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Copia da “Il Giorno” del Correggio, olio su tavola entro cornice in legno dorato, al retro firmato ‘Prof. G. Batt. Baldi – Copia da Correggio 1900’, H cm 21x18.5 (usure alla cornice)

HOMERΟμηρου Ιλιας μεταβληθεîσα παλαι εις κοινην γλωσσαν [Homērou Ilias metablētheisa palai eis koinēn glōssan], 164 leaves (the last blank), text in double columns of 34 lines, text in Greek (except colophon), title printed in red with device in black, 138 fine woodcuts (3 full-page, a few repeats), decorative typographical initials, very slight browning to a few gatherings, occasional minor soiling, eighteenth century red morocco gilt, sides with elaborate roll tool borders, spine gilt in compartments with lettering and acorn tool, raised bands, inner gilt dentelles, g.e. [Adams H776; Brunet III 282-283, 'rare et recherchée'; Dyson Perrins Italian 246], 4to (198 x 143mm.), [colophon:] Venice, Stefano da Sabio... ad instantia di miser Damian di Santa Maria da Spici, May 1526This lot is subject to the following lot symbols: •

[RAMBERTI (BENEDETTO)]Libri tre delle cose de Turchi. Nel primo si descriue il viaggio da Venetia à Costantinopoli, con gli nomi de luoghi antichi & moderni, FIRST EDITION, with 2 final blank leaves (Ev & vi), Aldine dolphin and anchor device on title and final leaf, guide letters in initial spaces, early twentieth century green morocco gilt, covers with 2-line gilt fillet border enclosing gilt-blocked Aldine device, spine gilt tooled in six compartments within raised bands, g.e., uneven fading to sides but a very good copy [Adams T1136, listed under Turkey; Ahmanson-Murphy 285; Renouard 117.1, 'très rare et presque inconnue'; not in Atabey or Blackmer], 8vo, [Venice, Paul Manutius, 1539]This lot is subject to the following lot symbols: •

MORGHEN (FILIPPO)Raccola delle cose piu notabili vedute da Giovanni Wilkins erudite Vescovo Inglese nel suo famoso viaggio dalla Terra alla Luna, con i disegni di animali, e machine a noi incognite e dal medisimo descritte nella sua celebre Istoria, second issue (with title re-engraved to include mention of John Wilkins), engraved pictorial title and suite of 9 engraved plates, loose in cloth portfolio [Grant McColley, 'The Three Editions of Filippo Morghen's Raccolta', in: Art Bulletin, XIX (1937), pp.112-118, 'Outstanding among the imaginary voyages to the moon'], plate mark 280 x 380mm., sheet size 423 x 533mm., [?Naples, c.1767-1768]This lot is subject to the following lot symbols: •

NESBIT (EDITH) AND OSWALD BARRONThe Butler in Bohemia, FIRST EDITION, PRESENTATION COPY INSCRIBED BY NESBIT 'To E.N. da C. Andrade from E. Nesbit. Dec. 27 1910. B.P.' on the front paste-down, correction in ink to one word of text on p.140, light spotting to title, short tear to dedication leaf (to Rudyard Kipling), publisher's limp cloth, lettered in red on upper cover, 8vo, Henry J. Drane, 1894This lot is subject to the following lot symbols: •

Box 133 - Portuguese wine Palmelão White 2018Quinta do Pégo Grande Reserva Douro DOP 2015Loureiro Colheira Seleccionada Adega Ponte de Lima 2018Venâncio da Costa Lima - Moscatel Roxo 2014Loureiro Trajadura Adega Ponte Lima 2018Varanda do Conde 2018Seleção do Ano Branco 2018Guarda Rios 2018Venâncio da Costa Lima - Moscatel de Setúbal Reserva da FamíliaRauasqueira Reserva Familia Branco 2017Monte de Ravasqueira Superior Tinto 2018Monte de Ravasqueira Clássico Branco 2018

Box 134 - Portuguese wine Villa Palma Reserve White 2016 Vale dos Barris Syrah 2017Cerro do Santo DOP Douro Reserva 2014Venâncio da Costa Lima - Moscatel Roxo 2014Loureiro Colheira Seleccionada Adega Ponte de Lima 2018Portal DO Fidalgo 2018Guarda Rios Signature tinto 2018Guarda Rios Gold Edition 2018Venâncio da Costa Lima - Moscatel de Setúbal Reserva da FamíliaRavasqueira Reserva da Familia tinto 2016Monte de Ravasqueira Seleção do Ano Tinto 2018Vinha das Romãs 2016

Box 135 - Portuguese wine Villa Palma Reserve Red 2015Curvos Avesso 2018Quinta do Gradil Sauvignon Blanc & Arinto 2018Quinta da Raza Alvarinho Trajadura 2018Curvos Alvarinho 2018Raza 2018Dom Diogo Arinto 2018Ferreira Malaquias Cadoucos Natur 2015Quinta da Devesa Tinto Vinhas Velhas 2013Herdade da Barrosinha Grande Reserva Red 2012Cruzeiro Branco NVQuinta da Sequeira Grande Reserva Tinto 2015

Box 136 - Portuguese wine Altano Organic Red 2016Tapada dos Monges Branco 2018The Sardine Submarine Tinto 2018Quinta da Raza Avesso 2018Ferreira Malaquias Vinha Dourada Reserva 2016Quinta da Raza Avesso Alvarinho 2017Vinha do Arco Douro 2015Dom Diogo Padeiro 2018Quinta da Devesa Branco 2018Roquette & Cazes 2015Altano White 2016Quinta do Gradil Alvarinho 2018

Box 139 - Portuguese wine Quinta Dona Mafalda Vinhas Velhas 2016AR Triplo 2015Periquita Reserva 2017Vinhas de Pegões Syrah 2018Maré Viva Selection Red 2018AR Reserva 2017Vinhas de Pegões Touriga Nacional 2018Maré Viva Selection White 2018AR Reserva 2015Portinho do Covo 2017Adega de Pegões Syrah 2016Porta da Ravessa Reserva 2017

Box 22 - SpiritsPassionfruit Gin LiqueurLabel 5 Gold HeritageHowitzer Canadian WhiskyFinlandia Raspberry VodkaLe Diciotto Lune Botte PortoRhum Agricole Neisson Profil 105Ouse Poire JaponaiseBundaberg Rum : Master Distillers' Collection - Small Batch Silver ReserveBrentingby Gin Black EditionLicor Flor de Sabugueiro Serra da EstrelaDuffey's Irish WhiskeyJameson Blender's Dog Irish Whiskey

Box 49 - SpiritsLicor Flor de Sabugueiro Serra da EstrelaGelston's 12 Year Old Port Cask Finish Single Malt WhiskeyGilors Single Malt Whisky Portwein FinishSacred Bond Bottled-in-Bond BrandyVery Old Barton 90 Proof Kentucky Straight Bourbon WhiskeyVecchia Romagna Etichetta NeraRom Rincon Private StockFercullen 10YO Single Grain Irish Whiskey Infusionist Raspberry & Elderflower Gin Liqueur Glen Marnoch Islay Single Malt Scotch WhiskyLunazul Blanco TequilaLR Dry Gin

