: il.; 24 cm.- E., Marcus Vitruvius Pollio, Roman civil and military architect and engineer, from the first century BC; his treatise, divided into 10 books, would come to influence the entire Renaissance and Classical treatise, being considered the only architectural treatise from the Greco-Roman period that has survived to the present day. Venetian edition from the last quarter of the 16th century, the third with the comments and additions of Daniel Barbaro (1513-1570), a Venetian humanist and diplomat, friend of Palladio, Pietro Bembo and Torquato Tasso (the two previous editions date from 1556 and 1567 ). Barbaro, who was assistant to the Patriarch of Aquileia and portrayed by Veronese, represented the Republic of Venice at the Council of Trent. Illustrated edition with more than a hundred xilograpy figures in the text, most of them full-page, two of which are folders. Copy slightly handled, with some underlining and annotations of the time, especially in the first and last two books. Title page and last 10 sheets with some stains and irregular edges. Non-contemporary binding (18th century?), entire worn sheepskin with multiple ornamental borders and a gold decorated central rectangle, on both covers (new endpapers). Brunet, V, 1330. Cicognara, 720.

MIRANDA, Francisco de Sá de.- AS OBRAS | DO CELEBRADO | LVSITANO, | O doutor Frãcisco de Sá de Mirãda. | Collegidas por Manoel de Lyra. | Dirigidas ao muito illustre Senhor dom Ie- | ronymo de Castro, &c. | [gravura xilográfica com as armas de D. Jerónimo de Castro] | Impressas com licença do Supremo Conselho da Santa | Geral Inquisição, & Ordinario. | Anno de 1595. | Com priuilegio Real por dez annos.- [Lisboa]: Manoel de Lyra, 1595.- [8], 186 [i é 184], [3] f.; 18 cm.- E., Original edition of the works of Sá de Miranda (1481-1558), considered the greatest Portuguese poet of the 16th century, right after Camões, and perhaps the one who most echoed Renaissance ideas to us, with the introduction of new literary forms being significant, namely prose comedy, the new meter, the sonnet, the eclogue, etc. The edition was published posthumously, nearly 30 years after the author's death. The copy corresponds to the collation indicated by Anselmo: the title page (blank verso) bears the coat of arms of D. Jerónimo de Castro, in copperplate printing; there is a folio with the licenses (f.) and the permit (v.); the following sheet includes the dedication (f.), two poems, a sonnet by Jerónimo de Morais and a “carmen” by Sebastião Alfaro (v.); the fourth folio contains a sonnet by D. Manuel de Portugal (f.) and the imprint of the printer Manuel de Lyra (v.) which is repeated on folio 162 (X2 v.). The text itself runs between sheets 1 and 186 (with numerous foliation errors), that is, between folios A1f. and Z8v; on the back of sheet 132 another mark of the printer Manuel de Lira, different from the one described above. At the end we find two folios (¶1 and ¶2) with the “Taboa (or Tavoada) das Rhimas do Autor”, which occupies four pages; there follows a folio such as “¶Auto de approuação these works” (f.) and the errata (v.), with the last blank folio that should complete the section missing from the copy. Copy slightly trimmed, but clean, possibly washed, with the gilt edges. Ex-libris by Walter Corrêa da Sá e Benevides. 20th century binding, full morocco, signed "Bound by Sangorski & Sutcliffe, London"; squared double fillet with florets in the corners, on the squares, gold closed panels on the spine, roll on the squares and double fillet in the thickness of the folders (protection case). Anselmo, 764. BN (16th century), 500. King D. Manuel II Library, 294.

