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Pharmacy.- Orta (Garcia de) & others. Histoire des Drogues, Espiceries, et de Certains Medicamens Simples, qui naissent és Indes et en l'Amerique, edited by Antoine Colin, 4 parts in 1, second Lyons edition, woodcut illustrations, lightly browned, with 6pp. manuscript index to the illustrations bound in at beginning, small book-label of Henri Chevreul, later vellum, roan label, soiled, [Sabin 49948], 8vo, Lyons, Jean Pillehotte, 1619.⁂ Collection of translations of four important early works on the plants, drugs, and materia medica of the New World, comprising Orta's Coloquios dos simples, e drogas...da India of 1563, the first textbook on tropical medicine written by a European; Acosta's expanded translation of Orta's work; Alpini on balsam; Monardes on Central American drugs.

A boxed Fairey safety ohmmeter MK7 Type CP55 together with a leather cased Beckman HD110 digital multimeter and digital Avometer DA 2003 (3)

YIXING STONEWARE TEAPOT 大亨款 宜興紫砂素面德鐘壺 the teapot with a tapered cylindrical body, surmounted with a short straight spout and C-shaped angled handles, the interior of the cover impressed with a two-character 'Da Heng' mark within an oval enclosureDimensions:15cm wide

A bottle of 1989 Meursault-Blagny Louis Jadot 1er Cru wine together with a bottle of 1988 Nuits Saint Georges Domaine Da De Larlot Premier Cru and a bottle of Quinta Do Grasto 1998 purportedly signed by the artist John Beard. (3).

A group of four good mineral specimens including garnet spessartine from Hunan China, Calcite from Rio da Sul, Fluorite from Illinois USA and a Vanadinite on Goethite from Mibladen Morocco. (4)

Circle of Daniele Ricciarelli, called Daniele da Volterra (Volterra circa 1509-1566 Rome), After RaphaelStudy for a man bears inscription 'Daniele da Volterra' (lower right)pen and brown ink on laid paper42.8 x 23.1cm (16 7/8 x 9 1/8in).Footnotes:ProvenanceUnidentified collector's mark The present work is a detail after Raphael's fresco La disputa del sacramento, in the Stanza della Segnatura, Vatican Palace.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Italian School, circa 1600Design for a vase, after Polidoro da Caravaggio pen and brown ink and brown wash on laid paper32.3 x 17.1cm (12 11/16 x 6 3/4in).unframed together with two additional unframed drawings of vases by different hands (3)Footnotes:ProvenanceH. Schickman, 1969The Lodewijk Houthakker CollectionPrivate Collection, The NetherlandsLiteratureP. Fuhring, Design into Art, Drawings for Architecture and Ornament, The Lodewijk Houthakker Collection, London, 1989, vol. 1, p.342, cat. no. 526The present work is derived from an engraving by Alberto Cherubino, published in Rome in 1582. It follows the print in outline only with significant differences in the detail. A similar drawing, but in reverse, is in the Royal Academy, London.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Follower of Francesco Giambattista da Ponte, called Francesco Bassano (Bassano 1549-1592 Venice)Summer; Autumn; and Winter three of a set, oil on panel45.6 x 57.6cm (17 15/16 x 22 11/16in)., 46.2 x 57.6cm (18 3/16 x 22 11/16in) and 45.6 x 57.6cm (17 15/16 x 22 11/16in). (3)Footnotes:The allegories of Summer and Autumn are based on Francesco Bassano's originals, now in the Kunsthistorisches Museum, Vienna. The winter scene is loosely based on a Francesco Bassano that was offered at Christie's, London 28 May 1982, lot 104.For further information on this lot please visit Bonhams.com

Circle of Pietro da Cortona (Cortona 1596-1669 Rome)The Annunciation oil on copper30.4 x 23.2cm (11 15/16 x 9 1/8in).For further information on this lot please visit Bonhams.com

A 2017 limited edition 22ct gold Tristan da Cunha Princess Diana quarter sovereign in clear presentation case. Complete with COA and pouch by Harrington & Byrne. Total weight 2g.

A selection of modern cased gold and silver proof coinsgold coins comprising Fabula Aurum Elizabeth II Tristan Da Cunha: One Crown 2008, Anniversary of the birth of Lord Nelson, and 1/2 crowns: 2009 Eagle, 2009 Springbok and 2009 George and the dragon, silver proof coins comprising: Roses Of British Royalty five crown set, British Virgin Islands 2008 Richard the Lionheart crown, Tristan Da Cunha gold plated £5 coins in set with rubies and white enamel, 2008 + 2009, a .958 The Changing Face of Britain's Coinage medal and an 1890 enamelled crown, mostly in capsules and boxed, (qty)gold weight approx. 4.1g, silver weight approx. 9 oztCondition: All fine except enamelled crown which is rubbed and chiipped