Box 50 - SpiritsLicor Flor de Sabugueiro Serra da EstrelaGelston's 12 Year Old Sherry Cask Finish Single Malt WhiskeyGilors Single Malt Whisky SherryfassSacred Bond Bottled-in-Bond BrandyVery Old Barton 80 Proof Kentucky Straight Bourbon WhiskeyLunazul Blanco TequilaRom Rincon Private StockVecchia Romagna Etichetta NeraGlen Marnoch Speyside Single Malt Scotch Whisky Greyson's Seville Orange & Persian Lime Gin XO BrandyLR Dry Gin

A cased set of silver proof coins, The Genius of Leonardo da Vinci fifty silver proof coins by John Pinches, all in a case with drawers (Dimensions: Weighable silver: 2550g)(Weighable silver: 2550g)

Various historical autographs, letters, etc. to include Charles John Brandling (DA 1856), various sealed letters with wax seals, 18thC and others, early 19thC and others, 1830 and letter, Carlo Pellegrini sketch and annotations, Edward Duke of Kent letter for Grimsby Lincolnshire, another for C Tennyson, addressed 23 Lincolnshire Fields, London from a M Rupels, another in same hand addressed 4 Park Street, Westminster, letters associated to Charles John Brandling, etc. (a quantity)

An HRH Prince George of Cambridge 1st Birthday gold-plated silver proof 5oz coin, proof, Tristan da Cunha £5, edition limit of 99, encapsulated, with certificate of authenticity and cased, also a Queen Elizabeth II silver Britannia commemorative cover with certificate of authenticity (2).

Cicero, De Finibus bonorum et malorum, in Latin, a leaf from a fine humanist manuscript on parchment [Italy (variously ascribed to Ferrara, Florence or the Veneto), c. 1460 (variously dated 1456, 1463 and 1466)]single leaf, with single column of 28 lines in a fine humanist hand, capitals starting significant section set off in margin, slight darkening at edges, 2 wormholes and a small brown mark in margins, some modern pencil marks (including fol. nos. ‘6r’ and ‘6v’ and “MS 701”, ie. the Schøyen collection number) and small strip of paper attached to inner edge, else outstanding condition on fine cream-coloured parchment, 253 by 175mm. (written space 156 by 97mm.)Provenance: From a parent manuscript probably once in the Florentine library of Cardinal Archbishop Angelo Niccolini of Pisa (d. 1567; see S. Gwara, Otto Ege’s Manuscripts, 2013, Handlist no 143): other leaves with his ex libris and stamp. The parent manuscript was offered on three occasions by Payne and Foss in London, the last February 1830, no. 1111, where it was acquired by Sir Thomas Phillipps; sold in his sale at Sotheby’s, 17 May 1897, lot 198, returning in 25 July 1900, lot 1132. There it passed to Preston A. Perry, and was subsequently auctioned in New York on 21 April 1908 (lot 269), where acquired by Coella Lindsay Ricketts (d. 1941) and thence to Otto F. Ege, the Cleveland bookseller and biblioclast, who dated it 1463. Ege dispersed it from 1944 onwards, and this leaf was sold by his daughter at Sotheby’s, 26 November 1985, lot 79, thereafter Schøyen collection, sold Christie’s, 10 July 2019, lot 455. Other individual leaves can now be found in Rutgers University in New Brunswick (their MC 1220:04), the Beinecke Library, Yale (their MS. 682) and Phoenix Public Library (their MS. Fragment 40). Another was sold in our rooms, 6 July 2016, lot 38.Text: From a stately humanist manuscript of Cicero’s explanation of the Greek philosophical schools of Epicureanism, Stoicism and the Platonism of Antiochus of Ascalon (d. 68 BC.). It is dedicated to Brutus, the assassin of Julius Caesar, and was written in the summer of 45 BC. It is the least well studied of Cicero’s works. There is no extant ancient or Carolingian exemplar, and the earliest witnesses are those of the eleventh or twelfth century. All Italian copies, including the present fragment, appear to descend from ‘a small book of Cicero’ given to Petrarch by his friend Barbato da Sulmona in Naples, and which circulated among Petrarch’s close associates.

Conveyance of the title and privileges of the Priore d’Urbino to Giovanni Battista Zanchini da Castiglionchio, granted by Ferdinand Medici, Grand Duke of Tuscany, grand illuminated manuscript charter in Italian on parchment [Italy (Florence), dated 8 November 1589]large and impressive single sheet document, opening with liquid gold capitals: “NOI FERDINANDO MEDICI” (each letter about 34mm. high), above 37 lines of capitals ruled in liquid gold, with ending of sentences marked off with gilt floral sprays, rows of gilt fleur-de-lys down each side of text, and entire text framed within concentric bands of liquid gold (in outermost layers these laid over turn up at foot to continue striking visual impression), contemporary endorsements at foot including scrawled signature of the Grand Duke, brief endorsements on reverse, cords for lead bulla attachment present but broken, lead bulla with Medici arms also present (but loose with item), natural flaw in parchment hidden by turn up with contemporary patch repair, some folds resulting in small scuffs, else outstanding condition, 487+10 by 740mm.Giovanni Battista Zanchini da Castiglionchio (d. 1590) was a sixteenth-century Florentine senator, who greatly enlarged the Palazzo Zanchini-Corbinelli in Florence. He commissioned a statue of Giasone from Pietro Francavilla, a pupil of Giambologna (now Muzeo Nazionale, Bargello), and is recorded as a substantial art collector by Francesco Bocci’s 1591 guide to Florence. This is most probably his own lavish copy of this grant.

John Pinches Ltd 'The Genius of Leonardo Da Vinci', a set of fifty hallmarked silver medals contained in a six-drawer fitted cabinet, with Certificates of authenticity and booklet, approximately ___80oz.

A Chinese yellow ground 'dragon' bowl, probably Qianlong mark and period, with incised green dragons chasing a flaming pearl, with underglaze blue seal mark 'Da Qing Qianlong nian zhi', Diam.13.4cm

Leacock's Terrantez 1954 1 bt Oira da Cepa Vinho do Porto Real Companhia Velha 1 bt Above 2 bts

Chateauneuf Du Pape Cuvée Da Capo 1998 Domaine Du Pégau   1 Mag From a West London collector's cellar bought from The Wine Society

Two half calf ledgers, Dali and da Vinci books and a Victorian leather bound bible

* TOM MCKENDRICK DA RSW RGI (SCOTTISH b 1948), TEMPLE DOOR mixed media, signed 80cm x 55cm Framed and under glass.

