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Lot 82
Consolle in massello di noce e lastronata. Piano profilato da cornice modanata, sospeso da fascia lastronata che presenta un cassettoin fronte. Sostegni anteriori a riccioli contrapposti e posteriori a plinto, poggianti su base sagomata. Il fronte è impreziosito da una grembiala traforata. Emilia/Lombardia, metà del XIX secolo. Cm 88x121x54.
Lot 76
Folio of 15 intaglio prints after frescos by the Italian artist Rafael (1483-1520). Title page "D. Nicolao Simonello picturae omiumq(ue) bonarum artium cultori eximio..." Bound with brown cover. Spine has remnants of original cover binding with evidence of gold leaf details. Handwritten on cover and blank page: "I own the original it comes to/from me/mi/i; I. The Lesser Historys in the III Roomes of Raphael. II. Five Peices of Raphaels Hangings. Xh. 29 printed to cover interior. Artist: Raffaello Sanzio da Urbino
Lot 81
WW2. James B Livingston CBE DSC, Lt Cdr DA Copperwheat GC and Cpl FN Horner signed To honour the island of Malta and its Gallant people the award of the George cross by King George VI by Letter on 15th April 1942 FDC. British Stamp with 15 Apr 90 Postmark. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 3162
PORTUGAL. - Armando CORTESAO and Avelino Teixeira da MOTA. Portugaliae Monumenta Cartographica. Lisbon: 1960. 3 vols. (of 5). Elephant Folio (608 x 466mm.) Numerous colour and black and white facsimile maps, many folding and some double-paged, double-column text in English and Portuguese. (Crease to preliminaries of vol. 1.) Original vellum, gilt lettering (some scuffing, minor marks, reference labels to spines). Note: comprises vols. 1-2, and 5. Published to commemorate the quincentenary of the death of Prince Henry the Navigator. Provenance: Birkbeck College (name-plate verso title of vol. 1) (3).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 169
ALICE COOPER - UK/ EUROPEAN LP COLLECTION. A quality collection of 27 LPs by Alice Cooper, mostly UK/ European pressings. Titles include The Last Temptation (EPC 476594 1, record Ex/ sleeve Ex), Constrictor (MCFP 3341, picture disc. Ex), Raise Your Fist And Yell (MCFP 3392, picture disc), Love It To Death (WS1883, 180g Reissue), Welcome To My Nightmare (Limited purple vinyl reissue), Easy Action (Limited gold vinyl reissue), From The Inside (Limited reissue No: 884), Pretties For You (WS 1840, 180g reissue), Killer (x2), Constrictor, Hey Stoopid, Love's A loaded Gun (6574389, CD in gun style card sleeve), Da Da, The Alice Cooper Show, Greatest Hits, Billion Dollar Babies, Star Collection, Flush The Fashion, Special Forces, Zipper Catches Skin. Condition is generally VG+ to Ex+.
Lot 11
A Second War 1941 ‘Battle of Cape Bon’ D.S.M. group of ten awarded to Petty Officer E. P. Moseling, Royal Navy, later Admiralty Constabulary, who was captured and taken Prisoner of War off Tobruk in September 1942 Distinguished Service Medal, G.VI.R. (J.101594 E. P. Moseling. P.O.); Naval General Service 1915-62, 1 clasp, Palestine 1936-1939 (J.101594 E. P. Moseling. P.O. R.N.); 1939-45 Star; Atlantic Star, 1 clasp, France and Germany; Africa Star, 1 clasp, North Africa 1942-43; Burma Star, 1 clasp, Pacific; Italy Star; War Medal 1939-45; Royal Navy L.S. & G.C., G.VI.R., 1st issue (101594 E. P. Moseling. P.O. H.M.S. Sussex.); Police L.S. & G.C., E.II.R., 2nd issue (Const. Ernest P. Moseling) good very fine (10) £2,400-£2,800 --- D.S.M. London Gazette 26 May 1942: ‘For coolness, skill and enterprise while serving in H.M. Ships Maori, Sikh, and Legion, in a brilliant night action in the Central Mediterranean in which, without hurt or loss to the Royal Navy, two Italian Cruisers and an E-boat were destroyed, and a Torpedo Boat badly damaged.’ The original Recommendation, dated 13 December 1941, states: ‘Director Layer. For coolness, efficiency, and accuracy on this and other occasions. He has set an example of cheerfulness and devotion to duty at all times.’ Ernest Percy Moseling was born in Dover on 21 August 1905, and joined the Royal Navy as a Boy Second Class on 1 March 1921. Advanced to Petty Officer, he was awarded his Long Service and Good Conduct Medal on 25 July 1938, and served during the Second World War initially in H.M.S. Sussex, before transferring to H.M.S. Sikh on 2 June 1940. Moseling was awarded the Distinguished Service Medal for his gallantry during the Battle of Cape Bon on the night of 12-13 December 1941, when the Italian cruisers Alberico da Barbarino and Alberto di Guissano, being used as petrol carriers to Bengazi, were spotted by British air reconnaissance and turned back after passing Cape Bon, off the Libyan coast. On their return they were intercepted and sunk by H.M.S. Sikh, H.M.S. Legion, and H.M.S. Maori. In September 1942 H.M.S. Sikh was tasked with supporting the assault landings at Tobruk (Operation Agreement). During the attempts to land the Royal Marines Sikh came under fire from the shore batteries, and sustained major damage. Taken in tow, she sank off the North African coast on 14 September. Taken Prisoner of War, Moseling was held by the Italians, before being repatriated on 31 March 1943, in a 3 way prisoner exchange (Hansard refers). Subsequently posted to H.M.S. Pembroke on 1 April 1943, he was promoted Chief Petty Officer on 27 May 1943, and saw further active service in H.M.S. Troubridge from 10 December 1944 to 12 August 1945. He was shore pensioned on 30 January 1946. Post-War, Moseling served with the Admiralty Constabulary as a Naval Base Fireman. He died in Rochester, Kent, on 2 December 1984. Sold with the recipient’s uniform ribbons and a large quantity of copied research, including a photographic images of the recipient, one whilst a Prisoner of War.
Lot 361
Family group: Four: Deck Hand F. J. Watson, Royal Naval Reserve, who was killed when the dredger Mercurius hit a mine and sank, 28 June 1916 1914-15 Star (DA.5334, F. J. Watson, D.H., R.N.R.); British War Medal 1914-20 (5334DA); Mercantile Marine War Medal 1914-18 (Frederick J. Watson); Victory Medal 1914-19 (5334D.A. F. J. Watson. D.H. R.N.R.) generally good very fine One: Private F. S. Watson, 7th Canadian Mounted Rifles British War Medal 1914-20 (7844 Pte. F. S. Watson. 7-C.M.R.); Canadian Memorial Cross, G.V.R. (7844 Pte. F. S. Watson) generally good very fine (6) £180-£220 --- Frederick James Watson was the husband of Caroline Elizabeth Watson, and resided with her at 21 Cathcart Street Lowestoft. Watson served during the Great War as a Deck Hand with the Royal Naval Reserve. He was killed when the dredger Mercurius (operating out of London) hit a mine and sank with the loss of six lives, 28 June 1916. Watson is commemorated on the Tower Hill Memorial. Frederick Samuel Watson was the son of the above, and was born in Lowestoft in August 1893. He served during the Great War with the 7th Canadian Mounted Rifles in the UK. Private Watson died of influenza, 27 November 1918, and is buried in the Lowestoft (Normanston Drive) Cemetery.
