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NZG MODEL INGERSOLL-RAND DA-50 ROLLER FC

KITY 613 Band saw, no. 219 DA 0255 V09 83 Condition Report Click here for further images, condition, auction times & delivery costs

A 22CT GOLD TRISTAN DA CUNHA TRAFALGAR GUINEA 8.4gms (with certificate) Condition Report: Available upon request

Multi-signed Formula 1 Grand Prix Monaco 2004 programme. Signed by Hill, Brundle, Newey, Vettel, Marko, Buemi, Horner, Riccardo, Lowe, Rosberg, Lauda, Wolff, Hamilton, Gene, Alonso, Raikkonen, De la Rosa, Wehrlein, da Costa, Pic, Grosjean, Maldonado, Button, Vadoorne, Boullier, Magnussen, Dennis, Hulkenberg, Perez, Kaltenborn, Sirotkin, Sutil, Gutierrez, Tost, Vergne, Kvyat, Massa, Williams, Smedley, Bottas, Nasr, Symonds, Rossi, Bianchi, Booth, Chilton, Ericsson, Kobayashi, Frijns and Merhi. Signed on front cover and inside pages. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.95

•HAMISH MACDONALD DA, PAI (SCOTTISH 1935 - 2008) STORM CLOUD Mixed media, signed, 18 x 18cm (7 x 7") Artist's label verso Condition Report: On close inspection there appears to be a small area of slight cracking, in the top left hand quarter area over the thick white pigment denoting clouds. Otherwise the painting is in nice original condition.

World War Two 43rd Anniversary of the sinking of the Tirpitz flown FDC signed by DA Dennis Oldham B A Leavitts crew Tirpitz raid 12th Nov 1944 and CBR Basil Fish navigator Joplins crew Tirpitz raid 12th Nov 1944. PM Woodhall Spa Lincs 12 Nov 1987. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.95

FOUR BOTTLE OF VINTAGE PORT, 1 x Niepoort 1977 bottled 1979, seal intact including number seal, fill level undetermined, possibly below lower neck but this cannot be guaranteed, 1 x Dow's 1960, seal broken, cork intact but slight evidence of leakage, fill level to lower shoulder, 2 x Warre's 1982 Quinta Da Cavadinha, seals intact but may have been slight leakage, slight damage to the labels, fill levels undetermined, possibly lower shoulder but this cannot be guaranteed, all bottles are in a very dusty condition suggesting long storage (4)

DUTCH SCHOOL READING BY LAMPLIGHT signed (on the document, AR reversed DA), oil on panel, 19.5 x 15.5cm++Restored perhaps in the early mid 20th c with some localised retouching, the extent of which no verified under UV, the panel in apparently good condition, back unexamined, on the reverse an auctioneer's stencil stock number, in good quality 18th style, carved, sanded and gilded frame

Five Quito tapestries Ecuador Including three shawls, with a fish, trees and three lines with a part split centre, a rug with geometric designs and a wall hanging with a figure with a pipe and a horse, black and white with geometric - 215cm x 96cm, trees - 168cm x 108cm, shawl with split - 152cm x 154cm, fish - 243cm x 63cm, figure and horse - 136cm x 97cm. (5) Jan Schreuder (1904 - 1964) founded the 'del Centro da Manufacturas Textiles de Quito,' Ecuador, in 1952, with the aim to revive and improve Indigenous weaving techniques. Drawing designs from the past and incorporating into textiles for the modern export market.

Four Quito tapestries Ecuador Including a poncho with stylised birds and three wall hangings, Poncho - 127cm x 177cm. Trees - 102cm x 139cm. Stylised animal - 103cm x 142cm. Bird - 100cm x 96cm. (4) Jan Schreuder (1904 - 1964) founded the 'del Centro da Manufacturas Textiles de Quito,' Ecuador, in 1952, with the aim to revive and improve Indigenous weaving techniques. Drawing designs from the past and incorporating into textiles for the modern export market.

Five Quito tapestries Ecuador Including four hangings and a shawl, Tuna - 151cm x 94cm. Six birds - 112cm x 94cm. Six animals - 102cm x 96cm. Bird - 60cm x 76cm. Squares - 227xm x 129cm. (5) Jan Schreuder (1904 - 1964) founded the 'del Centro da Manufacturas Textiles de Quito,' Ecuador, in 1952, with the aim to revive and improve Indigenous weaving techniques. Drawing designs from the past and incorporating into textiles for the modern export market.