SANTOS, Frei João dos, O.P.- ETHIOPIA ORIENTAL, | E VARIA HISTORIA DE COVSAS | notaueis do Oriente. | COMPOSTA POLLO PADRE FR. IOÃO | dos Santos da Ordem dos Pregadores | natural da Cidade de Euora.- Impressa no Conuento de S. Domingos de Euora: por Manoel de Lira impressor, 1609.- [8], 140 f.; 27 cm. Junto com: -----.- VARIA HISTO | RIA DE COVSAS NO- | TAVEIS DO ORIENTE. | E da Christandade que os Religiosos da | Orde[m] dos Prègadores nelle fizerão. | SEGVNDA PARTE...- Impressa no Conuento de S. Domingos de Euora: por Manoel de Lira. Anno de 1609.- [3, 1 br.], 123 f.; 27 cm.- E., An important account of missionary activity in the East, written by a Dominican who died in Goa, in 1622. The edition includes a beautiful copperplate printed architectural frontispiece, signed Bras Nvnes Fecit (Ernesto de Sousa, 1374) . The second part has its own pagination and a xilography frontispiece, being considered an autonomous species by the bibliographer João Arouca. Untrimmed copy, slightly used, with occasional restorations, namely on the first frontispiece. It is, however, complete and solid. Provenance: Silva’s / Pedro de Azevedo auction, November 2000, lot 736. Bound from the 20th century, entirely in rigid parchment, with “à la grotesque” gold tooling on the spine. Inocêncio, IV, p. 33. Samodães (with facsimile face), 3056. Ávila Perez, 7001. Palha, 4222. Palau, 300592. Arouca, S 176, 177.

VOULTON, Mons.- Verdadeira e exacta noticia dos progressos de Thamas Kouli Khan Schah [sic] da Persia no Imperio do Gram Mogol, escrita em lingua Persiana em Delby em 21. de Abril de 1739. e mandada a Roma por Mons. Voulton. Accrescentada com outras chegadas por varias partes, com hum Mapa do Thesouro do Gram Mogôr levado de Hispahan pelo mesmo Schah.- Lisboa Occidental: Na Officina de Antonio Correa Lemos, 1740.- 19, [1 br.] p.; 20 cm.- E., First edition [and only?] of a report recounting the military campaign of the Shah of Persia, Thamas Kouli Khan (1688-1747), against the Mughal Empire of South Asia. The pamphlet includes not only a translation of the original Persian, written in Delhi by Voulton in 1739, but also other documents and a description of the Mughal treasure (Map of the Spoils) captured in the expedition (p. 16/17), including the imperial throne studded with diamonds. Little is known about the author, apart from having deserted the French army in Pondicherry (India) to enlist in the Persian forces. Last leaf with minor imperfections. Recent binding, full sheepskin. Leaflet not registered in the consulted bibliographies. Laurence Lockhart, “De Voulton’s noticia”, in Bulletin of the School of Oriental Studies, University of London 4:2 (1926), pp. 223-45. Apparently only two copies are known in Portugal, one in the National Library, the other in the BGUC.

ENCADERNAÇÃO com as armas de Portugal.- [XAVIER, Pe. Francisco José da Serra].- Dissertação liturgica sobre a recitação do nome dos Senhores Reys Portuguezes contra o abuso que a fez omittir do Canon da Missa e contra a omissão da collecta Et Famulus &c. nas missas privadas.- Lisboa: Na Regia Officina Typografica, 1776.- [8], XXXVI, 253, [1 br.] p.; 24 cm.- E., Work published without the author's name (ca. 1740-ca. 1805), a secular priest, beneficiary of the Patriarchal of Lisbon, the city where he was born. Very clean copy, especially notable for being covered with an excellent contemporary binding, entirely in vieux rouge shagreen, very slightly worn, with gold ornamental borders in chains, in the covers, closed panels on the spine, rolls in the thickness of the folders and the gilt edges; preserves the original endpapers in marbled paper; in the centre of both covers, gold engraved, the coat of arms of Portugal. Taking into account the quality of the binding, it is reasonable to attribute the origin of the copy to a high dignitary of the court or the Patriarchal, close to the author. Inocêncio, II, 413 and IX, p. 117.

