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Lot 136

ARGENTERIA MORTILLARO & RAINO PALERMO Servizio di posate in argento composto da 12 forchette, 12 coltelli, 12 cucchiai, 12 forchette frutta, 12 coltelli frutta, cucchiaio e forchetta da portata (2277 g. escluso coltelli). Palermo, primi '900.

Lot 950

STILUX Produzione Milano, 1960 ca. Lampada da tavolo, base e stelo in tubolare di ottone, diffusore luminoso circolare in perspex bianco e acciaio, etichetta di produzione alla base. Ø cm 42 Alt. cm 48.

Lot 933

PRODUZIONE ITALIANA 1970 ca. Specchio da parete di forma circolare, bordo in ottone. cm 74 x 58.

Lot 227

SERVIZIO DI BICCHIERI BACCARAT composto da: 9 bicchieri acqua, 10 bicchieri vino, 11 flute, 5 coppe ed 11 bicchieri da liquore. Francia XX secolo.

Lot 207

SERVIZIO DI POSATE MERIDIONAL 100 in metallo argentato entro cassetta composto da: 12 forchette, 12 coltelli, 12 cucchiai, 12 forchette pesce, 12 coltelli pesce, 12 forchette frutta, 12 coltelli frutta, 12 mezzo cucchiaio, 12 cucchiaini the, 12 cucchiaini da caffè, coppia posate per arrosto, coppia posate da pesce, coppia posate per insalata, mestolo, piccolo mestolo, cucchiaio e cucchiaino. XX secolo. cm 54 x 38,5 x Alt. cm 17,5.

Lot 1028

PRODUZIONE ITALIANA 1980 ca. Una lampada da terra in metallo verniciato marrone e ottone, fusto estendibile, braccio girevole, diffusore in metallo verniciato orientabile. Alt. cm 106 (regolabile in altezza).

Lot 1032

PRODUZIONE ITALIANA 1950 ca. Coppia di lampade da parete ad una luce, struttura in metallo verniciato e legno, diffusore in vetro opalino. cm 8 x 11 Alt. cm 25.

Lot 94

PORTA CARTAGLORIA in argento, contenente una moneta da collezione. XIX secolo. cm 9,5 Alt. cm 7,5.

Lot 1036

PRODUZIONE ITALIANA ANNI ’60 Lampada da soffitto in vetro opalino composta da due parti ad incastro, corpo arrotondato e struttura in metallo verniciato nero. Alt. cm 127.

Lot 128

SERVIZIO IN ARGENTO Enrico Goretta Alessandria, composto da caffettiera, theiera, zuccheriera e lattiera (g. 2195). Italia XX secolo. Alt. cm 23 - Alt. cm 20 - Alt. cm 16 - Alt. cm 11.

Lot 866

ERCOLE BAROVIER Produzione Murano, Italia 1940 ca. Lampada a sospensione a sei luci, fusto composto da tre elementi in vetro trasparente a lavorazione torchon, sei bracci in vetro paglierino decorato con piccole foglie, diffusore a coppa semisferico, elementi di giunzione in metallo dorato. XX secolo. Alt. cm. 110.

Lot 860

TONI ZUCCHERI Produzione Italia 1960 ca. Lampada a sospensione a sei luci, struttura in metallo verniciato bianco, composto da cilindri modulari esagonali in vetro lattato trasparente. Alt. cm 60.

Lot 621

PIANOFORTE E. KRAUSS STUTTGARRT da parete a corde intrecciate in legno ebanizzato con due applique in bronzo. Germania primi '900. cm 159 x 68 Alt. cm 156.

Lot 1002

PRODUZIONE ITALIANA 1950 ca. Lampada a sospensione composta da tre diffusori ad una luce in vetro incamiciato bianco e rosso, verde e giallo, corpo sferico, elementi in ottone. Alt. cm 100 (regolabile).

Lot 1063

PRODUZIONE ITALIANA ANNI ’80 Lampada da tavolo in plexiglass di colore verde ad una luce , corpo rettangolare, elementi di giunzione in ottone, paralume in tessuto (sbeccature). Alt. cm 34 - Alt. cm 73,5 (con paralume).

