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Click here to subscribeThe Vice-Admiral Lord Nelson Collection, 2005-2007, a 24-coin collection of World silver proof crown-sized coins comprising issues from Cook Islands, Isle of Man, British Virgin Islands, Falkland Islands and Tristan da Cunha in brown London Mint Office case with bound certificates. Mint state
Coins - a collector's tray of Roman and other coins: House of Constantine all VF: AE3 Constantine I, Gloria Exercitus/soldiers & standards; AE4 Constantine II as Caesar, Gloria Excercitus soldiers & standard; AE3 Constantius II, similar; also AE4 two Victories raising wreaths; another as Caesar, Pric. iuv. Vot V in wreath/Caesarum Nostrorum and AE3 Fel. Temp Reparatio with horseman spearing fallen enemy; also Kingdom of Kandy (Sri Lnka) AE c. 1200; Sumatra C17th century Aceh sultanate pitis tin issue; France Philip II Augustus denier, poor; China, three early AE cash; Charles I AE farthing, rose, mm. crescent also three circulated Victorian threepences ; UK and island dependencies silver proof coin set , Her Majesty Queen Elizabeth The Queen Mother, in presentation case of issue, 7 coins, UK, Falkland Is, Gibraltar, Guernsey, St. Helena, Tristan da Cunha and Tuvalu, FDC each in separate capsule, some toned
A set of seventeen crown sized silver proof coins of British overseas territories & dependencies, individually cased in clear plastic to make a 'Lifetime of Service' set and set in two trays within a Westminster Mint presentation box with slipcase, with certificates in separate folder: Ascension Is. crowns 2012 & 2013; Cook Is., $5 2012 & 2013; Falkland Is crown 2012 & 2013; Fiji $10 2012; Guernsey £5 gilded relief to obv., 2012 (two) Indian Ocean Territories £2 2012 & 2013; Isle of Man crown 2012; Jersey £5 2012 with gilded relief to obv., Niue $2 2012; Pitcairn Is. $2 2012; Sandwich Is. £2 2012 & Tristan da Cunha £5 2012
Derby City Charter 1977 philatelic first day cover with detached unused 9p stamp; Australia 2003 $5 coin Rugby World Cup in folder of issue & UK crisp unc. £1 note (Somerset); also commemorative £1 coins: 1983 Maxwell House, 2001 Northern Ireland in folder of issue; 1997 silver proof in box of issue along with Royal Mint boxed two coin 10p (large & small) silver proof 1992 set; A collection of crown coins issued by British dependencies abroad: Gibraltar silver proof D-Day comem. 2004 in capsule; 2013 gold plated Jubilee Mint in folder; Tristan da Cunha 2015 crown HMS Victory gold plated with coloured reverse in folder; Cook Is., $1 royal engagement 2010 gold plated in capsule & double folder Ascension Is. & St. Helena 1984 Royal visit of Prince Andrew
A Chinese bronze incense burner, Republic period (1912-1949), of circular form on a circular foot, the cover pierced and cast with two dragons amongst clouds, the knop as a swirling dragon, the body cast with mythical sea creatures amongst spuming waves above a false gadroon border, two dragon head handles, marked Da Ming Xuande to base, 13.5cm high, a yellow jade vase, early 20th century, carved with stylised banana leaves to rim and foot rim, 7.5cm high, and a bronze plaque, Qing dynasty (1644-1911), of Guanyin seated on a lotus flower with her left leg resting at the side, her hands in Vitarka mudra, 8.5cm high (4)
Jacob Hendrik Pierneef (South African 1886-1957) VASCO DA GAMA SEIL OM KAAP PUNT signed and dated 49; signed, dated and inscribed with the title on the reverse oil on canvas laid down on board A Pretoria Art Museum label is adhered to the reverse 29 by 39cm Vasco Da Gama’s first expedition to the east passed the Cape of Good Hope in November 1497. The Portuguese Commander’s fleet consisted of three caravels and a crew of 148 men. Vasco Da Gama Seil Om Kaap Punt memorializes this historic event that was to shape the destiny of our country and indeed change the fortunes of Europe. Captured against a palette of blue sea, sky and land, three billowing caravels sail across the choppy sea. Emblazoned with the sovereign insignia of Portugal, the small ships are presented in the face of a gale as they round Cape Point. Completed in 1949 the small oil painting was gifted in the same year to a couple