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Spoerri, Daniel und Carlo Schröter. Suppen-Curriculum (Restaurant Spoerri Suppen). 8 Suppenkreationen von Carlo Schröter aus dem Restaurant Spoerri, mit einem Teil des Original-Kartonständers. 1977. 30 x 14 x 5 cm.Eins von 100 Exemplaren. - An dem Multiple waren beteiligt: Carlo Schröter (Rezepte), Gottfried Wiegand (Vignetten), André Thomkins (Palindrom), Rolfrafael Schröter (8 Suppenlieder) und Winfried Jokisch (Display). - Der Kunstverein für die Rheinlande und Westfalen, Düsseldorf, hat die "Restaurant Spoerri Suppen" außerhalb der offiziellen Jahresgaben vertrieben. - Ohne den Plexiglaskasten mit angehängtem Suppenlieder-Büchlein. - Vom Kartonständer ist nur ein Teil vorhanden, auf dem die Dosen stehen, da zwei der Dosen etwas ausgelaufen und nun dort mit dem Inhalt verklebt sind. - Dosen teils etwas korrodiert und angestaubt.

Tumler, Sigrid John. Künstlerischer Nachlass mit 730 Zeichnungen (Aquarelle, Pastelle, Kreide etc.) sowie 250 Bleistiftskizzen. Ca. 1980-2010. Blattgrößen von 15 x 10 cm bis 80 x 110 cm.Äußerst umfangreicher Nachlass mit insgesamt fast 1000 Arbeiten der Berliner Diplom-Psychologin und Malerin Sigrid John Tumler (1935-2020), die mit dem österreichischen Schriftsteller Franz Tumler (1912-1998) verheiratet war. Tumler arbeitete in Berlin als Psychotherapeutin und schuf nebenher noch ein bemerkenswertes zeichnerisches Oeuvre, das bislang der Öffentlichkeit weitgehend unbekannt geblieben ist, da es - soweit uns bekannt - keine Ausstellungen mit ihren Werken gab. Vor allem bei den Bleistiftskizzen dominieren die Aktdarstellungen, während bei den Aquarellen sich auch häufig Landschaften, Tierdarstellungen (hier vor allem Katzenmotive), Porträts sowie eine Reihe von Werken, die Visualisierungen psychischer Zustände darstellen und zum Teil sehr farbintensiv sind. Ferner mit drei gerahmten Collagen und einem Ölbild. - Mit Lager- und Gebrauchsspuren, stellenweise mit Läsuren bzw. Randfehlstellen. - Ohne Rückgaberecht. - Versand kann nur über eine Kunstspedition erfolgen.

Tobias, Herbert. Zwei Original-Photographien. Ohne Titel. (Junger Mann aus der Eifel, 1960 und "Kinder, heute Abend da suche ich mir was aus..."). Silbergelatineabzüge. Einmal signiert, datiert und betitelt, verso mit Copyright-Stempel, einmal mit Bleistift bezeichnet. Bildgröße: 29 x 27 cm und 35,5 x 27 cm. Blattgröße: 40 x 30 cm.Ein Abzug etwas vergilbt, Ecken minimal bestoßen.

Deutschland - Plauen - - Wild, Aegidius. Chalkomn-emosynon (graece) Oder Glocken-Gedächtnüß, warumb solche bey einer Christlichen Gemeine gebrauchet werden, und was sich ein ieder Christ sein Christenthumb recht zuführen bey dem Glocken-Klang und Gebrauch erinnern sol. Welches in Einweihung zweier neuen schönen Glocken, so da am Michaelis-Fest erstes mal dieses 1649. Jahres zum Gottes-Dienst völlig gebrauchet worden. Bey volckreicher Versamlung daselbst in der Pfarr-Kirchen am bemelden Michaelis Tag, aus Gottes Wort gezeiget, und in druck gegeben worden. Zwickau, Göpner, 1649. 46 nn. Bl. 18,5 x 15 cm. Rückenbroschur. VD17 125:010614E. - Über die Einweihung zweier Glocken in der nach einem Brand wieder aufgebauten Johanniskirche in Plauen. - Aegidius Wild (1601-1673) war Superintendent in Plauen. - Mit mikrographischer Darstellung einer Glocke. - Name auf Titel, leicht gebräunt, wenige Bleistiftanstreichungen.

DDR - - Vier Photoalben mit insgesamt 146, vereinzelt farbigen, montierten Original-Photographien von Botschafterbesuchen in der DDR. Vintages. Ca. 1976-1981. Ca. 22 x 33 cm. Leinenalben der Zeit.Die Alben dokumentieren Besuche von Botschaftern aus der ganzen Welt in der DDR in den Jahren 1973-81. Meist mit offiziellem Photo des Empfangs, teils beim Abnehmen der Parade und vereinzelt beim geselligen Zusammensein. Meist mit Visitenkarte des entsprechenden Botschafters sowie handschriftlichem Datum, vereinzelt sind auch nur Visitenkarten montiert, da gab es dann wohl kein Photo. - Gut erhalten.

Ansichten - Neapel - - Napoli da mare. Neapel mit Vesuv im Hintergrund. Gouache auf Papier. Unten mittig betitelt. Mitte 19. Jahrhundert. Bildgröße: 29 x 43 cm. Blattgröße: 33 x 45 cm. Unter Passepartout montiert.Gesamtansicht aus der Ferne mit dekorativer Abendstimmung und reicher Bootsstaffage in frischen Farben. - Im oberen Bildbereich mit kleiner Kratzspur, linker oberer Himmelsbereich mit Lichtspur.

Arbeiter-Illustrierte-Zeitung - - A-I-Z. Die Arbeiter-Illustrierte-Zeitung aller Länder. Beidseitig bedrucktes Blechschild in Rot und Gelb, Ecken unten abgeschrägt, dreimal gelocht. Um 1928. 15 x 34 cm. - Leicht angeschmutzt, hinten mit Kratzspur.Seltenes Blech-Werbeschild der von 1924 bis 1933 in Berlin erschienenen sozialistischen Zeitung, die 1926 bereits eine Auflage von 200.000 Exemplaren hatte. Da Alfred Hugenberg, dessen Zeitungskonzern den Zeitungsmarkt kontrollierte, zum Boykott des Blattes bei den Händlern aufgerufen hatte, musste, um die Illustrierte vertreiben zu können, eine eigene Vertriebsorganisation mit mehreren tausend Mitarbeitern - überwiegend Arbeitslosen - aufgebaut werden. - Herstellung der Blechindustrie A.-G. Berlin-Lichtenberg.

