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A Pentax DA AL Limited f/3.2 21mm Lens, black, serial no. 0004359, body, E, elements, VG-E, some very very light internal haze, complete with lens hood/filter and maker's box

Two Pentax DSLR Cameras with Lenses comprising a K20D SR camera with a SMC Pentax-DA f/3.5-5.6 18-55mm AL lens, a K10D SR body all with retail boxes and packaging, also a SMC-Pentax-DA f/4-5.8 55-300mm ED lens, a SMC Pentax-FA f/4.5-5.6 100-300mm lens, a Tamron Tele-Macro AF f/4-5.6 70-300mm lens and other items, overall condition VG, all untested

A SMC Pentax-DA f/2.8 40mm Limited Lens serial no.0007918, body VG-E, optics G, some dust, with caps, soft case and retail box

A SMC Pentax-DA f/2.4 70mm Limited Lens serial no.0003491, body VG, optics VG, with soft case

A SMC Pentax-DA f/2.8 35mm Macro Limited Lens serial no.9270299, body VG-E, optics VG-E, with caps, soft case and retail box

A Mixed Collection of Various Nikon Accessories including a boxed chrome Nikon Photomic FTn prism, a black FTn prism, both untested, a Nikon DA-1 action finder for F2, a Speedlight SB-17 electronic flash, fires on manual when batteries inserted, a Nikon SC-17 off camera flash cable, a Kenko N-AF 1.4x Teleplus rear teleconverter, a boxed Kenko Extension Tube Set DG for Nikon AF and other items

DEUTSCHE GRAMMOPHON - LP COLLECTION. A collection of 437 x LPs. Composers/ Performers/ Compositions include Dietrich Fischer, Kreutzer Sonata, Serge Jaroff, Rafael Kubelik, Teresa Berganza, Barenboim - Bartok: Violakonzert, Francesca Da Rimini - Tschaikowaki: Romeo Und Julia, Nicanor Zabaleta - French Harp Music and Anton Bruckner: Symphonie NR. 6 A-Dur. The collection can include duplicates and some LPs from box sets that don't contain the outer box. Ref box: GST108935 - GST109079, GST096740 - GST096800, GST103347 - GST103312, GST104630 - GST104666, GST104237 - GST104294. Condition is generally VG+ to Ex+, odd one may drop to VG. Please note that all sleeves will contain archival stickers from the BBC. These stickers can be 'on top' of the plastic with some 'underneath' (i.e. on the sleeve itself). Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve. Generally G to VG.

MICHAEL GARRICK SEPTET - BLACK MARIGOLDS LP (ORIGINAL UK MONO COPY - ARGO DA 88). Scarce original UK mono copy of the 1966 LP Black Marigolds from The Michael Garrick Septet (an all-star lineup with the ensemble featuring Joe Harriott, Don Rendell, Ian Carr, Tony Coe, Dave Green, Trevor Tomkins and Colin Barnes). Side 1 of the record (Argo Records, DA 88) is in clean Ex condition showing only a couple of very light and fine surface hairline marks with side 2 in fantastic Ex+ condition showing few marks. With BBC Gramophone Library stamp on both labels. Housed with a clean original (red) mono company inner. The original mono sleeve is in VG condition with a protective plastic wallet laminated to the sleeve which contains archive stickers.

BRANDIS, AUGUST VON1862 Haselhorst (Spandau) - 1947 AachenTitel: Interieur mit Blick in den Sommergarten. Technik: Öl auf Leinwand. Maße: 88 x 73cm. Bezeichnung: Signiert unten rechts: A.v. Brandis. Rahmen: Rahmen. Provenienz:Privatbesitz, Schweiz. August von Brandis Deutschland Düsseldorfer Schule 19./20. Jh. Gemälde Rahmen Interieur MalereiErläuterungen zum KatalogFür dieses Los berechnen wir zusätzlich die Einfuhrumsatzsteuer, da das Objekt von außerhalb der EU eingeführt wurde (Verkaufsbedingungen §V5.2).

BRANDIS, AUGUST VON1862 Haselhorst (Spandau) - 1947 AachenTitel: Interieur vor geöffnetem Fenster. Technik: Öl auf Leinwand. Maße: 93 x 67,5cm. Bezeichnung: Signiert unten links: A.v. Brandis. Rahmen: Rahmen. Provenienz:Privatbesitz, Schweiz. August von Brandis Deutschland Düsseldorfer Schule 19./20. Jh. Gemälde Rahmen Interieur MalereiErläuterungen zum KatalogFür dieses Los berechnen wir zusätzlich die Einfuhrumsatzsteuer, da das Objekt von außerhalb der EU eingeführt wurde (Verkaufsbedingungen §V5.2).

IKONE MIT ZWEI HEILIGENFIGUREN. Moskau. Technik: Tempera oder Öl auf Holz. Oklad: Silber, vergoldet. Maße: 31x26x2,5cm. Marke: BZ Moskau (Goldberg Nr.527), 84, BZ-Meister mit 1866, MZ tlw. verschlagen (...)D. Beilage: 4 Ikonen. Tempera bzw. Öl auf Holz. Je ca. 31x26,5cm. Moskau Russland Kunstkammer IkonenErläuterungen zum KatalogFür dieses Los berechnen wir zusätzlich die Einfuhrumsatzsteuer, da das Objekt von außerhalb der EU eingeführt wurde (Verkaufsbedingungen §V5.2).