VIEIRA, Pe. António.- SERMOENS.- Em Lisboa: na Officina de Ioam da Costa [e outros], 1679-1736.- 15 vols.: 1 gravura; 21 cm.- E., Set consisting of the first 15 volumes, in first editions, of the sermons of the great Portuguese orator of the 1600s, with the following dates and printers: I - First part (Na Officina de Ioam da Costa, 1679); II - Second part. (In the Officina de Migvel Deslandes, 1682); III - Third part. (In the Officina de Migvel Deslandes, 1683); IV - Fourth part. (In the Officina de Migvel Deslandes, 1685); V - Fifty part. (In the Office of Miguel Deslandes, 1689); VI - Sixth part. (In the Office of Miguel Deslandes, 1690); VII - Seventh part. (In the Office of Miguel Deslandes, 1692); VIII - Eighth part. Xavier sleeping... (Na Officina de Miguel Deslandes, 1694); [IX] - Maria Rosa Mystica...: Part I. (In the Officina de Migvel Deslandes, 1686); [X] - Maria Rosa Mystica...: II part. (On the Craesbeeckian Impression, 1688); XI - Eleventh part. (In the Officina de Miguel Deslandes, 1696); XII - Twelfth part. (In the Office of Miguel Deslandes, 1699); [XIII] - Word of God. (In the Office of Miguel Deslandes, 1690); XIV - Volume XIV. (By Valentim da Costa Deslandes, 1710); volume XV. In Manoel da Silva's Office, 1748). Volume XI includes an engraving representing the arms of Queen Catherine of Braganza, to whom the work is dedicated. All volumes present two 19th century manuscript ownerships on the title pages: José Mendes Alçada de Moraes and J. M. Alçada de Paiva. Volume XIII with handwritten half-title; title page of tome XV with three scissor cuts, some wormholes, no fly-endpapers, no half.title. First volume in full sheepskin binding, 18th century; volume XIII with half-leather binding, 19th century. The remaining volumes are in full 19th century sheepskin bindings, the one in volume XV is slightly different. Inocencio, I, p. 289. Samodães, 3516. BN (Father António Vieira, Bibliography), 990 to 1028.

ALPOIM, José Fernandes Pinto.- Exame de bombeiros, que comprehende dez tratados; o primeiro da Geometria, o segundo de huma nova Trigonometria, o terceiro da Longemetria[...] Obra nova, e ainda nam escrita de author Portuguez, utilissima para se ensinarem os novos Soldados Bombeiros, por perguntas e respostas...- En Madrid: En la Officina de Francisco Martinezabad, Año de M. DCC. XXXXVIII. [1748].- [40], 444 [i. é 442] p., 1 tabela desdobr.: 1 retrato, XVIII [i. é 20] gravuras desdobr.; 20 cm.- E., José Fernandes Alpoim (1700-1765) was born in Viana do Castelo and in 1738 he traveled to Brazil where he became famous as an architect and military engineer, having reached the rank of brigadier. In Rio de Janeiro he taught in artillery and fortification courses for which he wrote two treatises: “Exame de Artilheiros” (Lisbon, 1744) and the present “Exame de Bombeiros”. The edition is illustrated with a portrait of Gomes Freire de Andrade (1685-1763), governor of Rio, to whom the work is dedicated, engraved by Olivarius Cor (Ernesto Soares, História, p. 180 and nº 500), an allegorical vignette at the beginning of the dedication and 20 engravings (19 leaflets), numbered from I to XVIII (from engravings II and XI there are two different proofs) by José Francisco Chaves (Ernesto Soares, História, p. 171). Particularly enigmatic is Figure XVII that presents the subscription: José Franc. Chaves fecit — Rio 1749. This last indication has led some historians and bibliographers to support the hypothesis that the engraving (and even the edition) may have been opened in Rio de Janeiro, a controversial claim that remains unproven to this day. The pagination has an error: da p. 372 moves to p. 375, without any gaps in the text or in the section. Copy a little trimmed, but clean, keeping all engravings fresh and well folded. Contemporary binding, full sheepskin, slightly worn, with traces of wormholes (without affecting the core), retaining the original endpapers, red label and four raised bands on the spine. Inocêncio, IV, p. 326. Borba de Moraes (1983), p. 25/26 (These two famous and rare works by Alpoym constitute a veritable “bibliographic puzzle”). Army Library, 324.