who appear to have been neighbours of the artist at Henley-on-Klip. Aan Jean en Dirk van May en Henk 1949 is inscribed on the back in pencil, and countersigned and dated by the artist above that. As an affirmation of all that embodied nationalism in South Africa, the subject emphasizes Pierneef’s belief that South African artists should have their own style and set of rules to follow. In this he was particularly against the influence that the colonial government exerted on art education, depending heavily on the so called “English” approach to art. The formal qualities of the seascape - sweeping vista, and tonal gradations, voluminous sky with a focal point of light, angular ships convey Pierneef’s signature style. However, the unusual nature of the subject matter may be partly explained by Dirk Lion-Cachet’s lineage and history. An engineer and head of the Rand Show in Johannesburg, Dirk Lion-Cachet built an acclaimed collection of art including many works by his friend and neighbour, Henk Pierneef before his death in 1985. He was descended from a lineage of Portuguese ancestry, an influential family of missionaries and protagonists for the development of Afrikaner Nationalism. These circumstances and interests coalesce in the lyrical painting of Lusitanian sailing caravels on the azure and windy Cape coast created by the artist as a tribute to his friend in 1949. Vasco Da Gama seil om Kaappunt was loaned to the Pretoria Art Museum, most likely for the opening exhibition in 1965. The same year a bronze model of Vasco da Gama’s caravel was presented to the museum by the Portuguese community. - C. K. https://www.pressreader.com/south-africa/the-citizen-gauteng/20161125/282789241041441 The work was gifted to Jeanne and Dirk Lion- Cachet “friends and supporters of Pierneef’s work.
VIGNOLA, GIACOMO BAROZZI DAREGOLA DELLI CINQUE ORDINI D'ARCHITETTURA Roma: G.B. di Rossi, [n.d., c. 1617]. 2 parts in 1 vol., folio, engraved title pages to both parts, with an engraved privilege leaf of Pope Pius IV and a further engraved leaf of dedication to Cardinal Alessandro Farnese, and 51 other engraved plates (including 2 folding), contemporary vellum, short split at the lower inner margin of the title page, some wormholes in the first few leaves (affecting the plates but with no real loss of detail); Sebastiani, Leopoldo Descrizione del nobilissimo e reale Palazzo di Caprarola. Rome: nella Stamperia Pagliarini, 1791. 8vo., contemporary vellum, paper discoloured throughout, book plate of the German art historian Ernst Steinmann who specialized in the Italian Renaissance (2)Note: The Regola delli cinque ordini with the signature of James Naysmith, engineer, philosopher, artist and inventor famous for his development of the steam hammer, on the upper cover. The illustration shows the Villa Farnese, also known as Villa Caprarola of Cardinal Farnese, to whom this work is dedicated, on which Vignola worked from 1550s until his death in 1573.
COELHO DE FREITAS, ANTONIOTRATADO DA VENERANDA ET PRODIGIOSA IMAGEM DO SENHOR DE BOUÇAS DE MATOZINHOS Coimbra: Joseph Ferreyra, 1699. 8vo., contemporary vellum, light water staining to the upper sections of the first few leaves; Rodrigues de Oliveira, Christovam Summario, em que brevemente se contem algunas cousas, assim ecclesiasticas, como seculares, que ha na cidade de Lisboa. Lisbon: na Officina de Miguel Rodrigues, 1755. 4to., repair to lower outer corner of p. 15, modern quarter vellum cloth boards, with the book plate of John Bury; Sousa Farinha, Bento Joze, de Colleçam das antiguidades de Evora escriptas por Andrew de Rezende [ et al.]. Lisbon: Filippe da Silva, 1785, 8vo., contemporary mottled calf, with the book plates of John and Michael Bury; Monteiro de Campos, Manoel Antonio Fundaçao, antiguidades, e grandezas da mui insigne cidade de Lisboa. Lisbon: Manoel Soares, 1753. 2 parts in 1 vol., 4to., paper discoloured throughout, contemporary sprinkled calf, head, tail and edges worn, with the book plates of John and Michel Bury; Vieira, Manoel Antonio Descripçao do prodigioso augusto sanctuario do Bom Jesus do Monte da Cidade de Braga. Lisbon: Antonio Rodrigues Galhardo, 1793. 8vo., later calf, with the book plates of John and Michael Bury and 2 others (7)