Three: Leading Deck Hand W. Greaves, Royal Naval Reserve 1914-15 Star (DA.2488 W. Greaves. DH., R.N.R.); British War and Victory Medals (2488D.A. W. Greaves. L.D.H. R.N.R.) contact marks, very fine 1914-15 Star (M.273 C. Goodall, L. Ck. Mte., R.N.); Mercantile Marine War Medal 1914-18 (William Robinson); Royal Navy L.S. & G.C., G.V.R., 3rd issue, coinage head (M.34925 F. R. C. Liddicoat. E. R. A. 2. H.M.S. Drake.) some scratches, generally very fine (6) £120-£160 --- Charles Goodall, a Labourer from Bristol, was born on 10 October 1889. He attested for the Royal Navy on 21 April 1908 and saw service during the Great War in H.M.S. Larne, and afterwards, on numerous depot ships. Advanced Chief Petty Officer Cook on 31 April 1925, he died in service on 15 September 1939 and is buried in Bristol (Canford) Cemetery. Fernley Robert Cecil Liddicoat was born in Plymouth and attested for the Royal Navy after the Great War. Awarded his Long Service and Good Conduct Medal on 21 August 1936, he was commissioned Temporary Acting Warrant Engineer on 10 September 1943. He died in Exeter on 26 September 1979.

After Monaldus da Corneto The Marriage of the Virgin Oil on canvas laid on panel 30.6 x 65.5cm; 12 x 25¾in Provenance: From the collection of Sir Raymond Smith KBE (1917-2002) and Lady Smith (1918-1996) After the original in the Detroit Institute of Arts, Detroit (no.89.12).

MEMOIR ON A MAPPEMONDE BY LEONARD DA VINCI? THE NAME OF AMERICA, Richard Henry Major, 1865, J B Nichols. Blue pebbled cloth binding, marked and worn. Folio size, pp 36 plus map (Est. plus 17.5% premium)

A COLLECTION OF BOOKS ABOUT ARTISTS TO INCLUDE ROBIN, TITIAN, LEONARDO DA VINCI, GOYA, RUBENS, ETC - APPROX 23 IN TOTAL

PAINTED GLASS OVAL PORTRAITS of famous historical figures; Dickens, Vincent Van Gogh, Leonardo da Vinci, Mozart and Galileo (5)

Stamps, GB QV 1d black, DA, plate 6, 4 good-large margins, superb used with an almost full strike of a black MX. Has a tiny thin and a very faint ironed out crease on back. SG2 cat £375

HIP HOP - LPs/ 12" PACK. A quality selection of 21 hip hop LPs/ 12". Artists/ titles include Mick Jenkins - The Healing Component (CNMT LP2520, Vinyl Me Please, red vinyl pressing. Records Ex/ sleeve VG+), Watts Gangstas - The Real (P1 53986, Ex/ VG+), Original Guidance - The Second Chapter (TRIBE11, VG+/ VG+), Paris - Sleeping With The Enemy (SCR007-100-1), Xclan inc To The East Backwards (444 019-1), Xodus. NCA - Goodbye (AB01), Katch 22 - 2 1/2 Years, M Zone - Sounds Of Universal Love, Demon Boyz - Dett, Son Of Noise, SirMixaLot, Double Xposse, Shadz Of Lingo, The Swoll Package, Tuff Crew, ED O.G. & Da Bulldogs, Domino, Echo Base, King Sun, MC Search. Condition is generally VG+ to Ex+.

Lot comprising four books:-Musei e Gallerie di Milano Museo Poldi Pezzoli Orologi Oreficerie. Electa editrice, 1981.-SIMONI, A., Orologi italiani dal cinquecento all'ottocento. Ed. Vallardi, Milano, 1980.-AA.VV., Ore d'oro. Orologi da polso: passione e investimento. Ed. Wrist, Milan, 1984.-BRUSA, G., Lárte dell Orologeria in Europa. Publisher: Bramante Milano 1978.Sizes: 32 x 27 x 4 cm; 30 x 22 x 2 x 2 cm; 25 x 25 x 3 x 3 cm; 28 x 22 x 2 cm. Set of four books specialising in watches. The books belong to the personal collection of Don Juan José Ontalva (Chinchón, 1930- Madrid, 2019), a famous watchmaker from Madrid, descendant of several family generations dedicated to the world of watches. During his career he achieved a high degree of precision and skill, becoming the master of other watchmakers. He is currently recognised for numerous works, including the commissioning and restoration of the Billeter astronomical clock, located in the Congress of Deputies.