Various GB Commonwealth World Used and other stamps, to include German collectors stamps etc., Trinidad & Tobago, Australia, Canada, various loose stamps from envelopes, world used, Malta, Luxembourg, stamps by White, Pitcairn Ireland, 2d and other stamps, Tristan Da Cunha, various stamp ephemera, stamp catalogue, Stanley Gibbons Guide to German stamps etc. (a quantity)

Decorata da motivi ornamentali e floreali, lumeggiature dorate, punzoni 800 e 9BO, H cm 11.5x8

Composto da vari elementi in argento ornati da putti alati, decori fogliacei e simboli ecclesiastici incisi, base tripode su piedi ferini, reca su un lato data 1749, punzoni Leone di San Marco in ‘moleca’ - Z P – B D, H cm 66 (difetti)

Teche in legno intagliato e dorato con cimasa a volute sormontata da croce, contenenti 96 reliquie di Santi della Casa Magiera, H cm 79x49 – 78x45 (lievi difetti) Accompagnati da originali lettere della Curia con la descrizione delle reliquie che ne attestano e certificano l’autenticità, recanti sigilli a ceralacca e timbri a secco vescovili

Cimasa e base ornate da volute e fiori, specchio al mercurio, H cm 90x56 (difetti)

Sormontata da alta cimasa e decori a volute e fiori, H cm 134x91 (difetti)

Schienale sagomato, sinuosi braccioli intagliati a volute fogliacee, gambe mosse riunite da traverse centrate da vaso con fiori, piedi a ricciolo, seduta e schienale imbottiti, H cm 123x76x72, H seduta cm 50 (difetti e restauri)

Ornate da mascherone e volute, H cm 40.5x49x43 (difetti)

Interamente lastronato ed intarsiato in ulivo, acero, ebano, bosso, madreperla e avorio, piano centrato da figura in paesaggio entro riserva e quattro campiture agli angoli con pappagalli, fronte a tre cassetti ornati da mascherone centrale e volute con fiori, quattro piedi anteriori a cipolla schiacciata, H cm 93x150x69 (difetti)

Vetro riccamente decorato e centrato da scene di genere, base tripode, H cm 194 (difetti e rotture)

Cornice ornata a motivi vegetali con all'interno scena galante dipinta su rame, meccanismo siglato RASF, H cm 9x5.5 (da revisionare)

Ornati da fiori e foglie in policromia, H cm 40 (difetti)

Composto da grande ciotola e 12 coppette, ciotola H cm 22.5 – diametro cm 23 (lievi difetti)

Composto da, 6 bicchieri da acqua, 6 bicchieri da vino, 6 flûte, 6 coppe da Champagne, H max cm 22 (usure)

Cappello modanato, montanti a colonne tornite, un cassetto nella fascia, gambe arcuate unite da traverse tornite, H cm 213x116x59 (difetti)

Ornati da fiori in policromia e paesaggio, bordo sagomato, cm 22x17.5 (usure)

Composta da varie parti decorate da paesaggi e ramage fogliacei, reca firma D’Egidio R., marchio sotto la base Castelli e sigla D.D., H cm 112, diametro utile cm 22 (lievi usure)

Manici a foggia di Fauno e Ninfa, corpo ornato in policromia con ‘Scena Classica’ e ‘Paesaggio’ entro riserve, base decorata da teste di ariete, sotto la base simbolo grafico della Manifattura, H cm 99x67x28– Colonna in marmo verde, H cm 89 (difetti)

Vaschette decorate da trionfo di putti in ceramica policroma con presa dei coperchi a foggia di arpa, sostenute da base a ramage fogliacei centrata da putto musicante, punzoni 800 – altro punzone, completa di cucchiaini, H cm 8x16x7

Presa a motivo floreale, beccuccio e manico a volute, corpo liscio poggiante su quattro piedini decorati da motivi vegetali, punzoni sotto la base non decifrati, gr. 830, H cm 17x29x14

Presa e bordo ornati da conchiglie e volute in rilievo, coperchio con decori fogliacei incisi, reca punzone 800, gr. 875, H cm 12.5x31x21

Bordo ornato da tralci di vite, punzoni 800 – altro punzone FI, gr. 407, diametro cm 28.5

Composto da: 6 cucchiai, 6 forchette, 6 coltelli, 5 posate di servizio, reca punzoni 800 - 23Bo. gr. tot. 1572 (coltelli considerati un 1/3 del peso - entro custodia)

