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Click here to subscribeRepublica Portugueza Angola, Junta da Moeda, uniface proof/colour trial 5 angolares, ND, maroon on pale violet, value at each corner, arms at top centre, sailing ship in full sail at centre(Pick not listed), about uncirculated to uncirculated, extremely rare Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Republica Portugueza Angola, Junta da Moeda, an obverse and reverse essay for a 10 angolares, brown, pink and pale green, arms at centre, Vasco de Gama at right, reverse blue, columns at centre, value at left and rightan Orell Fussli engraving, good extremely fine and rare Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Republica Portugueza Angola, Junta da Moeda, an obverse and reverse essay for a 10 angolares, black on white card, Vasco da Gama at right, arms at centre,an Orell Fussli engraving, good extremely fine and rare Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(†) Banco Nacional Ultramarino, Cape Verde, specimen 20 Mil Reis with counterfoil, 1 March 1909, black on pale blue and yellow underprint, portrait of Vasco da Gama at left, embarkation of Vasco da Gama at right, steamship seal Type III at centre, reverse orange-red and multicoloured, allegorical woman looking out at sailing ships, perforated SPECIMEN(Pick 8bs), mounting traces, ink date '18. 5. 20' and annotation in top margin, otherwise good extremely fine and very rare Subject to 20% VAT on both Hammer Price and Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(†) Banco Nacional Ultramarino, Cape Verde, specimen 20 Mil Reis, 1 March 1909, black on pale blue and yellow underprint, portrait of Vasco da Gama at left, embarkation of Vasco da Gama at right, steamship seal Type III at centre, reverse orange-red and multicoloured, allegorical woman looking out at sailing ships, perforated CANCELLED(Pick 8bs), mounting traces, ink date '9. 11. 21' and annotation in top margin, small chip in top margin, otherwise about uncirculated to uncirculated and very rare Subject to 20% VAT on both Hammer Price and Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Qing Dynasty, Da Qing Bao Chao, 2000 cash, Year 9 (1859), blue and white, dragons top right and left, large red seal at centre, reverse blank with ink annotation low right(Pick A4g), small hole top centre, discolouration, otherwise very fine or better, a remarkable and very collectable example in this grade Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(†) Banco Nacional Ultramarino, Portuguese Guinea, printer's archival specimen 2500 Reis with counterfoil, 1 March 1909, serial run 000000 to 140000, black on blue and yellow underprint, portrait of Vasco da Gama at left, passage of ships round The Cape of Good Hope at right, steamship seal Type III at lower centre, red overprint BOLAMA at upper right centre, reverse blue, allegorical woman looking out at sailing ships, perforated SPECIMEN(Pick 2As), mounting traces, ink date '18. 5. 20' and annotation in top margin, otherwise good extremely fine and rare Subject to 20% VAT on both Hammer Price and Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(†) Banco Nacional Ultramarino, Portuguese Guinea, specimen 5 Mil Reis with counterfoil, 1 March 1909, black on pale blue and yellow underprint, portrait of Vasco da Gama at left, passage of ships round The Cape of Good Hope at right, overprinted BOLAMA in red, steamship seal Type I at centre, reverse green and multicoloured, allegorical woman looking out at sailing ships, perforated CANCELLED(Pick 3bs), mounting traces, ink date '18. 1. 