Lot 606

TRITTICO in metallo composto da orologio sormontato da scultura raffigurante "Divinità" e coppia candelabri a 5 fiamme (mancanze). Francia fine XIX secolo. cm 37 x 13,5 Alt. cm 67 - cm 24 x 10 Alt. cm 61.

Lot 533

GIOVANNI FRANCESCO ROMANELLI (Copia da) (Viterbo 1610 - 1662) Sibilla Olio su tela entro cornice in legno laccato e dorato del XIX secolo. cm 60 x 48.

Lot 839

PRODUZIONE ITALIANA 1960 ca. Lampada a sospensione a sette luci, struttura in metallo cromato, corpo circolare composto da elementi modulari in vetro trasparente iridato. Ø cm 38,5 Alt. cm 79.

Lot 1082

FLOSS Produzione Italiana anni ’80 Due lampade da soffitto ad una luce in metallo dorato, corpo circolare. Alt. cm 12 Ø cm 25.

Lot 862

PRODUZIONE ITALIANA 1960 ca. Lampada a sospensione a tre luci, composta da un disco in vetro azzurro ed una coppa in vetro trasparente lavorata a reticolo. Struttura in ottone. Ø cm 68 Alt. cm 83.

Lot 995

PRODUZIONE ITALIANA 1950 ca. Lampada da tavolo "ministeriale" in ottone, base circolare, fusto cilindrico, diffusore semisferico. Un'ammaccatura alla base e ossidazioni. Alt. cm 38.

Lot 897

SERGIO MAZZA Produzione Quadrifoglio, Milano, Italia 1970 ca. Lampada da tavolo modello “Magnoliaâ€, corpo a fungo, diffusore in vetro lattimo, base composta da tubi in metallo cromato. Ø cm. 39 x Alt. 24.

Lot 1035

PRODUZIONE ITALIANA 1980 ca. Lampada da terra in ottone lucido, corpo a sezione quadrata, diffusore orientabile di forma rettangolare. Ossidazioni. Alt. cm. 188.

Lot 972

VENINI (Attr.le) Produzione Murano, Italia 1980 ca. Lampada da tavolo a fungo in vetro lattimo con spirali trasparenti. Alt. cm 52,5.

Lot 580

OROLOGIO da parete di forma rettangolare in legno dorato ad oro zecchino con decori a rilievo in pastiglia dorata, quadrante in latta smaltata con ghiera in ottone dorato, apertura a bacheca (meccanismo non funzionante da revisionare). Francia XIX secolo. cm 43,5 x 13,5.

Lot 1021

PRODUZIONE ITALIANA 1950 ca. Dieci sedie da giardino (due di modello differente in ferro e legno verniciate nei toni del verde. Qualche difetto. cm 58 x 53 Alt. cm 75 - cm 51 x 53 Alt. cm 75.

Lot 1046

CERAMICHE SIC Produzione Casale Monferrato, Italia 1970 ca.Servizio 28 pezzi in ceramica smaltata verde e nero composto da, servizio thè per sei persone, servizio macedonia per sei persone, una grande pera. Qualche sbeccatura. Alt. cm 29.

Lot 127

SERVIZIO in argento sbalzato a motivo naturalistico composto da: theiera, lattiera, zuccheriera (argentiere Edward Rochwell) e caffettiera (argentiere Georbes) (g. 2649 peso lordo). America XIX secolo.

Lot 906

PRODUZIONE ITALIANA, 1960 ca. Tavolo da centro, piano di forma circolare decorato a motivi floreali ed volatili dipinti a mano, ringhiera in ottone, piede tripartito in legno. Ø cm 80,5 Alt. cm 66.

Lot 1084

MAESTRI MURANESI Produzione Italia 1980 ca. Grande specchio di forma quadrata, riquadrato da formelle di vetro a specchio bruno, al centro uno specchio di forma rettangolare bordato da cornice in vetro torchon e da piccoli fiori. Cornice esterna in vetro dorato. cm 128 x 108.

Lot 881

VENINI (Attr.le) Produzione Italia, 1960 ca. Coppia di abat-jour diffusore di forma semicircolare composto da fiori in vetro trasparente e oro, base in vetro dorato decorato da costole in vetro verde. Alt. cm 25.

Lot 994

ARCHIMEDE SEGUSO Produzione Murano, Italia 1950 ca. Lampada da parete in vetro trasparente lavorata a costole, corpo a tulipano, braccio in ottone. cm 26 x 15 Alt. cm 21.