* BILL WRIGHT DA RSW (SCOTTISH b 1931), THE BIRDS ARE IN A WARMER LAND mixed media, signed in pencil 11cm x 15cm Mounted, framed and under glass

A 20th Century souvenir of Jerusalem mother of pearl and olive wood religious icon, depicting Leonardo da Vinci's 'The Last Supper' in relief, 16 x 18 cm

LOT OF POSTERS OF ART HISTORICAL INTEREST, including examples by Salvador Dali, Pablo Picasso, Leonardo da Vinci, and Vermeer Largest size 75cm x 60cm All unframed, each contained within plastic pockets

JAMES BOWMAN DA b1927 Scottish -'Haddington By Moonlight' watercolour. Condition Report: Prior to bidding, please consult the additional photos provided and ask all pertinent questionsL: 66cm approx H: 44cm approx

JAMES BOWMAN DA Scottish watercolour 'Dean Village' Edinburgh artist signed bottom left 46cm x 34cm. Condition Report: Prior to bidding, please consult the additional photos provided and ask all pertinent questions

Two x 750 ml bottles of Croft Quinta Da Roeda Vintage Port 1987. (2)

A Pair of Antique Portuguese Diamond Earrings rose cut diamonds in a stylised flower drop for pierced ears with clips, Hallmarked to rods. Continental marks. Appears high carat gold. Gross weight 7.7 grams. Together with a small Portuguese 18ct Gold Porcelain Nasa Da Conceicao Pendant

Nikon F4 Viewfinder Accessories. Comprising DA-20 Sports Finder, two DW-20 Waist Level Finders and a round eyepiece cover. (all condition 4).

SPRINGBANK 1992 (ORGANIC)Cask Type: HogsheadCask Number: 241RLA: 77.4 (approx. 225 bottles at cask strength)abv: 48.9%This cask is one of the Da Mhile Organic Springbanks distilled as the first certified Organic Whiskies in Scotland and approved by the The Soil Association.Currently stored under bond at Glen Scotia Distillery, Campbeltown.

NO RESERVE Michelangelo.- Bocchi (Francesco) Ragionamento sopra L'Huomo da Bene, first edition, woodcut printer's device to title, woodcut initials, foxed, modern patterned boards, small 4to, Florence, Michelagnolo Sermartelli, 1600.⁂ Includes an anecdote about Michelangelo and a companion looking at Donatello's St. Mark and the artist's response to his companion's question on his opinion of its beauty. This work not found in Steinmann & Wittkower's extensive bibliography of Michelangelo.

ϒAn early Victorian silver meat or venison dish by William Bateman, London 29th May- 20th June 1837, shaped oval with a shell, foliage and gadrooned rim, a well-and-tree and an applied latticework strainer, engraved with a presentation inscription, two crests and a motto Duw a diwedd da, 4752g (152.8 oz); and an old Sheffield plate hot water stand, on four ivory bun feet with turned ivory handles, 63.5cm (25in) long, the stand 70.5cm long Provenance: A gentleman; Christie's London, 25th October 1989, lot 202. The inscription reads: In the Year 1839 Richard Lloyd Edwards Esqre. Of Nanhoron completed a long line of Road through Nant Bodlas, solely at his own expense, and generously dedicated the same to the use of the Public. By the formation of this new line sundry long and steep hills on the road leading to the market town of Pwllheli were avoided. In Testimony of their Approval of his Public Spirit and of their Regard. This piece of Plate was Presented by the Proprietors of Land and Resident Gentry of Lleyn on the 2nd Day of March 1840. The arms are those of Wynne and Lloyd for Richard Lloyd Edwards of Nanhoron, co. Caernarfon and his wife Mary, only daughter of John Lloyd Wynne of Coed Coch, co. Denbigh, whom he married on 7th November 1831. Richard Lloyd Edwards (1806-1876) was a stalwart conservative and churchman, a deputy lieutenant of Caernarvonshire, high sheriff at various times of three Welsh counties and in the forefront of the public life of his native county in the middle decades of the 19th century. ϒ indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

60s US (ARTISTS) - PSYCH/BLUES-ROCK - LPs. Rocking out with this cracking collection of 12 x largely original UK pressing LPs. Artists/titles are Blue Cheer (x2) - Outsideinside (stereo UK orig SBL 7860 - VG/Ex) and New! Improved! (stereo UK orig SBL 7896 - strict VG record, light scratch on side 2, otherwise nice and clean/VG+), The Mothers Of Invention - Freak Out! (early 70s UK pressing, Verve 't' labels, 2683 004 - VG+ records though do require cleaning, would likely come up Ex/VG+ some edge/shelf wear), Vanilla Fudge - Renaissance (mono UK orig plum 587110 - VG+ copy), The Doors - Absolutely Live, Love - Revisited (EKS 74058), Clear Light - S/T (UK mono original EKL 4011), Iron Butterfly - In-A-Gadda-Da-Vida (UK plum orig), Creedence Clearwater Revival (x2) - S/T (UK stereo blue label orig LBS 83259 - VG/Ex) and Bayou Country (UK stereo blue label orig LBS 83261 - VG/Ex), Canned Heat (x2) - Living The Blues (blue Liberty original mono LDL 84001) and Budgie With (stereo blue label orig LBS 83103). Elsewhere condition is generally VG to VG+.

LOVE - LPs. Stunning clean selection of 3 x LPs. Titles include Forever Changes (original mono UK pressing, EKL 4013, orange/black label, Ex/Ex), Da Capo (original stereo UK pressing, EKS-4005, red/black label, Ex+/Ex) and Four Sail (original stereo UK pressing, EKS 74049, Ex/Ex). Wicked copies.

60s BEAT / POP / PSYCH - LPs/10". Killer collection of 32 x LPs plus one 10". Titles/artists include It Happened Then, The Eyes Blink, The Autumn Stone, Love, Da Capo, Terry Reid, The Creation, Lay The Ghost, Closed Restaurant Blues, The Pretty Things, The Paramounts, The Nashville Teens, The Mojos, Working, The Merseybeats, The Artwoods, Paint Black, Chris Farlowe, The Zombies, The Easybeats, Friday On My Mind, Small Faces, Rock Roots, The Singles As & Bs, Cliff Bennett, Dave Berry, 100 Oxford Street, Rockin' Berries, The Box Tops, Tomorrow, The Klubs, Koobas, The Sorrows, The Factory The Complete Recordings, The Creation, '66-'67, Yardbirds, Remember... The Yardbirds, Shapes of Things. Condition is generally Ex to Ex+/archive.

CLASSICAL / CHAMBER / ORCHESTRAL - LPs/BOX SET. Smart collection of about 45 x LPs plus one box set. Works/artists/performers include Mitsuko Uchida, Philip Glass, Rimsky-Korsakov, Dvorak, Julian Lloyd Webber, Callas A Paris, Beethoven, Otto Klemperer, Vivaldi Concerti, Debussy, Haydn, Beaux Arts Trio, Alain Kremski, Les Musiciens De Provence, Pachelbel, Ensemble Instrumental de France, Leclair, Pergolese, Camillo Wanausek, Handel, Music for the Royal Fireworks, Mozart, Tchaikovsky, Grieg, Wilhelm Kempff, Verdi, Mozart, Francesca Da Rimini, Enrique Jorda, Eduard Van Beinum, Mendelssohn Overtures. Labels include Decca, Telefunken, Deutsche Grammophon, Philips, CBS, Archiv Produktion, HMV. Condition is generally Ex to Ex+.