Bauhaus - - Schlemmer, Tut (Helena). Adressliste ehemaliger Bauhausstudenten. Typoskript mit handschriftlichen Ergänzungen und Korrekturen. Stuttgart, 1954. 16 Bl.; 1 Bl. (Anschreiben). Lose Blätter.Seltene Adressliste mit einem maschinenschriftlichen Anschreiben von Helena (genannt Tut) Schlemmer (1890-1987): "Diese Bauhausliste ist seit manchen Jahren im Enstehen. Da die Originallisten 1933 vernichtet wurden... Diese Liste ist weder vollständig noch fehlerfrei. Trotzdem schicke ich sie nun in etwas 200 Exemplaren hinaus mit der Bitte, Veränderungen, Fehler... anzugeben" - Mit einigen handschriftlichen Ergänzungen und Verbesserungen (von Marianne Brandt?). - Ein Blatt mit handschrifltichem Vermerk "Nachlaß Marianne Brandt". - Teils leicht gebräunt, mittige Falzspur, leichte Randläsuren, zwei Blätter gelocht.

Burchartz, Max - Aus dem Nachlass - - Burchartz, Max. Sehr umfangreiche Sammlung von ca. 33 verschiedenen Prospekten (dazu 39 Doubletten) und 20 Flugblättern (dazu 29 Doubletten) der Firma Paul Forkardt, meist von Burchartz gestaltet. Düsseldorf, Forkardt, ca. 1936-1953. Meist ca. 29,5 x 21 cm. Illustrierte Original-Broschuren, Doppelblätter und Flugblätter.Max Burchartz arbeitete zwischen 1933-1939 für die Paul Forkardt Komanditgesellschaft Düsseldorf, "Werbekontakte bestanden seit den zwanziger Jahren, Burchartz hatte 1930 für Forkardt ein neues Signet entworfen: Eine 'F'-Form wird kreisförmig dreimal gesetzt und formuliert die typografische Interpretation des Spannfutters (Stürzebecher, Max ist endlich auf dem richtigen Weg, 1993, S. 28)." Burchartz scheint aber auch noch in den fünfziger Jahren für die Firma gearbeitet zu haben, da die Sammlung auch ein Prospekt ("H. Sonstige Forkardt-Erzeugnisse") mit einer Kollage mit Rasterfolie beinhaltet, die er erst ab 1953 entwickelte (vgl. Stürzebecher, S. 30). - Der Großteil der Sammlung scheint aus den 1930er Jahren zu stammen, vereinzelt liegen Prospekte auch in der 2. oder 3. Auflage vor. Wenige Exemplare auf Englisch, Französisch und Finnisch. - Vereinzelt leicht fleckig oder leicht knickspurig, insgesamt sehr gut erhalten. - Beigegeben: 30 Blatt mit Anzeigen der Firma Forkardt. Darunter einige Doubletten und Varianten, eines davon mit eigenhändiger Notiz von Burchartz. Dazu zehn Ausschnitte von Signets und Texten (wohl für einen Entwurf). - Beigegeben: 2 Ausgaben von Das Buch vom Spannen. 2. neubearbeitete Auflage. Düsseldorf, Forkardt, 1960. 236 S. 30,5 x 21,5 cm. Lederband mit Schutzumschlag im Pappschuber und Leinenband (Leinen leicht fleckig). - Sehr gut erhalten. - Beigegeben: Forkardt Handspannfutter. Düsseldorf, Forkardt, 1953. Unpaginiert. 29,5 x 21 cm. Ringgeheftete-Original-Kartonage (leicht fleckig). - Sammelkatalog für eine "möglichst umfassende Übersicht". - Mit zahlreichen Ausschnitten, wohl von Burchartz zur Erstellung neuer Entwürfe. - Aus dem Nachlass von Max Burchartz.

Two Imari Kakiemon style dishesEdo period (1615-1868), 18th centuryBoth decorated in iron-red, blue, green, black and gilt enamels with a pair of tanchozuru (red-crested cranes) beneath stylised clouds and a branch of overhanging pine, the underside painted in underglaze blue with stylised branches of plum; inscribed on the base with an apocryphal Chinese reign mark Dai Ming Seika nen sei (Chinese: Da Ming Chenghua nian zhi). Both dishes: 18.1cm (7 1/8in) diam. (2)For further information on this lot please visit Bonhams.com

A George III mahogany bedside night commode, circa 1780, with galleried top and inset silk panel, 76cm high, 55cm wide, 45cm Provenance: Property from the collection of the late Mr. & Mrs. John da Silva   Condition Report: Raised gallery and silk later- shrinkage cracks- notably to sides- uneven sunlight discolouration and wear to extremities throughout Condition Report Disclaimer

The notebooks of Leonardo Da Vinci Vol 1, 2 and 3 and other art publications

A 22ct gold pair cased pocket watch the movement and cuvette signed Brincklow, London and numbered 530, London hallmark for 1768 and makers mark DA (a/f)

[BINDINGS]. [THE EASTON PRESS]. A group of 40 works from the Easton Press "Great Art and Artists Series," including:Claude Monet, 1982. -- Picasso, 1983. -- Van Gogh, 1983. -- Bonnard, 1984. -- Salvador Dali, 1984. Leonardo Da Vinci, 1984. -- Goya, 1985. -- Margritte, 1985. -- And 34 others. Together, 40 works in 40 volumes, all in original leather bindings, edges gilt, condition fine. Provenance: Embrow W. Morgan, Jr. (stamps; blind-stamps). Complete list available on request.Property from the Collection of Jack BelcherFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

Tristan Da Cunha, 2010 ''Year of the Three Kings'' 3-Coin Gold Proof Set. Each coin 1.27g of 22ct (.916) gold. A set of three gold proof crowns commemorating ''the year of three kings'', 1936, which saw the rule of George V, Edward VIII and George VI. Each coin has an obverse depicting a crowned head of Elizabeth II left. Each reverse depicts a three quarter facing bust of one of George V, Edward VIII and George VI. All Proof FDC and offered in a London Mint Office presentation with certificate of authenticity. This set no. 93/499. Total metal weight: 4.71g of 22ct (.916) gold.