Composto da: 12 cucchiai grandi, 12 forchette grandi, 12 coltelli grandi, 12 cucchiai piccoli, 12 forchette piccole, 12 coltelli piccoli, 12 cucchiaini da caffè e 11 posate di servizio, reca punzoni 800 – Corona – Mezzaluna – altro punzone e iniziali, entro scatola in legno. Peso: gr. tot. 4591 (coltelli e altre posate con acciaio considerati un 1/3 del peso)

Bordo ornato da volute fogliacee parzialmente lumeggiate in oro, punzoni SJ – Stefani – fatto a mano – 800 – 9BO, gr. 8.800, diametro cm 31

Punzoni sul bordo 800 – 29PD –, Greggio, al retro iscrizione incisa ‘Riproduzione di un antico argento (da una collezione di casa patrizia)’, gr. 366, H cm 6x24x20

Ornati da elementi vegetali, punzoni sotto la base, gr. 204, H cm 17, diametro cm 7 (vetro interno non coevo)

Composto da dodici piattini e dodici ciotoline, bordo a palmette, punzoni 800 – 45BO, gr. 2560. Diametro piattino cm 15 - ciotolina H cm 4.5, diametro cm 12

Corpo cilindrico ornato da stemma con iniziali, base circolare, punzoni sotto la base Stefani – 30PD – Z – d – 800, gr. 184, H cm 12, diametro cm 9 Accompagnato da certificato di garanzia dell’Argenteria Stefani

Interno vermeil, manico a volute, ornato da stemma lumeggiato in oro, base circolare, punzoni sotto la base 30PD – Z – 800 – d – Stefani gr. 544, H cm 15.5, diametro cm 11 (difetti)

Ferma-soldi in argento e acciaio, punzoni Cartier – 925, entro scatola originale e corredato da certificato Cartier – Paris, cm 4.5x3.5

Tristan Da Cunha 1065 mint plate block stamps catalgoue value over £70

Gold plated bar depicting Da Vinci's "Vitruvian Man" and Mona Lisa on the verso

Jaeger le Coultre Atmos clock with original box and guarantee, 1965, SPH da Silva, 45 High Street, Singapore, no. 194792. Condition Report Overall in good condition. Some marks to the brasswork. Minor tarnishing. Keeping time.

British War Medals. 1) 2497 TPTR (Trumpeter) J. Ord-Hume 1st Life Guards (naming lightly rubbed in parts) To France 6.10.14. ent to clasp. 2) 3950 DA. J. Mair LDH. RNR. 3) A.H.T. - 269 DVR. T. Warren ASC. To France 19.8.14. with 1st Reserve Park ASC. (3)

Diverse range of British Africa mint (unmounted and mounted) G6 and QE2 key high value stamps incl Northern Rhodesia, Nyasaland, Seychelles, Southern Rhodesia, Tristan da Cunha, some with minor faults (6 stamps)

dating: 1978 provenance: Italy, 'Armi da fuoco italiane dal Medioevo al Rinascimento'. Edizione Bramante. 1978. Copy n°1051 of 1600 numbered. Volume of 267 pages with 660 b/w and colored illustrations of Italian firearms from the origins to 1850. Canvas hardcover without dust jacket. height 31,5 cm.

Violin labelled Giovanni Gabba da Isolengo fece in Chivasso - 1953, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of an orange-brown colour on a golden ground, 14 1/16", 35.70cm

Mid 19th century violin labelled Gaspard da Salo..., 14 1/8", 35.90cm

A collection of British and American and World coins, including three 1961 Mexican un pesos, an 1873 French 5 Francs, an 1875 Belgium 5 Francs, and more, along with a folder of coin FDCs, a silver Prince of Wales medallion in case, and a gold plated silver Tristan Da Cunha five pound coin in case (parcel)would suggest viewing if possible

Coronelli (Vicenzo Maria), Corso del Danubio da Vienna Sin a Nicopoli e Paesi Adiacenti descriti e dedicati..., [Venice], circa 1690, large uncoloured engraved wall map on six conjoined sheets, 1170 x 1320 mm Shows the country from the south coast of Ragusa and showing parts of Serbia and Herzogovina and the coastline towards Alessio. (1)