GROßER SAMOWAR. Russland. Technik: Metall, Holz u.a. Maße: Höhe 45cm. Marke: Unten am Fuß gemarkt. Zustand C. Russland Russland KunstkammerErläuterungen zum KatalogFür dieses Los berechnen wir zusätzlich die Einfuhrumsatzsteuer, da das Objekt von außerhalb der EU eingeführt wurde (Verkaufsbedingungen §V5.2).

STUTZUHR. Wohl Deutschland.Material: Holz, ebonisiert, dreiseitig verglast.Beschreibung: Emailzifferblatt mit rabischen Stunden und Minuterie. 2 Hilfszifferblätter für Schlagabstellung und Repetition. Schlag auf 2 Glocken, fest stehendes Birnpendel.Maße: Höhe 56,5cm.Zustand C. Beilage: S/P. Standuhren und KaminuhrenErläuterungen zum KatalogFür dieses Los berechnen wir zusätzlich die Einfuhrumsatzsteuer, da das Objekt von außerhalb der EU eingeführt wurde (Verkaufsbedingungen §V5.2).

A PARCEL CONTAINING TWO GOLD HALFCROWN COINS TRISTAN DA CUNHA, Fractional Gold 2009, St George/Dragon, Rebok Krugerrand

A BOXED DUKE AND DUCHESS OF CAMBRIDGE COMMEMORATIVE GOLD DOUBLE CROWN COIN, 2015, 9ct Gold, 28mm, 4 gram, Proof Trista da Cunha with Certificate

A PLASTIC BAG OF COINS, to include 3x Silver Proof 2011 Olympic Discipline Fifty Pence coins, a Tristan da Cunha Silver Proof 2015 Crown coin, two other Gold Layered coins (6)

Arcangelo (eigentlich Arcangelo Esposito)1956 Avellino - "Da Montecassino a Benevento..." - Monotypie/Bütten. 1/1. 102 x 140 cm. Sign. l. u.: Arcangelo. Verso auf Galerieetikett (Galerie Depelmann, Langenhagen) bez. Rahmen. - Provenienz: Galerie Depelmann, Langenhagen.

1 Durchbruchteller - Musselmalet VollspitzeKönigliche Porzellanmanufaktur, Kopenhagen 1980-1984. Porzellan, weiß, glasiert. Unter der Glasur blau bemalt. Unter der Glasur grüne Marke und drei blaue Wellenlinien. 1. Wahl. Modellnr. 1098. H. 4 cm, D. 25,5 cm - Beigegeben,da best. (Abschlag an einem Bogen): rechteckiges Tablett, 1969-1974 - Modellnr. 1122. H. 3,5 cm, 14 x 22,5 cm.

Türkei */O Sehr gehaltvoller Posten auf 27 Blättern. Dabei sehr gute Anfangswerte wie Michel Nr. 174, Sultanreise Aufdruck Salonique, 229/44, 246/50, 252/58 und weitere gute Ausgaben. Da die Aufdrucke sehr fälschungsgefährdet sind, ist das Angebot ohne Obligo der Aufdrucke. Katalogwert ca. 6000 €. Nicht geprüft auf Zähnungen. Wir bitten um eingehende Besichtigung!| Turkey */O Very rich lot on 27 sheets. Including very good initial values such as Michel No. 174, Sultanreise overprint Salonique, 229/44, 246/50, 252/58 and other good issues. Since the overprints are very prone to forgery, the offer is without obligo of the overprints. Catalog value approx. 6000 €. Not examined for perforations. We ask for detailed inspection!

Altes Schaubek Album + England Altes dickes Schaubek Album mit sehr interessantem Inhalt ab Amerika. Eine Besichtigung ist notwendig, da eine vollständige Aufzählung nicht möglich ist. Gute Ausgaben der USA, Deutschem Reich, Italien.| Old Schaubek album + England, old thick Schaubek album with very interesting contents from America onwards. An inspection is necessary as a complete listing is not possible. Good issues of the USA, German Reich, Italy.

BRD - Sammlung von DM Kursmünzensätzen, 1974/2001, 1974 - 1990/D/F/G/J, 1991 - 2001/A/D/F/G/J, bis auf 1974 (nicht im originalen Blister) in der PP Erhaltung, mit dem gesuchten Jahrgang 1995. Die KMS sollten aus den 13 Spezialalben entnommen werden, da diese einen chemischen Geruch verströmen.| BRD - collection of DM coin sets, 1974/2001, 1974 - 1990/D/F/G/J, 1991 - 2001/A/D/F/G/J, except 1974 (not in original blister) in proof condition, with the sought-after year 1995. The KMS should be removed from the 13 special albums, as they give off a chemical odour.

A Marco Dente da Ravenna (1493-1527), After Raphael (1483-1520), "Venus Removing Thorn from her Foot", oak framed engraving trimmed to margins, frame 15 1/8" x 12 1/8" (This is probably a re-working by Marco Paluzzi, published 1600-1610).