Tristan Da Cunha, 2012 Sovereign. 7.99g of 22ct (.916) gold. Obv: Crowned head of Elizabeth II right. Rev: Elizabeth and the lion. Proof FDC. Encapsulated in London Mint Office presentation box with certificate of authenticity.

Tristan Da Cunha, 2012 Half-Sovereign. 3.99g of 22ct (.916) gold. Obv: Crowned head of Elizabeth II right. Rev: Elizabeth and the lion. Proof FDC. Also included in this lot is Tristan Da Cunha, 2012 quarter-sovereign. 1.99g of 22ct (.916) gold. Obv: Crowned head of Elizabeth II right. Rev: Facing portraits of Victoria and Elizabeth II. Proof FDC. Encapsulated in London Mint Office presentation case with certificate of authenticity. Tristan Da Cunha, 2017 quarter-sovereign. 1.99g of 22ct (.916) gold. Obv: Conjoined portraits of Elizabeth II and Prince Philip. Rev: Diamond wedding anniversary, royal cyphers of Elizabeth II and Philip. Proof FDC. Total metal weight: 7.97g of 22ct (.916) gold.

Great Britain, 1981 ''The Royal Marriage Commemorative Coin Collection'' 16-Coin Silver Proof Set consisting 16 x 1 oz. silver proof coins commemorating the wedding of Prince Charles and Princess Diana in 1981, types include Great Britain, Ascension Island, Bahamas, Bermuda, Cayman Islands, East Caribbean Territories, Falkland Islands, Gibraltar, Guernsey, Jamaica, Jersey, Mauritius, Tristan Da Cunha, Turks and Caicos Islands, St. Helena and Tuvalu. All Proof FDC. Encapsulated in Royal Mint ''The Royal Marriage Commemorative Coin Collection 1981'' red leatherette presentation case.

Motor Racing Collection of 6 Formula One and other Motor Racing Signature Items Including Franck Montagny, Felipe Massa, Cristiano Da Matta. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Agustin (Antonio). Dialoghi di Don Antonio Agostini Arcivescovo di Tarracona intorno alle medaglie inscrittoni et altre antichita, tradotti di lingua Spagnuola in Italiana da Dionigi Ottaviano Sada & dal medesimo accresciuti con diverse annotationi, & illustrati con disegni di molte medaglie & d'altre figure, Rome, Appresso gli Stampatori Camerali, [1592], woodcut title, some marks and minor loss to extreme lower outer corner, numerous woodcut illustrations throughout, waterstained to lower margins throughout, with associated light damp marking, contemporary or near-contemporary blind-panelled full calf, gilt decorated spine, rubbed and some wear with upper joint partly cracked, folio, together with other Italian numimatics interest, all 17th century, including F. Buonaroti, Osservazioni Istoriche sopra alcuni medaglioni antichi... di Cosimo III, Granduca di Toscana, Rome, 1698, Ottavio Ferrari, De Re Vestiaria libri septem, Padua, 1654, Jean Baptiste Le Menestrier, Medales Illustrées des anciens empereurs et imperatrices de Rome, Dijon, 1642, Lorenzo Pignori, De Servis, editio secunda, Padua, 1656 (Andrew Fletcher of Saltoun copy), and Charles Patin, Introduzione alla storia della pratica delle medaglie, Venice, 1673, plus an incomplete copy of Enea Vico, Reliqua liborum Aeneae Vici Parmensis, exantiquis imperatorum et Augustarum numis ad historiam pertinentium, Venice, 1612 (title supplied in manuscript, with Deene Library engraved bookplate to verso, and 116 plates only)Qty: (9)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Capaccio (Giulio Cesare). Delle Imprese trattato di Giulio Cesare Capaccio. In tre libri diviso Nel primo, del modo di far l'impresa da qualsivoglia oggetto, o naturale, o artificioso con nuove maniere si ragiona. Nel secondo, tutti ieroglifici, simboli, e cose mistiche in lettere sacre, o profane... Nel terzo, nel figurar degli emblemi di molte cose naturali per l'imprese si tratta, 1st edition, Naples, Appresso Gio. Giacomo Carlino, & Antonio Pace, 1592, [32], 84, 148, 60 leaves, 3 parts in one, title to each part with printer's woodcut device, woodcut head- and tail-pieces and initials, 302 woodcut illustrations to text of symbols and emblems, several neat repaired closed tears (a2 in first part, Mmm2 and Mmm4 in second part, and Hhhh3, and Oooo1 to third part), lightly obscuring some words, quires Oo Ddd and Eeee misbound (probably when the work was rebound), modern antique-style full vellum gilt, with yapp fore-edges, marbled endpapers, bookplate of Patricia Milne-Henderson to front pastedown, red morocco spine label, 4to (193 x 147 mm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESCensimento 16 CNCE 9062; Landwehr, Romanic Emblem Books 203. Imprese were symbolic constructions which combined an illustration and an accompanying short text or motto. This courtly discourse gained currency during the second half of the 16th century, and was first established by Paolo Giovio in his Dialogo delle imprese militari et amorose (published posthumously in 1555). Landwehr describes the woodcuts as 'very delicate and charming', and calls the work 'the first emblematic item to deal with flora and fauna, published three years before the books by Camerarius'.