A QUITE SUPERB EXAMPLE OF A WHITE FIVE POUND BANKNOTE, this L K O'Brien A40A London August 1st 1955, with metal security thread housed in a Westminster folder, together with her majesty Queen Elizabeth diamond jubilee 9ct gold proof half crown with a limited issue of 9.999 with an issue number on reverse of the coin Tristan da Cunha 2002

aus der Serie "Vier Erdteile". Naturalistisch gestalteter, mit plastischen Blättern belegter Sockel. Vor einer Baumgruppe, auf einem kraftvoll modellierten, in hellen Brauntönen staffierten Löwen sitzende, junge, afrikanische Fürstin mit imposanter, plastisch geformter Elefantenhaube. Gehüllt in ein farbenprächtiges Federgewand mit Edelsteinkette, darüber ein knöchellanger Überwurf mit Indianischem Blumendekor, der an der Brust mit einer Goldagraffe gehalten wird. In der linken Hand ein Ährenbündel, in der Rechten ein goldenes Zepter haltend. Polychrome Malerei mit Goldstaffage. Entw. Johann Joachim Kaendler, um 1745. Brandriss. Unw. best./rest.; Schwertermarke. H. 19 cm. Die vier Allegorien der Erdteile sind in Kaendlers Taxa (1740-48) nach dem 20. November 1745 eingeordnet. "(...) Eine Grouppe Africam vorstellend, da ein Frauenzimmer auff einem Löwen sitzt (...) in gehöriger Kleidung mit einem Elephanten-Casquet auf dem Haupte".Vgl. Menzhausen/Karpinski, In Porzellan verzaubert, S. 171f.; Jedding, Kat. Meissener Porzellan in Privatbesitz, Museum für Kunst und Gewerbe Hamburg, Abb. 240f.; Meister, Kat. Slg. Pauls, Bd. I, S. 378f.An allegorical figure group of "Africa" from the series "Four continents" modelled by J. J. Kaendler. Firing crack. Insignificantly chipped/restored. Crossed swords mark.Meissen. Um 1745.

An Elizabeth II Tristan Da Cunha proof gold Quarter Sovereign, dated 2021, commemorating the '85th Anniversary of the year of The Three Kings', in Jubilee Mint Presentation case with certificate.

835 Silber große Jugendstil Obstkorb, silver fruit bowl art nouveau,Silber, gestempelt 835 + HZ Punze + DA? Punze, Durchbrucharbeit, H 8,5 cm x L 25,5 cm x B 18 cm, Gewicht 300 Grammsilver, stamped 835 + HZ hallmark + DA? hallmark, cutwork bowl, H 8.5 cm x L 25.5 cm x W 18 cm, weight 300 grams

China 2 Weihrauchbrenner Xuande Qing-Dynasty, chinese 2 bronze burner/censer,Bronze, China Qing-Dynastie, mit Bodenmarke Da Ming XuanDe, H 7 cm x B 15 cm x D 11 cm und H 4,5 cm x B 7,5 cm x D 6,2 cmbronze, China late Qing Dynasty, with floor mark Da Ming XuanDe, H 7 cm x W 15 cm x D 11 cm and H 4.5 cm x W 7.5 cm x D 6.2 cm

MADIERA WINE  Produce of Madeira Portugal, Adega Exportadora de Vinhos da Ltda Funchal Madeira, vintage Madeira rare rich sweet wine imported by Coverdale & Co Ltd London E.C.3 together with a 1937 Coronation Fine Sherry and a Sandeman Tawny Port 440406 (3) Condition Report:Available upon request

ROBERT KELSEY DA PAI FRSA (SCOTTISH b.1949) WINTER SEA, ARRAN Oil on canvas, signed lower right, 69 x 95cm (27.25 x 37.5") Title inscribed verso Condition Report:Available upon request

ROBERT KELSEY DA PAI FRSA (SCOTTISH b.1949) WINTER SEA  Oil on board, signed lower right, dated (19)83, 55 x 69cm (21.75 x 27.25") Title inscribed verso Condition Report:Available upon request

ROBERT KELSEY DA PAI FRSA (SCOTTISH b.1949) CAMILLIAS Oil on board, signed lower left, 39 x 39cm (15.25 x 15.25") Title inscribed verso Condition Report:Available upon request

ROBERT KELSEY DA PAI FRSA (SCOTTISH b.1949) THE SPANISH HOUSE, ANDALUCIA  Oil on board, signed lower right, 29 x 29cm (11.5 x 11.5") Title inscribed verso Condition Report:Available upon request

Artist Rob Perry Signed Ayrton Senna Da Silva 22x17 Colour Print, Housed in Frame. Limited Edition 127 of 850. Good condition Est.

JUBILEE MINT. Set of 4 x 24ct Gold Plated £5 Platinum Wedding Coins Boxed w/ COA Contains four £5 coins from Alderney and Tristan Da CunhaApprox 1 pieces

JAMES WALLACE DA,GAUZE STREET, PAISLEY IN 1905,watercolour, signed,34cm x 44cm,Mounted, framed and under glass,54cm x 62.5cm overall

A collection of three cased silver proof coins with COA's to include a Royal Mint 1977 silver proof crown, a Royal Mint Tristan da Cunha 1977 Twenty Five pence silver proof coin and a Royal Mint Mauritius Twenty Five Rupees coin.