Lot 174

TAVOLO da gioco a fazzoletto con cassetto laterale in legno di palissandro e tarsie in bosso. Inghilterra XIX secolo. cm 54,5 x 54,5 Alt. cm 72.

Lot 1029

PRODUZIONE ITALIANA 1960 ca. Coppia di lampade da parete a due luci, struttura in metallo verniciato nero ed ottone, diffusore sagomato in vetro trasparente. Alt. cm 61.

Lot 1080

PRODUZIONE ITALIANA 1980 ca. Cinque lampade da soffitto ad una luce, composte da fiori con petali in madreperla. Ø cm 37 Alt. cm 20.

Lot 214

CONSOLLE Barocca da centro in legno riccamente intagliato e dorato, doratura ad oro zecchino. Italia XIX secolo. cm 132 x 79 Alt. cm 84.

Lot 171

SERVIZIO BICCHIERI in cristallo di Murano inciso composto da bottiglia, 8 bicchieri per acqua, 8 bicchieri per vino e da 8 flutes. XX secolo.

Lot 1006

MURANO DUE Produzione Murano, Italia 1980 ca. Coppia di lampade da tavolo ad una luce, fusto in legno, diffusore sferico in vetro verde. Etichetta del marchio. Alt. cm 43.

Lot 1052

PRODUZIONE ITALIANA 1950 ca. Lampada da tavolo, in vetro rosa, base piana circolare, stelo cilindrico, diffusore vetro opalino e ottone di forma semisferica. Alt. cm 55.

Lot 912

AFRA E TOBIA SCARPA Produzione Flos, Italia 1980 ca. Lampada da terra modello “Butterfly†in alluminio smaltato nero, vetro e stoffa. Alt. cm 200.

Lot 915

PRODUZIONE ITALIANA 1980 ca. Specchio da parete di forma rettangolare con parte superiore sagomata, vetro molato, cornice in ottone. cm 96 x 52,5.

Lot 1091

PRODUZIONE ITALIANA 1980 ca. Lampada da terra in metallo dorato e verniciato nei toni avorio, corpo a sezione quadrata, diffusore orientabile. Cavo elettrico da sostituire. Alt. cm 191.

Lot 1097

PRODUZIONE ITALIANA 1970 ca. Sideboard alto in legno di noce, parte superiore composta da un vano con un ripiano, chiusura in vetro ad anta scorrevole e maniglia in metallo dorato; parte vano inferiore con ripiano e anta scorrevole in legno. cm 140 x 40 Alt. cm 104,5.

Lot 871

PRODUZIONE FRANCESE 1970 caTavolino da salotto modello “Alveo”. Piano di forma quadrata con vano contenitore al centro, legno laminato verniciato ed acciaio. Graffi e usure. cm 129 x 129 Alt. cm 33.

Lot 998

ARCHIMEMDE SEGUSO (Attr.le) Produzione Murano, Italia, 1940 ca. Due lampade da soffitto in vetro trasparente a lavorazione orizzontale a canestro, corpo circolare, elementi metallici in ottone. Ø cm 26 Alt. cm 12.

Lot 1041

BAROVIER & TOSO Produzione Murano, Italia 1980 ca. Due lampade da soffitto a tre luci in vetro trasparente con inclusioni d’oro, corpo semisferico a costole, elementi di giunzione in ottone. Ø cm 43 Alt. cm 18.

Lot 277

GERMANO PAOLINI (Brescia 1950) Da Villa Medici - 2000 Olio su tela Firmato in basso a sinistra e controfirmato nel retro. cm 50 x 70.

Lot 600

MOBILE da ingresso con grande specchiera in legno di noce. Sicilia primi '900. cm 196 x 43 Alt. cm 318.

Lot 1022

PRODUZIONE ITALIANA 1950 ca. Una lampada da tavolo, base in metallo verniciato nero, stelo in metallo cromato, diffusore a corpo schiacciato in vetro nei toni avorio. Alt. cm 55.

