Fine modern Italian violin labelled and attributed to Sesto Rocchi da S. Polo, Fece l'anno 1975, also signed in ink Sesto Rocchi over the label, the one piece back of medium/broad curl with similar wood to the sides and head, the table of a medium/broad width grain and the varnish of a golden-brown colour, 14 1/16", 35.70cm *This violin is sold with a certificate of authenticity from Eric Blot dated 13th January 2010, no. 754-03/CM
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A Japanese bronzed and gilt highlighted vase decorated in relief with kacho-ga, birds perched amongst flowering prunus, peonies and three rows of incised calligraphy inscription, the base with a four character mark for the Chinese Emperor Xuande, Da Ming Xuande, Meiji period, 19 cm high (1868-1912)
Pinelli (Bartolomeo). Nuova Raccolta di Cinquanta Costumi de' Contorni di Roma compresi diversi fatti di briganti disegnati ed incisi all' acqua forte da Bartolomeo Pinelli cominciati l'anno 1819, compiti nel 1822, Rome Gio. Scudellari, 1823, printed title and 50 etched plates on laid paper, some light waterstains and minor marginal spotting, some fraying to extreme edges of first and last few leaves, generally with wide margins, untrimmed, contemporary plain wrappers, some worn and soiled, oblong folio (29 x 44 cm, 11.5 x 17.25 ins) (Qty: 1)NOTESProvenance: From the Estate of Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge.
Rossi ( Giacomo Giovanni de). [Mercurio Geografico overo guida geografica in tutte le parti del mondo ...], 2 volumes bound in one, Rome, circa 1692, lacking half-title and title page to volume one but retaining title page to volume two and index, 126 uncoloured engraved maps (complete as list), including 28 double-page, one folding and 97 single-page, a few maps toned, some marginal dust and finger soiling, one map with a repaired marginal closed tear, but not affecting image, faint but mostly obliterated library? stamps to margins of maps on recto, small gilt paper labels to verso of each map, one map (hemispheral world) with repaired hole (excised library stamp) in lower margin, not affecting printed image, later endpapers, modern quarter blind-stamped morocco gilt, large folio (Qty: 1)NOTESThere is considerable variation in the contents of this atlas, which includes maps by or after Cantelli da Vignola, the Sansons and others.
Bembo (Pietro). Della historia Vinitiana volgarmente scritta libri XII, 1st edition in Italian, Venice: Gualtiero Scoto, 1552, printer's woodcut device to title-page and colophon leaf, historiated woodcut initials, title-page slightly browned and with small chip to upper outer corner, light marginal damp-staining to outer leaves , staining to G5-7, final leaf soiled verso, early calf, rebacked retaining old label, 4to (21.5 x 16.2 cm), together with: Buonaccorsi (Biagio), Diario de' successi piu importanti seguiti in Italia, e particolarmente in Fiorenza dall' anno 1498 in fino all' anno 1512 ... con la vita del magnifico Lorenzo de' Medici il vecchio scritta da Niccolo Valori nuovamente posti in luce, 1st edition, Florence: Giunta, 1568, printer's woodcut device to title-page and colophon leaf, woodcut initials, light marginal worming to outer leaves, 19th-century half calf, rebacked with original spine laid down, 4to (21.8 x 14.9 cm), and Durand (Guillaume), Rationale divinorum officiorum, Lyon: Giacomo Giunta, 1565, title-page frayed and soiled, ownership inscriptions and ink-stamps to endpapers, later mottled calf, worn, 8vo (17 x 11 cm) (Qty: 3)NOTESProvenance (Bembo): Gabriel Odingsells, probably the English playwright (c.1690-1734), with his engraved bookplate. All items: Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. Adams B599 (Bembo), B3275 (Buonaccorsi), D1162; STC Italian pp. 80 (Bembo), 130 (Buonaccorsi). Bembo's work was originally published in Latin the previous year, with the title Historiae Venetae .