ANDY WARHOL (Pittsburgh, USA, 1928 - New York, USA, 1987)."From de Sonaben Collection, Gagosian, 2009.Lithograph poster.Unsigned.Size: 76 x 50,5 cm.Double-sided lithograph poster with Warhol's Sonnabend Collection in the show at Gagosian New York in 2009.Warhol's Sonnabend Collection remains, to this day, one of the most iconic pieces of his work. The Gagosian wanted to create a poster for the exhibition that would be "a snapshot of the history of Warhol's art collecting".An American visual artist who became the best known representative of pop art, an artistic trend in vogue during the 1950s and 1960s that was inspired by mass culture. The son of Slovakian immigrants, he began his art studies at the Carnegie Institute of Technology between 1945 and 1949. In the latter year he began his career as an advertising cartoonist for various magazines such as Vogue, Harper's Bazaar, Seventeen and The New Yorker. At the same time he painted canvases with everyday, advertising and comic themes. He soon began to exhibit in various galleries. He progressively eliminated any expressionist traits from his works until he reduced them to a serial repetition of a popular element from mass culture, the world of consumerism or the media. This evolution reached its peak of depersonalisation in 1962, when he began to use a mechanical silkscreen printing process as his working method, by means of which he systematically reproduced myths of contemporary society, the most representative examples of which are the series dedicated to Marilyn Monroe, Elvis Presley, Elizabeth Taylor and Mao Tse-tung, as well as his famous treatment of Campbell's soup cans, all works produced during the fruitful decade of the 1960s. The use of mass-circulated images, easily recognisable by all kinds of audiences, such as the aforementioned soup cans or Coca-Cola bottles, became one of the most interesting and stable features of his entire output. On other occasions he crudely depicted real situations, such as accidents, street fights, funerals or suicides; within this theme, Electric chair is one of his most significant works. This appropriationism, a constant feature of the work of the supporters of Pop Art, extended to universal works of art by authors such as Raphael Sanzio, Giorgio de Chirico, Edvard Munch and Leonardo da Vinci. Through mass reproduction, he succeeded in stripping the media fetishes he used of their usual referents, turning them into stereotypical icons with a decorative meaning. In 1963 he set up the Factory, a workshop in which many of New York's underground culture gathered around him. The frivolity and extravagance that marked his way of life established a coherent line between his work and his life's trajectory; his peculiar appearance, androgynous and permanently topped with a characteristic blond fringe, ended up defining a new icon: the artist himself. He was one of the first artists to consciously exploit his image for self-promotional purposes; through a process of identification, he acquired in the eyes of the public the significance of just another advertising product. In 1963 he began a film career based on the same principles as his plastic work (such as visual reiteration), sometimes with a strong sexual and erotic content.

AFTER GIOVANNI BATTISTA SALVI DA SASSOFERRATO 'THE VIRGIN MARY' oil on canvas, 46cm x 35cm

An unusual old wooden scale built model of a Whitby pilot boat marked "Gratitude WY263 JA and DA Wharton" 50" long

A pair of David Andersen Norwegian modernist silver enamelled twin leaf earrings together with a selection of blue enamelled twin leaf links. The earrings being decorated with white enamel and the leaved with blue. Earrings marked DA sterling Norway. Earrings measure 1.7cm. Total weight 12.7g. 

Nice Quality Album (no name) Containing 47 x FDCs or Comm. Covers with Stamps and Various FDI Postmarks, including Reintroduced Species 2018, owls 2018, Dad's Army 2018, The Great War 1918 2018, Leonardo Da Vinci 2019, Birds of Prey 2019, Visions of the Universe 2020, The Romantic Poets 2020, National Parks 2021, Only Fools and Horses 2021, Paul McCartney 2021, Dennis and Gnasher 2021, good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Stamps : Philatelic Literature Tristan Da Cunha .. by Robin Taylor Volume1, 2,3,4,56,7,8,9,10, -11,12 all in Very Fine Condition and all limited editions of 100. The Information is incredible. ALSO the fantastic ‘ The History and Postal History of Tristan da Cunha ‘ produced by and signed by George Crabb. Well illustrated and Written in such a way that it is difficult to put down once you start reading it. In all 346 pages and an item of considerable rarity. Plus a few other Tristan items .

* Bartoli (Pietro Santi, 1635 - 1700). Eight Palazzo engravings of Classical Friezes, eight uncoloured etched panels of classical scenes after Caravaggio, wide margins, each approximately 160 x 450 mm, bound with contemporary stitching, no coversQTY: (8)NOTE: Taken from a fresco by Polidoro da Caravaggio and Maturino da Firenze in the Palazzo Gaddi, Rome, depicting the arrival of the Etruscans in Latium.