MANUSCRITO.- Epitome da Nobilissima ascendencia de Manoel Cardoso de Loureiro Capitão Mor de Viseu.- Século XVII (1613?).- [1 br.], 33 f.; 31 cm.- E., Illuminated and calligraphed manuscript on parchment. Document consisting of 34 sheets of parchment, the first being blank and the following foliated on the front, from 1 to 33. Folios 1 to 4, with blank versos, include: 1 - Architectural frontispiece with the following title: Epitome da Nobilissima ascendencia de Manoel Cardoso de Loureiro Capitão Mor de Viseu, cauº da ord. d’Xpº e senhor dos Morg [ado]ºs d[e] Vª meãa, Tondelinha, Patameira, e dos quintos dos Lugares de Ferro centi, & Povoa de Modrinhoza & Pouves. On the lower cartouche: A MCDXIII (?); 2 - Armas of Manoel Cardoso de Loureyro & Figgueyred[o] de Lacerda; 3 - Family tree of the holder; 4 - Armas de Moreiras do Perangal. Following are the genealogical descriptions of the following families: Moreiras, Seixas & Barros, Figueiredos Loureiros, Cardosos, Amarais, Coutos, Azevedos, Pimenteis, Abreus, Barbosas e Marinhos, all. On the front of folio 33, a closing term, dated Coimbra, Coimbra 19, 1731, José Gomes Annes Amaro de Azambuja. On the verso, four visas, two with notary signs. In addition to the first four pages, the manuscript includes: a decorated strip, bordered on f. 5; about 40 large initials illuminated in red, blue and gold (±54x43 mm) and another 40 smaller ones (3 lines); 10 large coats of arms, one at the beginning of each of the texts about the different families (except the first) . Restorations and patches on parchment, on the lower outer corner of all leaves from folio 9 to the end; frontispiece with signs of wear; slight trimming, with tangential damage to some annotations on the margin; first sheet (blank) with fungal stains. Ex-libris of António Capucho. Bound in blue velvet, probably not contemporary, with the spine remade in sheepskin; covers with silver application with rocaille motifs: four corners, an image of the Virgin (top cover) and the insignia of the pilgrims of Santiago de Compostela(?); keeps both clasps intact. Green screen protective case. Provenance: José Maria Nepomuceno bookshop, lot 2188 from the auction catalogue organized in 1897 by Luís Trindade; António Capucho Library, lot 503 of auction 214 of Palácio do Correio Velho, May 2009; unmarked silver, pursuant to Decreto-Lei 120/2017, of 15 September - art. 2, no. 2, subparagraph c)

A revivalist chalice with paten, silver and gilt silver, base with coat of arms of D. Diogo de Sousa, Archbishop of Braga, inscription engraved with the name of the Evangelists and dated 1509, paten with inscription "HIC EST ENIM CALIX SANGUINIS MEI NOVI ETER", 19th C. (late), missing an apostle, without marks, pursuant to Decreto-Lei nº 120/2017, of 15 September - art. 2, no. 2, subparagraph c). Notes: several revivalist chalices are known, produced in the late 19th centurie, the most famous being the chalice commissioned by King D. Luis I of Portugal, from the famous goldsmith Raphael Zacarias da Costa (1816-1895), at the LEITÃO & IRMÃO, to offer to Pope Leo XIII in 1888., Dim. - 39 cm; Peso - 2.628 g.several revivalist chalices are known, produced in the late 19th centurie, the most famous being the chalice commissioned by King D. Luis I of Portugal, from the famous goldsmith Raphael Zacarias da Costa (1816-1895), at the LEITÃO & IRMÃO, to offer to Pope Leo XIII in 1888.

BENTO COELHO DA SILVEIRA - c. 1620-1708, Calvary, oil on canvas, tear, holes, several faults and defects on the pictorial layer, in need of restoration, unsigned, Dim. - 221 x 133,5 cm

SIMÃO DA VEIGA - 1879-1963, Portrait of a lady, oil on canvas, signed, Dim. - 54,5 x 45,5 cm

EDUARDO DE MOURA - SÉC. XIX/XX, Portrait of João Baptista da Silva Leitão de Almeida Garrett (1799-1854), 1st Viscount of Almeida Garrett, oil on canvas with dedication ACCEITA GRÃO GARRETT COMO TRIBUTO DE SINCERA SIMPATHIA E AMIZADE - ARAÚJO PORTO ALEGRE, PARIS 1833, restoration, signed, inscription COP(iou) 1910, Dim. - 93 x 75 cm