Lot 90

Ɵ NOYCE, Wifrid. (1917 - 1962). Six Works: first editions, four SIGNED by the author, includes two presentation copies, 1947-1962. comprises: Mountains and Men. Presentation copy. London: Geoffrey Bles, 1947. first edition, 8vo., (230 x 160mm), publisher's blue cloth, silver lettering to spine, dustwrapper clipped, INSCRIBED by the author to Geoffrey L. Bartman on front free e/p., frontispiece, 14 b/w. photographic plates, 4 maps, 160pp: The Gods are Angry. SIGNED. Heinemann, 1957. first edition, 8vo., (200 x 140mm), publisher's navy blue cloth, silver lettering to spine, dustwrapper unclipped, design Richard Taylor, previous ownership name to map illustrated e/ps., SIGNED by the author to title page, 198pp: Poems. Presentation copy. Heinemann. 1960. first edition, 8vo., (220 x 150mm), publisher's pale green cloth, silver lettering to spine, dustwrapper clipped, INSCRIBED by the author to front free e/p., 'To Alf Bridge / great mountaineer and / great friend / that courage of mine / bring to friends courage to, as they brought it to me', further SIGNED to the half-title by fellow mountaineer Alf Bridge, 98pp: To the Unknown Mountain. Ascent of an Unexplored Twenty-Five Thousander in the Karakoram. SIGNED. Heinemann, 1962. first edition, 8vo., (220 x 150mm), publisher's blue cloth, silver lettering to spine, dustwrapper unclipped, design Graham Bishop, SIGNED by the author to front free e/p., half-title, 20 b/w. photographic plates, 3 maps, 183pp: an account of the Anglo-American 1960 Expedition led by the author, containing D. Whillan's Solo by Motor-Bicycle from Rawlpindi to Lancashire as Appendix A: The Alps: With Descriptive Essays by Karl Lukan. London: Thames and Hudson, 1961. first edition, large 4to. (290 x 240mm), publisher's grey gilt decorated cloth, gilt lettering to spine, dustwrapper unclipped, peach e/ps., 230 b/w. photo. illustrations, 6 maps, 312pp: They Survived: A Study of the Will to Live. Heinemann. 1962. first edition, 8vo., publisher's blue cloth, silver lettering to spine, dustwrapper unclipped, design Sheila Perry, 18 b/w. photo. illustrations, 5 maps and plans, 202pp. each volume within removeable clear wrapper. Wifrid Noyce was an English mountaineer and author. He was a member of the 1953 British Everest expedition that made the first ascent of Mount Everest. Noyce and Sherpa Annullu (the younger brother of Da Tensing) were the first members of the expedition to reach Everest's South Col on 21 May, 1953. Wilfrid Noyce climbed up to the South Col a second time on 29 May, (the day of the successful first ascent) when he, Sherpa Pasang Phutar, and George Lowe met the successful summit team of Edmund Hillary and Tenzing Norgay at the Col, giving the tired climbers drinks and congratulations. (6)   Condition Report: 1. Mountains and Men - light marks to boards and faded to lower edges, spine faded and bumped head/tail, dustwrapper with edge chips and small tears (with loss) to top edge, and top and lower spine, e/ps. stained and toned, toning to leaf edges, o/w. clean text, plates and maps.   2. The Gods are Angry - clean boards, dustwrapper with some toning to inside edges of dustwrapper flaps, lower wrapper marked, and with edge nicks to corners and spine, toning internally.   3. Poems - boards with light marks and faded at edges, corners scuffed, spine faded and bumped head/tail, some foxing to dustwrapper, further heavier foxing to e/ps. and through to page six, some light marks affecting pages.20 - 21.   4. To the Unknown Mountain - light marks to boards, spine marked and bumped head/tail, dustwrapper worn at edges and corners with small tears (with loss) top and lower spine, e/ps. creased, some toning internally o/w. clean plates and maps.   5.The Alps: With Descriptive Essays . . . - unsigned, , clean boards, dustwrapper with some edge chips to corners, a clean copy.   6. They Survived - unsigned, bright clean boards, dustwrapper slightly toned, some creasing to edges. a clean copy.     Condition Report Disclaimer