Petrarca (Francesco). Il Petrarca con l'espositione d'Alessandro Vellutello e con piu utili cose in diuersi luoghi di quella nouissimamente da lui agguinte et ristampate, Venice: Giouann'Antonio di Nicolini da Sabio, 1541, text with accompanying commentary (both in roman type), faint contemporary inscription in Latin to lower margin of title, lacking final blank, contemporary vellum gilt, a few manuscript notations to backstrip and front board, some wear, 8voQTY: (1)NOTE:Not in Adams.Alessandro Vellutello first published his widely-circulated edition of Petrarch’s works with a commentary in 1525. It was reprinted 29 times, this being the 5th.

Mead (Richard). A Mechanical Account of Poisons in Several Essays, 1st edition, London: Printed by J.R. for Ralph South, 1702, early signature E. Adey to title, some toning and occasional light spotting, 19th-century bookplate of Samuel Holdsworth to upper pastedown, contemporary calf, joints split and upper board loosening, extremities worn, 8vo, together with:Teresa (of Avila, Saint), Vida da seraphica madre Santa Teresa de Jesus..., Lisbon: Antonio Vicente da Silva, 1761, engraved illustration laid-down on front free endpaper, contemporary limp vellum, with leather ties, 4to,Chambaud (Lewis), A Grammar of the French Tonge, with a prefatory discourse..., 6th edition, revised and corrected, London: C. Bathurst, W. Strahan [& others], 1775, contemporary calf, spine without title label, rubbed, 8vo,Vyse (Charles), The New London Spelling-Book; or, the Young Gentlemen and Ladies' Guide to the English Tongue..., new edition, with alterations, improvements, and additions, London: Published by all the booksellers, and R. & W. Dean, Manchester, 1807, wood engraved portrait frontispiece, front free endpaper inscribed 'Miss Lough's Book April 9th 1809 Bainton', contemporary sheep, lacking spine, upper board loose, worn, 8vo,Bertrand de Moleville (Antoine-Francois), Annals of the French Revolution; or, a chronological account of its principal events, with a variety of anecdotes and characters ... translated by R.C. Dallas, 4 volumes, London: Printed by S. Low, 1800, contemporary diced calf, joints split, lacking spine labels, worn, 8vo,Clarke (Samuel), Homeri Ilias Graece et Latine, new edition, 2 volumes, London: J. Nunn, Baldwin, Cradock & Joy [& others], 1825, folding engraved map frontispiece to each with some offsetting to titles, armorial bookplate of Thomas Fletcher Twemlow to upper pastedowns, contemporary half calf, gilt decorated spines with contrasting labels, 8vo, plus other 17th-19th century antiquarian volumes, including grammars etc., some odd volumes, and two 18th century vellum documentsQTY: (34)

Mozart (Wolfgang Amadeus). [Don Giovanni]. Il Dissoluto Punito osia il Don Giovanni dramma giocoso in due atti posti in musica da Wolfgang Amadeus Mozart. Don Juan oder der steinerne gast komische oper in zwey aufzugen... mit unterlegtem Deutschen texte nebst sammtlichen von dem komponisten spater eingelegten stucken, in partitur, 2 volumes, 1st edition of the full score, Leipzig: verlag der Breitkopf und Hartelschen Musikhandlung, [1801], additional engraved title to volume I, with oval engraved vignette by Bolt after Kinninger, printed titles, divisional title Anhang von spater eingelegten stucken in volume II, 590 pp., occasional light spotting and dust-soiling, Paul Alday, Dublin ink stamp at foot of printed titles, Warrington Public Library ink stamps to all titles and a few other leaves, their library labels to front pastedowns, later library morocco-backed boards, spines a little rubbed head and foot, oblong folio, sheet size 24.5 x 32 cm QTY: (2)NOTE:Hoboken 341; Haberkamp, Erstdrucke der werke von W.A. Mozart, I, 295-297; RISM M 4502.

Falk (Toby). Treasures Of Islam, 1st edition, Bristol: Artline Editions, 1985, numerous colour Illustrations, original cloth in dust jacket, Minor rubbing to foot of spine. 4to, togethr with;Browm (Glenn), History Of The United States Capitol, 2 volumes in 1, reprint edition, New York: Da Capo Press, 1970, pencil inscription to front pastedown, original gilt decorated brown cloth, some minor marks to boards, light spotting to upper text block, 4to, plus, Hitchcock (Henry-Russell), Rococo Architecture In Southern Germany, 1st edition, London: Phaidon, 1968, numerous monochrome illustrations, original cloth in dust jacket, light spotting to upper text block, 4to, and, Westphal (Uwe), The Bauhaus, 1st edition, London: Studio Editions, 1991, 76 colour & 68 black and white illustrations, original cloth in dust jacket, boards slightly rubbed & marked, 4to, plus other architecture reference & related mostly original cloth in dust jackets, G/VG 4to/8voQTY: (6 shelves)

Coins - a centenary of WWI 22ct gold proof £1 coin, Tristan Da Cunha, capsulated with certificate, 8g

Coins - a centenary of WWI 9ct gold coin, Tristan Da Cunha, capsulated, certificate; another, 1g each (2)

GIOVANNI BATTISTA SALVI DA SASSOFERRATO (NACHFOLGER)25. August 1609 Sassoferrato - 8. August 1685 RomDIE JUNGFRAU MARIA Öl auf Leinwand auf Holztafel altmaroufliert. 65,5 x 54 cm. Part. besch., Farbverluste, rest., Altretuschen. Provenienz: Hessische Privatsammlung.