Lily (George), Britanniae insulae quae nunc Angliae et Scotiae regna continet cum Bibernia adiacente nova descriptio, Rome, 1558, uncoloured engraved map with the Sebastiano de Re da Chioggia imprint, orientated to the west with Ireland in the north, two panels with Latin text describe Ireland and Britain with a third containing the title, borders trimmed with new margins added, 400 x 550 mm R. W. Shirley. Early Printed Maps of the British Isles, 1477 - 1650, 63. This map is a close copy of the first separately printed map of the whole of the British Isles produced twelve years earlier by George Lily. Its overall scale is reduced by about a third from the 1546 state. The outline of England and Wales is based on a map of 1540 by Sebastian Munster. Many more place names and distinct topographical features are included. Ireland is still largely shapeless but Scotland is depicted with remarkable accuracy. This precise geographical depiction of Scotland is possible because Lily was able to consult a map of Scotland drawn by John Elden and presented to Henry VIII in 1538. Elden is known to have been in Rome in 1538. It is also possible that Lily had access to Hector Boece's Scotorium Historiae and a map thought to have been made by Alexander Lindsay while accompanying James V of Scotland of a tour of the kingdom. A striking feature of this map is that it uses distinctive and conventional signs to show county capitals and towns and the status of archepiscopal and episcopal sees. Oddly neither Oxford, Gloucester or Peterborough are marked as an episcopal see even though they were made so between 1541 and 1542. Shirley speculates that this omission could suggest that a pre 1541 map was used as a source, but could also betray the author's reluctance to acknowledge the newly created sees in light of the recent conflict between Rome and the English Crown. A rare map in remarkably good condition. (1)

*Medici (Lorenzo de', 1449-1492). Letter written and signed on his behalf [by his secretary Niccolo Michelozzi], Florence, 9 August 1476, in Latin on laid paper with partial watermark of a ladder, to Cicco Simonetta, Ducal Secretary to Galeazzo Maria Sforza of Milan, recommending to his notice Galdino da Fermo of Lombardy, one page, integral address panel, seal and paper tie (bearing part of the address) intact, dispatch slits, two minute repairs, but otherwise in fine condition, oblong 8vo (150 x 200mm) This letter by 'Lorenzo the Magnificent' appears in Lorenzo de'Medici, Lettere, volume 2 (1474-1478), edited by Riccardo Fubini (Florence, 1977). Provenance: Dr Cecil H. Clough (1930-2017). (1)

Camers (Joannes). Commentaria in C. Iulii Solini Polyhistora, et Lucii Flori De Romanorum rebus gestis, libros, ac Tabulam Cebetis ... praeterea Pomponii Melae De orbis situ libri tres, cum commentariis Ioachimi Vadiani, Basel: Heinrich Petri, 1557, woodcut initials, toning, occasional light spotting, ink-stamps of the Cabinet du marquis de Montpeyroux and related inscriptions to title page and colophon leaf, related inscription and effaced label to front pastedown, title page with additional ink-stamp 'Museum Rem. Faesch, Basil' verso, bound using leaf from a late 13th/early 14th-century vellum manuscript copy of Jacobus da Viragine's Legenda Aurea, decorated with puzzle initials in red and blue bodycolour, slightly rubbed and soiled overall, later manuscript spine-title and manuscript shelf-mark label, loss to spine-ends, some wear on raised bands, faint ink-stamp to foot of front cover, pastedowns lifting to reveal flesh-side, folio (31.5 x 19.5 cm) Adams S1395, VD16 S6970. The late 13th or early 14th century vellum manuscript leaf used to bind this copy contains sections from chapters 70, 72 and 82 of Jacobus da Viragine's Legenda Aurea (The Golden Legend), respectively 'De letania maiori et minori', 'De Adscensione Domini', and 'De sanctis Vito et Modesto'. (1)

Alberti (Leon Battista). L'Architettura di Leon Battista Alberti, tradotta in lingua Fiorentina da Cosimo Bartoli Con la aggiunta de disegni et altri diversi trattati del medesimo auttore, Monte Regale: Leonardo Torrentino, 1565, 331, [21]pp., woodcut printer's device on the title and portrait of Alberti verso, 3 woodcut plates including a double-page plate of the Baths of Diocletian, woodcut decorative initials and numerous woodcuts in the text (some full-page), leaf L6 with small repair touching a woodcut recto and with loss of a few letters to verso, first four leaves only with small worm track at extreme fore-edge not affecting text, early 20th-century vellum gilt, slightly soiled and partly split along joints, folio Fowler 8 (describes an imperfect copy), Millard IV, 6 and Mortimer 12 only describe the 1550 edition. Clean, wide-margined copy. This is the second folio edition of Bartoli's translation of 'De re aedificatoria' and the first to include Domenichi's translation of 'La Pittura' which begins at page 305 with separate title. The woodcut illustrations are from the same blocks as those used in the first edition of the translation in 1550, but this edition is regarded as rarer than the 1550 edition. This important and influential work by the great Italian renaissance humanist is based on Vitruvius and when first published in 1485 was the first printed book on architecture. Fowler 8 describes an imperfect copy; Millard IV, 6 and Mortimer 12 only describe the 1550 edition. (1)