Lot 89

Ɵ NOYCE, Wifrid. (1917 - 1962). Five Works: first editions, four volumes SIGNED by the author. 1950-1958. (5) comprises: Scholar Mountaineers: pioneers of Parnassus. SIGNED. London: Dennis Dobson Ltd., 1950. first edition, 8vo., (220 x 150mm), publisher's buff cloth, silver lettering to spine, dustwrapper unclipped, SIGNED by the author to front free, wood engravings by R. Taylor, 164pp: Michael Angelo. A Poem in twelve parts, with Epilogue. SIGNED. William Heinemann Ltd., 1953. first edition, 12mo., (190 x 130mm), publisher's red cloth, gilt lettering to spine, dustwrapper unclipped, half-title, SIGNED by the author to front free, illustrated by R. Taylor, 71pp: South Col. One Man's Adventure on the Ascent of Everest 1953. Presentation copy. William Heinemann Ltd., 1954. first edition, 8vo., (220 x 140mm), publisher's black cloth, gilt lettering to spine, illustrated e/ps., dustwrapper clipped, John Johnson's black, gilt label to front pastedown, foreward by John Hunt, half-title, SIGNED to the title page by John Hunt, and further INSCRIBED and dated by Wifrid Noyce 'Good Wishes / Wifrid Noyce / 19.7.55'. b/w. and colour photographic plates, line drawings, 5 maps, 303pp: The Springs of Adventure. SIGNED. John Murray, London, 1958. first edition, 8vo. (220 x 150mm), publisher's blue cloth, gilt lettering on black to spine, dustwrapper unclipped, design Maurice Bartlett, SIGNED by the author to front free e/p., b/w. photo. illustrations, 240pp: Climbing the Fish's Tail. Heinemann, 1958. first edition, unsigned, 8vo., (200 x 140mm) publisher's navy cloth, gilt lettering to spine, dustwrapper unclipped, 24 b/w. photographic plates, 2 maps, 150pp. each volume within removeable clear wrapper. Wifrid Noyce was an English mountaineer and author. He was a member of the 1953 British Everest Expedition. Noyce and Sherpa Annullu (the younger brother of Da Tensing) were the first members of the expedition to reach Everest's South Col on 21 May, 1953. Wilfrid Noyce climbed up to the South Col a second time on 29 May, (the day of the successful first ascent) when he, Sherpa Pasang Phutar, and George Lowe met the successful summit team of Edmund Hillary and Tenzing Norgay at the Col, giving the tired climbers drinks and congratulations. (5)   Condition Report: 1. Scholar Mountaineers. - clean boards, spine bumped head/tail, dustwrapper with light marks and small tear (with loss) to top of spine, some toning internally, o/w. a clean copy. 2. Michael Angelo - a few minor marks to boards, spine bumped head/tail, dustwrapper moderately marked, some wear to edges especially to the spine, some foxing to first few pages. 3. South Col. - light marks to boards, spine faded and bumped head/tail, dustwrapper with toning and creasing to inside flaps o/w. clean, first few pages including title page foxed, some toning to leaf edges. 4. The Springs of Adventure - clean bright boards, lower front corner bumped, spine a little bumped head/tail, dustwrapper clean, chipped (with some loss) to head/tail of spine. 5. Climbing the Fish's Tail - unsigned, clean bright boards, lower front corner bumped, dustwrapper clean, some foxing to edges running into leaf edges, toning to most pages. Condition Report Disclaimer

Lot 39

Ɵ SINIGAGLIA, Leone. (1868 - 1944). Climbing Reminiscences of the Dolomites. SIGNED. London: T. Fisher Unwin, 1896. single volume, first edition in English, 8vo., (250 x 180mm), number 21 of 30 copies on Japan paper, SiGNED by the publisher, half green morocco, gilt lettered decorated spine with raised bands, gilt top, others untrimmed, half-title, translated by Mary Alice Vialls, 39 plates including frontispiece with tissue guard after photographs by Vittorio Sella and others, folding coloured map, 224pp., within removeable clear wrapper: Leone Sinigaglia, composer and mountaineer, one of the first Italian climbers in the Dolomites, his two most renown ascents being Croda da Largo and Monte Cristallo. (1) Condition Report: clean binding, untrimmed foredge marked, some minor toning to leaf edges, clean text and map. Condition Report Disclaimer

Lot 248

A collection of books on great art and artists from the Renaissance onwards, to include works on Leonardo da Vinci, Michelangelo, Velazquez, Goya, Bernini, Piranesi and others (15)