A folio of Leonardo da Vinci prints of drawings and designs

Quantity of Books, including: art and art reference, antiques, medieval history, architecture, etc.; Carola (Leslie Conron, ed.), The Irish: A Treasury of Art and Literature, Beaux Arts Editions, 1993; Briggs (Asa), A Social History of England, New Edition, BCA, 1994; Fox (Caroline), Dame Laura Knight, Phaidon Press, 1988; The Notebooks of Leonardo Da Vinci, and others (qty: 10 boxes)

Horses.- Galiberto (Giovanni Battista di) II Cavallo da maneggio, first edition, engraved additional title, engraved device on title verso, 55 engraved illustrations, double-page engraved plate, occasional light browning and some marginal foxing, bookplate of Sir William Stirling-Maxwell to front pastedown, 19th century morocco, vellum panels to covers, rubbed, a little soiled, g.e., [Nissen ZBI1470], small folio, Vienna, Per Giovan Giacomo Kyrneri, 1650. *** Rare first edition of this work dealing the training, care and treatment of horses.

Drinker's Interest - Four Bottles of Red Wine, comprising Seven Hills Italian Vino Da Tavola, Muscat aus Patras Cavino, Mirna Shiraz Sicilia, and Preston Guild 1972 Ruby Wine.

After Michelangelo Merisi Da Caravaggio (Late 19th Century), Sleeping Cupid, unsigned, oil on canvas, 46 x 61cm, framed 67 x 82cm.

Large 19th century Chinese famille noire porcelain vase decorated with birds on flowering branches against a black ground. Marked along the underside "Da Ming Chenghua Nian Zhi" within a double ring.Height: 23 1/2 in x diameter: 10 in.Condition:Original rim has been removed and ground down. The vase has been re-painted in black enamel and re-fired. Some evidence of enamel loss on the inside, exposing the original clear porcelain glaze. There are signs of water and iron staining on both the outside and inside. there is light wear to the footrim consistent with its age. There are no other major chips or cracks evident. The vase has been drilled along the underside.

Maria Martinez (San Ildefonso Pueblo, 1887-1980) and her son, Popovi Da (Antonio Martinez) (San Ildefonso Pueblo, 1923-1971). Blackware ceramic plate with feather motifs. Signed "Martinez" and "Popovi" along the underside.Provenance: From the distinguished collection of the Walker Art Center, Minneapolis, MN - proceeds from this sale will benefit their mission.Height: 2 in x diameter: 11 3/4 in.Condition:There are no major chips or losses. There is a thin crack running from the rim towards the footrim (2-3 inches in length). Light wear throughout including some light scratches and scuffing. A partial label is affixed along the underside.

A Murano glass figure of a devil with fiddle inscribed to base "Vetro eseguito da mahestri di Murano - made in Italy" 24 cm high CONDITION REPORTS No signs of damage. There are various firing and marbling marks but otherwise in need of a good clean. General wear and tear conducive with age and use. See images for further detail.

A wooden sculpture of Leonardo Da Vinci's 'The Last Supper' with carved figures. (B.P. 21% + VAT)

After Leonardo Da Vinci. The Last Supper, print, 49cm x 116cm.

Bunnykins limited edition world explorers. Vasco Da Gama DB413, Marco Polo DB414, Sir Francis Drake DB415, Sir Walter Raleigh DB416, Christopher Columbus DB417, Capt. Robert Scott of the Antarctic DB418, Doctor Livingstone DB419. The largest measures 2.5"dia. x 5.25"H. All figurines have the Royal Doulton Bunnykins backstamps on the bottoms. Artist: Shane RidgeIssued: 2007Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

14k yellow gold emerald, diamond, and black enamel ring. Set with eight brilliant cut diamonds (approx. 0.86 ctw) and one emerald (approx. 0.36 ct), in a navette form with four enamel lines radiating from the central emerald. The ring has a decorative gallery and enameled shoulders. Marked "14K DA" on inner shank.Ring size: US 7; gross weight: 7.8 gramsbr/>Condition:Condition commensurate with normal wear including light scratching. Enamel in good condition with no losses.

TRISTAN DA CUNHA. Elizabeth II, 1952-2022. Silver 5-coin set, 2017. Jubilee Mint. Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Mintage: 2,017.Diameter: 22 mm.Weight: 50 g.Composition: 925.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

UNITED KINGDOM. Silver lot of 3 medallions, 1974. John Pinches 100 Works of Art. Number 1 - "Queen Nefertiti" in ca. 1365 B.C., Number 2 - "The Virgin Of The Rocks" by Leonardo Da Vinci in ca 1485, Number 4 - "The Ecstasy Of St. Theresa" by Gian Lorenzo Bernini in 1645 - 1652. Diameter: 51 mm.Total gross weight: 196.50 g. (ASW = 5.8445 oz.)Composition: 925.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