ALFREDO ROQUE GAMEIRO - 1864-1935, "Barco da palha no Tejo - Portugal", watercolor on paper, signed, Dim. - 32,5 x 23 cm

VINTAGE PORT, comprising one Fonseca Quinta Do Panascal Vintage Port 1996, 20.5% vol, 75cl, one Taylor's Quinta De Vargellas Vintage Port 1987, 20.5% vol, 75cl, one Warre's Quinta Da Cavadinha Vintage Port 1987, 27% vol, 37.5cl and one Graham's Malvedos Vintage Port 1986, 20% vol, 37.5cl, all seals intact (4)

Sonia Delaunay (Gradizsk/Ukraine 1885 – 1979 Paris). „Rhythme couleur“. 1979Gouache und Bleistift auf Papier. 56 × 39,5 cm (22 × 15 ½ in.). Unten mittig signiert und datiert: Sonia Delaunay 1979. Rückseitig eine Kompositions-Skizze. Farbstift in Violett. Auf der Rahmenrückwand ein Etikett der Galerie Beyeler, Basel und eines zur Ausstellung Bottrop 1979 (s.u.).[3346]Provenienz: Ehemals Galerie Beyeler, BaselAusstellung: Sonia Delaunay - Vieira da Silva - Bridget Riley. Bottrop, Moderne Galerie, 1979, Kat.-Nr. 33Zustandsbericht: Schöner harmonischer Gesamteindruck. An der Ecke oben rechts eine Fehlstelle (1,5 x 1 cm). Vereinzelt minimales Craquelée. In der Mitte rechts ein minimaler Farbverlust. Der linke Blattrand beschnitten. Unten und oben rechts kleine Montierungslöchlein. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar.Wir berechnen auf den Hammerpreis 32% Aufgeld.

Höchst selten! Bronzefarbene Medaille der XX. Olympiade München 1972, bei dem hier angebotenen Exemplar dürfte es sich entweder um ein höchst seltenes Probemuster/Probeprägung handeln, welches eigentlich entwertet und anschließend eingeschmolzen werden sollte, oder aber um einen Abschlag als Makulatur. Für das Entwerten sprechen die Einkerbungen am Rand und die Überprägungen von Kastor und Pollux auf beiden Seiten. Es ist nicht mehr nachzuvollziehen, wie dieses Exemplar nach außen kam, da im Regelfall die zu vernichtenden Medaillen zum Einschmelzen übergeben wurden. Auch ist nicht bekannt, wie viele solcher Exemplare überhaupt in unsere Zeit gekommen sind. Das Gewicht beträgt ca. 132 g. Die Dicke ist unterschiedlich stark von ca. 4,5 mm bis ca. 2,5 mm. Der Durchmesser beträgt ca. 74 mm. Dadurch entspricht dieses Exemplar weder in Gewicht, Dicke noch Durchmesser der originalen Siegermedaille. Auf der Vorderseite die traditionelle Siegesgöttin, die in der linken Hand eine Palme und in der rechten Hand eine Siegerkrone hält. Die Rückseite zeigt zwei nackte junge Männer, Kastor und Pollux, die Zwillingssöhne von Zeus und Leda. Geprägt wurden die Medaillen im Bayerischen Hauptmünzamt. In einem Brief, der in Kopie diesem Lot beiliegt, wird das Exemplar als "Original-Fehlprägung" mit "sehr großem Sammlerwert" bezeichnet. Als Beigabe wird zusammen mit der Medaille ein Metallguss angeboten, ein Athlet mit Lorbeerzweig in Siegerpose, H ca. 27 cm. Alters- und Gebrauchsspuren| Extremely rare! Bronze colored medal of the XX. Munich Olympics 1972, the example offered here is probably either an extremely rare test sample/test coining, which was actually canceled and then melted down, or a strike as waste. The indentations on the edge and the embossing of Castor and Pollux on both sides speak for cancellation. It is no longer possible to understand how this specimen got out, since the medals to be destroyed were usually handed over to be melted down. It is also not known how many such specimens have come down to our time. The weight is about 132 g. The thickness varies from approx. 4.5 mm to approx. 2.5 mm. The diameter is approx. 74 mm. As a result, this specimen does not correspond to the original winner's medal in terms of weight, thickness or diameter. On the obverse the traditional goddess of victory, holding a palm tree in her left hand and a crown of victory in her right hand. The reverse shows two naked young men, Kastor and Pollux, the twin sons of Zeus and Leda. The medals were minted in the Bavarian Mint. In a letter, a copy of which accompanies this lot, the specimen is described as an "original misprint" with "very great collector's value". A metal cast is offered as an accompaniment together with the medal, an athlete with a laurel branch in a victory pose, height approx. 27 cm. Signs of age and use