Cartari (Vincenzo). Imagini delli dei de gl'antichi di Vicenzo Cartari ... Cavate da' marmi, bronzi, medaglie, gioie, & altre memorie antiche ... da Lorenzo Pignoria ... Con le allegorie sopra le imagini di Cesare Malfatti ... migliorate, & accresciute novamente..., Venice: Presso il Tomasini, 1647, title in red & black with printer's woodcut device (leaf torn & repaired to lower outer corner), two folding woodcut plates and numerous woodcut illustrations throughout, light dust-soiling, toning and few marks, occasional damp stains, later endpapers, contemporary limp vellum, short split to lower joint, 8vo (Sabin 11104), together with: Spanhemius (Ezechiel), Dissertatio de Praestantia et Usu Numismatum Antiquirum, Rome: Blasium Deuersin & Felicem Cesarettum, 1664, title in red & black, some early marginalia throughout, some heavy browning and scattered spotting, occasional damp stains, bookplate of Patricia Milne-Henderson to upper pastedown, contemporary vellum, morocco title label to spine, 4to, Torsellino (Orazio), Ristretto delle historie del mondo del P.H. Torsellino ... Volgarizzato dal Sig. Lodouico Aurelii Perugino..., Rome: Per il Mascardi ad Istanza di Pompilio Totti, 1637, engraved armorial to title, woodcut illustrations throughout and armorial to final leaf, bookplate of Patricia Milne-Henderson to upper pastedown, contemporary limp vellum, ties mostly lacking, 12mo, and five other 17th century titles, mostly bound in vellumQty: (8)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Nardini (Famiano). Roma Antica di Famiano Nardini alla Santita di N.S. Clemente XI, 2nd edition, Rome: Giovanni Andreoli, 1704, engraved vignette to title, nine engraved plates & plans (mostly folding), scattered spotting, contemporary vellum, 4toQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESSecond edition of this work on Rome, which also contains in the appendix the 'Memorie di varie antichita trovate in diversi luoghi della citta di Roma, scritte da Flaminio Vacca nell'anno 1594' and the 'Discorso d'Ottavio Falconieri intorno alla piramide di C. Cestio et alle pitture, che sono in essa con alcune annotazioni sopra un'iscrizione antica'.

Paoletti (Bartolomeo, 1757-1834, and Pietro, 1801-1847). A collection of 300 plaster cameos (or intaglios) presented in seven leather-bound double-sided faux book boxes, Rome, circa 1820, 300 white plaster intaglios, or impronte, being miniature impressions in relief of ancient gems, cameos, coins and medals, as well as modern sculptures and portraits, each bordered with pale yellow paper (with manuscript number added), and edged in gilt, generally between 2 and 5 cm in diameter (but some between 6 and 9 cm), carefully arranged and mounted in recessed double-sided book-boxes, lined with dark blue paper, manuscript list of contents in brown ink to front and rear pastedowns of each volume, giving the subject, artist or location, five of the volumes with the manufacturer's address also in brown ink: 'Si fanno in Roma da Bartolomeo Paoletti, e Pietro Figlio, dimoranti di Studio in Piazza di Spagna numo. 49', marbled paper outer edges, with bindings in uniform brown half calf over marbled paper, spines gilt-decorated and each lettered in gilt PAOLETTI, rubbed, and some scuffs and marks (generally in good condition), 8vo (24.5 x 16 cm)Qty: (7)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESA fine collection in matching original bindings of early 19th century plaster intaglios, known in Italian as 'impronte', manufactured by the Paoletti family, which became highly popular amongst aristocratic and fashionable travellers on the Grand Tour during the early part of the 19th century, especially from England. The Paolettis numbered amongst their clients Catherine the Great of Russia, Ferdinand III, Grand Duke of Tuscany, and Lord Elgin, and are listed in Heinrich Keller's contemporary directory of artists and craftsmen working in Rome in 1824 (Elenco di tutti i pittori, scultori, architetti miniatori...di Roma) at the same address as given in the present examples (page 70). The Paoletti firm are also advertised in Count Hawks Le Grice's guide Walks though the Studii of the Sculptors at Rome (1841) as follows: 'Paoletti begs to inform the public that he has arranged a collection of impressions (Impronte in Scajola) of many of the works in sculpture executed by distinguished artists ... Although the Impronte are but miniature copies; yet they exhibit all the fidelity and beauty of the original, and convey to the eye a better idea of sculpted works of art than the most finished engravings'. Designed to form a kind of miniature museum of the history of art and classical mythology, subjects present in this collection range from Greek and Roman monuments and sculptures, portraits of Greek and Roman gods, emperors, warriors, philosophers and poets, masterpeces of the Italian Renaissance, such as Leonardo's Last Supper, Domenichino and Giulio Romano, portraits of famous artists and writers including Raphael, Titian, Michelangelo, Ariosto, Poussin, Maratta, Guercino, Anton Raphael Mengs, Angelika Kauffmann, and Winckelmann, as well as modern works by Antonio Canova (including The Three Graces), Thorwaldsen, Giovanni Pichler, Marchand, Tommaso Cades, and the Paolettis themselves. The contents of each volume are: Museo Vaticano (43), Museo Capitolino (57), Museo di Napoli & Museo di Parigi (42), Uomini illustri nel Museo Capitolino & Villa Albani (49), Monumenti in vari luoghi (42), Opere di Thorwaldsen & Opere di Canova, and one volume untitled, containing modern examples by Pichler, Paoletti, Canova, Marchant, Rega, Luigi Diez, etc.

Paoletti (Pietro, 1801-1847). A collection of 158 plaster cameos (or intaglios), presented in five leather-bound double-sided faux book boxes, Rome, circa 1835-40, 158 white plaster intaglios, or impronte, being miniature impressions in relief of ancient gems, cameos, coins and medals, as well as modern sculptures and portraits, each bordered with pale yellow or black paper (with manuscript numbers added in ink), edged in gilt, generally between 2 and 5 cm in diameter, carefully arranged and mounted in recessed double-sided book-boxes, lined with green or dark blue paper, manuscript list of contents in brown ink to front and rear pastedowns of each volume, giving the subject, artist or location, each with manufacturer's address in brown ink to inside rear cover, 'Si fanno in Roma da Pietro Paoletti, dimoranti di Studio in Piazza di Spagna numo. 49', (except one volume (numbered 6 and titled to spine Munumenti in Vari Luoghi), with address of Bartolomeo Paoletti and Pietro Figlio), marbled paper outer edges, near-uniform brown half calf over marbled boards, spines gilt-decorated, and lettered in gilt PAOLETTI IMPRONTE, (5th volume lettered Paoletti, 6, Munumenti in Vari Luoghi), some intaglios loose, one or two with a little damage, bindings generally rubbed and with some marks, 8vo (24.5 x 16 cm)Qty: (5)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESThe contents of each volume are: Opere di Canova, Munumenti in vari luoghi, Opere di Thorwaldsen, Opere di Thorwaldsen, e Gibson, and Munumenti in vari luoghi.