POZZUOLIMAZZELLA, SCIPIONE Sito, et antichità della città di Pozzuolo, e del suo amenissimo distretto. Con la descrittione di tutti i luoghi notabili, e degni di memoria. Con le figure de gli edificii, e con gli epitafi che vi sono. Naples: nella stamperia di Tarquinio Longo, ad instanza di Giorgio Varisco, 1606. 2 parts in 1 vol., 8vo., with 19 woodcut illustrations in the text, lacking the map of Pozzuoli, with neat earlier repair to the lower margin of the title page. Note: The second part is 'Opusculum de balneis' [bound with] Apparato delle statue. Naples: appresso Tarquinio Longo, 1606, contemporary vellum; Sarnelli, Pompeo Guida de'forestieri, curiosi di vedere le cose piu notabilli di Pozzoli … tradotta in Francese … da Antonio Bulifon. 12mo., engraved portrait frontispiece of Antonio Bulifon, engraved title page, with an engraved folding map, an engraved folding Arabic inscription, an engraved folding plan of the baths of Trotoli , and 27 other engraved plates, contemporary vellum, wear at head and tail, book plates of John and Michel Bury; Parrino, Domenico Antonio Nuova guida de' forastieri per l'antichita curiosissime di Pozzuoli. Naples: presso il Parrino, 1727. 12mo., engraved frontispiece, 30 engraved plates (some folding), contemporary vellum, with the book plates of John and Michael Bury; D'Ancora, Gaetano Guide du voyageur pour les antiquités et curiosités naturelles de Pouzol … traduit … par M. A. Barles de Manville. Naples: Zambraia Imprimeur, 1792. 8vo., with an engraved portrait frontispiece of the Empress Maria Theresa of Austria, an engraved title page, 50 engraved plates (including folding) and an engraved final plate, original paper wrappers, uncut, edges a little dusty, book plates of John and Michael Bury (4)
PHILIP II, KING OF PORTUGALRELAÇÃO DAS EXEQUIAS D'EL REY DOM FILIPPE NOSSO SENHOR primeiro deste nome dos reys de Portugal com alguns sermões que neste reyno se fizerão. Lisbon: Pedro Crasbeeck, 1600. 4to., contemporary limp vellum, worm hole in text of first couple of signatures affecting some letters of text, inner joints weak, with the library stamp of the Duke of Palmela on the title page and with the book plates of John and Michael Bury, USTC 345570; Porreno, Baltasar Dichos y hechos del Rey Don Phelipe II. Brussels: por Francisco Foppens, 1666. 12mo., contemporary panelled calf, rebacked, with the stamp of the Duke of Palmela on the title page and with the book plate of John Bury; Portugal, José Miguel João de, Conde do Vimioso Vida do Infante D. Luiz. Lisbon: Antonio Isidoro da Fonseca, 1735. 4to., fine engraved protrait of Dom. Luiz by Debrie, contemporary sprinkled calf, book plate of John Bury; Rezende, André de Vida do Infante Dom Duarte. Lisbon: Academia Real das Sciencias, 1789. 4to., paper wrappers, uncut, with the gold stamp of Guimarães Quinta do Salgueiral on the title page, and the book plate of John Bury; Sousa, Luiz de Anais de el Rei Dom Joao Terceiro. Lisbon: Typ. De Sociedade Propagadora dos Conhecimentos Uteis, 1844. 8vo., contemporary calf, original printed wrappers bound in, library stamp of the Visconde de Coruche on the title page and on the front wrapper, paper discoloured throughout, book plate of John Bury (5)
VITRUVIUS POLLIO, MARCUSCOMPENDIO DE LOS DIEZ LIBROS DE ARQUITECTURA DE VITRUVIO ESCRITO EN FRANCES POR CLAUDIO PERRAULT traducido al Castellano por Don Joseph Castaneda. Madrid: Gabriel Ramirez, 1761. 4to., engraved frontispiece, 11 engraved plates of which 1 is folding, contemporary half roan, marbled boards, edges worn and rubbed, a few leaves of the text discoloured, book plates of John and Michael Bury; Vignola, Giacomo Barozzi da Nocoes theoricas de architectura civil, seguidas de um breve tractado das cinco ordens de J.B. de Vinhola: traduzidas e compiladas pelo Professor J.C. Sequeira. Lisbon: A.S. Coelho, 1839- 41, 2 parts in 1 vol.,8vo, 12 of 13 folding plates in the second part (lacking plate 4) , contemporary quarter calf, marbled boards, book plates of John and Michael Bury (2)