Lot 271
LATE 1960S/70S ITALIAN CINEMA/MOVIE POSTERS; a collection of eight posters comprising 'La Squadriglie Dei Falchi Rossi', 'Cocoon' (1988), 'Eva', 'Il Rally Piu Pazzo D'Africa', 'Il Clan Del Gatto Nero', 'Ancora Tu Maledetto Sbirro', 'La Morte Risale A Ieri Ser'a, 'L'Aultimo Colpo Dell' Ispettora Clark', 140 x 100cm (8), 1970S ITALIAN CINEMA/MOVIE POSTERS; a collection of five posters comprising 'Scorpio', 'American Gigolo', 'Trader Horn Il Cacciatore Bianco', 'O Tutto O Niente', 'I Falchi Attaccano All' Alba', all 140 x 100cm, and a 1990 poster for 'La Voce Della Luna' (6), 1970S ITALIAN CINEMA/MOVIE POSTERS; a collection of five posters comprising 'Gli Intoccabili', 'Non Toccare La Donna Bianca', 'Il Clan Del Gatto Nero', 'Il Protettore', 'Un Gettone Per Il Patibolo' all 196 x 140cm in two sections (5), 1970S ITALIAN CINEMA/MOVIE POSTERS; a collection of five posters comprising 'Telefoni Bianchi', 'Le Prigioniere Della' Isola Del Diavolo', 'Wild Bill Elliot I Violenti Dell Oregon', Gli Eroi di Khartoum', 'La Morte Viena da Manila' all 196 x 140cm (5), 1970S ITALIAN CINEMA/MOVIE POSTERS; a collection of five posters comprising 'La Casa di Bambu', 'La Caduta Degli Dei', 'El' Incredibila Furto di Mr. Girasole, 'Roma Come Chicago (Banditi a Roma)', 'El Natra All' Arancia', all 196 x 140cm (5), 1970S ITALIAN CINEMA/MOVIE POSTERS; a collection of six posters of erotic interest comprising 'Diabolicamente Tja', 'Malizia', Barbara Benton in Dove Vai Senza Mutandine?', 'Attentato al Pudora', 'Amore Facile', 'La Pupa del Gangster' all 196 x 140cm (6), 1970S ITALIAN DISNEY POSTERS; a collection of posters including 'Il Fantasma del Pirata Barbanera 1968', and various modern examples including 'Cenerentola', 'La Petite Sirene', 'Hercule (2), and 'Fantasia 2000' (2) (7).
Lot 2609
2 SALIEREN / GEWÜRZTÖPFE / SALZGEFÄSSE, Ende 19. Jh., 800er Silber, 63 Gramm. Gemarkt mit Feingehaltsangabe und Wiener Importpunze (Österreich, 1872-1902). Konische leicht gebauchte Form mit Lippenrand auf drei ausgestellten Blattfüßen. Guillochierte Wandung mit Kartusche, darin Monogramm "MB". Jeweils mit Glaseinsatz (wohl sekundär, da sie nicht die gesamte Tiefe der Salieren ausfüllen). H. (mit Glaseinsatz) 4 cm, D. ca. 6,5 cm.
Lot 568
Bill Brandt Portraits - The Ffoto Gallery 1980's poster, depicting Peter Sellers; plus a ' Rapina A Mano Armata ' (The Killing) movie poster, printed by I.G.E Roma, approx 99cm x 68.5cm (both framed). Together with Five art exhibition posters to include R B Kitaj The Orientalist - The Tate Gallery London (99.5cm x 29cm); Sandro Botticelli - La Primavera o "Il Regno di Venere" (part.) - Firenze, Galleria degli Uffizi (printed in Italy by Enit - 1963); Arte Etrusca - Testa dell'Hermes da Veio (510 a. c.) - Roma, Museo Villa Giulia (printed in Italy by Enit - 1963); Bonnard Dans Sa Lumiere - 1975 - Saint-Paul ('Maeght Editeur - Arte Paris' to lower right); and The Self Portrait - A Modern View - Touring Exhibition. All framed (7)
Lot 208
Gehäuse GG 750, ø 39 mm. Weißes Zifferblatt, Goldzeiger, ewiger Kalender mit Chronographenfunktion, Mondphase bei der Zwölf, Datum bei der Drei (Unterteilung in gerade und ungerade Tage), Monatsanzeige bei der Sechs mit 12-Std.-Stopp-Funktion. Tagesanzeige (engl.) bei der Neun mit kl. Sekunde. Jahresanzeige zwischen Sieben und Acht. Gewölbtes Kunststoffglas (leichte Kratzer). Unter dem Boden bez. International Watch Co. Da Vinci und 2606725 nummeriert. Automatikwerk Kaliber 79061, intakt. Fehlerfreiheit sämtlicher Indikationen nicht geprüft. Referenz 3750. Original Lederband mit Dornschließe in GG 750. Schweiz, 1990er Jahre. Guter Zustand mit normalen Tragespuren. Originalbox (deutliche Alterserscheinung) mit Garantiekarte und Bedienungsanleitung, Jahreszahlen für ewigen Kalender.