DANIEL NIKOLAUS CHODOWIECKI (ATTR.)1726 Danzig - 1801 BerlinDER ABSCHIED DES JEAN CALAS VON SEINER FAMILIE Öl auf Leinwand (altdoubl.). 48 x 64 cm (R. 71 x 87 cm). Part. Oberflächenverschmutzungen, min. altrest. Rahmen. Daniel Nikolaus Chodowiecki, geboren in Danzig und gestorben in Berlin (1726-1801) zählt zu den bedeutendsten deutschen Künstler des 18. Jahrhunderts. Angefangen in der Emailmalerei, etablierte er sich immer mehr zum gefeierten Künstler. Seine Gemälde zeichnen sich durch eine ausgeprägte Binnenzeichnung und Lokalkolorit aus, der durch den sparsamen Einsatz von Licht eine erzählerische und mythische Wirkung erzielt. Gleiches gilt für das Historienbild "Der Abschied des Jean Calas von seiner Familie", mit dem Chodowiecki 1766 seinen großen Durchbruch als Künstler feierte. Erzählt wird die tragische Geschichte des calvinistischen Kaufmann Jean Calas, dessen Sohn sich das Leben nimmt. Durch Gerüchte verbreitet sich die Geschichte, dass Jean selbst seinen Sohn getötet hat, weil er zum Katholizismus konvertieren wollte. Kurz darauf wurde Jean 1762 zum Tode durch das Rad verurteilt. Der Justizirrtum des Jean Calas gilt bis heute als Symbol der parteilichen Ungerechtigkeit. Niemand geringeres als Voltaire setzte sich für die Wiederaufnahme des Verfahrens ein und erreichte, dass Jean Calas postum freigesprochen und seine Familie rehabilitiert wurde. Den Moment des Freispruchs hielt Jean Baptist Delafosse in einem Kupferstich fest. Dieser gelangte nach Berlin, wo Chodowiecki ihn sah, und beschloss den Moment in Öl anzufertigen. Das gezeigte Gemälde ist danach entstanden und bildet das Gegenstück. Im schummerigen Licht wird der emotionale Abschied vom Familienvater Jean Calas gezeigt. Von links treten bereits ein Priester in Begleitung von zwei Wachen und einer weiteren Person in den Raum, um Jean zur Hinrichtung zu führen. Zentrum des Gemäldes ist Jean selbst, der gerade von seinen Fußfesseln befreit wird. Verzweifelt klammert sich seine Familie an den Todgeweihten, dem nur noch wenige Augenblicke bleiben. Rechts ist Madame Calas vor einem aufgeschlagenen Buch auf einem Stuhl zusammengesunken. Liebevoll kümmern sich die Kinder um sie. Durch den reduzierten Einsatz des Lichtes erhält der Moment des Abschieds eine melancholische und ergreifende Atmosphäre. Chodowiecki lädt den Betrachter ein, dem intimen Moment beizuwohnen. Man fiebert mit dem traurigen Schicksal der Familie Calas mit und spürt ihren Schmerz. "Da es mir nicht darum thum war, der französischen Nation ein Kompliment zu machen, sondern nur einen Augenblick zu wählen, der den Anschauer rührt und beym Gedanken des unschuldig geräderten ehrlichen Mannes eine mitleide Thräne ablockt; so wählte ich den, da er nach dem Gerichtsplatz soll geführt werden, und seine Familie ihm Abschied nimmt. Ich führe den Gedanken aus, und hatte das Vergnügen, dass niemand ungerührt davon ging."- Daniel Nikolaus Chodowiecki Provenienz: Westfälische Privatsammlung.

MICHELANGELO ANSELMI (AUCH 'DA SIENA' ODER 'DA LUCA') (NACHFOLGER DES 19. JH.)1491 Lucca - 1554 ParmaPORTRAIT DES GIOVANNI BATTISTA CASTALDI Öl auf Leinwand (altdoubl.). 47 x 35 cm (R. 64,5 x 52 cm). Part. leicht altrest., Craquelé, Altretuschen. Rahmen. Provenienz: Süddeutsche Privatsammung.

RAFFAELLO SANZIO DA URBINO (RAFFAEL) (NACHFOLGER DES 19. JH.)1483 Urbino - 1520 RomDIE HEILIGE FAMILIE (LA PERLA) Öl auf Leinwand. 144 x 115 cm (R. 146,5 x117,5 cm). Besch., kleiner Leinwandriss unten halbrechts, min. Farbverluste. Rahmen. Provenienz: Südwestdeutsche Privatsammlung.