CLASSIC ROCK COLLECTION. Another collectors pack here with 30 mainly UK LPs in great condition with some classic 60's & 70's original Rock LPs. To include Bowie x 3 (Ziggy, Man Who Sold & Pinups), Who By Numbers (numbered), Mick Ronson Slaughter on 10th, 5 x Free LPs, 5 x Genesis (4 Portugal pressings, 1 Canada), Love x 3 (Forever Changes, Da Capo & Four Sail - on Butterfly label), Yes x 4, Ten Years After - Stonedhenge, Boogie With Canned Heat, Woodstock 3LP on Atlantic, Jeff Beck - Truth (Uk Stereo 1st on Blue Columbia (Ex+/VG) and Cream/Clapton x 3 to include Disraeli Gears mono front laminated (Ex/Ex). Vinyl is generally VG+ to Ex+ while sleeve are VG to Ex.

AN ELIZABETH II DOUBLE JUBILEE PORTRAIT DOUBLE GOLD SOVEREIGN, 2012, Tristan da Cunha, together with a matching quarter sovereign, 2012, both in capsules, cased with certificates (2) (Est. plus 21% premium inc. VAT)

1979 Turks and Caicos silver 10 crowns x 2, 1984 Ascension Islands and St Helena silver fifty pence x 2, 1977 St Helena silver twenty five pence and 1977 Trista da Cunha silver twenty five pence, all cased (6).

A 925 standard enamelled necklace, stamped DA sterling Norway

An Historic French 13-Bore Flintlock 1777 Model Varient 1782 Type Officer's Belt Pistol Found On The Plain Of Waterloo In Flanders By Jean Battist La Coste Guide To The Emperor Napoleon Buonaparte...No. 18, Dated 1782With russet barrel engraved in capitals 'This Pistol Was Found On The Plain Of Waterloo In Flanders By Jean Battist La Coste Guide To The Emperor Napolean Buonaparte After The Great Battle Fought There On The 18 June 1815 Between The Allied Army Commanded By The Duke Of Wellington And Marshall Blucher Against The French Army Commanded By The Emperor Napoleon Buonaparte. Purchased Of Jean Baptise La Coste', short tang, and extension down the back of the butt engraved in capitals 'Purchased Of Jean Baptiste Da Costa At The House Called La Belle Alliance Near Mount St. Jeane Aug.t 29 1815 By W.M. Edwards', brass action with traces of manufactory details and stamped with crowned 'L' behind the brass pan, ring-neck cock (comb and jaw screw incomplete, top jaw and steel missing), figured rounded butt stamped 'Mars D' over '1782' on one side, and regulation brass mounts (some wear and rust patination, belt hook and ramrod missing)