Lot 13
* Galestruzzi (Giovanni Battista, 1618-1677). Niobe adored on the Altar; & The Slaughter of Niobe's Children, from the Niobid frieze of the Palazzo Milesi by Polidoro da Caravaggio, 1656 or later, etchings on laid paper, good impressions, the latter with a double encircled Three Mounts surmounted by a Fleur de Lys watermark (similar to Briquet 11935), with margins, together with six architectural engravings by Antonio Lafreri (1512-1577) on laid paper, one sheet with a Three Mounts in a Shield watermark (Briquet 11939, dated 1598), two sheets with a crowned Fleur de Lys within a shield watermark (similar to Briquet 7110); and other Italian old master etchings and engravings by or after Benigno Bossi (1727–1792), Giacomo Bonanni (active 1624), Annibale Carracci (1560-1609), Giovanni Battista Cipriani (1727-1785), Domenichino (1581-1641),) Vincenzo Ghajassi (1811-1861), Giovanni Maria Ghisalberti (active 1750's), Luca Giordano (1632-1705), Carlo Lasinio (1759-1855), Pietro Longhi (1702-1785), Carlo Maratti (1625-1713), Jan Popels (active 1633), Salvator Rosa (1615-1673), Aegidius Sadeler (1570-1629), Andrea Scacciati (1725-1771), and Giuseppe Zocchi (1711-1767); plus 13 etched copies of Figurines by Salvator Rosa, on wove paperQTY: (41)
Lot 15
* Edelinck (Gérard, 1640-1707). The Battle of Anghiari, after Peter Paul Rubens after Leonardo da Vinci, circa 1657-1666, engraving on laid paper with watermark Initial A, a very good impression of the third (final) state, with narrow margins on three sides, trimmed on the platemark at bottom, in very good, well preserved condition, plate size 450 x 610 mm (17 3/4 × 24 1/16 ins), sheet size 460 x 615 mm, unframedQTY: (1)NOTE:Robert-Dumesmil 44.Edelinck's dramatic engraving depicts the Battle of the Standard, the central section of an ambitious mural by Leonardo commemorating the Florentine victory over the Milanese army during the Battle of Anghiari in 1440, in the Sala del Gran Consiglio (Great Council Hall) of the Palazzo della Signoria in Florence, facing which was another fresco by Michelangelo on the Battle of Cascina. Prior to their execution both Leonardo and Michelangelo's full-scale preparatory cartoons were exhibited and much admired by younger artists and acclaimed by Benvenuto Cellini as a "school for the world" (scuola del mondo). Neither work now exists. Only a few extant autograph sketches and drawings document Leonardo's design, although the battle composition is preserved in later copies such as Rubens' drawing now at the Louvre (from which Edelinck's print is derived), as well as the Ruccellai drawing reproduced in Niccolo Pagni and Giuseppe Bardi's Etruria Pittrice (1791-95).
Lot 55
* After Fra Angelico (1395-1455). The Annunciation, and The Adoration of the Magi, Florence, circa 1850's, tempera and gold on two wood panels, some minor marks and slight paint loss (generally in good condition), 24 x 26.5 cm (9 1/2 x 10 1/2 ins), and 21 x 26.5 cm (8 1/4 x 10 1/2 ins) respectively, presented within original gothic-style architectural gilded carved wood frame, some minor restoration, 85 x 39.5 cm (33 1/2 x 15 1/2 ins)QTY: (1)NOTE:Provenance: Downside Abbey, Somerset, UK. Painted inscription to verso of upper panel 'Presented to Downside School from Alfred Jones of Bath June 1927'.Fine Florentine copies of the reliquary made by Fra Angelico for the church of Santa Maria Novella in Florence, depicting scenes from the life of the Virgin Mary. The upper scene represents the Annunciation, with a kneeling Gabriel on the left and a pious Mary seated on the right with her arms folded across her chest. The figure at the top of the composition is God the Father, sending down the rays of the Holy Spirit. The lower scene depicts the Adoration of the Magi, with the Virgin Mary seated inside the manger with the baby Jesus on her knee and Joseph standing behind her.
Lot 54
A CHINESE CLOISONNE ENAMEL BOWL WITH WOODEN STAND, 19/20TH CENTURY. With rounded sides decorated with various floral blossoms. Four-character 'Da Ming nian zhi' mark to base on a cloud ground. With a carved wood display stand. Bowl 20.5cm diam. Good overall condition with no signs of damage or repair. The stand with a glued repair section about 4cm wide.
Lot 74
A CHINESE FAMILLE ROSE PORCELAIN VASE, 19TH CENTURY. Of baluster form decorated with rectangular panels and roundels with birds and insects in landscape scenes on an iron red floral scroll ground with bands of geometric patterns, ruyi heads and lingzhi. 'Da Ming Hong Wu' mark to base. 44cm tall.Good overall condition with no signs of damage or repair. Some areas of enamel loss to the decoration around the shoulder.
