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A collection of fifty silver medallions representing the greatest achievements of Leonardo Da Vinci, including the Mona Lisa, The Last Supper, The Annunciation and other subjects. By John Pinches, each hallmarked to the rim, in proof like quality, 50g each.In timber effect case with album of descriptive pages and handling gloves. The case 24cm high, 44cm wide and 29cm deep. *CR: Largely as struck. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

Full title: Paolo da San Lorenzo (1935): Abstract composition, oil on paperDescription:Work: 48,5 x 27 cm Paper: 70 x 50 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

James Earley (British, B.1981)Kaud signed 'J.Earley' lower rightoil on canvas, framed99 x 69cm (39 x 27 3/16in).Footnotes:James is a self taught artist and uses his work to raise awareness of issues such as homelessness, war and mental health. He first came to prominence in 2013, when he was part of the acclaimed 'Seven Artists Exhibition' held at London's Strand Gallery. 'I was born in the UK, spent many years in France but I am now back living in the UK. I am a self taught artist and I paint those on the very edge of society. I want to use my art to help raise awareness of the issues in the world today, I want to help make the invisible visible and ultimately I want my art to scream. I am always looking to the long term as my ambition is to be a relevant and significant artist today and also in hundreds of years from now.I always had a passion for art, I knew this was my gift yet my career took me away from my passion. It was only in 2015 that I knew that I could no longer live a lie so I swapped a career in business for a profession as a full time artist, a job that in my heart I was always meant to do. My career as an artist has accelerated since 2015. In that time I was part of the prominent 'Seven Artists Exhibition' at The Strand Gallery London. I have also been nominated by The Royal Society of Oil Painters, The Royal Society of Portrait Painters and I received a nomination for the 2015, 2016, 2017 and 2020 BP award. I have had my work displayed in London, Madrid, Paris, New York and Amsterdam and I have been described as one the most relevant artists in the world today by the German Kunst Heute Art publication and the Contemporary Art Curator Magazine. In 2019 I was honoured to win the first prize at the prestigious London Biennale as well as the prestigious International Michelangelo prize for art. In 2020 I was awarded the Venice International Artist Of The Year and in 2021 I was honoured to win The International Confederation of Art Critics Award. I won the Velazquez International Painting award in 2022.' (James Earley, Saatchi Art)He has been the receipt of numerous awards, including the International Prize Giotto, and the International Prize Leonardo da Vinci in 2019 and the International Dante Eligheiri and Collector's Vision International Award,' in 2021. He has also featured on the front covers of International Art Magazine and Vanity Fair in 2017 and 2020.'In May of 2022 I was invited by the Social Purpose Organisation Friendship to visit Nakna village in the remote coastal region of Bangladesh. This area had been hit by cyclones and flooding and the situation was getting worse as climate change accelerated. Friendship and the community were doing a lot of work to protect the village from the impact of the floods and they had embarked on a huge project of planting mangrove trees to protect the coastal areas and strengthen the coastal edge.I wanted to learn how climate change had impacted over the years and I was introduced to one of the elders of the village Kaud Banq. I knew as soon as I saw Kaud that I wanted to paint her. Every wrinkle on her face told a story, her eyes showed her wisdom, her hands clutching tightly at the wooden stick that supported her showed her strength and her beautiful dress showed her pride and dignity. I wanted to create a back ground that would show a path way that instead of looking smaller in the distance as it disappeared in the horizon had the opposite affect, the pathway was getting narrower and narrower as it pushed its way into the foreground. This path that Kaud had taken for 85 years was wide and abundant in her childhood but as climate change gradually impacted the pathway got narrower and narrower as the water level increased. Kaud now stood near the end of this narrowing path surrounded by water.'For further information on this lot please visit Bonhams.com