Isfanhan Meisterteppich. Verrückt feine Knüpfung.222 cm x 157 cm. Handgeknüpft. Korkwolle auf Seide. Wohl aus der Manufaktur "Serafian". Nicht signiert. Serafian Senior war Bankkaufmann und Teppichsammler. Da er keine Teppiche mehr fand welche seinen Maßstäben genügten gründete er eine eigene Manufaktur bei Isfan auf seinem Landgut, Als Banker konnte er diese teuren Arbeiten vorfinanzieren. Ab circa 1925 wurden immer mehr dieser Teppiche auf Seidengrundgewebe gearbeitet, Später meistens / immer signiert. Insgesamt super Zustand. Iran. Persien. Versand kann organisiert werden.Isfanhan rug carpet. Crazy fine weave. Hand knotted. Cork wool on silk. Probably from the "Serafian" workshop. Not signed. Serafian Senior was a banker and carpet collector. Since he could not find any more carpets that met his standards, he founded his own workshop near Isfan on his estate. As a banker, he was able to pre-finance these expensive works. From circa 1925onwards, more of these carpets were worked silk, later mostly / always signed. Overall super condition. Iran. Persia. Shipping can be organized.

Libby Anderson DA, 'The Cuillins', limited edition signed print, 1/50, framed under glass 39 x 30cm

An Elizabeth II Tristan Da Cunha 2017 twelve sided gold sovereign coin set, comprising full, half and quarter sovereigns, in capsules and Hattons of London case.  

Books, to include: G. Jekyll, 'Old West Surrey', Kenneth Clark and Carlo Pedretti, 'Leonardo Da Vinci Drawings at Windsor Castle', Phaidon, 3 volumes, Germano Celant, 'Tony Cragg', Thames and Hudson, Paul Nash Memorial Volume, among other volumes.

Bartoli, Pietro Santi. Italian Antiquarian (1635-1700). 'Colonna Triana, eretta dal Senato, e popolo Romano all' imperatore Traiano Augusto nel suo foro in Roma. Scolpita con L'Historie della guerra Dacia La Prima et La Seconda Espeditione, e vittoria contro il re Decebalo. Nuovamente disegnata, et intagliata da Pietro Santi Bartoli...' Giacoma de Rossi, Rome n/d c.1680. Oblong folio with 14pp of text, index and dedication to Louis XIV. 126 plates (119 numbered). B/p for James Norton Dickens (1837-1912). Solicitor and Book Collection. Ex lib with stamps throughout. Some warping, staining and edges torn. Old full calf with red label. (375 x 480mm). In modern slip case

THE IMPRESSIVE DA VINCI CODEX FINE SILVER COIN COLLECTION,comprising 24 edgeless colourprinted silver bars, dated 2011, numbered 200 of 500, each featuring one of Da Vinci's innovative designs, that come together as one unit to form a completed image of the Vitruvian Man, each featuring an effigy of Queen Elizabeth II to the reverse, 1020g gross, in perspex case, within a timber frame, inside a timber case with laser etched self portrait of Da Vinci, the case designed to look like a bound codex, within a further timer case inscribed, 'The Genius of Leonardo da Vinci - 1452-1519'

Pam Carter DA - Off set lithograph - 'North Through Geary', 154/850, signed in pencil lower right, 42cm x 46.5cm, framed and glazed

A modern Jubilee Mint Tristan Da Cunha platinum half Laurel proof coin, 4g, EF-Unc, in box and with certificate

A PAIR OF SILVER CANDLESTICKS BY DA-MAR, LONDON 1977, THE STEMS WITH TWO RING TURNED KNOPS ABOVE THE DISHED CIRCULAR FEET, WEIGHTED. H 18.5cms.