UNICORNUS, JOSEPHUSLIBER DE UTILITATE MATHEMATICARUM ARTIUM; in quo candide lector multa quidem scitu periucunda, admiratione digna, & humano usui necessaria passim reperies. Venice: apud Domenico Nicolini da Sabbio, 1561. First edition, 8vo., large woodcut printer's device on the title page, a double-page woodcut diagram sowing the connections of the many off-shoots of architecture, contemporary limp vellum, lacking ties, signature F duplicated, foliation jumping from 52 to 57, various inscriptions on the front endpapers, slight staining of the title page and subsequent couple of leaves, with the book plate of John BuryNote: USTC 86161. After a preliminary discourse addressed to Gio. Battista Gremolo, the work is arranged under four main headings: cosmography, architecture, arithmetic and geometry, optics, catoptrics and astrology with sections on music and military geometry. The opening chapter contains a Boethian assertion of the moral purpose of studying arithmetic and the need for those who have just emerged from the study of grammar and from school to turn their minds to reading Euclid. As well as ancient authorities, Unicornus refers to the works of recent writers such as Pico della Mirandola, Alberti, Serlio, Dürer, and others.
VITRUVIUS POLLIO, MARCUSI DIECI LIBRI DELL' ARCHITETTURA: TRADOTTI, & COMMENTATI DA MONSIG. DANIEL BARBARO Venice: appresso Alessandro de Vecchi, 1629. 4to., with numerous woodcut illustrations, including several full and double page, contemporary vellum, head of spine restored, outer margins of title-age and following three leaves lightly water stained, occasional pages lightly discoloured, with book plates of John Bury and Michael BuryNote: USTC 4007501. A reprint of the Venice quarto edition of 1567 with some corrections and additions. The title-page border of the 1584 edition is used here as a divisional title.
BARTOLI, PIETRO SANTI & FRANCESCOLE PITTURE ANTICHE DELLE GROTTE DE ROMA, E DEL SEPOLCRO DE NASONI... DESCRITTE E ILLUSTRATE DA GIO. PIETRO BELLORI Rome: Gaetano Degli Zenobi, 1706. Folio (361 x 233mm.), woodcut device on title, pp. xii, 63; 75 engraved plates (numbered 1-24, 1-35, 1-16), armorial bookplate of Westport House, bookplate of J.B. Bury, contemporary half calf, joints partly plit at head and base, occasional light spotting, small marginal stain to B1-2Note: Collates as per BL and Cambridge copies.
HOLLANDA, FRANCESCO DEWORKS BY OR ABOUT FRANCESCO DE HOLLANDA, TO INCLUDE: I Quattro dialoghi intorno alla pittura antica. Naples: Franceso Perrella, 1915. 2 vols., folio, publisher's wrappers, edges uncut, text in Portuguese and Spanish, edited by Achille Pellizzari; Quatre dialogues sur la peinture. Tr. Leo Rouanet. Paris: Librairie Honore Champion, 1911. 8vo., contemporary quarter morocco, cloth boards, original printed wrappers bound in one of 506 copies, with the book plate of John Bury; Da pintura Antigua: commentada por Joaquim de Vasconcellos. Porto: Renascena Portuguesa, 1918, 8vo., contemporary cloth, original printed wrappers bound in, presentation inscription from Vasconcellos; Aguiar, Antonio de A Genealogia illuminada do Infante Dom Fernando por Antonio de Hollanda e Simao Bening. Lisbon: Grafica Santelmo, 1962. Folio, publisher's printed wrappers, no 344 of an edition of 500 copies and signed by Aguiar; Vasconcellos, Joaquim de Francisco de Hollanda. Vier Gespräche über die Malerei geführt zu Rom 1538. Wien: Carl Graeser, 1899. 8vo., boards with original printed wrappers mounted, book plate of John Bury; Deswarte, Sylvie Ideias e imagens em Portugal na epoca dos descobrimentos: Francisco de Hollanda e a teoria da arte. Lisbon: DIFEL, 1992. Folio, publisher's cloth, dust wrappers; Segurado, Jorge Francisco d'Ollanda da sua vida e obras. Lisbon: Edicoes Excelsior, 1970. Folio, publishers limp boards, dust wrappers, and 4 others (12)