Italian school; 18th century."The Martyrdom of St. Peter of Verona".Oil on canvas. Re-tinted.It presents restorations.Measurements: 65 x 48,5 cm; 80,6 x 65 cm (frame).The softness of those that can be appreciated in the treatment of the sky and the delicacy of the little loves indicate that we are in front of an image of the 18th century. However, one of the main figures, who is preparing to attack the saint, is reminiscent of Baroque models. His foreshortened pose and pictorial treatment are reminiscent of the drama and expressiveness so dear to the Baroque school. The scene, which is conceived on the basis of a simple and clear composition, represents the martyrdom of Saint Peter of Verona.Verona (Italy, 1205-1252), a Dominican martyr born into a family that followed the Cathar heresy. At the age of sixteen, fascinated by the words of Saint Dominic of Guzman, he received the Dominican habit from his own hands. When he finished his ecclesiastical training, Peter was appointed preacher of the Gospel of Jesus to the Italian Cathars, a task he carried out with piety and austerity, achieving great fame throughout Italy. One day, the holy martyrs Agnes, Cecilia and Catherine appeared in his cell and he was reprimanded for having violated the enclosure by welcoming women into his cell. The saint did not defend himself and acknowledged that he was a sinner and was punished. In the solitude of his punishment, he intensified his study and prayer, and one day he unburdened himself in front of a crucifix, asking "What evil have I done, Lord, to see me as I am? Christ then consoles and comforts him with these words, "And I, Peter, what evil have I done?". At last the truth triumphs and he is appointed Inquisitor General by Pope Gregory IX, allowing him to continue his evangelising work in Rome, Florence and Milan. He was finally killed while crossing the Barlassina forest on his way back to Milan. His murderer struck him with an axe in the back of the head and stabbed him in the chest, weapons that often appear in pictorial representations of the saint. The crime was plotted by the heretic bishop Daniele da Giussano, who had paid the murderer 40 Milanese pounds, making his death an echo of that of Christ.

Madhvi Parekh (Indian, B. 1942)Last Supper signed and dated in Devanagiri 'Madhvi 2011' lower right and edition 20/60reverse serigraph in 17 colours on acrylic, framed181 x 100cm (71 1/4 x 39 3/8in).image size (in) 40 x 72Footnotes:ProvenanceArcher Graphic Studio, Ahmedabad.Often described as a 'folk' artist, Madhvi Parekh is recognised as a master and one of the most influential Modernist artists not only in South Asia, but also globally. Born in the village of Sanjaya, India in 1942, her journey in the art world began in the early 1960s, inspired by the work of her husband, Manu Parekh (B.1939), also a painter. The fact that she received her education during her first pregnancy deeply influenced her approach to the canvas. Her focus lies on the process of creation, rather than the result, which cannot be foreseen or known beforehand. Hence, her starting point is an idea, or better a feeling. She paints what she feels, without paying too much attention to critics and subsequent discussions of her work. Parekh creates art because she is drawn to it, regardless the external comments, the result, or the fame. It is the need to express herself, her story, and traditions.Undoubtedly, her personal background is visible in the subjects of her works, which often depicts the life in her village, festivities, and traditions, often through the perspective of a child. therefore, painting represents a sort of reminiscing and meditative process, where the artist's memories and the feelings she experienced during her childhood come to life. Her style represents the apparent simplicity of youth. Usually compared with Paul Klee (1879-1940) and Joan Miró (1893-1983), her technique consists of an instinctive and creative use of simple lines and shapes, such as triangles and squares. Parekh succeeds in combining flat surfaces, pictorial decorative elements of Indian art tradition together with a modern deconstruction of the forms and of the subject matter. Parekh unmistakable style jumps out of the canvas in her version of The Last Supper (2011). Her work represents an intelligent and original appropriation of Christianity most celebrated event, reinterpreted through a laic and modernist sensibility. Parekh's painting refers to Leonardo da Vinci (1452-1519) homonymous work painted between 1495-1498. The basic structure of da Vinci's work is maintained. Even the apostles appear in the same poses and order. The composition of the background is also preserved, with the three windows that open on a generic city landscape. However, the lack of perspective and the reduced pictorial depth, the flat surface, and the geometric forms of the figures typical of Parekh and modernist style debunk the divine aura of the subject. In fact, although the iconography of this subject matter is universally known and recognisable, it is not part of Parekh's tradition. The fact that the artist does not identify herself as a Christian, together with Parekh's style turns this classic and sacred motif into a secular tale of friendship and betrayal, themes that are shared in many myths and legends across the globe. In this work, the artist succeeds in synthesizing cultural differences, shared topics, and her own responses to da Vinci's work in primis, and to this alien tradition.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Book & print sales catalogues.- Bibliotheca Lakeana. A Catalogue of the... Library of... Sir James Winter Lake, Bt...Sold by Auction (Without Reserve) By Mr. Stewart...on Monday, March 7, 1808, and fourteen days following, some pencil markings, P. Da Ponte, 1808 bound after A Catalogue of a Genuine and Extensive Collection of Engraved Prints..., illustrated books, atlases and British Topography...by the late Sir James Winter Lake, which will be sold by auction...on Thursday, March 31, 1808, advertisement f. at end, P. Da Ponte, 1808 and A Catalogue of the Genuine and Extraordinary Portraits and Historic Prints...by the late Sir James Winter Lake...which will be sold by auction...on Monday, April 25, 1808, advertisements to final verso, 1808, together 3 works in 1 vol., the two print sales with ink prices, some spotting and staining, lightly browned, contemporary cloth, black leather label to spine, corners little worn, little rubbed; and 4 others, Catalogues, v.s. (5)