LEONARDO DA VINCI (NACHFOLGER DES SPÄTEN 19./FRÜHEN 20. JH.)('EIGENTLICH: LIONARDO DI SER PIERO DA VINCI')15. April 1452 Anchiano bei Vinci - 2. Mai 1519 Schloss Clos Lucé, AmboiseMONA LISA Öl auf Leinwand auf Platte maroufl. 81 x 54 cm (R. 101 x 73 cm). Rahmen. Provenienz: Privatsammlung Berlin.

Signed Arsenal replica home jersey season 2009-10,signatures include Theo Walcott, Denilson, Cesc Fabregas, Robin van Persie, Andrey Arshavin, Jack Wilshere, Aaron Ramsey, Manuel Almunia, Laurent Koscielny, Eduardo da Silva, Gael Clichy, Bacary Sagna, Lukasz Fabianski etc.

Italy, Venice or Veneto, 1490-1500 A.D. A Pentelic marble relief depicting a kneeling donor and angel; the donor wearing a pleated tabard split along the sides and belted at the back, over-shirt gathered above the elbow; schematic facial features; angel facing right, wearing flowing robes, textured feather detailing to the wings, downcast head with naturalistic facial detailing; background of lozenges occupied by stylised foliate motifs, likely imitating a cloth of honour; traces of gilding on the hair of the angel and drilling for pupils of the eyes; traces of polychrome. Cf. Passuello, A., ‘Per la scultura tardogotica veneta. Due opere di Antonio da Mestre in diocesi vicentina’ in Arte Cristiana, No.898, Jan-Feb. 2017, pp.19-28, figs.1,3,5; Wright, A., Frame work: honour and ornament in Italian Renaissance art, Yale, 2019. 13.7 kg, 41.2 cm high (16 1/4 in.). Marc-Arthur Kohn SARL, 4 August 2010, lot 187. Ex central London gallery. Accompanied by a copy of a previous typed catalogue page. Accompanied by an academic report by Dr. Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate no.11413-192178. The relief, from a tomb or tabernacle, was likely once located next to an image of a patron saint or, most probably, Virgin and Child. It belongs to a category of figures in high-relief, made by itinerant workshops for altarpieces and choir screens in churches in northern Italy and especially in Venice, but the workshop could also be a consolidated one. The angel, with its soft facial features and weighty, voluminous folds of drapery, represents the medieval style of sculpture typical of late North Italian Gothic and especially Venetian in the late 15th century A.D. This style is visible in famous monuments, like the magnificent grave of the Doge Mocenigo, realised between 1476 and 1481 in Venice by Pietro and Tullio Lombardo, today kept in the Church of Saint John and Paul in Venice. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website.]

BOOKS, four boxes containing approximately seventy titles in hardback and paperback formats, subjects include biography, art, history, travel and novels, authors include Bill Bryson, Colin Dexter, John Mortimer, Agatha Christie, Tolstoy, Tolkien, Ian Fleming, Spike Milligan and the Matthew Landrus book, 'The Treasures of Leonardo da Vinci' The Story of His Life & Work including 30 rare removable facsimile documents

After Ferdinand Barbedienne, a bronze bust of a gent and another unsigned bronze bust of Niccolò da Uzzano, tallest 22cm

* ROBERT KELSEY DA MUniv PAI FRSA (SCOTTISH b. 1949), STILL LIFE WITH PANSIES oil on canvas, signed, titled labels verso image size 31cm x 31cm, overall size 54cm x 54cm Framed. Label verso: The City Gallery, London.

* LIZ KNOX DA (EDIN) PAI PPAI (SCOTTISH), JAGGED oil on canvas, signed image size 46cm x 61cm, overall size 64cm x 80cm Framed.