Manner of Rosa da Tivoli (German, 1655-1706) Herdsmen with cattle, sheep and goats in an Italianate landscape oil on canvas 48 x 88cm (19 x 34in) Oil on canvas which has been lined. The paint layer has an age craquelure pattern which is noticeable in the sky. Overall the paint layer is stable and secure. There are retouchings across the surface which are reasonably well matched to the original. The varnish is glossy and slightly yellowed.

Da Laneau, an 18 carat gold wristwatch, Swiss quartz movement, 6 jewels, cal. ETA 959001, quartz boulder dial, Roman numerals, Dauphine hands, screwed down back with two screws, a rolling cover (detached), dial signed, on a brown leather strap, width 23mm

A mixed lot of books to include many first editions, and others to include Swinburne's 'Atalanta in Calydon', a facsimile of the first edition, Oxford University Press circa 1930, 'The Triumph of Philosophy or The True System of the Universe' by James Gillespie 1890, Dan Brown 'The Da Vinci Code' The Special Collectors edition; John Buchan, Sir Walter Scott, Ngaio Marsh Ist editions and others

Gerrit van Honthorst (Dutch 1590-1656) Shepherdess Holding Apples Signed upper right Oil on canvas 78 x 63.5cm; 30½ x 25in Provenance: Catton Hall, Osmaston, Coll. Sir Robert Horton by 1822 Exhibited: Birmingham, 1938, No. 149, as Paulus Moreelse Birmingham, 1953, No. 89 as Dutch School Literature: Davis, 1811, pp.277-279 Waterhouse, 1953 p.306 Judson, 1959, pp.98, note 3, 216, no. 133 Nicolson, CII, 1960, p.81, note 4 Braun, 1966, pp. 211, 212, no 71 Nocolson-Vertova, I, p.127, III, pl.1299 Utrecht-Luxemburg, 1993-1994, p.168 J. Richard Judson & Rudolf E.O. Ekkart, Gerrit van Honthorst (1592-1659), Davaco Publishers, 1999, p.166 Gerrit van Honthorst (Gerard van Honthorst) was a Dutch Golden Age painter who was influenced by the chiaroscuro of Caravaggio, adopting a similar style and becoming a leading portrait painter in the Netherlands. He was particularly noted for his depiction of artificially lit scenes, often painted by a single candle, earning him the nickname of Gherardo delle Notte (Gerard of the Nights). This painting has not been on the market for over 100 years and was in the collection of Sir Robert Horton in the 19th Century at Catton Hall, Osmaston and has come down through the Anson family at Catton Hall in the 20th Century. The painting features in the catalogue raisonnée by J. Richard Judson (Published 1999, p.166) where he notes it has ~the same soft surface quality and physiognomy that one finds in Honthorst~s paintings dating from the years around 1622-1623~. He also suggests that it may be related to a ~lost pendant~, another similar portrait, where she may be offering the fruit to a person, perhaps a Shepherd to her right where her smiling gaze is cast. The roses paired with the snowdrops in her hat are typical of Dutch Golden Age painting; depicting rare petals that could never actually bloom together at the same time and creating a botanical impossibility. The two apples in the hand are held a way that alludes to the erotic, in conjunction with the staff leaning on her shoulder and the revealing décolleté. She symbolises temptation and the apples are a reference to the Eve~s seduction of Adam. In addition to this, apples were often used as symbols of fertility, the beauty of the female form and also to love. The pose, costume and the model clearly hold strong similarities to the famous painting by Honthorst of the young woman playing the viola da gamba. The model recurs in several of his paintings, often holding a musical instrument which at the time were a conventional motif of brothel scenes and it is clear from her suggestive pose in this painting and her provocative dress that she is a courtesan or strumpet. Her warm and appealing smile resulted in her being called ~The Laughing Girl~ by the vendor~s family for several generations.