CRICKET, Sri Lanka and Zimbabwe autographs each to a photobiography or pen portrait including: Mahela Jayawardena, Jayasuriya, Aravinda Da Silva, Arnold, Chaminda Vaas, Kumar Sangakkara, Dilshan, Heath Streak, Henry Olonga, Grant Flower, Tatenda Taibu, VG to EX, 23

David Anderson- a Modernist Norwegian silver gilt and enamel jewellery suite, comprising a double leaf link in blue guilloche enamel, width approx 13mm, with box clasp,  length approx 39cm, marked DA-925S Sterling Norway, along with a matching bracelet, necklace, earrings and bracelet, length approx 17cm and a pair of matching double leaf earrings on clip fittings, length approx 15mmFurther details: Good- all enamel intact, some tarnish and fine marks/scratches commensurate with age  

FABBRICA ARGENTERIA CLEMENTI , Bologna, metà del XX secolo. Servizio di posate da dodici persone in argento 800. Sotto la base reca punzoni: 800, stemma dell'argentiere e losanga locativa 1BO. Lotto composto da: dodici coltelli, dodici coltellini, sei posate da portata, dodici forchettine, dodici cucchiai, dodici forchette, dodici cucchiaini. Peso dell'argento: (coltellini stimati 25 gr cad.; coltelli stimati 30 gr cad.): 3404 gr.

Argentiere fiorentino, dal 1968. Lotto composto da due candelabri in argento 925. Sul bordo inferiore recano punzoni: 925 e losanga locativa 1507FI. Cadauno di cm 70x70x25. Peso totale: 14.678 gr.

Italia, metà del XX secolo. Servizio da te in argento 800, composto da quattro elementi. Sotto la base recano punzoni: 800 e losanga lcoatva non identificata.Caffettiera: cm 25,5x25x12,5. Teiera: cm 22x25,5x15. Lattiera: cm 17x16,5x12. Zuccheriera: 17,5x16,5x11. Peso totale: 2684 gr.

Nord Italia, metà del XX secolo. Lotto composto da undici piatti e un vassoio in argento 800. Sotto la base recano punzoni: 800 e losanga locativa (29Pd nei piatti, 17BO nel vassoio). Piatto grande: cm 2,5x Ø 35,5. Piatti piccoli: cm Ø19 cadauno. Peso totale: 2774 gr.

BRANDIMARTE, Firenze, XX secolo. Lotto composto da quattro oggetti in argento. Ogni pezzo reca punzoni: qualità dell'argento, stemma dell'argentiere e losanga locativa. Grappolo d'uva: cm 10x7,5x4,7; uccello: cm 4,7x7,5; foglia: cm 6,5x2,5; grappolo d'uva: cm 8,5x6,5. Peso complessivo: 77 gr.

Scatola contenente gioco del MAH JONG in legno con applicazioni in bronzo. Pedine in legno di bamboo e materiale prezioso. Cina, XIX secolo - XX secolo. Cm 17x24x16. Lotto corredato da certificato per la libera circolazione.

LALIQUE Vaso Martinets con rondini. Cristallo. Cm 24,5x18. Il vaso Martinets nasce nel 1982 da Marie-Claude Lalique e rappresenta uno stormo di rondini che migrano.

Filtro da tè in argento 800 riccamente decorato. Sul fondo reca: punzone 800 in campo libero. Cm 2,5x14,5x8,5. Peso: 60 gr.

Maestro del XX secolo. "San Giacomo Apostolo". Olio su tela. Cm 90x70. Copia da Rubens.

FRATELLI ZARAMELLA BRUNO E CESARE, Padova, dal 1968. Lotto composto da dodici cucchiaini da caffè in argento 800. Al retro recano punzoni: losanga locativa 30PD, stemma dell'argentiere e 800. Cm 12,5x3. Peso: 254 gr.