Bembo (Pietro). Nuove lettere famigliari, scritte a M. Giov. Mattheo Bembo suo Nipote, Venice: Francesco Rampazetto, 1564, alternate leaves in quire V incorrectly signed and foliated, complete with final leaf X8 with publisher's woodcut device, damp-staining to quires *-B, later mottled calf, rebacked, 8vo (14.7 x 9.7 cm), together with: Prose, 2nd edition, Venice: [Comin da Trino], 1540, damp-staining, ownership inscription dated 1744 to front free endpaper, later vellum, marked, loss to foot of spine, 8vo (15.5 x 10 cm), Gli Asolani, nouvamente ristampati, e diligentemente corretti ... da Thomaso Porcacchi [bound with:] Le Prose ... di novo aggionte le postille nel margina, e reviste con somma diligenza, 2 works in one volume, Venice: Giacomo Vidal, 1575, signatures *12 A-K12 (K11 = register leaf, K12 = blank), *12 2*14 A-K12 L10 (woodcut portrait to 2*14 verso, L10 = register leaf), later vellum, manuscript spine-title, 12mo (13.8 x 7.4 cm), and 5 others, all works by Bembo, 16th century, including another edition of Le Prose (Venice: Gualtero Scoto, 1552, complete), and 4 others (incomplete or odd volumes) (Qty: 8)NOTESProvenance: Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. Adams B594 (Nuove lettere famigliari), B572 (Prose).
[Duchy of Urbino]. 'Documenti ò siano copie d'istromenti autentici con le loro dichiaritoni della regioni patrimoniali et avite della casa Feltria, e della Rovere, e de successori', 3 volumes, c.1710 [and earlier?], Italian manuscript in black ink on laid paper, pp. [6] 522 [13], [approx. 800], [approx. 250], volume 1 with a few printed fragments bound in and counted in pagination, volume 2 comprising documents in various hands (possibly of various dates), 2 folding pen-and-ink genealogical tables to volumes 1 (dated 1641) and 3 (with latest date 1705; repaired verso), volume 2 with folding genealogical table in watercolour (dated 1709 in accompanying text) and double-page grisaille watercolour map of the viciariate of Mondavio (dated 1696), genealogical tables in text, bookplates of Frederic North (see note), volumes 1-3 in contemporary vellum, red spine-labels, volume 3 retaining blue silk ties, volume 2 spine defective, 4to (26 x 19 cm), together with: ' Compendio della vita dell'ultimo Duca d'Urbino Francesco Maria 2o della Rovere', [c.1700?], Italian manuscript in black ink on laid paper, pp. [55], contemporary vellum, manuscript spine-title, 4to (29.5 x 21.5 cm) (Qty: 4)NOTESProvenance: 1) Frederick North, 5th Earl of Guilford (1766-1827), with engraved bookplates (first work) and manuscript pressmark (second work). 2) Sir Thomas Phillipps (1792-1872), English bibliophile ( Phillipps Manuscripts 5796-8 and 7657). 3) Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. The della Rovere and Montefeltro dynasties were united by the marriage of condietteri Giovanni della Rovere (1457-1501) to Giovanna, daughter of Federico III da Montefeltro (1422-1482), duke of Urbino. Their descendants held the duchy of Urbino until its annexation by the Papal States in 1631.
Mocenigo (Andrea). Bellum Cameracense, 1st edition, Venice: Bernardino Vitali, 1525, title-page soiled, contemporary limp vellum, soiled, ties perished, 8vo (14.9 x 9.5 cm), together with: Giovio (Paolo), La vita di Ferrando Davalo marchese di Pescara, tradotta per Lodovico Domenichi, 1st edition in Italian, Florence: Lorenzo Torrentino, 1551, signatures A-2B8 (-2B8, blank), title-page slightly soiled, 19th-century boards, 8vo (16 x 9.6 cm), ibid., Le vite di Leon Decimo et d'Adriano VI. somme pontefici, et del cardinal Pompeo Colonna, tradotte da Lodovico Domenichi, 2nd edition in Italian, Florence: Lorenzo Torrentino, 1551, signatures A-2F8 (-2F7-8, apparently blank), spotting, later vellum, marked, 8vo (16 x 9 cm), Sansovino (Francesco, editor), Delle lettere amorose di diversi huomini illustri libri nove, Venice: Francesco Rampazetto, 1563, signatures *8 A-R8, title-page soiled, modern ownership inscription, first word shaved, a few headlines also shaved, later calf, wear to joints and spine-ends, 8vo (14.6 x 8.7 cm), and 1 other (another edition of Sansovino, 1599) (Qty: 5)NOTESProvenance: Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. Adams M1518 (Mocenigo), G684 (Giovio, Ferrando Davalo ); STC Italian pp. 442 (Mocenigo), 304 (Giovio, Ferrando Davalo ). The first work is a history of the War of the League of Cambrai (1508-16).