Lot 84

RAFAEL CANOGAR GÓMEZ (Toledo, 1935). "Imposta", 2007. Construction on handmade paper and painted in oil glued to board. Signed and dated lower right: "Canogar 07"; inscribed lower left: 'IMPOSTA'; date, signature and inscription on the back: "07 / Canogar / 'IMPOSTA'". Work catalogued on the artist's website. Exhibitions: - 2007. Rafael Canogar. Fragmentations. Oporto (Portugal), Galeria Sala Maior, 21 April-30 May. - 2009. Rafael Canogar Accademico di Spagna. Florence (Italy), Archivio di Stato di Firenze, 13 May-24 June. - 2010. Rafael Canogar. 75 Years/75 Works. Porto (Portugal) Centro de Congresos da Alfândega, 13-28 November. Bibliography: - BARBERO, Giovanna and DORFLES, Gillo: Rafael Canogar Accademico di Spagna. Roma, Verso l'Arte Edizioni, 2009 (Repr. colour p. 52, mixed media). - PAREDES, Tómas, BARBERO, Giovanna and GARCIA BERRIO, Antonio: Rafael Canogar. 75 años/obras. Museo de la Alfándega, Oporto (Portugal), 2010 (Repr. colour p. 163 and 258 with mixed technique). - VIVAS, Lola: Rafael Canogar. Fragmentações. Oporto, Galeria Sala Maior, 2007 (Repr. colour s/p., mixed media). Presents label of the Cordeiros Gallery. Sizes: 151 x 113 cm; 172 x 120 cm (frame). Based on an image where abstraction becomes aware of the compositional space, Canogar confronts grey, red and black, three recurrent tonalities in his production, which reveal an open debate towards socio-cultural concepts. This use of flat, aesthetically opposed colours, which draw from different primary colours, responds to the desire for opposition and contradiction that prevails in many of the artist's works. In fact, Canogar states: "My work wishes to reflect, in its form of birth, in its genesis, those two elementary and primary forces that have always accompanied man: constructive and destructive forces, or construction-deconstruction. Opposing forces and the struggle of opposites, as a structural part of my work; as the reality of man who lives immersed in his own contradictions". Co-founder of the group "El Paso" in 1957, during the 1950s he developed a fully informalist work, which in the 1960s developed into an increasingly complex narrative figuration. From the 1960s onwards he achieved international recognition as a visiting professor at Milles College in California to teach the art course 1965-66, and as a guest artist at the Tamarind Lithography Workshop in Los Angeles in 1969. Between 1972 and 1974 he was also invited by the D.A.A.D. in Berlin as an artist in residence. During his mature period, from 1975 onwards, Canogar invented a new iconography, his own and personal, which he expressed through the mask, the head, the face, as a representation of man who loses his individuality and becomes a plastic sign. His work was also recognised in Spain, and during the 1980s he was a member of the Advisory Council of the General Directorate of Fine Arts of the Ministry of Culture, of the Board of Trustees of the National Museum of Contemporary Art in Madrid, and a member of the Board of Directors of the National Heritage. Throughout his career, Canogar has held countless solo and group exhibitions. Among the personal exhibitions, several have been retrospectives, including: Museo Nacional de Arte Contemporáneo and Biblioteca Nacional de Madrid, Musée d'Art Moderne de la Villa de Paris, Sonia Heine Foundation in Oslo, Konsthalle de Lund in Sweden, Paris Art Center, Bochum Art Museum in Germany, Istituto di Storia dell'Arte de Parma, Museo de Bellas Artes de Bilbao, Fundación Casa del Cordón de Burgos, Museo de Santa Cruz de Toledo, Museo Reina Sofía in Madrid, etc.