Strada a Rosberg (Octavius de). Aller Römischer Keyser Leben und Thaten so wol deren gegen Nider- als gegen Auffgang wie auch ihrer Gemahlinen und Kindern... von C. Iulio Caesare... biss auff unsern jetzt regierenden Keyser Matthiam. Frankfurt: Paul Jacobi and Lucas Jennis, 1618, engraved frontispiece portrait, woodcut headpieces, numerous engraved illustrations in text (by Merian), lacking final blank leaf, frontispiece frayed and repaired, title laid down with slight loss at foot, first six gatherings damaged and repaired at lower corner with some loss of text on B2 and B4, some water staining and soiling throughout, a few leaves browned, endpapers renewed, contemporary limp vellum, upper cover soiled and repaired at lower corner), folio, 29 x 20 cm, together with Orsini (Fulvio). Imagines et Elogia Virorum Illustrium et eruditor ex antiquis lapidibus et nomismatib[us] expressa cum annotationib[us], Rome: A. Lafrerij for Petri Dehuchino (Venice), 1570, engraved title within architectural border, engraved illustrations, title laid down with losses, several leaves repaired with some loss of text, a few annotations, a few headlines shaved, some water stains and soiling throughout, all edges gilt, later half morocco, a little rubbed with stains, folio, 29 x 18.5 cm, plus la Prima Parte delle Vite di Plutarch di Greco in Latino: & di Latino in volgare tradotte nouamente da molti errori corrette & con le sue historie ristampate, Venice,1557Qty: (3)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESSecond work Adams U72.

Santi Bartoli (Pietro). Raccolta di Camei e Gemme antiche Disegnate da' suoi Originali, ed intagliate da Pietro Santi Bartoli, date ora in luce da Francesco Bartoli suo figliuolo, Rome: Francesco Giannini Mercante, 1727, engraved portrait and 103 engraved plates, bookplate of Patricia Milne-Henderson to upper pastedown and pencil provenance note 'from Shelton Abbey Library', contemporary speckled calf, rebacked preserving gilt decorated spine with later morocco title label, leather lifting slightly to shoulders, folio (32 x 21.7 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

* Rennaissance Medal. Uniface medal adapted from the medal of Hippolyta Gonzaga by Jacopo da Trezzo, probably 16th century, showing Aurora in a Chariot Riding across the Heavens, bearing the inscription VIRTVTIS FORMAEQ PRAEVIA (The harbinger of virtue and beauty), 70mm diameter, 33.5gQty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

Da Silva Vintage Port 1960 1 Bt. From a dedicated ambient storage unit in the North of England, these wines have been collected over many years by the current owner.

Dows Vintage Port 1975 1 bt Warres Vintage Port 1994 1 bt Rebello Valente 1970 Vintage Port 1 Hf bt Crofts Quinta Da Roeda 1983 Vintage Port 3 bts Above 6 bts. From a dedicated ambient storage unit in the North of England, these wines have been collected over many years by the current owner.

Quinta Do Roeda 6 bts '1983 Croft Quinta Da Roeda Vintage Port 1980 6 bts. From a dedicated ambient storage unit in the North of England, these wines have been collected over many years by the current owner.

Antonio Jose Da Silva port wine, matured in wood for over 40 years. Produced at the Quinta do Noval. Bottled 1971.(B.P. 21% + VAT)

Jubilee Mint the Queen and Prince Philip solid gold coin, 1g approx, country of issue Tristan Da Cunha, 1 crown. In original box with COA.(B.P. 21% + VAT)

ANDY WARHOL (1928-1987)Renaissance Paintings (Piero della Francesca, Madonna del Duca da Montelfeltro, circa 1472)Screenprint on Arches Aquarelle paper, 74 x 104cmSigned and numbered TP 1/36Stamped '© 1984 The Andy Warhol Foundation for the Visual Arts, Inc' verso

ESCHER, M.C. Regelmatige vlakverdeling. Utr., De Roos, 1958. 45 pp., (3) lvs. W. 6 or. woodcuts in black & white, 4 ill., 1 dec. initial & 1 extra set of 6 or. woodcuts printed in red, loosely inserted at rear under yellow cloth band fastener. (W. small ex libris ticket on upper paste-down, but in excellent condition). NOTE:"The regular division drawings of M.C. Escher are considered an important part of his artistic work. He made about 150 basic drawings of regular divisions, some of which were used later in his prints. In almost all of these drawings, it is the tile, the motif, that plays the leading role. However, there are a few exceptions. In his own definition of regular division of the plane, given in Regelmatige vlakverdeling Escher says that the tiles should fit tightly together on all sides, so that there is no space between them. In other words, the joint, the grout, the layer of mortar used by bricklayers to cement each stone to an adjacent stone, separates them in practice, but can theoretically be reduced to nothing. Mathematicians would call these joints “edges” of the tiling; edges are never considered to have any width." (Abstract from R. Roelofs 'Not the Tiles, but the Joints: A little Bridge Between M.C. Escher and Leonardo da Vinci'. In: 'M.C. Escher's legacy', (2003). - Printed in a limited and numbered edition of 175 copies, this copy being nr. 32. - Very fine copy. St. De Roos 45; Bool, 416-421.