1900 Da Silva, Vinho Do Porto Reserva Date of bottling unknown 1x70cl Damaged Label

1995 Churchill's, Quinta da Aqua Alta Vintage Port OWC 12x75cl  

Fine Art, Painting – Meyer (Dr. Julius), Heaton (Mrs. Charles), ed. and introduced by), Antonio Allegri da Coreggio, London, Macmillan 1878, large 8vo, x + 304pp, 20 engr. plates, gilt edges, bound bevelled and embossed black boards, gilt spine titles; Ollier (Edmund), Lasseln’s Doré Gallery, Containing Two Hundred and Fifty Beautiful Engravings, London, Cassel, n. d., (c. 1885) 2 volumes of four, large 4to, marbled end papers and edges, bound half Morocco over red boards, gilt lines and spine titles, badly rubbed and slight fraying to Vol. 1; Vol I: 60pp, Vol II: 61-152pp with memoir of Doré xiii-xlvii; Hogarth (William), The Complete Works of William Hogarth, London, William Mackenzie, n. d. (1860), one volume (of six) only, 4to, steel engraved frontis and many plates, 261pp, gilt edges, bound gilt, black and red embossed brown bevelled boards and spines, gilt portrait bust in cartouche to front board, spine slightly rubbed; Cundall (H. M., ISO, FSA), Birket Foster, London, A & C Black, 1st edn., 1906, large 8vo, xx + 216, photographic frontis of artist, numerous coloured and monochrome plates, gilt and grey printed blue boards, gilt titles (5)

British Commonwealth, collection of various issues on stockcards, including British South Africa Company, Rhodesia, Bermuda 1953-62 1/3d corner marginal block of four UM, St. Helena, Tristan da Cunha bird sets UM, Montserrat, some modern thematic sets etc.

A selection of hardback and coffee table books, primarily relating to art and architecture, titles including: Francesco’s Italy, by Francesco da Mosto; The Art of Bloomsbury, by Richard Shone; Rijksmuseum: Amsterdam; Gaudi: The Complete Works, 2 vols; An Architectural Journey in Japan, by J. M. Richards; and others, one box.

Miniatur, Maria da Gloria, Königin von Portugal, mit Ordensschärpen, frei nach dem Gemälde von 1829 in der Royal Collection, in Metallrahmen mit Klappständer, Miniatur mittig gespr., H. 9,5 cm

Rudolf Gudden (1863-1935), ''Sitzende Frau im Garten'', Öl/Lwd, um 1915, rechts unten signiert. Gudden wurde als eines von neun Kindern des berühmten Psychiaters und Nervenarztes Bernhard von Gudden in Schloss Werneck bei Schweinfurt geboren, als dieser Leiter der dort untergebrachten Nervenheilanstalt war. Sein Vater war maßgeblich an der Absetzung Ludwigs II. beteiligt, da er das Gutachten verfasst hatte, welches die amtliche Begründung für die Entmündigung des Königs bildete. Zusammen mit Ludwig II. ertrank er 1886 unter bis heute ungeklärten Umständen im Starnberger See. Rudolf Gudden hatte an der Münchner sowie der Karlsruher Akademie studiert und sich 1888 endgültig in Frankfurt am Main niedergelassen, wo er 1906 den Frankfurt-Cronberger Künstler-Bund mitbegründete. 70,0 cm x 59,5 cm, ger. 82 x 74 cm

STAR WARS COLLECTION OF LOOSE FIGURES TO INCLUDE RANCOP JABBA DA HUTT B-WING AND MULTIPLE 3.5 INCH FIGURES

ATTRIBUTED TO GUERCINO, GIOVANNI FRANCESCO BARBIERI (1591-1666) OR THE CIRCLE OF: A RED CHALK STUDY OF A MALE PROFILE,24.5cm x 20cmThe red chalk drawing on paper depicting a study of a man's face and upper body, in a pensive position. The drawing on paper, laid on paper, labelled in pencil to verso 'Guercino da cento'. Originally mounted in a frame and glazed. The drawing has been removed from the frame for inspection. Light reveals an octagonal or decagonal watermark on the paper over the man's face (see photos).Property of a local gentleman. 

A coin collection including British £5 coins 2001 (Victoria), 1999 (Diana), 2002 and 2009 (Countdown) in presentation packs, two (2) bronze Churchill medals 1954 (80th birthday) each cased, Royal Mint proof sets 1980 (2), 1981, 1982, 1983 (2), 1984, 1985, 1986, 1987 and 1989 and an uncirculated set 1953, two (2) proof silver crown coins 1977 cased with certificates, a silver proof crown 1981 cased with certificate, a silver proof £1 2016 from Tristan da Cunha, a Bahamas 1978 silver $10 coin cased with certificate and a Germany cased reunification coin 1990, together with a number of empty cases for sovereign and quarter ounce gold coins.