Lot 9

CHRISTO (Bulgaria, 1935)"Wrapped Monument Vittorio Emanuele II, 1975.Photograph mounted on cardboard. H.C. copy.Enclosed polygraph certificate.Signed and justified in the lower right corner.Measurements: 76 x 56 cm.The monument to the King of Italy Vittorio Emanuele II, in Piazza del Duomo, and the monument to Leonardo da Vinci, in Piazza della Scala, were wrapped with polypropylene fabric and red polypropylene rope, in the fall of 1970, in Milan, Italy.The fabric had been sewn in advance according to patterns that allowed for wide folds. The two wrapped monuments could be seen from the center of the Galleria, simultaneously, at each end of the large 19th century vaulted pedestrian passageway.Christo together with Jeanne-Claude a renowned artistic couple of the late 20th century, the wrapped objects of are some of the most extreme examples of modern conceptual art. Christo Valdimirov Javacheff, the primary artist and designer of the duo's projects, studied between 1952 and 1956 at the Academy of Fine Arts in Sofia, then spent a year in Prague. In 1957 Christo fled the socialist state and settled in Vienna, from where he traveled to Geneva and finally to Paris, settling in the French capital. His life in Paris was characterized by economic deprivation and social isolation, which was increased by his difficulty in learning the French language. He earned money painting portraits, which he compared to prostitution. Visiting the city's galleries and museums, he was inspired by the work of Joan Miró, Nicholas de Stael, Jackson Pollock, Jean Tinguely and mainly Jean Dubuffet. In January 1958, Christo made his first piece of "wrapped art"; he covered an empty paint jar with a canvas soaked in acrylic. He tied it up and colored it with glue, sand and automobile paint. Christo and Jeanne-Claude met in Paris in November 1958, when he was commissioned to paint a portrait of her mother. Although Jeanne-Claude married another man, she became pregnant by Christo and left her husband after their honeymoon. Despite opposition from Jeanne-Claude's family, the couple married in 1962. By 1959, Christo had changed his approach to wrapped objects. Instead of embellishing the wrapped material with glue and sand, he kept it intact. The following year, he stopped painting altogether and completed his "Inventory" series. In 1961 he tackled what would be his first project with large objects, wrapping barrels in the German port of Cologne. In 1962, as a couple, Christo and Jeanne-Claude tackled their first monumental project, "Rideau de fer" ("Steel Curtain"), as a statement against the Berlin Wall. The work consisted of blocking off Visconti Street over the river with oil barrels. Although Christo was simultaneously holding his first gallery exhibition, it was the Visconti project that made him known in Paris. In 1964 the couple settled in New York, and continued to carry out projects and exhibitions both in the United States and Europe. In 1968 they participated in Documenta 4 in Kassel, and in 1969 they undertook one of their most famous projects, that of wrapping the Little Bay waterfront in Sydney, Australia. Since then, Christo and Jeanne-Claude have undertaken numerous large-scale projects around the world, including "Running fence" and "Wrapped walk".

Lot 23

THE GOVERNESS (1998) - ROSINA DA SILVER'S WIDE BRIMMED HAT WITH FEATHER - PLAYED BY MINNIE DRIVERCustom made wide brimmed black hat with ostrich feathersNote: This lot was purchased by the vendor from the Bonhams 'Angels Star Collection of Film & TV Costumes' sale on 6th March 2007

Lot 24

THE GOVERNESS (1998) - ROSINA DA SILVER'S BLACK DRESS - PLAYED BY MINNIE DRIVER custom made black/brown shiny fabric, the fitted V neck top with long sleeves and two button detail, the pleated full length skirt with hook and eye back fastening, 24 inch waist and 35 inch bust.Note: This lot was purchased by the vendor from the Bonhams 'Angels Star Collection of Film & TV Costumes' sale on 6th March 2007

Lot 25

THE GOVERNESS (1998) - ROSINA DA SILVER'S BLACK DRESS - PLAYED BY MINNIE DRIVERCustom made black full length linen type dress, featuring fitted bodice with long off the shoulder sleeves, and full skirt, 26 inch waist and 36 inch bust.Note: This lot was purchased by the vendor from the Bonhams 'Angels Star Collection of Film & TV Costumes' sale on 6th March 2007

Lot 516

NEOPOLITAN SCHOOL C.1830Veduta di Napoli da Chiuga, surrounded by 16 small views, all inscribed, framed together in an olivewood surround.Gouache, overall 38 x 52cm

Lot 76

A collection of silver and commemorative coin to include three 2013 Royal Mint 'The George and the Dragon' UK £20 fine silver coins, a 2015 Royal Mint fine silver Churchill £20 coin, a collation of 12 King Edward VIII proof crowns, a 2006 Britannia 1oz silver coin cover, the sterling silver 1976 USA Bicentennial coin cover, 1973 City of Bristol 600th Anniversary medal, Tristan Da Cunha Elizabeth II Silver Jubilee twenty five pence Jubilee Crown, together with other commemorative coins to include the 1991-1995 USA WWII 50th Anniversary coin

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