TOTTI, POMPILIORITRATTO DI ROMA ANTICA NEL QUALE SONO FIGURATI I PRINCIPALI TEMPII, TEATRI, ANFITEATRI, CERCHI... medaglie, & altre cose notabili. Con le vite, & effigie de' primi re d'essa. E le dichiarationi di Bartolomeo Marliani milanese, e d'altri autori. Rome: per Andrea Fei, 1627. First edition, 8vo., numerous engravings in the text and with 3 leaves of illustrations at the end, blind stamped vellum, several signatures with water staining to the upper outer corners, small hole in engraving 82, book plate of John Bury, USTC 4000620; Manilli, Giacomo Villa Borghese fuori di Porta Pinciana descritta da Iacomo Manilli romano guardarobba di detta villa. Rome: per Lodovico Grignani, 1650. With 2 engraved plates (1 a folding plate of the Villa), contemporary vellum, gilt ruled, with gilt felurons in the corners and a gilt vase of flowers as a centrepiece, small blind oval stamp of Giannalisa Feltrinelli on the title page and with the book plate of John Bury, USTC 4021294; Felibien des Avaux, Andre Les plans et les descriptions de des deux plus belles maisons de campagne de Pline le Consul. Paris: Delaulne, 1699. First edition, 8vo., with 7 engraved plates (of which 5 are folding), contemporary sprinkled calf, spine decorated gilt in compartments, later gilt monogram on the covers, partly erased early ownership signature on the title page, with the book plates of John and Michel Bury (3)Note: Totti's guide shows ancient Rome as it was in Totti's time and as he thought it had originally been. The views are highly valuable for the historian of Roman topography, and the "restorations" interesting for the reflection of contemporary architecture. Felibien's reconstruction of Pliny's villas through an analysis of the author's letters foreshadows the rise of Romantic classicism. Felibien supplies the Latin text with his own translation and copious notes. Felibien also reproduces the description of the Laurentine villa by Scamozzi, who records discrepancies that occur in the Pliny documents. Scamozzi's text appears in the original Italian with Felibien's French translation and notes. The work concludes with Felibien's Dissertation touchant l'architecture antique et l'architrecture gothique.
ITALY. ANTIQUITIES[MASSIMO, VITTORIO] Notizie istoriche della Villa Massimo alle Terme Diocleziane. Roma: Salviucci, 1836. 4to., 6 engraved plates, contemporary calf, blind and gilt boarders, a.e.g., edges a little rubbed, the casino and the palazzo were demolished in the 1880s to make way for Rome's central railway station; Marquez, Pietro Illustrazioni della Villa di Mecenate in Tivoli. Rome: nella stamperia de Romanis, 1812. Folio, with 4 folding engraved plates, contemporary paper wrappers, uncut, a little spotting; Marquez, Pietro Delle ville di Plinio il Giovane. Rome: presso il Salomoni, 1796. 8vo., with an engraved map, 2 folding plans, 2 engravings in the text, contemporary half vellum, marbled boards, edges uncut, book plate of John Bury; Oddi, Giuseppe, and others.Memorie e documenti da servire alla storia della chiusa dell' Aniene in Tivoli. Rome: Ajani, 1831. Folio, 7 large folding hand coloured plates, contemporary quarter calf, marbled boards, head, tail and corners, rubbed and worn; Nibby, Antonio Del Foro Romano, della Via Sacra, dell'Anfiteatro Flavio et de' luoghi adjacenti. Rome: Vincenzo Poggioli, 1819. 8vo., with 5 engraved plates (4 folding), paper boards, uncut (10)
Officina Bodoni.- Morison (Stanley) Eustachio Celebrino da Udene, one of 175 copies, original cloth, light staining, dust-jacket, spine rubbed and with small tear, slip-case (rubbed), 1929; A Newly Discovered Treatise on Classic Letter Design printed at Parma by Damianus Moyllus circa 1480, one of 350 facsimile reprints, original vellum-backed boards, gilt, 1927; The Treatise of Gerard Mercator, one of 200 facsimiles, original cloth, gilt, dust-jacket, spine soiled, small nick to lower edge of upper panel, 1930, illustrations, all uncut, Paris, Pegasus Press, all printed by the Officina Bodoni in Montagnola or Verona (3)
Officina Bodoni.- Aesop. The Fables...printed from the Veronese Edition of MCCCCLXXIX in Latin Verses and the Italian Version by Accio Zucco..., 2 vol. including Caxton's translation, number 146 of 160 sets, text in Latin, Italian and English, woodcut illustrations by Anna Bramanti after Liberale da Verona, all hand-coloured after a copy of the 1479 edition in the British Museum by the Atelier Daniel Jacomet of Paris, list of woodcuts loosely inserted, original morocco-backed vellum, with strapwork border and title in gilt, t.e.g., others uncut, transparent wrappers, together in slip-case, 8vo, Verona, Officina Bodoni, 1973.