Five SMC Pentax lenses. A FA 1:3,5-4,7 28-80mm, a F Zoom 1:3,5-4,5 35-70mm, a DA 1:4,5-5,6 50-200mm, a FAJ 1:4,5- 5,8 75-300mm and a 1:3,5 135mm

Expert opinion by professor Claudio Strinati: «It is a remarkable work, a precious testimony, in my opinion, of the first activity phase of the great Neapolitan painter who became one of the absolute protagonists of the Neapolitan artistic life of the first twenty-five years of the seventeenth century.The work here in exam, however, must be dated first and more precisely in the in which Santafede had the task, quite well documented in the sources, from the altarpiece of the main altar, depicting a Madonna and Saints, of Matera Cathedral, which although not signed is a certain and datable work around 1580-83. A comparison between the painting in question here and the colossal altarpiece from Matera confirms the reference to the young Santafede in our work as well as a similar dating, perhaps, for our painting, to be moved slightly forward, that is, to the middle of the last decade of the sixteenth century. The scenes from the life of Christ around are very noteworthy to the Annunciation, in which the influences of the greats are clearly noticeablemannerists especially (but not exclusively) industrious Flemish a Naples in the second half of the sixteenth century like Teodoro d' Errico or Aert Mytens. Furthermore, it is still very strong in these splendid and fervent scenes the influence of Marco Pino da Siena, the great painter who had a presence in Naples was decisive and also significantly influenced Santafedeat its beginnings. In the Annunciation, however, the connection is already evident, then favored by Santafede himself, with the great Florentine painting of the late Cinquecento on which Santafede, perhaps also under the influence of Belisario Corenzio who at that time in Naples held a sort of monopoly on larger clients, he modeled his magnificent stylistic signature of clarity and classical composure combined with a very noble and majestic expressiveness, also mindful of the lesson of the Roman school that he taughtcertainly knew and appreciated. Magnificently preserved, our painting is therefore a beautiful testimony to the decisive turning point in classical painting Southern in the latter part of the sixteenth century. Truely, Claudio Strinati» H 177x136 cm

(Vocabularium italico-arabicum.) Handgeschriebenes arabisch-italienisches Wörterbuch. Um 1770. Tinte auf Papier. 494 hs. numm. S. 4°. Leder d. Zt. mit blindgepr. Rosetten und Eckfleurons (etwas berieben, beschabt und bestoßen, Rücken mit Überresten von Etiketten). Aus der aufgelösten Bibliothek des Franziskanerklosters Fulda-Frauenberg, mit Stempeln. Aus dem Besitz des Orientalisten und Franziskanerpaters Arsenius Rehm (1738-1808), der u.a. einige Zeit im Franziskanerkloster Fulda-Frauenberg wirkte und dessen zwischen 1769 und 1776 in Kairo erworbene Handschriftensammlung bis nach seinem Tod in Frauenberg verblieb, bis sie 1852 von der Benediktinerabtei Sankt Bonifaz in München erworben wurde. Dieser Band war nicht Bestandteil der eigentlichen Sammlung. "Ein ziemlich umfangreiches arabisches Wörterbuch ist da von ihm vorhanden, obwohl nicht von ihm geschrieben. Es bietet nur die italienische Übersetzung der arabischen Wörter. Nach arabischer Art fängt es auch, für unsere Anschauung, von hinten an." (Bihl, Geschichte des Franziskanerklosters Frauenberg, S. 137). - Nur vereinzelt etwas fleckig. Sehr gut erhalten. Handwritten Arabic-Italian dictionary. Cont. leather with blind-tooled rosettes and corner fleurons (somewhat rubbed, scuffed and bumped, spine with remnants of labels). - From the dissolved library of the Franciscan monastery of Fulda-Frauenberg, with stamps. From the property of the Orientalist and Franciscan priest Arsenius Rehm (1738-1808), who worked for some time at the Franciscan monastery of Fulda-Frauenberg and whose collection of manuscripts, acquired in Cairo between 1769 and 1776, remained in Frauenberg until after his death, when it was acquired by the Benedictine Abbey of St Boniface in Munich in 1852. This volume was not part of the actual collection. - Only sporadically somewhat stained. In very good condition.

Da Costa Stundenbuch. Faksimile der Handschrift MS M 399 aus der Morgan Library & Museum. 2 Bde., Faks. u. Komm. Mit zahlreichen farbigen Miniaturen. Graz, Akademische Druck- und Verlagsanstalt, 2010. Kl.-8° u. Gr.-8°. OWildldr. mit goldgepr. RTitel und dreiseitig punziertem Goldschnitt in OPlexiglasschuber u. OLwd. mit goldgepr. Titel auf Rücken und Deckeln. Codices Selecti CXVI. - Eines von 381 nummerierten Exemplaren (GA 480). - Die Handschrift entstand um 1515 in Belgien, geschaffen von Simon Bening nach Wunsch eines spanischen Auftraggebers. Später kam sie in den Besitz von Don Alvaro da Costa (1470-1540), dem Waffenmeister und Kämmerer des portugiesischen Königs Manuels I. Über Jahrhunderte verblieb der Codex in Familienbesitz, bis er 1905 wieder im Handel auftaucht und sich seitdem in Privatbesitz befindet. - Sehr gutes Exemplar. With numerous colour miniatures. 2 vols., facsimile and commentary. Orig. suede binding with gilt title on spine and three sided gilt embossed edges in orig. acrylic glass slipcase and orig. cloth with gilt title on cover and spine. - One of 381 numbered copies (total ed. 480). - The manuscript was created in Belgium around 1515 by Simon Bening at the request of a Spanish patron. It later belonged to Don Alvaro da Costa (1470-1540), the armourer and chamberlain of the Portuguese King Manuel I. The codex remained in family ownership for centuries until it reappeared on the market in 1905 and has been in private ownership ever since. - Very well-preserved, near mint copy.