Pittore del XX secolo. "Scena d'interno". Olio su tela. Cm 130 x 107,3. Copia da Rembrandt.

Maestro del XIX secolo. "Maddalena". Olio su tela. Cm 60,5x41,5. Copia da Guido Reni.

Italia, metà del XX secolo. Servizio di posate da dodici persone in argento 800. Al retro recano punzoni: 800 e losanga locativa non identificata. Lotto composto da: dodici cucchiai, dodici forchette, dodici forchettine, dodici cucchiaini, dodici coltellini e dodici coltelli. Peso dell'argento: (coltellini stimati 25 gr cad.; coltelli stimati 30 gr cad.): 3358 gr.

Trumeau interamente lastronato in radica e rigatino di noce. Cm 265x165x74.Nello stile veneto della metà del XVIII secolo, ma realizzato nel XX secolo. La calatoia cela quattro cassetti e un'antina intervallati da mensole sagomate. Reca alzata a vetri, fianco e fronte mosso. (difetti alla cerniera di un'anta e mancanze)

ITALIA, dal 1968. Servizio in argento 800 composto da quattro elementi: teiera, caffettiera, lattiera, zuccheriera. Sotto la base recano punzoni: 800 e losanga locativa non identificata. Teiera: Cm 20,5x19x11; Caffettiera: 22x20x11; Zuccheriera:13x9; Lattiera:15x13x8. Peso complessivo: 1.008 gr.

Milano, XX secolo. Servizio da te in argento 800 e interno vermeille. Lotto composto da tre elementi: teiera, zuccheriera, lattiera. Sotto la base recano punzoni: 800 e losanga locativa milanese. Teiera: cm 19x17,5x7,9. Zuccheriera: cm 13xØ 7. Lattiera: cm 8,6x5,2x9. Peso totale: 670 gr. (difetti)

DI CRISTOFALO S.n.c., Palermo, XX secolo. Lotto composto da sei ciotole e sei piattini in argento 800. Sul bordo e sul piatto recano punzoni: losanga locativa 77PA, 800 e sigla dell'argentiere. set macedonie x6 800. Piatto: Ø cm 15,2. Ciotola: cm 5,2x12,2. Peso: 1054 gr.

Lotto composto da sei sedie in massello di noce. Emilia, fine del XVII secolo - inizio del XVIII secolo. Schienale con colonne sagomate e cimasa con motivi a riccioli contrapposti, piedi raccordati da traverse sagomate. Cadauna di cm 125x43x45.

Scrittoio da centro lastronato in radica e rigatino di noce con filettature in ciliegio. Emilia, fine del XVIII secolo. Reca sette cassetti sul fronte e tiretto a scomparsa. Reca piedi a mensola cordonati e piano leggermente aggettante, cordonato anch'esso. Cm 83x157,5x82.

BARTOLOMEO CASTELLI, detto SPADINO IL GIOVANE (Roma 1696-1738) Coppia di Nature morte raffiguranti frutti (pesche, prugne, uve nere e bianche, fichi, ciliegie susine e una melagrana in fondo a destra nella prima tela). Oli su tela. Cadauna di cm 35,5x45.Nelle due tele, riconosciute per stile e qualità alla mano del pittore romano Bartolomeo Castelli il Giovane detto Lo Spadino dal Prof. Cottino, la scena è ambientata all'aperto, presumibilmente in un sottobosco, suggestivamente di notte, ma l'oscurità viene scalfita da una nitida luce che illumina i frutti in primo piano.Quadri di Bartolomeo Castelli detto Spadino il giovane furono collezionati da importanti famiglie nobiliari romane, tra esse quella degli Spada che ne possedeva ben dodici (in parte conservate alla Galleria Spada a Roma).Il lotto è corredato da scheda critica del Prof. Alberto Cottino. Cm 35x45.Provenienza: importante collezione privata italiana.

GREGGIO RINO, Padova, inizio del XX secolo. Lotto composto da dodici piattini in argento 800. Sul retro inferiore recano punzoni: 800 e losanga locativa 29PD. Cm 19,5. Peso complessivo: 2086 gr.

JAN MIENSE MOLENAER (Haarlem 1610 - 1668) "Gioco del guanciale d'oro". Olio su tela. Cm 72,6x81,8. Opera firmata in basso a destra JMolenaer. Opera accompagnata da perizia del Professor Ferninando Arisi.