Contarini (Gasparo). La Republica, ei Magistrati di Vinegia, Venice: appresso Girolamo Scotto, 1544, 70 leaves numbered in roman numerals, title with printer's woodcut device, decorative woodcut initials, bound with Symeoni (Gabriello), Commentarii sopra alla Tetrarchia di Vinegia, di Milano, di Mantova, et di Ferrara, Venice, Comin da Trino di Monferrato, 1548, title with woodcut portrait of the author, woodcut initials, colophon to recto of final leaf, bound with Giannoti (Donato), Libro de la Republica de Vinitiani, Rome, 1542, 100 leaves, lacking E6-F2 (leaves 38-42), small repair to inner margin of final three leaves at foot, not affecting text, bookplate of William Stirling to front pastedown, 19th century vellum, gilt decorated spine, very slightly rubbed, small 8vo (1)
Africa. Rerum a Carolo. V. Caesare Augusto in Africa bello gestarum Commentari, elegantissimis, iconibus ad historiam accommodis illustrati, 1st edition, Antwerp, 1554, title with oval printer's woodcut device, 2 (of 3) double-page woodcut bird's-eye views (of Algiers and Tunis), old plain calf, some wear, small 8vo, together with Osorio da Fonseca (Jeronimo), De Rebus Emmanuelis Regis Lusitaniae... quibus; potissimum ea, quae in Africa & India bella confecit, explicantur, [3rd edition], Cologne, Heirs of Arnold Birckmann, 1574, [16], 412, [16] leaves, woodcut printer's device to title, and neat owernship inscription dated Paris, 1574 adjacent, all edges gilt, late 19th century red morocco, with bookplate of William Stirling to front pastedown, and his coat of arms to covers, rubbed and some wear, with upper cover detached, spine partly loose, 8vo Atabey 1096 for the first work. An account of the expeditions of Charles V in Africa, taken from Giovio, Calvete de Estrella, Villegagnon and others, edited by Cornelius Schepper. Sabin 57804 for the second work, a history of Portugal containing an account of the early voyages of discovery of the Portuguese to the East Indies, their discovery of the eastern shores of South America (Brazil). (2)
[Ruscelli, Girolamo & Giordano Ziletti, editors]. Delle Lettere di Principi. Le quali o si scrivono da principi, o a principi, o ragionano di principi, 3 volumes, Francesco Ziletti, 1581, titles with woodcut devices, a few small marginal wormtracks, some light soiling and stains, annotations of William Stirling Maxwell (1818-1878, writer and politician) at front of volume I, later calf, spine lacking labels, somewhat rubbed, small 4to Adams L564. (3)
CLASSICAL - LPs. Harmonious collection of around 100 x LPs with 12 x LP box set including many original UK mono editions. Performers/works/composers include David Oistrakh - Beethoven Triple Concerto (ASD 2582), Brahms Double Concerto (with George Szell ASD 3312) and Brahms Violin Concerto (33CX 1765), Elizabeth Schwarzkopf (33CX1781/2), Jacqueline Du Pre (ASD 655 RE), Yehudi Menuhin (ALP 1760), Music For Mattins & Evensong, Tippett - A Child Of Our Time (DA 19 & 20) and Boyhood's End...,. Sir John Barbirolli (inc. ALP 1998, 1989, ASD 2635), Roberto Gerhard, Sir Adrian Boult, Andre Cluytens, Delius/Florida Suite, Gerard Souzay, Fernando Germani, Otto Klemperer, Neville Marriner and box sets including JS Bach - Weihnachtsoratorium and Messe In H-Moll, Mahler - Symphony No 9 and 2 and Bruckner - Symphony No. 8. The records are generally in very well presented Ex to Ex+ with the sleeves generally Ex (often nice and clean, there is a name of the original owner typically on the reverse).