HENDRIX, L. & T. VIGNAU-WILBERG. Mira calligraphiae monumenta. MS. 20 (86.MV.527) J. Paul Getty Mus. Malibu. Eine kalligraphische Hs. des 16. Jh. geschrieben v. G. Bocskay & illuminiert v. J. Hoefnagel. Luzern, Faks. Vlg., (1993). Ocl. w. red ti-label & slipcase. -- REISEN, DIE, des RITTERS JOHN MANDEVILLE. (Paris, Bibl. Nat.). Eing. & erl. v. J. Krása. München, Prestel, (1983). W. 28 fine cold. reprods. 4°. Or. red velvet bind., gilt sides & back. -- GEBETBUCH, DAS, des MICHELINO da BESOZZO im Besitz der Pierpont Morgan Libr. N.Y. München, Prestel, (1981). Containing the complete text & ill. in facs. Sm-8°. Or. green velvet bind., gilt sides & back. -- (3).

STICHTING DE ROOS, UTRECHT -- LEVEN VAN LAZARILLO DE TORMES, HET. Opnieuw vert. d. C.F.A. v. Dam. 1953. W. cold. woodcuts by J. Bons. 4°. Or. h. vellum. -- J. de CAMOËNS. Saudades e.a. verzen. (Bilingual ed.). (1953). W. woodcut portr. of the author by J.B. Sleper. 4°. Or. clothbacked brds. -- (L. da PORTO). De geschiedenis v. Giulietta en Romeo. 1961. W. ill. by H.P. Doebele. Ocl. In or. slipcase. -- F.G. LORCA. Sonnetten v.d. duistere liefde. 1990. W. cold. lithogr. by Chr. Buursen. Lge-8°. Owrps. -- H.C. ANDERSEN. De schaduw. 1992. W. ill. by M. Bode. 4°. Ohcl. -- And 5 o. (10). NOTE:Printed in 175 numbered copies. - St. De Roos 27, 28, 54, 138, 142, 145, 126, 112, 4, and 100.

LEONARDO DA VINCI -- BARCILON, P.B. & P.C. MARANI. Leonardo The Last Supper. (1999). 4°. Ocl. w. dust-j. In or. slipcase. -- C.C. BAMBACH. Leonardo da Vinci master draftsman. (2003). 4°. Ocl. w. dust-j. -- L. STEINBERG. Leonardo's Incessant Last Supper. 2001. 8°-obl. Ocl. w. dust-j. -- (3).

LEONARDO DA VINCI -- SYSON, L. & L. KEITH. Leonardo da Vinci, Painter at the Court of Milan. (2011). Obrds. w. dust-j. -- V. DELIEUVIN. Saint Anne. Leonardo da Vinci's Ultimate Masterpiece. (2012). Owrps. -- D. FRANKLIN, ed. Leonardo da Vinci, Michelangelo, and the Renaissance in Florence. 2005. Ocl. w. dust-j. -- D.A. BROWN. Leonardo da Vinci. Origins of a Genious. (1998). Obrds. w. dust-j. -- 4 vols. 4°. -- And 5 o. on the same. (9).

‡David Shepherd CBE, FRSA (1931-2017) Lion Signed Da**Shepherd (lower right); signed and dated 2001/DAVID SHEPHERD (to verso), and inscribed to Emma - with love and best wishes/from David (to frame) Oil on canvas 10.5 x 12.6cm Provenance: Given to the present owner by the artist as an 18th birthday present

SCHUTZE (S), WILLIAM BLAKE, THE DRAWINGS FOR DANTE’S DIVINE COMEDY; DAVID HOCKNEY A BIG PICTURE, d.j., Thames & Hudson, 2012/13; RODIN, Royal Academy of Arts, 2007; BOND (A), FRANCIS BACON, FIVE DECADES, Thames & Hudson; and a selection of other art and design books including Leonardo Da Vinci, Picasso, Liberty, Turner, Renoir etc (25)

Eight art books comprising 'Albrecht Dürer The Complete Engravings', 'The Impressionists by Themselves', 'Leonardo Da Vinci' by Kenneth Clarke Folio Society, 'The Renaissance', 'Christie's Review of the Season 1981' and '1984' and two Polish examples 'Poczet Krolow Polskich' and 'Zielan Warszawy' (8).Additional InformationDust jackets to the latter two volumes heavily worn, numerous tears. Further general surface wear.

A full-size German violin with floral carved scroll, double purfling and inlaid two-piece back, length 36cm, bears label 'Caspar da Salo in Brescia 1594'.

A RARE ARCHAIC BRONZE RITUAL LADLE, DOUShang DynastyThe barrel-shaped bowl cast with the deep rounded sides rising from a slightly concave base, the short handle gently curved upward, decorated to the top in relief with a taotie mask, with a hollow interior to facilitate attachment to a longer shaft. 15.5cm (6 1/8in) long. Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價商 青銅獸面紋枓See a related example illustrated in Zhongguo Wenwu Jinghua Da Quan, Hong Kong, 1993, no.897; see also one excavated from tomb no.1400 at Xibeigang, Anyang, Henan Province, and now in the collection of the Institute of History and Philology, Academia Sinica, Taipei, illustrated in King Wu Ding and Lady Hao: Art and Culture of the Late Shang Dynasty, Taipei, 2012, p.111, no.III-2.For further information on this lot please visit Bonhams.com

A RARE SOAPSTONE FIGURE OF A VAJRAPUTRASigned Shangjun, 17th centuryThe luohan finely carved with almond-shaped eyes, tightly coiled hair and beard, garbed in a cloak draped over one shoulder, the hem carved with the Shangjun two-character mark, seated with one knee raised, left arm and shoulder turned out holding a bat with both hands towards his chest, a fierce lion affectionately clambering up his calf, of semi-opaque cream-coloured stone with russet streaks.7.5cm (3in) high. Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十七世紀 壽山石雕笑獅羅漢「尚均」刻款Published, Illustrated and Exhibited: Roger Keverne Ltd., Summer Exhibition, London, 2013, no.99.展覽著錄：Roger Keverne Ltd.，《夏季展覽》，倫敦，2013年，編號99Vajraputra is one of the Eighteen Luohans, symbolising the invincible power of compassion and wisdom. According to literary sources, Vajraputra instructed Ananda to harmonise the understanding of the Dharma with the practice toward Arhatship.Shangjun was the zi or style name of Zhou Bin, the famous soapstone carver from Zhangzhou in Fujian Province. For an essay about Zhou Bin, see G.Tsang and H.Moss, Arts from the Scholar's Studio, Hong Kong, 1994, pp.84-85, no.43.A similar soapstone figure by Zhou Bin is illustrated in Zhongguo wenwu jinghua da quan: jin yin yu shi juan, Hong Kong, 1994, no.242. See also a soapstone figure signed Shangjun, in the Palace Museum, Beijing, illustrated in 50 Selected Gems of Cultural Relics: Newly Collected in the Palace Museum in the Last Fifty Years, Beijing, 1999, p.144, no.192; and a related soapstone figure, illustrated by M.Eberle, Götter aus Stein: Die Sammlung chinesischer Specksteinfiguren auf Schloss Friedenstien Gotha, Gotha, 2015, no.38.See a soapstone figure of a luohan attributed to Zhou Bin, 17th/18th century, which was sold at Sotheby's New York, 23 September 2020, lot 673.For further information on this lot please visit Bonhams.com