Bayrle, Thomas1937 BerlinRaincoat with Hood (white). 1967/68. White printed, transparent plastic, size 137, with labels from Kaufhof. Ca. 92 x 60 x 6cm. Signed and dated on the inside underneath the collar right: Bayrle 67. This coat is a prototype whose model has not been produced in a series. Thus it is unique.Provenance:- Collection Lukowski, Hesse Exhibitions:- Galerie in der Trinkkuranlage, Bad Nauheim 2014 Literature: - Kunst- und Kulturverein Bad Nauheim (ed.): Kunst-Stoff-Kunst, Bad Nauheim 2014, ill. p. 5. Explanations to the CatalogueThomas Bayrle Germany Digital Art Post-War Art Sculptures 1960s Clothes Object Mixed mediaBayrle, Thomas1937 BerlinRegenmantel mit Kapuze (weiß). 1967/68. Weiß bedruckter, transparenter Kunststoff. Konfektionsgröße 137, mit Etikett von Kaufhof. Ca. 92 x 60 x 6cm. Signiert und datiert auf der Innenseite unterhalb des Kragens rechts: Bayrle 67. Bei diesem Mantel handelt es sich um einen Prototyp, dessen Modell nicht in Serie produziert worden ist. Somit ist er ein Unikat.Provenienz: - Sammlung Lukowski, Hessen Ausstellungen: - Galerie in der Trinkkuranlage, Bad Nauheim 2014 Literatur: - Kunst- und Kulturverein Bad Nauheim (Hrsg.): Kunst-Stoff-Kunst, Bad Nauheim 2014, Abb. S. 5Die Regenmäntel gehören zu einer Reihe von Modellen transparenter Plastikmäntel, die Bayrle 1968 von dem Frankfurter Modeatelier Lukowski & Ohania entwerfen ließ. Den dafür benutzten Kunststoff ließ er, ähnlich wie auf Tapeten, mit Endlosrastern in oft knalligen Farben bedrucken. Bei diesem Vorhaben nutzte der Künstler Konsumgüter nicht nur als Motive für Kunstwerke, er betrachtete auch die Mäntel selbst als Ware, da er die Modelle in Serie produzieren lassen wollte. Zu einer Serienproduktion der Modelle kam es allerdings nicht. Erläuterungen zum KatalogThomas Bayrle Deutschland Pop Art Digitale Kunst Nachkriegskunst Objekte 1960er Kleidung Objekt Mischtechnik- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Hofer, Karl1878 Karlsruhe - 1955 BerlinAuf der Treppe. 1947. Oil on canvas. 116.5 x 80.5cm. Monogrammed and dated lower right: CH (patinated) 47. Framed. Provenance:- Estate Hofer (w/o no.)- Private collection Berlin- Villa Grisebach, Berlin 1998, auc. no. 64, 6.6.1998, lot 251 (label)- Private collection North Rhine-WestphaliaLiterature:- Wohlert, Karl Bernhard: Karl Hofer - Werkverzeichnis der Gemälde, vol. 3, VAN HAM Art Publications, Cologne 2007, cat.rais.-no. 2047, ill. In 2008, VAN HAM Art Publications published the three-volume catalogue raisonné of Karl Hofer's paintings by Karl Bernhard Wohlert. In 2012, VAN HAM Art Publications founds the Karl Hofer Committee and in 2015, VAN HAM Art Publications presents the catalogue raisonné of sketchbooks.www.karlhofer.info Explanations to the CatalogueKarl Hofer Germany Modern Art 1940s Figure / Figures Painting OilHofer, Karl1878 Karlsruhe - 1955 BerlinAuf der Treppe. 1947. Öl auf Leinwand. 116,5 x 80,5cm. Monogrammiert und datiert unten rechts: CH (ligiert) 47. Rahmen. Provenienz:- Nachlass Hofer (o.Nr.)- Privatsammlung Berlin- Villa Grisebach, Berlin 1998, Aukt. Nr. 64, 6.6.1998, Los 251 (Aufkleber)- Privatsammlung Nordrhein-WestfalenLiteratur:- Wohlert, Karl Bernhard: Karl Hofer - Werkverzeichnis der Gemälde, Bd. 3, VAN HAM Art Publications, Köln 2007, WVZ.-Nr. 2047, Abb.Nach Ende des 2. Weltkrieges wird Karl Hofer zum Direktor der Hochschule für Bildende Künste in Berlin berufen. In dem folgenden Jahrzehnt sieht er sich immer wieder mit der Diskussion über die abstrakte Kunst konfrontiert. Als Verfechter der figurativen Malerei verfolgt er beharrlich seinen Weg. Dabei sucht er die Wirklichkeitsbewältigung der Nachkriegszeit nicht in der naturgetreuen Wiedergabe, sondern in einer vereinfachten, aber emotional berührenden Darstellungsweise: "Irgendein Naturalismus blieb mir fremd von Anbeginn an. Nie habe ich eine Figuration nach der äußeren Natur des Zufälligen geschaffen. (...) Der Mensch und das Menschliche war und ist immerdauerndes Objekt meiner Darstellungen allerdings verstanden in einem tieferen, das Religiöse berührenden Sinn. Man muß den Mut haben unmodern zu sein. Es will mir das Kunstwerk als das Höchste erscheinen, auf das der Hölderlinsche Begriff des 'Heilig Nüchternen' anzuwenden wäre" (Hofer in: Aus Leben und Kunst, Berlin 1952, S.30). Die Bedeutung, die Hofer bis heute genießt, ist neben seiner Bearbeitung von Landschaften und Stillleben, vor allem in der charakteristischen Interpretation seines Menschenbildes begründet.Hierfür ist das Gemälde "Auf der Treppe" ein eindrucksvolles Beispiel: Ohne erzählende Details sind die junge Frau und die beiden Männer in keiner Augenblicksituation wiedergegeben. Und obwohl dicht gedrängt, steht jeder einzelne von ihnen für sich still und ganz in sich gekehrt da. So nimmt auch ihr Blick, der aus dem Bild gerichtet ist, keinen direkten Kontakt mit uns auf. Dennoch, oder gerade deshalb, werden wir von ihnen angezogen, suchen wir ihre Geheimisse zu entschlüsseln. Die Andeutung, dass es sich hier um die Lebensalter handeln könnte, mag uns einen Hinweis geben. Auf subtile Weise zeigt Hofer ein allgemeingültiges Menschenbild auf, das uns die Möglichkeit zur Meditation über unsere eigene Empfindung und Sehnsucht nach einem Leben jenseits der Geschäftigkeit unserer Zeit gibt.2008 veröffentlicht VAN HAM Art Publications das dreibändige Werkverzeichnis der Gemälde Karl Hofers, erstellt von Karl Bernhard Wohlert. 2012 gründet VAN HAM Art Publications das Karl Hofer Komitee und 2015 präsentiert VAN HAM Art Publications das Werkverzeichnis der Skizzenbücherwww.karlhofer.info. Erläuterungen zum KatalogKarl Hofer Deutschland Expressionismus Neue Sachlichkeit Moderne Kunst Unikate 1940er Figur / Figuren Gemälde Öl- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Nay, Ernst Wilhelm1902 Berlin - 1968 Cologne"Dynamik Bild". 1965. Oil on canvas. 160 x 201cm. Signed and dated lower right: Nay 65. As well as signed, titled and dated on verso on the stretcher: E.W. NAY - DYNAMIK BILD = 1965.. Craftman's frame. Provenance:- From the estate of the artist (1972)- Corporate collection Germany (since 1972)Exhibitions:- Gallery Günther Franke, Munich 1965, cat.-no. 5 (label)- Holst Halvorsens Kunsthandel, Oslo 1965, cat.-no. 14, ill. on envelopeLiterature:- Scheibler, Aurel: Ernst Wilhelm Nay - Werkverzeichnis der Ölgemälde, Vol. II 1952-1968, Cologne 1990, cat.rais.-no. 1152, ill.- Grohmann, Will: Kunst unserer Zeit - Malerei und Plastik, Cologne 1966, colour plate 115. Explanations to the CatalogueErnst Wilhelm Nay Germany Abstraction Post-War Art Modern Art 1960s Abstract Painting Oil MovementNay, Ernst Wilhelm1902 Berlin - 1968 Köln"Dynamik Bild". 1965. Öl auf Leinwand. 160 x 201cm. Signiert und datiert unten rechts: Nay 65. Sowie signiert, betitelt und datiert verso auf dem Keilrahmen: E.W. NAY - DYNAMIK BILD = 1965.. Modellrahmen. Provenienz:- Nachlass des Künstlers (1972)- Unternehmenssammlung Deutschland (seit 1972)Ausstellungen:- Galerie Günther Franke, München 1965, Kat.-Nr. 5 (Aufkleber)- Holst Halvorsens Kunsthandel, Oslo 1965, Kat.-Nr. 14, Abb. auf UmschlagLiteratur:- Scheibler, Aurel: Ernst Wilhelm Nay - Werkverzeichnis der Ölgemälde, Bd. II 1952-1968, Köln 1990, WVZ.-Nr. 1152, Abb.- Grohmann, Will: Kunst unserer Zeit - Malerei und Plastik, Köln 1966, Farbtafel 115"Es ist ein Leben wert, soweit vorzudringen, das das reale Farbbild entstehen kann und die Farbe dabei so klingt, dass ohne besondere Absicht des Künstlers Menschliches anschaubar wird, Menschliches und Kreatürliches in neuer, unbekannter Formulierung." (Nay, Oktober 1967)Während seines langen Schaffens hat Ernst Wilhelm Nay immer wieder unbeirrt einen Neuanfang gewagt. So unterzieht er auf seinem künstlerischen Höhepunkt ab Mitte der 1960er Jahre mit Vitalität und Disziplin seine Malerei einer letzten Klärung. Sie führt ihn zu einer radikalen Vereinfachung seines Formenvokabulars und zu einer Reduzierung seiner Farbwahl. Davon zeugt unser "Dynamik Bild": Nay begrenzt die Palette auf leuchtendes Blau, lichtes Gelb und kräftiges Rot sowie Weiß, begleitet von ein wenig gedecktem Ocker und Grau. Harmonisch fügt er die klar abgegrenzten organisch fließenden Flächen, floralen und spindelartigen Formen sowie runden und ovalen Scheiben aneinander. Hier und da setzt er farbliche Kontrapunkte. Analog zur Musik erzeugt er so einen melodischen Rhythmus, der über die Grenzen des Bildes weiterklingt. Anders als bei den meisten Gemälden der letzten Jahre gibt Nay dieser Komposition keine streng vertikale Ausrichtung, die einen ruhigen Bewegungsfluss impliziert. Wie der Titel andeutet, geht es dem Künstler hier um Energie, Kraft und Entwicklung. Auch wenn Nay zeitlebens sich gegen zu tiefgehende Interpretationen seiner Werke wehrt, so mögen wir die knospenartigen Gebilde als Metapher für das beginnende Leben und die sich scheinbar ausdehnende und zusammenziehende Doppelspindel als Sinnbild für den Atem, und damit für das Leben an sich, verstehen. In konsequenter Haltung verfolgt Nay auch in der späten Schaffensphase seine Ideen. Im Streben nach dem Wesentlichen und Überzeitlichen verdichtet er seine Ästhetik der 1950er Jahre nun in reduzierten Kompositionen mit reinen Formen und Farben. Wie bei unserem Gemälde können wir uns deren Strahlkraft und Wohlklang kaum entziehen. Erläuterungen zum KatalogErnst Wilhelm Nay Deutschland Expressionismus Abstraktion Nachkriegskunst Unikate 1960er Abstrakt Gemälde Öl Bewegung- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Schumacher, Emil1912 Hagen - 1999 San José/ Ibiza"Fillis". 1959. Mixed media on canvas. 140 x 96cm. Signed and dated lower right: Schumacher 59. Verso on the stretcher titled "Fillis". Framed. The painting is listed under the inventory number 0/3.697 in the directory of the Emil Schumacher foundation organised by Dr. Ulrich Schumacher. We thank Dr. Ulrich Schumacher for the kind, scientific support.Provenance: - Galerie van de Loo, Munich (stamp)- Galerie Reckermann, Cologne (stamp)- Galerie Bernard, Grenchen/Switzerland (stamp)- Galerie Rudolf Zwirner, Cologne (according to consigner)- Private collection North Rhine-WestphaliaExhibitions: - Kestner-Gesellschaft, Hannover 1961 (adhesive label)- Kunstverein Münster, 1962 (adhesive label)- Kunstverein Hamburg, 1962(adhesive label)- Kunstverein Freiburg, 1962 (adhesive label)- Museum Kunstpalast, Düsseldorf 2010Literature: - Exhibiton-cat. Kestner-Gesellschaft Hannover 1961/1962, ill.- Exhibiton-cat. La grand geste! Informel und Abstrakter Expressionismus 1946-1964, Museum Kunstpalast, Düsseldorf 2010, cat. no. 133, p. 147, illAt the beginning of the 1950s, Emil Schumacher detached himself from the object as a pictorial motif. Here, in this painting from 1959, the material and painting are at the centre of his creative work as their own, meaningful expression, entirely in the spirit of Informel. Nevertheless, the strongly graphic element allows some fascinating discoveries: the viewer cannot help but unite the black lines lying on the white surface and resembling a cipher into a figurative construct. The line construct evokes associations and reveals the contours of a human being. Is there a person standing on skis in a wintery white landscape? At the same time, Schumacher makes the artistic moment, the creative process, visible in the roughness of his partly broken and sublime surfaces. The artist shares testing and experimenting with new materials, processes and techniques throughout his entire oeuvre with the viewer. It is not unusual for him to choose titles for his works that are later invented, full of associations, that sometimes originate from his imagination or are based on real places or persons and names. Explanations to the CatalogueEmil Schumacher Germany Post-War Art Post War 1950s Abstract Painting OilSchumacher, Emil1912 Hagen - 1999 San José/ Ibiza"Fillis". 1959. Mischtechnik auf Leinwand. 140 x 96cm. Signiert und datiert unten rechts: Schumacher 59. Verso auf dem Keilrahmen betitelt "Fillis". Rahmen. Das Gemälde ist mit der Inventarnummer 0/3.697 in dem von Dr. Ulrich Schumacher angelegte Verzeichnis der Emil Schumacher Stiftung aufgeführt. Wir danken Herrn Dr. Ulrich Schumacher für die freundliche, wissenschaftliche Unterstützung.Provenienz: - Galerie van de Loo, München (Stempel)- Galerie Reckermann, Köln (Stempel)- Galerie Bernard, Grenchen/Schweiz (Stempel)- Galerie Rudolf Zwirner, Köln (lt. Einlieferer)- Privatsammlung Nordrhein-WestfalenAusstellungen: - Kestner-Gesellschaft, Hannover 1961 (Aufkleber)- Kunstverein Münster, 1962 (Aufkleber)- Kunstverein Hamburg, 1962(Aufkleber)- Kunstverein Freiburg, 1962 (Aufkleber)- Museum Kunstpalast, Düsseldorf 2010Literatur: - Ausst.-Kat. Kestner-Gesellschaft Hannover 1961/1962, Abb.- Ausst.-Kat. La grand geste! Informel und Abstrakter Expressionismus 1946-1964, Museum Kunstpalast, Düsseldorf 2010, Kat. Nr. 133, S. 147, Abb.Anfang der 1950er Jahre löst sich Emil Schumacher vom Gegenstand als Bildmotiv. Hier, im vorliegenden Gemälde von 1959, steht das Material und die Malerei als eigener, sinngebender Ausdruck im Zentrum seines Schaffens, ganz im Sinne des Informel. Dennoch erlaubt das stark zeichnerische Element einige faszinierende Entdeckungen: der Betrachter kommt nicht umhin, die auf der weißen Fläche liegenden, chiffreähnlichen schwarzen Linien zu einem figurativen Konstrukt zu vereinen. Das Linienkonstrukt weckt Assoziationen, lässt die Umrisse eines Menschen erkennen. Steht da eine Person in winterlich-weißer Landschaft auf Skiern? Gleichzeitig lässt Schumacher in der Rauheit seiner teils aufgebrochenen und erhabenen Oberflächen das künstlerische Moment, den Schaffensprozess, sichtbar. Das Testen und Experimentieren mit neuen Materialien, Verfahren und Techniken teilt der Künstler sein ganzes Oeuvre hindurch mit dem Betrachter. Nicht selten wählt er für seine Werke erst später erfundene, assoziationsträchtige Titel, die mal seiner Phantasie entstammen oder angelehnt sind an reale Orte oder Personen und Namen. Erläuterungen zum KatalogEmil Schumacher Deutschland Informel Nachkriegskunst Unikate 1950er Abstrakt Gemälde Öl- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Liebermann, MaxBerlin 1847 - 1935Untitled. 1907. Pastel on vellum. 10.5 x 17.5cm. Signed lower left: M Liebermann. Framed. The authenticity of the work has been confirmed by e-mail from Dr. Margreet Nouwen, Berlin, 24th October 2019.Provenance:- Private collection, London (according to consigner)- Private collection North Rhine-Westphalia- Private collection North Rhine-Westphalia. Explanations to the CatalogueMax Liebermann Germany Munich Secession Modern Art 1900s Figure / Figures Works on paper Pastel Zoological gardenLiebermann, MaxBerlin 1847 - 1935Ohne Titel. 1907. Pastell auf Velin. 10,5 x 17,5cm. Signiert unten links: M Liebermann. Rahmen. Zu dem Werk liegt eine Bestätigung der Authentizität per E-Mail von Frau Dr. Margreet Nouwen, Berlin, vom 24. Oktober 2019 vor.Provenienz:- Privatsammlung, London (lt. Einlieferer)- Privatsammlung Nordrhein-Westfalen- Privatsammlung Nordrhein-WestfalenFrau Dr. Nouwen ergänzt in ihrer Bestätigung das Folgende zu diesem Werk: "Dargestellt ist sehr wahrscheinlich die "Allee de la Liberté" in Cannes (Heute "Allee de la Liberté Charles de Gaulle"). Diese breite Promenade am Hafen mit ihren vielen Platanen, Kiosks und Bänken dürfte Liebermann gefallen haben, da sie - auch zu seinen Lebzeiten - von vielen Leuten frequentiert wird.Liebermann hat die Skizze vermutlich vor Ort gezeichnet während seines vierwöchigen Aufenthalts (zusammen mit seiner Frau Martha und ihrer gemeinsamen Tochter Käthe) an der französischen Rivièra im Frühjahr 1907. Vom Ende Februar bis Ende März besuchte die kleine Familie zunächst Cannes, später auch Mentone und Monaco. Ich datiere die Skizze also auf Feb./März 1907, auch wegen des mediterranen Frühjahrslichtes und der noch kahlen Baumäste.". Erläuterungen zum KatalogMax Liebermann Deutschland Impressionismus Berliner Sezession Münchner Sezession Moderne Kunst Unikate 1900er Figur / Figuren Papierarbeit Pastell Tiergarten- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premium