Lot 390
Maria Martinez (San Ildefonso Pueblo, 1887-1980) and Popovi Da (Antonio Martinez) (San Ildefonso Pueblo, 1923-1971). Blackware ceramic pot with one decorative band. Signed "Martinez" and "Popovi" and dated 6/60 (June 1960) along the underside.Maria Martinez was a member of the San Ildefonso Pueblo in New Mexico. She is credited with the rediscovery of the method for making blackware pottery such as this piece, and received two honorary doctorates for her pottery work. Popovi Da, born Antonio Martinez, was her son.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height: 4 in x diameter: 4 1/4 in.Condition: There are no visible chips, cracks, losses, or restorations. Light wear and scratching throughout consistent with age and use. There is a network of minute white accretions with several larger accretions throughout.
Lot 416
Armand Point (French, 1860-1932). Oil on board painting depicting figures on horseback riding through a quiet street, 1886. Signed and dated along the lower right. Much of his early works, such as the painting offered here, were Orientalist street scenes inspired by his childhood in Algiers. Point was a founding member of the Salon de la Rose + Croix. He was involved with the Symbolist movement and was additionally deeply moved and influenced by the Italian Renaissance artists Sandro Botticelli and Leonardo da Vinci.Sight; height: 21 1/2 in x width: 36 in. Framed; height: 25 3/4 in x width: 41 1/4 in.Condition: Overall there are no major losses. The colors are bold and bright and the surface is stable. There is craquelure; there are a few spiral cracks.There is wear to the edges with areas of paint loss and chipping to the board.There a few areas with inpainting. There is a minute spot of in-painting to lower left quadrant. There is a horizontal line of inpainting along the front legs of the horse in the center of the painting, measuring approximately 1 1/2 inches. Due to the thick and uneven varnish i is difficult to determine if there are further areas of inpainting or restoration. Wear to the extreme edges of the painting, likely from the rabbet of a previous painting. A newer board has been affixed to the verso. Light wear to the frame.
Lot 144
An armorial plate, Chinese export porcelain, Polychrome "Famille Rose" enamelled and gilt decoration of central armorial shield for Bernardo José Maria da Silveira e Lorena, 5th Count of Sarzedas (3rd dinner set), Jiaqing reign (1796-1820), Literature:, Nuno de Castro, "A Porcelana Chinesa ao Tempo do Império", p. 214; Pedro Dias, "Heráldica Portuguesa na Porcelana da China Qing", pp. 272-279.Diam.: 24,5 cm
Lot 139
A plate, Chinese export porcelain, Polychrome "Famille Rose" enamelled decoration of armorial shield for Joaquim Inácio da Cruz Sobral (1st dinner set - carnations), Qianlong reign, ca. 1775, Literature:, Nuno de Castro, "Porcelana da Chinesa e os Brasões do Império", p. 141; , A. Varela Santos, "Portugal na Porcelana da China - 500 Anos de Comércio", vol. IV, pp. 1102-1105.Diam.: 32,5 cm
Lot 446
A D. José three footed salver, Silver 833/000, Reliefs, shells and flowers decoration to tab with central engraved decoration, Lisbon assay-mark (1755-1790) and goldsmith's mark attributable to José Joaquim da Mata (1755-1807), later France import mark (post-1971), (signs of wear and restoration), Literature:, ALMEIDA, Fernando Moitinho de; CARLOS, Rita – “Inventário de Marcas de Pratas Portuguesas e Brasileiras (Século XV a 1887)”. Lisboa: IN-CM, 2018, L-29.0 and L-431.0.Diam.: 22 cm, 244 g,
Lot 420
A large vase, Silver 833/000, Profuse reliefs decoration of shells and volutes, Oporto hallmark (1938-1984) and goldsmith's mark Henrique Cândido da Cruz, Herdeiros (1958-1967), Original container and grid, (signs of wear), Literature:, VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nrs. 49 and 1905.Height: 43,5 cm, 3638 g,
Lot 143