A VERY LARGE PAINTED POTTERY TRIPOD INCENSE BURNER, LIANHan DynastyThe vessel boldly painted around the cylindrical body with a central border of orange-red pigment between thickened rims, all raised on three short stocky legs.26.6cm (10 1/2in) high.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價漢 彩繪陶奩式爐Published, Illustrated, and Exhibited: Roger Keverne Ltd., Summer Exhibition, London, 2005, no.23.展覽著錄：Roger Keverne Ltd.，《夏季展覽》，倫敦，2005年，編號23The result of Oxford Authentication Ltd. thermoluminescence test no.C105h70 dated 2 March 2005, is consistent with the dating of this lot.Oxford Authentication Ltd公司熱釋光檢測結果（2005年3月2日，編號C105h70）顯示年代與本拍品年代一致。A lian of similar form, but with figure decoration, was excavated in 1963 in Luoyang, Henan Province; it now is in the collection of the Henan Provincial Museum, illustrated in Zhongguo Weneu Jinghua Da Quan (Ceramics volume), Hong Kong, 1993, p.82, no.293.For further information on this lot please visit Bonhams.com

A RARE GOLD-HANDLED BRONZE SCHOLAR'S KNIFEWarring States Period The slightly curved thin blade narrowed to a short handle, with a thick gold oval-shaped loop attached to the end, the blade and handle both encrusted with malachite, box.17.4cm (6 7/8in) long. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價戰國 鎦金環首青銅書刀Published, Illustrated and Exhibited: Roger Keverne Ltd., Winter Exhibition, London, 2008, no.6出版著錄：Roger Keverne Ltd.，《冬季展覽》，倫敦，2008年，編號6A very similar bronze knife dating from the Spring and Autumn period, excavated in 1977 from Gaozhuang M18, Fengxiang (site of a Qin capital), and now in the Shaanxi Provincial Archaeological Institute, is discussed by J.Portal, The First Emperor: China's Terracotta Army, London, 2007, p.64, no.30, fig.54, where it is noted that knives of this kind were used by officials for scraping off mistakes made when writing on wood or bamboo slips, as shown by the detail from a terracotta official, fig.53, no.24, of such a knife hanging from the belt. For such knives in bronze with gold handles, Warring States period, see The Art of the Warring States Period, Osaka, 1991, p.101, no.144; and Zhongguo Wenwu Jinghua Da Quan (Bronze volume), Hong Kong, 1994, p.271, no.976.For further information on this lot please visit Bonhams.com

A RARE CREAM-GLAZED TWO-HANDLED AMPHORA VASETang Dynasty The well-rounded ovoid body rising from a flat foot, surmounted by a tall waisted neck and everted lipped rim, flanked by a pair of curved strap handles terminating in dragon heads biting the cup-shaped rim, the shoulder applied with embossed rosettes above finely-incised horizontal bands, a parrot-decorated pottery plaque fixed to the neck and a small rosette to the mouth, the buff earthenware covered with a creamy-white slip beneath a greenish-white glaze stopping irregularly around the body.48.2cm (19in) high.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價唐 白釉雙龍耳瓶Provenance: Hans PetersEskenazi Ltd., London, 2003Published, Illustrated and Exhibited: R.Keverne, Winter Exhibition, London, 2003, no.27.來源：Hans Peters舊藏倫敦古董商埃斯卡納齊，2003年展覽著錄：Roger Keverne Ltd.，《冬季展覽》，倫敦，2003年，編號27See a closely-related vessel, Tang dynasty, illustrated in Porcelain of the Jin and Tang Dynasties: The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1996, pp.172-173, no.159. See another example, in The Charles B.Hoyt Collection, Boston, 1964, p.33, no.129; another example illustrated by M.Feddersen, Chinese Decorative Art: A Handbook for Collectors and Connoisseurs, Michigan, 1961, p.54, fig.25, in the collection of the Victoria and Albert Museum, London; see another example illustrated by Y.Mino, Pre-Sung Dynasty Chinese Stonewares in the Royal Ontario Museum, Toronto, 1974, p.32, no.19; Zhongguo Wenwu Jinghua Da Quan (Ceramics volume), no.239, p.245, now in the collection of the Shaanxi History Museum; and an example in R.L.Hobson, The Eumorfopoulos Collection, vol.1, London, 1936, no.325, pl.XLVIII.See a related large straw-glazed amphora, Tang dynasty, which was sold at Christie's New York, 14 September 2018, lot 1272.For further information on this lot please visit Bonhams.com

AN ENAMELLED AND GILT 'DA JI' PORCELAIN WALL PLAQUETypically modelled in the form of a double gourd vase tied at the waist with a yellow ribbon, the coral ground reserved with a continuous swastika design with blue enamelled bats and two medallions enclosing the characters 'da' and 'ji'.36cm (14.1/8in) high.For further information on this lot please visit Bonhams.comAreas of rubbing to the gilt and the enamels.