Inkunabeln - Postinkunabeln - - Thomas von Aquin. In libru 3 beati Job dilucidissima expositio... - In tres Psalterii primos nocturnos dilucidissimae expositiones in lucem castigatissimae... - In Evangelium sancti Ioannis Evangeliste... 3 Tle in 1 Bd. Mit drei wdh. Holzschnitt-Druckermarken und zwei großen figürlichen Holzschnitt-Initialen. Venedig, Simone da Lovere für Alessandro Calcedonio, 1505 (I u. II) bzw. 1508 (III). I: 2 nn. Bll., 56 num. Bll. II: 83 num. Bll. III: 12 nn. Bll., 147 Bll. 4°. Restaurierter Pgt. d. Zt. mit hs. RTitel. Äußerst selten. - I: EDIT16 CNCE 31785. Adams B 1345. - II: EDIT16 CNCE 31789. Nicht bei Adams - III: EDIT16 CNCE 31810. Nicht bei Adams. - Die ersten beiden Teile im Kolophon 1505 datiert, der Dritte 1508. - Vorsätze erneuert. Erstes Titelbl. mit zeitgen. hs. Besitzeintrag. Erste und letzte Bll. im Innensteg verstärkt. Der dritte Teil etwas stärker stock- und teils sporfleckig. Letzte Bll. mit größeren Defekten und Fehlstellen, dadurch Text- und Bildverlust, überwiegend fachmännisch mit Japan restauriert. Das letzte Bl. zusätzlich als Kopie eingebunden. Einige wenige zeitgen. Marginalien. Insgesamt wohlerhaltenes Exemplar. Incunabula - Postincunabula - 3 parts in 1 vol. With three repeated woodcut printer's marks and two large figural woodcut initials. Restored cont. vellum with handwr. spine title. - Extremely rare. - The first two parts dated 1505 in the colophon, the third 1508. - Endpapers renewed. First title page with contemporary handwritten ownership inscription. First and last leaves reinforced in inner margin. The third part somewhat more heavily foxed and partly spore spotted. Last few leaves with larger defects and losses, resulting in loss of text and image, mostly professionally restored with Japan. The last leaf additionally bound in as a copy. A few contemp. marginalia. Overall a well-preserved copy.

Inkunabeln - Postinkunabeln - - Gabriel Barletta. Sermones Fratris Gabrielis Barelete ordinis predicatorum, tam quadragesimales: q(uam) de sanctis. 2 Tle. in 1 Bd. Mit Titel in Rot und Schwarz, Holzschnitt-TVignette u. einigen Holzschnitt-Initialen. Paris, Regnault, 1507. Tit., 3 nn. Bl., Cli Bl. 1 Bl., lxxxix Bl. (fehlt Bl. xlviii). Kl.-8°. HLdr. d. 18. Jh. auf 4 Bünden mit goldgepr. RSchild (berieben, bestoßen, Kopfkapital mit Fehlstelle). Sehr seltene, im Handel nicht nachweisbares Pariser Ausgabe der Sammlung der im 16. Jh. weit verbreiteten Fastenpredigten des seinerzeit sehr berühmten italienischen Geistlichen Gabriele da Barletta (gest. nach 1480). - Nicht bei Adams. - BP16 100843. - Renouard, ICP, I, 1507, n° 13. - Zweispaltiger Druck. - Vorsätze erneuert (mit orig. hint. fl. Vorsatz), tls. mit kurzen Anm. im w. Rand (Hs. d. 16. Jh.), wenige Bll. rot rubriziert u. mit Unterstreichungen, tls. etw. wasserrandig u. leicht angeschmutzt, sonst insg. wohlerhalten. Very rare copy of the collection of Lenten sermons by the very famous Italian clergyman Gabriele da Barletta (died after 1480), widely distributed in the 16th century. - 2 parts in 1 vol. With title in red and black, woodcut vignette and some woodcut initials. 18th cent. half leather on 4 raised bands with gilt stamped label to spine (rubbed, bumped, top of spine with defect). - 1 leave missing (fol. xlviii in part 2), endpapers renewed (with original back flyleaf endpapers), partially with short ms. annotations of the 16th cent. in the outer margins, a few pages rubricated in red and with underlinings, patially somewhat waterstained and slightly soiled, otherwise overall good condition.