Maestro della Fondazione Langmatt (Apollonio Facchinetti detto Domenichini) "Veduta di città". Olio su tela. Cm 56,5 x 73,5. Opera accompagnata da perizia della Dottoressa Bozena Anna Kowalczyk.

Maestro della Fondazione Langmatt (Apollonio Facchinetti detto Domenichini) "Veduta di città". Olio su tela. Cm 56,5 x 73,5. Opera accompagnata da perizia della Dottoressa Bozena Anna Kowalczyk.

Lotto composto da quattro sedie a rocchetto. Realizzate in massello di noce, conservano il cuoio originale. Romagna, ultimo quarto del XVII secolo - primo quarto del XVIII secolo. Cadauna di cm 114x51x44.

Maestro della fine del XIX secolo - inizi XX secolo. "Concertino Caravaggesco". Olio su tela. Copia da Valentine de Boulogne. Cm 38x46.

Maestro del inizi del XX secolo. "La furia di Medea". Olio su tela. Cm 64,5x50. Copia da Delacroix.

Maestro del XIX secolo. "Madonna con bambino". Olio su cartone. Cm 33,5x26. Copia da Guido Reni.

Maestro del XIX secolo. "Via Crucis". Lotto composto da quattordici oli su tela. Cm 97x65.

Quattro sedie lastronate ed intarsiate in noce, acero e varie essenze. Lombardia/Veneto, fine del XVIII secolo. Lo schienale reca riserve filettate con intarsi a motivi fitomorfi e medaglioni incorniciate da ghirlande d'alloro. I sostegni anteriori recano intagli fogliati.

Piccolo canterano in massello di noce. Bologna-Modena, seconda metà del XVII secolo. Reca fronte dei cassetti lastronato, maniglie e bocchette in bronzo, piano fortementemente aggettante, formelle sagomate ai lati cornicione alla base, sorretto da piedi a mensola. Cm 97,5x135,5x60.

SCANABISSI BRUNO, Bologna, dal 1968. Lotto composto da undici piattini in argento 800. Sul bordo recano punzoni: 800 e losanga locativa 99BO. Cm 19. Peso: 1943 gr.

Christophe II VAN SICHEM (c.1580-1658) "Guglielmo Hanoniae". Incisione a bulino. Smarginata. Cm 19,5x12,5. Opera accompagnata da certificato di autenticità dello Studio Bibliografico Aesse, Bologna, con timbro e firma. Bibliografia: Le Blanc vol. II, pag. 502.

MARIO CEROLI (Castel Frentano1938) Cartella di litografie a colori su carta accompagnata da testo di Carmine Benincasa. Esemplare 2000/2000. Edizioni Seat, Torino, 1984. Entro cofanetto originale. Cm 6,5x55x39,6.

A. CESA S. C., Alessandria, XX secolo. Set da tavola in argento 800, composto da cinque pezzi. Oliera e acetiera: cm 23,4x14,4x6,7. portauova: cm 6x Ø 4,7. Formaggiera: cm 10x Ø 10,4.Saliera: cm 10x Ø 4,6. Pepiera: cm 10x Ø4,6. Peso set: 636 gr.

S. AN. FABBRICA ITALIANA ARGENTERIE, Milano, metà del XX secolo. Lotto composto da dodici piattini in argento 800. Sotto la base recano punzoni: stemma dell'argentiere 800 e losanga locativa 28MI. Cm 20,2. Peso: 2740 gr.

Lotto composto da scatola portasigari in argento 800 e accendino in argento 925. La scatola, sotto la base, reca punzoni: 800 e 215FI. L'accendino, sotto la base, reca punzone 925. Peso della scatola: 515 gr; peso complessivo dell'accendino: 276 gr. Accendino: cm 9xØ cm6,7. Scatola: cm 3,4x23,5x10.

ARGENTIERE M.L., anni '20 del XX secolo. Servizio in argento 800 con manici in legno composto da tre elementi: teiera, lattiera e zuccheriera. Sotto la base recano punzoni: 800 in campo libero e M.L. Teiera: Cm 17x22,5x12,5; Lattiera:11x17x10; Zuccheriera:13,5x11. Peso complessivo: 1.189 gr.