Spätbiedermeier-Brosche. 14 kt. GG, geprüft, brutto 17,2 g (da gefüllt). Ovale Brosche und ovale Abhängung, je mit aufgelegter Blattranke und mittig besetzt mit Diamantrose. Tragespuren und gedellt. 2. Hälfte 19. Jh. D. ca. 7x 3,5 cm.

Seltene Skulptur eines Berghauptmannes zu Pferd. Elfenbein, geschnitzt (aus mehreren Teilen zusammengesetzt). Vollplastische Darstellung in Aufzugstracht mit Schachthut und Bergbarte auf seinem Pferd sitzend. Geschnitzter, späterer Holzsockel mit geschnitzter Wappenkartusche aus Elfenbein mit Zusatz "ANNABERG FROHNAU 1708". Erzgebirge 1800-1842. Ca. 29x 20x 7 cm, H. mit Sockel 37,5 cm. Lit. vgl.: "Elfenbeinskultpur des Berghauptmanns von Bärenstein zu Pferd im Museum für bergmännische Volkskunst Schneeberg" (CC-BY-NC-SA Museum für bergmännische Volkskunst), dort jedoch mit fälschlicher Altersangabe von 1701-1715 und einer Zuschreibung an Johann Jakob Betzoldt (1621 Schwäbisch Hall 1715). Bergparade aus Elfenbein in der Manufaktur der Träume, Annaberg-Buchholz. Wir bedanken uns bei dem Kurator Herrn Bräuer (Städtische Museen Annaberg-Buchholz, Manufaktur der Träume) für die wertvollen Hinweise bei der Katalogisierung. Er schlussfolgert, dass die Bergparade aus der 1. Hälte des 19. Jh. stammt, da das Habitat (die Tracht ) eindeutig in den Zeitraum 1800-1842 passt. Beigegeben: Originale Vermarktungfreigabe für EU CITES DE-BLN220615-92, ausgestellt durch Fr. Kohlhoff der Senatsverwaltung für Umwelt, Berlin 15.06.2022 sowie Gutachten 2116-05-2022 des anerkannten Sachverständigen im Sinne des § 51 Abs. Bundesnaturschutzgesetz für Elfenbein Matthias Streckfuß. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes.

Damenschmuckbanduhr. Ovales Gehäuse und angesetztes Milanaiseband 585/000 WG, brutto 42,5 g. Gehäuserand in Höhe der Bandanstösse besetzt mit insges. 18 Brillanten, zus. ca. 0,36 ct. Mattsilbernes Zifferblatt mit aufgelegten, schwarzen Strichindizes. Quarzwerk (Funktion nicht geprüft, da Batterie zu erneuern). B. 2,5, L. ca. 18,5 cm.

Damenschmuckbanduhr "Chopard Happy Diamonds". 750/000 GG, brutto 26,6 g. Lunette und beidseitig verglastes, rundes Gehäuse besetzt mit sieben Brillanten und 45 Diamanten, Achtkant , zus. ca. 1,2 ct., w/vsi. Quarzwerk (Funktion nicht geprüft, da Batterie zu erneuern). Gehäuseboden num. G2936 203945 4052. Tragespuren und Stift zum Betätigen des Drückers am Gehäuseboden fehlend. D. 2,2, L. 17,5 cm. Beigegeben: Expertise No. 20110436 der Gemmologin Brigitte Nawrath, Halstenbek, vom 18.04.2011 über Wiederbeschaffungswert in Höhe von € 15.000,-.

Damenschmuckbanduhr "Ebel". Ovales Gehäuse und angesetztes Milanaiseband 750/000 WG, brutto 50,3 g. Matt versilbertes Zifferblatt mit Strichziffern. Quarzwerk (Funktion nicht geprüft, da Batterie zu erneuern). Tragespuren. B. ca. 2,5, L. 17 cm.