Radziwill, Franz1895 Strohhausen/Wesermarsch - 1983 WilhelmshavenStillleben mit Petroleumlampe. 1962. Oil on wood. 51 x 67cm. Signed lower left: Franz Radziwill. Inscribed on verso with serial no. of the artist: 554. Artist's frame. We want to thank Prof. Dr. Dr. Gerd Presler for the kind support.Provenance: - Susanne von Rothkirch und Panthken, Wiesbaden (purchased from the artist) - Private collection South Germany- Private collection North GermanyExhibitions:- Fa. Wöhr Eisenwerke, Bremen 1959- Kunsthandlung Ursula Voigt, Bremen 1963, ill.- Städtisches Gustav-Lübcke-Museum, Hamm 1965, cat.-no. 128 - Edgar Ende und Franz Radziwill, Frankfurt a.M. 1966Literature: - Firmenich, Andrea/Schulze, Rainer W.: Franz Radziwill, 1895 bis 1983 - Monographie und Werkverzeichnis, Cologne 1995, cat.rais.-no. 759, ill.- Handwritten Catalogue Raisonné by the artist, cat.rais.-no. 554 (unpublished). Explanations to the CatalogueFranz Radziwill Germany Modern Art 1960s Still Life Painting OilRadziwill, Franz1895 Strohhausen/Wesermarsch - 1983 WilhelmshavenStillleben mit Petroleumlampe. 1962. Öl auf Holz. 51 x 67cm. Signiert unten links: Franz Radziwill. Bezeichnet verso mit Werk-Nr. des Künstlers: 554. Künstlerrahmen. Wir danken Herrn Prof. Dr. Dr. Gerd Presler für die freundliche Unterstützung.Provenienz: - Susanne von Rothkirch und Panthken, Wiesbaden (vom Künstler erworben) - Privatsammlung Süddeutschland - Privatsammlung NorddeutschlandAusstellungen: - Fa. Wöhr Eisenwerke, Bremen 1959- Kunsthandlung Ursula Voigt, Bremen 1963, Abb. - Städtisches Gustav-Lübcke-Museum, Hamm 1965, Kat.-Nr. 128 - Edgar Ende und Franz Radziwill, Frankfurt a.M. 1966Literatur: - Firmenich, Andrea/Schulze, Rainer W.: Franz Radziwill, 1895 bis 1983 - Monographie und Werkverzeichnis, Köln 1995, WVZ.-Nr. 759, Abb. - Handgeschriebenes Werkverzeichnis des Künstlers, WVZ.-Nr. 554 (unveröffentlicht)Franz Radziwill hat 848 Gemälde geschaffen. Gut ein Drittel davon sind: STILLLEBEN. Das erste entstand schon 1919/1920: "Stillleben mit Kaffeekanne". (Werknummer 12) Und kurz bevor ihm Anfang der 70er Jahre seine Augen den Dienst versagten, stand das "Stillleben mit braunem Topf und blauer Kanne" auf der Staffelei. Es trug die Werknummer 847.Radziwills "Stillleben" sind so still nicht. In ihnen verdichtet sich die Fülle des Wahrgenommenen, des Gesehenen und des - Geschauten. Hier: Das "Stillleben mit Petroleumlampe" von 1962 sammelt die Fülle dessen, was der Maler in diesem mit eigenen Möglichkeiten ausgestatteten Bereich schöpferischen Handelns niederschrieb. Oft spiegelt sich das, was unbeachtet am Rande steht: Ein Apfel, eine Zitrone, ein Korb, ein Krug, zwei Scheiben Brot, eine Petroleumlampe und eine Kerze. Zugleich ereignet sich dies vor einem Grün, das in alle Tiefen führt.Franz Radziwill hat ein handgeschriebenes Werkverzeichnis geführt. Dort erhielt diese Arbeit unter der Nummer 554 den Titel: "Unsere alte Lampe." (Abb.) Ein solcher Eintrag zeigt den ganzen Franz Radziwill: Er lässt den Betrachter ein in seine unmittelbare Nähe; sitzt mit ihm an einem Tisch nahe "unserer Lampe", umgeben von den Gegenständen eines vertrauten Alltags. Und dann ist da zugleich etwas "Unwirkliches", ja "Unheimliches". Es verbirgt sich, lauert als Bedrohung hinter den Dingen: Ein rätselhaftes Gebilde schlängelt sich aus der Nähe in eine andere schwarz-dunkle Dimension. Das Vertraute wandelt sich und entlässt jene Zeichen, die auf den "instabilen Untergrund" (Werner Haftmann) der Welt weisen. Franz Radziwill, der magische Realist. (Gerd Presler). Erläuterungen zum KatalogFranz Radziwill Deutschland Neue Sachlichkeit Phantastischer Realismus Moderne Kunst Unikate 1960er Stillleben Gemälde Öl- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