FIVE BOXES OF DVD'S, CD'S, VINYL, LP'S, TAPES, ETC, including DVD: The Da Vinci Code', 'Coco Before Chanel', 'Frozen', 'The Fellowship of the Ring', etc (over one hundred DVD's), CD's including Cliff Richard 40 Golden Greats, Celine Dion The Colour of My Love, Queen Greatest Hits, The Sixties Album, the Dubliners, etc (over sixty), tapes including Discovering the Classics of the World, Roy Orbison his Greatest Hits, the Best of Cliff Richard, The Ultimate Ballad Collection, etc (many complete sets), the vinyl LP's include Max Bygraves, Gilbert O'Sullivan, 50 Red Hot Black Music Hits, Disco Mania, Showaddywaddy, etc (over fifty records) (5 boxes)

* JOHN KINGSLEY RSW DA PAI, UNTITLED oil on canvas, signed 178cm x 143cm Framed. Notable collections include: HRH The Duke of Edinburgh, Tommy Hilfiger, Paisley Museum and Art Gallery, Argyll and Bute District Council, CMS (formerly Dundas and Wilson), Mactaggart & Mickel, Albert Fisher PLC, Sara Lee UK, Glenisla Group, Royal College of Physicians and Surgeons Glasgow, Royal Liverpool Golf Club, Hoylake Golf Club, Royal Birkdale Golf Club, and IMG (International Management Group).

* GORDON H WYLLIE RSW DA (SCOTTISH 1930 - 2005), AUTUMN MOON gouache on paper, signed and dated '82, titled label verso 11.5cm x 16cm Mounted, framed and under glass. Handwritten label verso. Note: Gordon Wyllie was born in Greenock and in 1949 was accepted to study at the Glasgow School of Art. Under the tutelage of such luminaries as Edward Odling and Mary and Willie Armour, Gordon distinguished himself, graduating in 1953 after an eminent final year. He was awarded the post-diploma, or Master's course, won the Scottish Academy Award and also the Newbery Medal, the school's most prestigious prize. This was all the more remarkable considering that Gordon had, in his diploma year, returned home to care for his father, whose seriously deteriorating health ended in death two months before the degree show, and Gordon himself had suffered a bout of pneumonia. With a scholarship award, he studied that summer at Hospitalfield, Arbroath, as a post-graduate under Ian Fleming. Fleming inspired Gordon and encouraged him in abstraction, with which he occupied himself for the next few years. Meanwhile, he trained at Jordanhill College of Education in Glasgow to become a teacher, in the vanguard of the resurgence of art teaching in Scottish schools by the new art masters, undoubtedly because they painted actively while teaching full-time. Passionate about art education, he was instrumental in influencing many students to pursue a career in the creative industry. A former pupil aptly described his classroom as a "guided exploration rather than a formal lesson". His love of the Scottish countryside is mirrored in his work and undoubtedly stemmed from the bank of images he built when, as a youngster, he travelled with his parents around the country. Argyll and the Western Isles were his favourite destinations, where he was fascinated by the crofts and farms sprouting from the land. Small houses typified his landscapes and still-lifes included abstracted landscapes; flowers, particularly poppies, fruit and fish feature in his later output. In 1996, he was awarded the Alexander Graham Munro Prize at the RSW exhibition in Edinburgh. His work featured regularly in one-man and combined shows and at his last one-man show in London in 2003, demand for his paintings remained high, as it has done ever since. In the last couple of years auction prices, in Glasgow and elsewhere, have shown a significant surge, reflecting the increasing collector interest in Gordon Wyllie's work. His auction record price has been beaten on regular occasions and currently stands at £2400 (hammer) established in October 2020.

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), UNTITLED oil on board 36cm x 46cm Framed.

* JUNE SHANKS DA, ARUM LILIES AND GLEN LUSS watercolour on paper, signed and dated 1994, titled label verso 60cm x 54cm Mounted, framed and under glass. Artist's label verso.

* JUNE SHANKS DA, GOATS AT DUCHAL watercolour on paper, signed and dated 1993, titled label verso 33cm x 48cm Mounted, framed and under glass. Artist's label verso.

* ROBERT KELSEY DA MUniv PAI FRSA (SCOTTISH b. 1949), LONE BOAT gouache on paper, signed 21cm x 29cm Mounted, framed and under glass.

SALVADOR DALI (1904-1989) Spanish, Leonardo Da Vinci, etching, reverse with authentication label, framed and glazed. 42 x 48.5 cm overall.

Jürgen LIT Fischer*, Focus II, 4 piecesJürgen LIT Fischer*, (1941- 2005)1982Focus II (Sphärisches Licht Relief). 1982. 4 Arbeiten. Kunststofflinse, Glas. Außerhalb der Auflage, da das Objekt Teil einer großen temporären Installation war. 27 x 27 cm. Jürgen LIT Fischer*, Focus II, 4 piecesJürgen LIT Fischer*, (1941- 2005)1982Focus II (spherical light relief). 1982. 4 papers. Plastic lens, glass. Out of the edition, as the object was part of a large temporary installation. 27 x 27 cm.

Antonio da Ros, Cenedese, Vase SassoAntonio Da RosGino Cenedese, MuranoVase aus der Serie Sasso. Dickwandiges urangrünes, innen türkis überfangenes Glas. 18,5 x 14 x 6 cm.Literatur: Heiremans, Marc, Art Glass from Murano. 1910-1970, Stuttgart 1993, S. 73/ 75 (zum Vegleich). Antonio da Ros, Cenedese, Vase SassoAntonio Da RosGino Cenedese, MuranoVase from the Sasso series. Thick-walled uranium-green glass covered with turquoise inside. 18.5 x 14 x 6 cm.Literature: Heiremans, Marc, Art Glass from Murano. 1910-1970, Stuttgart 1993, S. 73/ 75 (zum Vegleich).

IWC Schaffhausen-Herrenarmbanduhr "Da Vinci" Automatischer Chronograph mit ewigem Kalender und ewiger Mondphasenanzeige. Gelbgold, gest. 750. Kleine Sekunde und Wochentag, Mondphasen und Chronographen-Sekundenzähler aus der Mitte. Cognacfarbenes Krokodillederarmband mit Gold-Dornschließe. Herstellerzeichen. No. Ref.-Nr. 2503607. Original Box und Papiere. Gew. ca. 86,95 g. An IWC-Schaffhausen gentlemen's wristwatch with perpetual calendar, automatic movement, in 18 k gold. Manufacturer's mark. Original box and papers included.