Various makers metal Modern Container and Cargo ships 1:1200 scale or similar Waterline Models, CSC 052 'Vasco Da Gama', SX-103 Caledonia', SX-125 'Axel Johnson'/MP, 0S-06 'F.Zubrzycki', OS-43 'Bamsa Dan', C 061 ' Cap San Diego', CM KR 192 'Polar Argentina', UVM3 'Bonanza', 0S-34 'Oder', S207, RHE 5 'Miltiades', 0S-102 'Sophie Rickmers', S200 'Trinidad', C026 'Loman Ranger'?, C 028 and B/5 'Delta', generally E (16)
A SET OF THREE COMMEMORATIVE SOVIET PLATES, 1930S comprising:a) an oblong oval plate with the hammer and sickle reading RSFSR above and VSYA VLAST' SOVETAM [All Power to the Soviets] below, flanked by the dates 1917 / 1927, circumscribed on the lip ZAVODY RABOCHIM ZEMLYU KRESTYANAM [Factories to the Workers / Land to the Farmers], green overglazed Kuznetsovo-Tver I.M. Kalinin Factory mark underneath, 1927; length: 30.7 cm (12 1/8 in.)b) a circular plate with a banner with the year 1939 g., the Worker and Kolkhoz Woman atop a pedestal reading VSKhV, circumscribed on the lip DA ZDRAVSTVUET VSESOYUZNAYA SELSKOKHOZAYSTVENNAYA VYSTAVKA S.S.S.R. [Hail the All-Union Agricultural Exhibition of the USSR], green overglazed Dmitrovskaya factory mark underneath, 1939; diameter: 20.5 cm (8 1/8 in.)c) a circular plate with the profile of a Red Army soldier within a five-pointed star, against a hammer, sickle, wheat and a gear with a banner reading VSYA VLAST' SOVETAM [All Power to the Soviets], green overglazed Bydyansk Faience Facotry mark underneath, 1930s; diameter: 25 cm (9 7/8 in.)
HENRI LEBASQUE (FRENCH 1865-1937) AFTER LEONARDO DA VINCI (ITALIAN 1452-1519)La Joconde, circa 1895-1896oil on canvas78 x 53 cm (30 3/4 x 20 7/8 in.)PROVENANCECollection of Ernest BonnaultCoutau-Begarie, Paris, October 21, 1998, lot 80Rouillac, Commissaires-Priseurs, Vendome, June 6, 2010, lot 103LITERATUREDenise Bazatoux, Henri Lebasque: Catalogue raisonne (Paris: Arteprint, 2008), no. 486 (illustrated)Paul Vitry, Henri Lebasque (Paris: Galeries Georges Petit Henri Floury, 1928), pp. 24-25
Lampada da terra con stelo in metallo cromato, diffusore in vetro bianco latte, H max cm 168 - diametro cm 40 (sbeccature nel vetro esterno – usure) Bibliografia: Catalogo originale Artemide; Pubblicità da Rivista dell’epoca - “Ottagono” n°10, luglio 1968, p.58; G. Gramigna, “Repertorio del design italiano 1950/2000 per l'arredamento domestico”, p. 113 – vol.1, Allemandi 2011-Torino.
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![VIGNOLA, GIACOMO BAROZZI DAREGOLA DELLI CINQUE ORDINI D'ARCHITETTURA Roma: G.B. di Rossi, [n.d., c. 1617]. 2 parts in 1 vol.,](https://cdn.globalauctionplatform.com/80c1eebc-57e7-4158-95af-a9af00acf388/6861500c-ac54-42ab-b921-a9ce00bd80b1/468x382.jpg)
![ITALY. ANTIQUITIES[MASSIMO, VITTORIO] Notizie istoriche della Villa Massimo alle Terme Diocleziane. Roma: Salviucci, 1836. 4t](https://cdn.globalauctionplatform.com/80c1eebc-57e7-4158-95af-a9af00acf388/06b6f8e3-86d2-4e3a-a9a7-a9ce00bd52e7/468x382.jpg)