Patrizi (Francesco). Della poetica, la deca istoriale [-disputata], 1st edition, Ferrara: Vittorio Baldini, 1586, 2 parts in one volume, worm-track in title-page affecting one letter, stain in fore margins of part 1 quires 2V-X, part 2 browned, manuscript catch-title to bottom edge, contemporary limp vellum, marked, ties perished, 4to (21.6 x 15.5 cm), together with: Catherine of Siena (Saint), Lettere devotissime. Nuovamente con tutta la diligentia che si ha potuto ristampata, Venice: nella contrada di Santa Maria formosa, al segno della Speranza, 1562, repaired closed tear and marginal loss to title-page, intermittent damp-staining (mainly to margins), front inner hinge gone, front free endpaper (with bookplate of Robert Crewe-Milnes, 1st Marquess of Crewe, 1858-1945), contemporary limp vellum, soiled and worn, 4to (20.6 x 15.5 cm), and Durand (Guillaume) , Rationale divinorum officiorum. Atque nunc recens utilissimis adnotationibus illustratum ... ab Joanne Beletho, Venice: Comin da Trino, 1572, signatures *4 A-2Z8 2&8 (2&8=blank), variable spotting and browning, manuscript catch-title to bottom edge, contemporary limp vellum, rubbed and marked, spine worn, ties perished, 4to (19.6 x 14.6 cm) (Qty: 3)NOTESProvenance: Professor Cecil H. Clough (1930-2017), Reader in Medieval History, University of Liverpool. Adams P432 (Patrizi), C1107 (Catherine of Siena). Patrizi (1529-1587) lectured on Platonism at Ferrara, and these two parts of his monumental account of poetics, which notably turned away from Aristotelian mimetic theory, are all that were printed during his lifetime; five further sections were written but these remained unpublished until the rediscovery of the author's manuscript in the 20th century.
Bartoli (Pietro Santi). Colonna Traiana , eretta dal senato, e popolo romano all'imperatore Traiano Augusto nell suo foro in Roma. Scolpita con l'Historie della guerra Dacica la prima e la seconda espeditione, e vittoria contro il re Decebalo. Nuovamente disegnata, et intagliata. Con l'espositione latina d'Alfonso Ciaccone, compendiata nella vulgare lingua sotto ciascuna immagine, accresciuta di medaglie, inscrittioni, e trofei, da Gio. Pietro Bellori, 1st edition, Rome: Gio[vanni] Giacomo de Rossi, [ 1673], title-page, dedication leaf, 2 pp. text ('Al lettori'; verso blank), 126 etched plates (7 unnumbered, the remainder numbered 1-119), 14 + [2] pp. text, worming to lower margins, reducing towards centre of volume, light damp-staining to lower margins of initial 30 or so leaves, title-page slightly frayed (strengthened along fore margin verso), marginal restoration to pp. 3/4 of the text, edges untrimmed, modern half leatherette, oblong folio (38.5 x 46.5 cm) (Qty: 1)NOTESBerlin Katalog 3622; Cicognara 3603. A complete, untrimmed copy of this striking depiction of 'the great column which is the sole intact monument of Trajan's Forum (ruined by earthquakes in the 9th century)' (Royal Academy, online).
Fumagalli (Ignazio). Scuola di Lionardo da Vinci in Lombardia, o sia raccolta di varie opere, 1st edition, Milan: Reale stamperia, 1811, half-title, title-page, dedication leaf, 53 sepia engraved plates each with leaf of descriptive letterpress (one plate with 2), contemporary half sheep, paper sides hand-painted in imitation of marbled leather, rubbed, 4to (30.5 x 21.5 cm) (Qty: 1)NOTESAn attractive volume of engravings after paintings by various students or followers of Da Vinci including Bernardino Luini, Gaudenzio Ferrari and Giovanni Antonio Boltraffio.