A COLLECTION OF MOSTLY WEST BROMWICH ALBION FC EPHEMERA, to include a quantity of home and away programmes 1990-2004, two West Bromwich Albion v Everton DA Cup Final team sheets printed on card (one with autographs including Jeff Astle), West Bromwich away football shirt No 2 Pelada logo, West Bromwich scarf, various fanzines, together with two Tony 'Bomber' brown testimonial dinner programmes, one signed by Richie Woodhall WBC champion

Early Printing- Aldine Press - Cicero, Marcus Tullius: Le Epistole famigliari di Cicerone... corrette da Aldo Manutio. Venice, Aldine, 1563. with c.379 numbered leaves, with the wrong pagination: 47 for 45, 49 for 47, 131 for 129 and thence all 2 ahead to 178, 161 for 151, 181 for 179 & thence 2 ahead to 308, 221 for 229, 323 for 333, 311 for 309 and thence 2 ahead to 367, 373 for 367 and thence to 379, 100 for 300. Eighteen century full blindstamped leather. Small hole to bottom of title; light damp stain to lower corners and few worm holes to spine

ITALIAN MANUSCRIPT: 'Meditazioni per i dieci degli esercizi practicati qunualmente da Padri Cappuccini' (Meditations for the ten exercises practiced annually by the Capuchin Fathers). No date, c.17th to 18th century. Neatly handwritten in ink, PP: Title, (i) blank, (iv), 1-97, (i) blank, (vii). Full vellum bound. Stain to lower inner margins