* PAM CARTER DA PAI (SCOTTISH 1952 - 2022), HARBOUR LIGHTHOUSE gouache on paper, signed and dated '83, inscribed 'Porth Tywyn', titled label verso image size 32cm x 41cm, overall size 46cm x 54cm Mounted, framed and under glass. Exhibition label verso: February '85, The Torrance Gallery, Edinburgh (a rare early work by Pam Carter). Note 1: It was with great sadness that we learnt of the passing of Pam Carter in May after an illness which she wrote about to her database of buyers on 24th June 2021: "I feel at last I am retiring somewhat due to ill health. I am not painting very much these days as I am struggling with the daily regime of chemo tablets; it’s hard getting the balance of effective medication and quality of life". Note 2: Pam Carter was born in Tanganyika, East Africa to an Austrian mother and Scottish father. At the age of thirteen, she came to Scotland where she schooled at Bearsden Academy. She graduated from Glasgow School of Art in the seventies. "My main inspiration as an artist is in the Scottish landscape and seascape. I enjoy using colour to define contours, structure and changing light sequences. I search out specific viewpoints. I am equally inspired by the rugged isolation of the Western Isles and the dramatic viewpoints of the Eastern coastline. I work predominantly in oil". Pam Carter was unquestionably one of Scotland's most popular and successful contemporary artists. She won numerous awards and prizes, always received significant media attention, has been the subject of many magazine features and had several tv appearances. Her work is widely exhibited but rarely appears at auction. However, in The Scottish Contemporary Art Auction of 17th April 2022 lot 38 "Luskentyre Reflections" a 46 x 51cm oil by Pam Carter sold for £2000 (hammer) and in The Scottish Contemporary Art Auction of 10th July 2022 lot 230 "Gables Geary" sold for £2600 (hammer). Comment: Pam was a special artist and one who enjoyed wide popularity and substantial commercial success. In all our dealings with Pam over the years, she was always generous with her time and quick to provide the background to paintings we had received from private consignors and filling in gaps about locations, dates etc. Pam's work is instantly recognisable and she had that rare gift, even among the best artists, of being able to use the minimum of brushwork to create the maximum visual effect. Her "lines" were those of the natural environment but she knew exactly how to "see" them and portray them on canvas. Despite her commercial success, or perhaps even because of it, Pam's work probably hasn't yet reached the full audience that it so richly deserves. She exhibited frequently at numerous galleries in Scotland and gallery owners were inevitably in a queue to secure her work. Typically, Pam showed loyalty to those who were the first to support her when she was a relative unknown. Talented artists always wish to be remembered by their work and Pam Carter can be certain of that, but she'll also be remembered with great affection by all those who had the good fortune to meet her or know her.

(1617 Antwerpen - 1675 ebenda)Blumenstrauß in Glasvase mit SchneckeAuf einem Tisch in einer gläsernen, unterhalb stark gebauchten Vase arrangierter Strauß aus Tulpen und anderen Frühlingsblumen. Auf der linken Seite des Tisches von einer Landschnecke mit hohem, gestreiftem Gehäuse, auf der rechten Seite von einer großen, weißen und einer kleinen, leuchtend roten Blüte flankiert. Ambrosius Brueghel stammte aus der bedeutenden flämischen Malerdynastie Brueghel - er war Enkel von Pieter Brueghel d. Ä., Sohn von Jan Brueghel d. Ä. und Halbruder Jan Brueghels d. J.; Da sein Vater starb, als Ambrosius erst sieben Jahre alt war, wurde er zunächst unter die Vormundschaft der prominenten Maler Hendrick van Balen, Cornelis Schut und Pieter de Jode the Elder gestellt. Hendrick van Balen förderte seine künstlerische Ausbildung. Anzunehmen ist, dass Ambrosius bei seinem älteren Bruder Jan lernte, der 1625 nach dem Tod des Vaters die Brueghel-Werkstatt übernommen hatte. Ambrosius Brueghel wurde 1645 Mitglied der Antwerpener Lukasgilde, der er 1653, 1665, 1671 und 1673 als Diakon vorstand. Stilistisch stand Ambrosius Brueghel in der Tradition seines Vaters Jan Brueghel d. Ä., wobei er, wie auf diesem Stillleben, sehr große Blüten mit vielen kleinen kombinierte. Im Unterschied zum Vater und den teppichartig angelegten Blumenstillleben seines Bruders überschneiden sich die voller und bewegter, gleichsam fast dreidimensional erscheinenden Blüten jedoch kaum; obgleich es auch Ambrosius auf Detailgenauigkeit und Präzision ankam, wirkt sein mit sicherem Duktus ausgeführter Malstil doch insgesamt großzügiger und -flächiger. Öl/Eichenholztafel. 46,3 cm x 30,8 cm. Rahmen. Beigefügt: Expertise von Dr. Klaus Ertz, 4. Juli 2022.Oil on oak panel. Accompanied by an expertise from Dr. Klaus Ertz, 4th of July 2022.

Farbloses Glas. Mittig glockenartig ansteigender Scheibenfuß mit umgeschlagenem Rand, Balusterschaft mit großer, eingestochener Luftblase, glockenförmige Kuppa. Dekor in teilw. geblänktem Mattschnitt. Schauseitig kartuschengerahmtes Bildfeld mit Venus, Stern und Amor am Himmel, der mit Pfeil und Bogen auf eine Herzenreihe am Boden schießt. Rücks. Sinnspruch "was da lebet auff der erden (/) was man nur nennen kan (/) was ist und noch sol (/) werden (/) ist der liebe unterthan". H. 22,5 cm.Provenienz: Aus dem Nachlass Dr. Zahn, Norddeutschland. Vorwiegend auf internationalen Auktionen, Messen und Glasbörsen in den 1980er bis 2000er Jahren zusammengetragen. A North German Lauenstein engraved glass goblet with motifs of love and motto.Lauenstein. 1. Hälfte 18. Jh.