Damenarmbanduhr "BAUME & MERCIER GENEVE". Gliederarmband mit Doppelfaltschließe Edelstahl. Eingelassenes, quadratisches, beiges Zifferblatt mit Punkten und römischen Ziffern. Quarzwerk (Funktion nicht geprüft, da Batterie zu erneuern). Vierfach verschraubter Gehäuseboden, gem. Baume & Mercier und num. 2955158 MV045197. L. Tragespuren wie kl. Kratzer. B. 2,4 cm. L. ca. 17 cm. In originaler Schatulle (min. Gebrauchsspuren, Boden berieben).

Damenarmbanduhr "Selena", Maurice Lacroix. Edelstahlgehäuse, Lunette besetzt mit 28 Diamanten. Weißes Zifferblatt mit Strichindizes. Quarzwerk (Funktion nicht geprüft, da Batterie zu erneuern). Kratzer. Maurice Lacroix, Schweiz. D. 2 cm. Edelstahlarmband mit Doppelfaltschließe, Maurice Lacroix.

Armbanduhr "Sport Classic", Ebel. Edelstahl-/GG-Gehäuse und -Armband. Weißes Zifferblatt mit Strichindizes und Datumsfenster. Ref.-Nr. 1088131 und Serien-Nr. 53600194. Quarzwerk (Funktion nicht geprüft, da Batterie zu erneuern). L. Kratzer. Ebel, Schweiz. D. 3 cm. Edelstahl-/GG-Armband (Kratzer) mit Doppelfaltschließe, Ebel.

Damenarmbanduhr "Baume & Mercier". Modell "Catwalk". Quadratisches Gehäuse und Gliederband mit verdeckter Faltschließe aus Edelstahl. Gehäuse seitlich besetzt mit je acht Brillanten, zus. ca. 0,32 ct. Poliertes Zifferblatt mit Baume Mercier-Schriftzug. Gehäuseboden num. 5205506 MV025200. Quarzwerk (Funktion nicht geprüft, da Batterie zu erneuern). Stärkere Tragespuren wie Kratzer. B. 2,2, L. ca. 17 cm.

Pendule mit Sockel. Porzellan. Reich reliefiert mit Rocaillen und Muschelbekrönung. Teils bordeauxroter Fond. Reiche Goldmalerei und Ziervergoldung (teils l. berieben), Uhrengehäuse schauseitig mit bunter Blumenmalerei in ausgesparter Reserve. Weißes Emailzifferblatt mit schwarzen, römischen Ziffern und Eisenbahnminuterie. Pendelwerk mit Federaufzug und Fadenaufhängung des Pendels (Funktion nicht geprüft, da Faden gerissen und ohne Schlüssel). Halb- und Stundenschlag auf Glocke. Mitte 19. Jh. Gesamtmaß mit Sockel 36x 23x 13,5 cm.

Simon, Emmanuel Joseph Louis (1873 - 1932) Große Jugendstil-Kaminuhr. Terrakotta bzw. Keramik, farbig gefassst. Vor hohem, oberhalb gerundeten Korpus sitzendes, vollplastisches Liebespaar. Sockel seitlich sign. "Simon", schauseitig bez. "Souffle printamier". Silberfarbenes Zifferblatt (wohl erg.) mit schwarzen, arabischen Ziffern. Pendelwerk mit Federaufzug (Funktion nicht geprüft, da Pendelfeder gebrochen und Pendel fehlend). Halb- und Stundenschlag auf Glocke. Rückseitig Prägemarke "Goldscheider, Wien" sowie num. 2798, 38 und 17. Altersspuren, mehrere, (wohl Brand-)Risse und kleinere Stellen mit Farbabrieb. Um1900. 71,5x 32,5x 36cm.

Pendule im Rokokostil "Gustav Becker". Nussbaumgehäuse mit reichen Bronzeapplikationen bzw. -zierbeschlägen, Seiten ebonisiert. Versilbertes Zifferblatt (Glas fehlt) mit schwarzen, arabischen Ziffern. Pendelwerk mit Federaufzug (Gehwerk ?, da Platine fehlend), sign. Gustav Becker und num. 1132202. Freiburg, Ende 19. Jh. 50x 26x 15 cm.