Mixed Box Familio Licari Carignan Tunisia 2001 1 bottle Trincadeira Preta 1997 1 bottle Clos de La Chapelle Muscadet Sevre & Maine Sur Lie 1998 6 bottles Quinta da Bacalhoa 1997 1 bottle Ungaru Nagyréde Cabernet Sauvignon 1996 1 bottle Malagousia Blanc 2002 1 bottle Oeil de Perdrix Caves Chatenay Bouvier 2004 1 bottle (12 bottles in total)
Christ's baptism. Oil on board. Cm 53,00 x 70,00. At the back label in sealing wax.Provenance: Private Collection.Bibliograpgy of reference: J. Hunter, Girolamo Siciolante pittore da Sermoneta (1521-1575), "L'elma" di Bretschneider, Camillo Caetani Foundation, Rome 1996.The artwork is accompanied by the expertise by Emilio Negro, May 18th 2006.. Frame present
NO RESERVE Italian Art.- Clark (Kenneth) The Drawings of Leonardo da Vinci in the Collection of Her Majesty The Queen at Windsor Castle, 3 vol., second edition, revised with Carlo Pedretti, 1968-69 § Brown (David Alan) Leonardo da Vinci: Origins of a Genius, New Haven & London, 1998 § Théberge (P.) Leonardo da Vinci: Engineer and Architect, Montreal, 1987 § Bambach (C.C., editor) Leonardo da Vinci, Master Draftsman, New York..., 2003 § Reti (L., editor) The Unknown Leonardo, 1974, illustrations, some colour, original cloth or boards with dust-jackets; and c.30 others on Leonardo, v.s. (c.35)
Original handwritten lyrics of Elton John's 'Bennie and the Jets'TAUPIN, BERNIE. Autograph Manuscript Initialed ('BJT'), 3 pp, 4to, [Chateau D'Hérouville, France], January 5, 1973, written in red felt-tip marker on typing paper, very mild toning, lower right corner of page 2 creased. With 'Bennie and the Jets' sheet music.Provenance: Collection of Maxine Taupin.'Bennie and the Jets' was the third single from the Goodbye Yellow Brick Road album, one that Elton John was reluctant to release because he feared it was too strange for the airways. A bit of a satire of the rock and roll industry, the song is written in the voice of a fan of the make-believe glam rock band, Bennie and the Jets. In a Rolling Stone interview, Taupin said, 'I saw Bennie and the Jets as a sort of proto-sci-fi punk band, fronted by an androgynous woman, who looks like something out of a Helmut Newton photograph.' This draft includes a second stanza about Candy and Ronnee thumbing a ride to the show that did not make it into the final song.I wish to now if you can shake it looseBennie and the JetsHey kids, shake it loose togetherthe spotlights hitting somethingthats been nown to change the weatherand we'll kill the fatted calf tonight so everbody you should stick aroundYour going to hear electric music Solid walls of sound.And there so wierd, Benny and the Jetsmusic mutationsSay Candy and Ronee have you seen them yetWow but there so spaced out Benny and the JetsAnd there so weird and wonderfuloh Bennie she's really keenShe got electric boots and a mohair suitI know it; I read it in a magazineDee da daCandy and Ronnee both thumbed down a Cadillacinquired if the driver could take them aways Maryhe was happy to help them but felt from there presencethere was something incredibly wrongand inside his head he heard a voice speakWhy not try to tune in the family faithlessthey'll never turn a blind eye some daythey won't be blindedHey kids, plug into the faithlessmaybe there blindedbut Bennie can make you seem agelessAnd music mutations, we shall survivelets bring take ourselves alongplay for the people under youWhere we fight our parents out in the streetsto prove whose right and whos wrong
THE BEATLES SHEET MUSIC ETC. to include Can't Buy me Love, From Me To You, She Loves You, Money, And I Love Her, If I Fell, I Want To Hold Your Hand, Michelle, Girl, We Can Work It Out, Help!, Ticket To Ride, The Fool On The Hill, Penny Lane, Paperback Writer, Your Mother Should Know, When I'm Sixty Four, Ob-La-Di, Ob-La-Da, Eleanor Rigby, Got To Get You Into My Life etc. (29)