FABBRICA POSATERIA ARGENTO E BANCO METALLI PREZIOSI DI MORINI MARIA, Bologna, XX secolo. Servizio di posate in argento 800, da 12 persone. Lotto composto da dodici forchettine, dodici forchette, ventiquattro forchette, ventiquattro cucchiai, ventiquattro cucchiaini, dodici coltelli, dodici coltellini e sette posate da portata. Al retro recano punzoni: losanga locativa 23BO e 800. Peso complessivo (coltelli stimati 30 gr per lama grande e 25 grammi per lama piccola): 6055 gr.

Padova, Italia, dal 1968. Cucchiaio da portata in argento 800. Al retro reca punzoni: 800 e losanga locativa 100PD. Cm 27,2x7,2. Peso: 178 gr.

Alessandria, metà del XX secolo. Servizio in argento 800 composto da quattro elementi: caffettiera, lattiera, lattiera e zuccheriera. Sotto la base recano punzoni: 800 e losanga locativa alessandrina. Caffettiera: cm 19x20x10; Teiera: cm 17x20x11; Lattiera: cm 12x8,5x12; Zuccheriera: cm 12,5x12x7,5. Peso complessivo:1.566 gr.

THE DOORS/LOVE - UK ELEKTRA LP RARITIES. Wicked bundle of 5 x seminal LPs with these original/early UK pressings. Titles are The Doors (x2) - The Doors (mono orange label/black text, EKL 4007 - VG record some surface marks/VG a number of creases) and Strange Days (mono orange label/black text, EKL 4014 - VG side 1, G+ side 2 with some 'feelers'/VG sleeve with shelfwear) and Love - Forever Changes (stereo orange label/black text, EKS 740143 - VG record with surface marks, no heavier feelable scratches/VG with some creasing and shelfwear), Four Sail (stereo orange label/silver text EKS 74049 - VG some surface marks/VG+ neat sleeve) and Da Capo (mono orange label/black text, please note record collection filler only with a crack to the record from the edge which runs a few centimetres into each side/G+ some paper tears on the front).

ALICE COOPER - LP/ CD/ 7" PACK. A fantastic pack of 16 LPs/ 7"/ CDs by American rock legend Alice Cooper. Titles include Billion Dollar Babies (K56013, includes billion dollar note. VG+/ sleeve VG+), School's Out (BS 2623, US press on green Warner Bros label. Includes pink panties. Record VG+/ sleeve VG+), From The Inside (WB 56577, Record has a number of pressing dimples, VG+/ sleeve VG), Love It To Death (WB46177, includes a couple of gig tickets from Apollo Manchester, 1988), Da Da (923969-1), Flush The Fashion (BSK 3436), Special Forces (BSK 3581), The Alice Cooper Shop, Zipper Catches Skin, I Never Cry, Clones. Condition is generally VG+ to Ex+. CDs include Flush The Fashion, Muscle Of Love, Lace & Whiskey, Special Forces and The Strange Case Of Alice Cooper (Beta Videocassette). CDs appear to be in Excellent condition.

CLUB CLASSICS - 12" COLLECTION. Get the party started with this wicked collection of around 100 x 12". Artists / Titles include Gat Decor - Passion, Stardust - Music Sounds Better With You, Underground Hit - Da Funk, Daft Punk - Around the World, Hyper Logic - Only Me, 2 Bad Mice - Kaotic Chemistry, The Chemical Brothers - Leave Home, Q. Sound - Goodnight EP, Quench - Dreams, The Chemical Brothers inc. It Began In Afrika and Hey Boy Hey Girl, Underworld - Cherry Pie, Goldie vs. Rabbit In the Moon, William Orbit - Barber's Adagio for Strings, Poltergeist - Vicious Circles, Jamiroquai - Space Cowboy, House of Limbo Vol 2, Robert Miles - Children..., Artemesia - Bits & Pieces and Dilemma - In Spirit. The condition is generally VG+ to Ex+.

TRANCE / HARDHOUSE / DANCE - 12" COLLECTION. Get the party started with this collection of around 300 x 12". Artists / Titles include Armin Van Buuren - Shivers, Public Domain - Rock Da Funky Beats, Tasty - Volume One, Chicane - Strong In Love, Mrs Wood - Heartbreak, Friends of Matthew - Out There, Hi-Gate - Pitchin' (In Every Direction), DJ Tiesto - Urban Train Remixes, Signum - Coming On Strong, Sundawner - Krystal Dreams, 20 Fingers - Lick It Remix, U-People - French Vibes, Wildchild - Legends of Dark Black Part 2, York - On the Beach, Wippenwerg - Neuro Dancer and Trance X - Sunshine and Drums. The condition is generally VG+ to Ex+ with some records/sleeves dropping slightly below this.