An armorial serving platter, Chinese export porcelain, Polychrome "Famille Rose" enamelled decoration with central armorial shield attributed to Francisco António da Veiga Cabral da Câmara Pimentel (1734-1810), 1st Viscount of Mirandela (2nd dinner set), Qianlong reign (1736-1795), Literature:, A. Varela Santos, "Portugal na Porcelana da China - 500 Anos de Comércio", vol. II, p. 630;, Nuno de Castro, "A Porcelana Chinesa ao Tempo do Império", p. 177; Pedro Dias, "Heráldica Portuguesa na Porcelana da China Qing, pp. 210-211.23,5x32 cm
Lot 936
A pair of earrings, Platinum 500/000 and gold 800/000, Set with 2 drop cut emeralds and 28 brilliant cut diamonds totalling approximately 0,90 ct., Lisbon hallmark (1938-1984) and goldsmith's mark Fernando da Silva (regd. 1968), (signs of wear), Literature:, VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nrs. 94 and 4213.Height: 3 cm, 8,6 g,
Lot 839
A chain and pendant, Gold 800/000, Set with citrine and 32 brilliant cut diamonds totalling approximately 0,32 ct., Oporto hallmark (1985-2020) and goldsmith's mark Manuel António da Costa Santos & Filhos Lda. (regd. 1966), (signs of wear), Literature:, VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nº 4093 e 3990.Lenght: 41 cm, 6,8 g,
Lot 97
A basket and tray, Chinese export porcelain, Lace like tabs of reliefs and polychrome floral "Famille Rose" enamelled decoration, Qianlong reign (1736-1795), (minor losses and handles restoration to basket), Literature:, A. Varela Santos, "Portugal na Porcelana da China - 500 Anos de Comércio", vol. II, p. 630;, Nuno de Castro, "A Porcelana Chinesa ao Tempo do Império", p. 177; Pedro Dias, "Heráldica Portuguesa na Porcelana da China Qing, pp. 210-211.8,8x21,2x17,3 cm (basket), 26,5x22,5 cm (tray)
Lot 142
An armorial plate, Chinese export porcelain, Polychrome "Famille Rose" enamelled and gilt decoration with central armorial shield for Bernardo José Maria da Silveira e Lorena, 5th Count of Sarzedas, 1st dinner set, Jiaqing reign, ca. 1810, (minor chips), Literature:, Nuno de Castro, "A Porcelana Chinesa ao Tempo do Império", p. 214.Diam.: 25.3 cm
Lot 418
A neoclassical teapot, Silver 833/000, Ribbed and engraved decoration of garlands and cartouche, Oporto assay-mark (1803-1810), goldsmith's mark attributable to António Pereira Soares (1797-1825) and twice marked Elder's Head, Turned rosewood handle, (signs of wear, restoration), Literature:, ALMEIDA, Fernando Moitinho de; CARLOS, Rita - "Inventário de Marcas de Pratas Portuguesas e Brasileiras - Século XV a 1887". Lisboa: IN-CM, 2018, P-18.0 e P-166.0; e SOUSA, Gonçalo de Vasconcelos e - "Dicionário de ourives e lavrantes da prata do Porto, 1750-1825". Porto: Civilização Editora, 2005, pp. 509 and 510.Height: 17,5cm, 868,6 g,
Lot 141
An armorial plate, Chinese export porcelain, Blue and white decoration of central armorial shield for Manuel Álvares Pinto framed by Greek key border, Scalloped and gadrooned tab profusely decorated with foliage cartouches and geometric pattern rim, Tab obverse decoration of floral motifs and foliage branches, Kangxi reign, ca. 1690, Literature:, João Rodrigues Calvão (coord.), "Caminhos da Porcelana - Dinastia Ming e Qing, Fundação Oriente, pp. 204-205; , Nuno Castro, "A Porcelana Chinesa e os Brasões do Império", p. 42; , Rui Guedes (org.), "Companhia das Índias", p. 23; , David Howard, John Ayers, "China for the West", vol. I, p.63;, Maria Antónia Pinto de Matos, "Cerâmica da China - Colecção RA", vol.III, pp. 14-15.Diam.: 21.5 cm
Lot 447
A three footed salver, Silver 833/000, English style decoration, Slipper feet, Lisbon assay-mark (1755-1790) and goldsmith's mark António Florêncio da Silva (1755-1761), (signs of wear), Literature:, ALMEIDA, Fernando Moitinho de; CARLOS, Rita – “Inventário de Marcas de Pratas Portuguesas e Brasileiras (Século XV a 1887)”. Lisboa: IN-CM, 2018, L-28.0 and L-581.0.Diam.: 18 cm, 286 g,
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43065 item(s)/page