Avantgarde - Ungarn - - Miklós Adler. auf Hebräisch: "Da Me'Ayin Bata". "Tudd, hogy honnan jöttél...". "Know From Where Did You Come...". auf Russisch: "Uznai, Otkuda Prishel" (Adler Miklós 16 fameteszete.) Mit 16 OHolzschnitten von Miklós Adler. Debrecen, EZRA (Szabadság nyomda), (1945 oder 1946). 5 nn. Bll. u. 16 Tafeln lose eingelegt in ill. OUmschlag. 21,5 x 20,5 cm (Umschlag mit Gebrauchsspuren, fleckig, bestoßen und etw. knickspurig, Rücken mit größeren Defekten). Erstausgabe - Erschienen in 1000 Exemplaren. - Text in den vier Sprachen Ungarisch, Englisch, Hebräisch und Russisch. - Mit 16 eindrucksvollen Holzschnitten des ungarischen Künstlers und Holocaust Überlebenden Miklós Adler. Sieben der Illustrationen wurden in der berühmten Münchner Haggada von 1946 (Musaf le-Haggadah shel Pesach) veröffentlicht. - Adler war ein ungarisch-jüdischer Grafiker und Maler. Er wurde 1944 in das Konzentrationslager Theresienstadt deportiert und veröffentlichte nach der Befreiung diese Mappe, die zum Teil seine Erlebnisse und zum Teil die Episoden wiedergibt, die er von Überlebenden von Auschwitz gesammelt hatte. Adler wurde 1945 von der sowjetischen Armee befreit, er kehrte nach Ungarn zurück und zog 1960 nach Israel. - Die Tafeln im Blattrand tls. etw. fleckig u. knickspurig. Insgesamt wohlerhalten, die OHolzschnitte kontraststark u. farbsatt im Druck. With 16 original woodcuts by Miklós Adler. Original ill. portfolio (with traces of use, stained, bumped and creased, spine with defects). - First edition - published in 1000 copies. - Text in four languages: Hungarian, English, Hebrew and Russian. - With 16 impressive woodcuts by Hungarian artist and Holocaust survivor Miklós Adler. Seven of the illustrations were published in the famous Munich Haggadah of 1946 (Musaf le-Haggadah shel Pesach). - Adler was a Hungarian-Jewish graphic artist and painter. He was deported to the Theresienstadt concentration camp in 1944 and after liberation published this portfolio, which partly reflects his experiences and partly episodes he had collected from survivors of Auschwitz. Adler was liberated by the Soviet army in 1945, he returned to Hungary and moved to Israel in 1960. - The plates in the margins partly somewhat stained and creased. Altogether in fine condition, the woodcuts of high contrast and in saturated print.

Medizin - - Christoph Barzizius (Barzizza). Christofori barzizii medici peritissimi introductorium in medicinam legenti cuilibet perutile. Mit Holzschnitt-Titelbordüre u. einigen Holzschnitt-Initialen. Augsburg, Sigmund Grimm, 14. XII. 1518. 63 unnum. Bl., 1 w. Bl. 4°. Flexibler Pergamentband d. Zt. (etwas fleckig). Einzige Ausgabe des 16. Jahrhunderts, von größter Seltenheit. - VD 16, B 619. - Durling 484 - Hirsch/H. I, 367 (falsch 'Wien') - Panzer VI, 151, 127. - nicht bei Adams, Bird, Lesky,Osler, Waller und Wellcome - Wohl eine der frühesten Einführungen in das wissenschaftliche Studium der Medizin aus der Feder des italienischen Gelehrten Christoph Barzizius. Eine Inkunabelausgabe, die 1494 in Pavia erschien, ging der hier vorliegenden voraus. "Christofo Barzizza, um 1400, aus Bergamo, Neffe des (Grammatikers) Gasparinus Barzizius, 1434-1440 Professor der Medizin zu Padua. Sicher eine von dem Humanisten gleichen Namens verschiedene Persönlichkeit" (GW 3672 zur EA Pavia 1494). - Dieser in der Offizin des Sigismund Grimm, Doktor der Medizin, entstandene Druck ist sicher als ein Versuch zu verstehen, die Erkenntnisse bedeutender medizinischer Kapazitäten aus den Universitäten Pavia und Padua nördlich der Alpen weiterzuverbreiten. Die Ausgabe belegt, daß das "Introductorium" nicht nur 1494, also viele Jahre nach dem Tod des Autors, einem Kreis von Medizinern (als Herausgebern) und dem auf Medizin spezialisierten Drucker Antonius Carcanus wichtig und wertvoll erschien, sondern auch später in Augsburg als Zusammenfassung der spätmittelalterlichen Medizin-Praxis empfunden wurde (obwohl die Pest darin nur beiläufig erwähnt ist - und die Syphilis-Problematik nicht erörtert werden konnte, da die Krankheit noch nicht auf Europa übergegriffen hatte). - Die schöne Titelbordüre ist abgebildet bei Pflug-H., Taf. 14. - Tadellos erhaltenes, breitrandiges, rubriziertes Exemplar. Titel mit handschriftlichem Besitzvermerk (Cart. in Buxheim, deren Bibliothek 1883 versteigert wurde), altem Bibliotheksstempel, ein weiterer Stempel im Unterrand von Bl. 2. Vereinzelt minimale Wurmgänge, Vorsätze erneuert. Medicine - With woodcut title border a. some woodcut initials. Cont. flex. vellum binding (somewhat soiled). - Exceptionally rare, only edition of the 16th century. - Probably one of the earliest introductions to the scientific study of medicine from the pen of the Italian scholar Christoph Barzizius. An incunabula edition published in Pavia in 1494 preceded this one. - This print, produced in the print shop of Sigismund Grimm, doctor of medicine, is certainly to be understood as an attempt to disseminate the knowledge of important medical experts from the universities of Pavia and Padua north of the Alps. The edition proves that the "Introductorium" not only appeared important and valuable to a circle of physicians (as editors) and the printer Antonius Carcanus, who specialised in medicine, in 1494, many years after the author's death, but was also later perceived in Augsburg as a summary of late medieval medical practice (although the plague is only mentioned in passing - and the problem of syphilis could not be discussed, as the disease had not yet spread to Europe). - Very well preserved, rubricated copy with wide margins. Title with handwritten ownership note (Cart. in Buxheim, whose library was auctioned in 1883), old library stamp, another stamp in lower margin of leaf 2. Minimal worming in places, endpapers renewed.