PROGRESSIVE HOUSE / TRANCE / BREAKS & DANCE - 12" COLLECTION. Powerful collection of around 100 x 12". Artists / Titles include Daft Punk - Da Funk / Musique, Paragliders - Paraglide, Mavrice -Feline, Sourmash - Pilgrimage / Mescalito, Leftfield - Release the Pressure, St Germain - Rose Rouge, Sarah McLachlan - I Love You, BT - Godspeed, Lemon Sol - Universal, Daft Punk - Aerodynamic, Max Linen - The Soulshaker, Basement Jaxx - Where's Your Head At, Stanton Warriors - Da Antidote, Plump DJs - A Plump Night Out Sampler 2, X-Press 2 - Smoke Machine, 16B - Inbetween Your Choice and Placebo - Special K. The condition is generally VG+ to Ex+.

60's - 7" COLLECTION. A collection of around 32 x 7" including rarities. Artists / Titles include Mike Wade - Lovers (Beacon 3-104), The Irelanders - Country Morning (Appearing Commercially Unreleased), Tikki, Takki, Suzy, Lies - Ba-Da-Da-Dum, She Trinity - Union Station Blues, Scott Walker - Jackie, Robert Parker - Barefootin', The Spencer Davis Group - Keep On Running (TF632), Fleetwood Mac - Jigsaw Puzzle Blues, Chuck Berry (7N.25242), Max Romeo - She's But a Little Girl, Dusty Springfield - Some Of Your Lovin', Inez and Charlie Foxx - Mockingbird, The Merseybeats - Don't Turn Around and Nancy Sinatra - How Does that Grab You Darlin'? The condition is generally VG to Ex / Ex+

HIP HOP/HOUSE/ELECTRONICA - 12". Dope collection of around 160 x (predominantly) 12". Artists including Buck 65, Wax Poetic, Lyrics Born, Leftfield, New Flesh, The Herbaliser, Pitch Black City, King Britt, 3rd Bass, Disposable Heroes Of Hiphoprisy, Plaid, Capitol K, Aesop Rock, Madlib, Fourtet, Empirion, Man Parrish, The Jonzun Crew, Unit 47, Beatmaster, Felix Da Housecat, Alder And Elius, Hip House, Future Homosapiens, Edan, Flesh Gordon, Kid Flash and Joya. Condition is generally VG to Ex.

TECHNO/HOUSE - 12" COLLECTION. Floor shiftin' collection of around 125 x 12". Artists to include Ian Pooley - Meridian (double LP), Nervous Records NY (double LP), Frankie Knuckles Presents Marshall Jefferson, Slam, The Dust Brothers - Song To The Siren, Solar Eclipse, Inner City, Surgeon, The Advent, Rhythm Is Rhythm, Djaimin, Mad Styles And Crazy Rhythms, Yellow - Do It, Radical Rob, Readymade, Blue Orange, Dano, Michael Burkat, Da Posse, Nico Awtsventin, Donna Allen, Little Louie Vega, Umek, Stevie V (signed), Jump Cutz, Drum Code 18 and Tricky Disco. Condition is generally VG to Ex.

Three 1960s rock LPs comprising The Velvet Underground & Nico, Stand Up by Jethro Tull and Da Capo by Love.

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), CLYDE FERRY oil on board image size 40cm x 40cm, overall size 58cm x 58cm Framed. Note: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab RE ROI (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi-abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely, especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career. In recent times we have offered a growing number of Sheila Macmillan's paintings with several achieving more than £1000. The current leading price is £1700 (hammer) for "Ronda, Spain", a 45 x 48cm oil on board (lot 510A, The Scottish Contemporary Art Auction 24th October 2021).

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), COLOUR IN THE HILLS, SPAIN oil on board image size 41cm x 46cm, overall size 57cm x 62cm Framed and under glass. Note: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab RE ROI (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi-abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely, especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career. In recent times we have offered a growing number of Sheila Macmillan's paintings with several achieving more than £1000. The current leading price is £1700 (hammer) for "Ronda, Spain", a 45 x 48cm oil on board (lot 510A, The Scottish Contemporary Art Auction 24th October 2021).