A DEHUA STYLE 'BLANC DE CHINE' FIGURE OF DA MO Mid 20th century 19cm high / 320g Provenance: Purchased in 1976 Inventory: P756 Condition: Of beautiful ivory glaze all over. No marks or stamps. No visible cracks or chips. Overall in good condition with very detailed features on the face. _________________________ ABOUT MR QUEK KIOK LEE : Quek Kiok Lee (1921- 2018) arrived in Singapore in 1938. Despite not speaking English, he finished first in his school’s Cambridge exams. He was then appointed Assistant Secretary of the Chinese Chamber of Commerce. This was the start of his rapid ascension in business and society. Mr Quek proved himself to be a very successful businessman, banker, entrepreneur and investor. In his free time, he met with collectors and dealers of Chinese works of art from around the world. He also read and researched as much he could to build his knowledge. He became well known to the leading auction houses and authorities because of his encyclopaedic knowledge and his increasingly impressive collection of Chinese art. In 1970s, the Singaporean newspapers nicknamed him “the Jade King of Singapore”. Mr Quek loved to share his knowledge and experience and was one of the founding members of the Southeast Asian Ceramic Society (SEACS). In 1994, he was appointed by the Chancellor of Singapore University as the Acquisitions Advisor on Chinese antiquities, where he served for 6 years. Mr Quek was not just a collector; he meticulously researched every piece and collated detailed records. For the pieces which are documented, HotLotz is happy to share Mr Quek’s original records on request. Mr Quek’s inventory numbers are recorded in our catalogue. Following successful sales in Hong Kong and London, HotLotz is proud to offer the majority of this unique collection for sale in Singapore.

A SHIWAN POTTERY RED GLAZED FIGURE OF DA MO 20th century 28cm high, 1.6kg Provenance: purchased from Moon Gate in 1980 Inventory: P789 _________________________ ABOUT MR QUEK KIOK LEE : Quek Kiok Lee (1921- 2018) arrived in Singapore in 1938. Despite not speaking English, he finished first in his school’s Cambridge exams. He was then appointed Assistant Secretary of the Chinese Chamber of Commerce. This was the start of his rapid ascension in business and society. Mr Quek proved himself to be a very successful businessman, banker, entrepreneur and investor. In his free time, he met with collectors and dealers of Chinese works of art from around the world. He also read and researched as much he could to build his knowledge. He became well known to the leading auction houses and authorities because of his encyclopaedic knowledge and his increasingly impressive collection of Chinese art. In 1970s, the Singaporean newspapers nicknamed him “the Jade King of Singapore”. Mr Quek loved to share his knowledge and experience and was one of the founding members of the Southeast Asian Ceramic Society (SEACS). In 1994, he was appointed by the Chancellor of Singapore University as the Acquisitions Advisor on Chinese antiquities, where he served for 6 years. Mr Quek was not just a collector; he meticulously researched every piece and collated detailed records. For the pieces which are documented, HotLotz is happy to share Mr Quek’s original records on request. Mr Quek’s inventory numbers are recorded in our catalogue. Following successful sales in Hong Kong and London, HotLotz is proud to offer the majority of this unique collection for sale in Singapore.

Nel 1969, la Honda tentò di entrare nel mercato deli Enduro utilizzando un motore a quattro tempi a due cilindri e lanciò la SL350 senza ottenere il successo sperato. Quindi nel 1972 lanciò una monocilindrica più leggera e più piccola, la XL250 e due anni più tardi ripresentò XL350 che altro non era che una versione rinnovata della XL250. Con motore da 348cc, quatto valvole in testa e cambio a 5 marce. Questa del 1974 , è perfettamente conservata e completa di documenti.Numeri telaio e motore disponibili a richiesta.Questo lotto viene venduto “così come è/dove si trova” e gli offerenti devo accertarsi della provenienza, delle condizioni , dell’età, della completezza e dell’originalità prima dell’offerta.

Prodotta dal 1972 al 1974 nella versione da 360 con le misure 80x70 mm, mentre dal 1974 al 1978 venne prodotta nella versione 400, con l'aumento dell'alesaggio e corsa portate a  85х70 mm. Motore monocilindrico a due tempi, cambio a cinque marce, cerchio anteriore da 21” pollici e posteriore da 18”.Una buona moto per un fuori strada tranquillo.Questa presentata è in buone condizioni e ben conservata.  Numeri telaio e motore disponibili a richiesta.Questo lotto viene venduto “così come è/dove si trova” e gli offerenti devo accertarsi della provenienza, delle condizioni , dell’età, della completezza e dell’originalità prima dell’offerta.

La società Royal Enfield con sede a Redditch iniziò a produrre delle motociclette già nel 1898, all'inizio con motori di De Dion .  Negli anni prima della prima guerra mondiale la compagnia ebbe molto successo con i gemelli a V con motore leggero Motosacoche, queste erano equipaggiate con il famoso cambio Enfield a due velocità, che coinvolgeva due catene primarie.  Nel mozzo della ruota posteriore veniva montata una trasmissione ammortizzata in gomma, per estrarre il pugno dalla catena.  Il modello presentato ha motore da 500 cc. monocilindrico e cambio a quattro marce con leva al serbatoio. La prima immatricolazione è del 26/4/1937 (Reale Automobile Club d’Italia) e la seconda del 21/08/1946 (Ispettorato Generale della Motorizzazione Civile).In ottime condizioni , è completo di documenti.Numeri telaio e motore disponibili a richiesta.Questo lotto viene venduto “così come è/dove si trova” e gli offerenti devo accertarsi della provenienza, delle condizioni , dell’età, della completezza e dell’originalità prima dell’offerta.

Lotto comprendente i seguenti libri:-AUTOMOBILE QUARTERLY – HIRONDEL MOTOR COMPANY COVENTRY Edizione 1972-CATALOGO ASTA PICARD TAJAN – AUTOMOBILE D’UNE COLLECTION – 16/12/1981-CATALOGO ASTA POULAIN LE FUR – AUTOMOBILES DE COLLECTION – 14/5/1993-CATALOGO ASTA FRANCO SEMENZATO – AUTO DA COLLEZIONE SPORTIVE E CLASSICHE 2/12/1990-“L’AFFAIRE SCHLUMPF “ – FRANCIS LAFON – ESABETH LAMBERY  Edizione 1982-AUTOMOBILE QUARTERLY – NUMERO 3 – ESTATE 1987-AUTOMOBILE QUARTERLY – NUMERO 6 – PRIMAVERA 1988-LAMBORGHINI A TEMPO FURIOSO – STEPHAN GRUHSEM – PETER VANN Edizione 2006-GRAND PRIX DE MONACO 1935 – SOCIETE ROUTIERE COLAS Edizione 1979Tutti in eccellenti condizioni.Questo lotto viene venduto “così come è/dove si trova” e gli offerenti devo accertarsi della provenienza, delle condizioni , dell’età, della completezza e dell’originalità prima dell’offerta

Messo in produzione nel 1968 , ha un motore da 49cc , cambio a quattro marce , telaio a doppia culla con protezione inferiore.Numeri telaio e motore disponibili a richiesta.Questo lotto viene venduto “così come è/dove si trova” e gli offerenti devo accertarsi della provenienza, delle condizioni , dell’età, della completezza e dell’originalità prima dell’offerta.