Football Marco Silva 8x12 signed colour photo. Marco Alexandre Saraiva da Silva born 12 July 1977 is a Portuguese retired footballer and manager. His playing career was predominantly spent as a right back. After spells managing Olympiacos, Hull City and Watford, he is now at Premier League club Everton. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
LENNON JOHN: (1940-1980) English Musician, a member of The Beatles. A good, unusual signed and inscribed colour candid 3.5 x 4 polaroid photograph of Lennon, the image depicting him seated in a half length pose, wearing his trademark circular spectacles, alongside the disc jockey Alan Smith (also known as 'Brother Love') in the WFIL radio studio in Philadelphia in October 1975 during a weekend fundraising broadcast for the Philadelphia Association of Retarded Children. Signed by Lennon in blue ink to the upper white border, 'To da Brother, love, John Lennon' and dated 1975 in his hand, further adding his familiar doodle of a face in his hand to a clear area of the image. A rare signed photograph. Some very light, extremely minor age wear to the image which detracts little from the appeal of the photograph. VG Provenance: Accompanied by a lengthy and detailed typed statement of provenance signed by Alan Smith and dated 6th October 2017, recounting the circumstances under which the present photograph was taken and signed, in part, 'In 1975, Jay Cook, the Program Director…..somehow, in conjunction with Capitol Records, convinced John Lennon to join us to 'kick off' the event [the WFIL/PARC fundraising marathon of non-stop music] on Friday afternoon…..John arrived early, hung around talking with all of us getting to know our names, sensing our personalities, deciding who was funny and who wasn't…..Over the next day and a half I spent an inordinate (amount) of time (as did my wife at the time) with him around the studio….He was open and charming, extremely bright…..My wife took the picture in the radio studio while we were on the air and when we were looking at it, he took it from my hand and signed it and drew the little face on it….John left early Sunday morning to return home to go into virtual seclusion from the public eye until 1980….'
Hattons of London, The Double Portrait, Gold Sovereign Series, 2017, Tristan da Cunha, featuring a sovereign, half-sovereign and quarter sovereign, each with a Double Portrait of Queen Elizabeth II and Prince Philip on the obverse and the shields armorial of both on reverse, struck to commemorate the Platinum Wedding Anniversary of Queen Elizabeth II and Prince Philip in 2017, each 22 carat gold, in original presentation case with certificate.
Hattons of London, The Double Portrait, Gold Double Sovereign, 2017, Tristan da Cunha, with a Double Portrait of Queen Elizabeth II and Prince Philip on the obverse and the shields armorial of both on reverse, struck to commemorate the Platinum Wedding Anniversary of Queen Elizabeth II and Prince Philip in 2017, limited to 399 coins, 22 carat gold, diameter 32.0mm, weight 16g, in original presentation case with certificate.
Olio su tavola, firmato in basso a destra O. Curandai, H cm 32x42 Al retro reca timbri ed etichetta Galleria d’Arte Bongiovanni – Bologna. Opera selezionata per la ‘Personale’ di Bologna al centro d’arte Il Nettuno. Opera accompagnata da Certificato di Autenticità della Galleria d’Arte Bongiovanni – Bologna.
Parti in avorio riccamente decorate con scene di vita quotidiana e scene mitologiche, bordature in avorio ornate con motivi di foglie e frutta, cornice superiore guilloché; fronte a due ante celante castello scandito da dodici cassettini che inquadrano antina centrale celante a sua volta altri tre tiretti, fianchi ornati da scene mitologiche e corniciature riccamente lavorate, piedini a ricciolo lastronati in avorio; tavolo d’appoggio con un cassetto nella fascia decorata da riserve in avorio, sostegni a balustro torniti e raccordati da traverse con pigna al centro. H tot. cm 156, Monetiere H cm 70x80x39, Tavolo d’appoggio H cm 86x104x51.5 (difetti – sostituzioni - restauri)
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43271 item(s)/page