Hereke Seide Gebetsteppich. Türkei. Signiert.83 cm x 53 cm. Handgeknüpft. Seide auf Seide. Extrem feine Knüpfung. Vintage. Harmonisches Farbbild. Insgesamt sehr guter Zustand, da nur an einer Wand gehangen. Siehe Fotos. Versand kann organisiert werden.Herke silk prayer rug. Turkey. Signed. 83 cm x 53 cm. Hand-knotted. Silk on silk. Extremely fine weave. Vintage. Harmonious color scheme. Overall very good condition as only hung on one wall. See photos. Shipping can be organised.

Textil mit der Tughra Abdülmecid I. um 1850. Osmanisches Reich.140 cm x 133 cm. Stickerei. Seide auf gewalkter Wolle (Broadcloth). Da der Import Englischem Tuchs sehr teuer war begannen um 1800 Unternehmer im Orient eigene Produktionsfirmen. Siehe Fotos. Versand kann organisiert werden. Textile with the Tughra of Abdülmecid I around 1850. Ottoman Empire.140 cm x 133 cm. Embroidery. Silk on milled wool (broadcloth). As the import of English cloth was very expensive, entrepreneurs in the Orient started their own production companies around 1800. See photos. Shipping can be organised.

After Giovanni da Bologna (Giambologna), The Rape of the Sabine Women, bronze on marble plinth, overall height approx 40cm (1)

TIBALDI, THE DA VINCI CODE A LIMITED EDITION SILVER, SILVER GILT AND BLACK RESIN FOUNTAIN PEN, NO. 324/618 Cap and Barrel: Silver cap and barrel engraved with cryptic codes and symbols, the cap with a silver gilt clip and cap band, barrel with an ink viewing window, engraved with the Vetruvian man and locations from the Da Vinci Code film, stamped with .925 common control mark Nib and Filling System: Medium two tone nib, stamped 18K, piston filling system, uninked Accessories: Tibaldi box, certificate of authenticity, user manual and guarantee booklet, information booklet, outer card packaging and card sleeve Condition Report: Like new condition Condition Report Disclaimer

A SILVERED BRONZE 'ELEPHANT' TRIPOD CENSER AND OPENWORK COVER, 19TH CENTURYChina, Qing dynasty (1644-1912). The ovoid body supported on three long legs in the form of elephant heads and flanked by two elephant handles, the slightly everted rim surmounted by a domed reticulated cover with a bat and cash coin motif topped by a tall finial in the form of a coiled dragon over clouds and waves, the exterior with a charming Buddhist lion playing with a brocade ball together with its young.Condition: Good condition with wear, casting flaws, traces of use, rubbing and losses to silvering, small nicks, light scratches.Provenance: From a private collection in Austria.Weight: 1,570 gDimensions: Height 29 cmThe base cast with an apocryphal four-character mark da Ming Xuande.Bats and cash coins are both auspicious symbols in Chinese culture. The bat signifies fortune or wealth, and the cash coin is a symbol of receiving benefits. They are often shown together due to their similar meaning.

A GILT-DECORATED BLUE-GROUND FAMILLE ROSE 'FOUR SEASONS' VASE, CHINA, LATE QING TO REPUBLIC PERIOD Of square-sectioned lantern form with tapered shoulders and base, the sides with rectangular panels each decorated with one of the four seasons, bordered by scrolling gilt florals on a powder-blue background, lotus motifs on the shoulders and a key-fret band around the rim and base. The interior and base enameled with a turquoise ground.Provenance: Boston trade.Condition: Very good condition with minor wear and minimal firing irregularities, the gilt occasionally worn on the rim and edges as expected. The enamels well preserved, with areas of microscopic crackling as expected, the colors still bright and crisp.Weight: 1,678 gDimensions: Height 28.3 cmThe recessed base with an apocryphal iron-red six-character seal mark da Qing Qianlong nianzhi.Expert's note: This design was created by the Imperial workshops in Beijing around 1750 and became so popular at the court that it was copied many times during the Qianlong, Jiaqing and Daoguang dynasties, all throughout the late 19th century and even well into the Minguo era. The present lot, however, shows a quality of enameling that comes rather close to the original model, thus indicating a date from ca. 1820-1880 or even a bit earlier.Auction result comparison: Type: RelatedAuction: Christie's Hong Kong, 3 June 2015, lot 3150Price: HKD 3,880,000 or approx. EUR 541,000 converted and adjusted for inflation at the time of writingDescription: A gilt-decorated blue-ground famille rose square-section 'landscape' vase, Qianlong six-character seal mark in iron red within a square and of the periodExpert remark: Note the slightly smaller size (26.7 cm) and that this vase is the prototype for the present lot, dating from the Qianlong period.