17' and annotation in top margin, otherwise good extremely fine, rare Subject to 20% VAT on both Hammer Price and Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(†) Banco Nacional Ultramarino, Portuguese Guinea, specimen 20 Mil Reis with counterfoil, 1 March 1909, black on pale blue and yellow underprint, portrait of Vasco da Gama at left, his embarkation at right, overprinted BOLAMA in red, steamship seal Type I at centre, reverse vermilion and multicoloured, allegorical woman looking out at sailing ships, perforated CANCELLED(Pick 5s), mounting traces, otherwise good extremely fine, rare Subject to 20% VAT on both Hammer Price and Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(†) Banco Nacional Ultramarino, Portuguese Guinea, printer's archival specimen 20 Mil Reis with counterfoil, 1 March 1909, serial run 00000 to 15250, black on pale blue and yellow underprint, portrait of Vasco da Gama at left, his embarkation at right, overprinted BOLAMA in red, steamship seal Type I at centre, reverse vermilion and multicoloured, allegorical woman looking out at sailing ships, perforated CANCELLED(Pick 5s), mounting traces, ink date '25. 1. 16' and annotation in top margin, otherwise good extremely fine, rare Subject to 20% VAT on both Hammer Price and Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(†) Banco Nacional Ultramarino, Portuguese Guinea, specimen 50 Mil Reis with counterfoil, 1 March 1909, black on pale green and peach underprint, portrait of Vasco da Gama and palm trees at left, his embarkation at right, overprinted BOLAMA in red, steamship seal Type I at centre, reverse blue, lilac and multicoloured, allegorical woman looking out at sailing ships, perforated CANCELLED(Pick 5Bs), mounting traces, ink date '16. 7. 17' and annotations in top margin, otherwise good extremely fine, rare Subject to 20% VAT on both Hammer Price and Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Pair of Chinese zisha ceramic cricket jars, each of melon form impressed with fu-lions above the characters `da qing Qianlong` and two colophons regarding types of crickets, the lid and base of the jars marked `Qianlong nian zhi, Nanyao Huajia, Gusu Lumu`, 4.75""w. Provenance: From the estate of Edward Gerber
(x) Great Britain1840 Two Pence BluePlate 1BA-DA vertical strip of three in a pale shade, BA double letter "A", good to large margins and light red Maltese Cross cancellations; pressed crease between CA and DA. A scarce and attractive multiple. Brandon Certificate (2009). Specialised DS5j. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Tristan da Cunha1954-2012 largely complete unmounted mint collection arranged in two albums, contained in a carton, including selected watermark varieties, booklets, miniature sheet and sheetlets. Mostly fine. (hundreds) Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Assorted port to include: Graham's LBV, 1984, one bottle; Warre's Quinta da Cavadinha, 1979, one bottle; Warre's, 1977, two bottles; Offley Boa Vista LBV, 1982, bottled 1988, two bottles; Quinta do Noval, 1982, one bottle; Quinta da Roeda, 1983, one bottle, eight bottles in total CONDITION REPORT: Image available upon request. Warre's Quinta da Cavadinha, 1979: Mid neck. Labels intact. Capsule intact. Warre's, 1977: Both mid neck. Slight back label damage. Slight capsule damage to one. Quinta do Noval, 1982: Mid neck. Labels intact. Capsule intact. Quinta da Roeda, 1983: Mid neck. Labels intact. Capsule intact.
Da Silvas, 1960, one bottle; Warre's Tercentenary, 1970, one bottle, two bottles in total CONDITION REPORT: Image available upon request. Da Silvas, 1960: Low neck. Labels intact. Quinta do Noval label. Slight capsule damage. Warre's Tercentenary, 1970: Low neck. Slight label damage and dirty. Capsule intact.
Eight continental relief carved oak plaques, of Christ, Leonardo da Vinci, Erasmus, The Virgin Mary, Johannes Calvinus and `S. IOHANNES`, each in a carved wood and parcel gilt frame, 17th century and later, 55 x 38.5cm. (8) Provenance: The Old Rectory, Little Langford, Wiltshire. Sold by order of Trustees of the Estate of the late Miss S.F. Rooke.
IWC (Da Vinci Sport - Acier), vers 1998 Montre sport de forme ronde à lunette godronnée, anses appliquées et articulées, fond vissé. Cadran noir avec index appliqués luminova et date guichet à 3h. Aiguilles lance squelette luminescentes. Bracelet IWC en acier à boucle déployante invisible d`origine. Mouvement : Calibre mécanique à remontage automatique signé IWC / Swiss. Diam. 37 mm. Etat : Très bon état.
CHIARI, Pietro. L` Uomo d` un Altro Mondo osia Memorie d` un Solitario Senza Nome Scritte da lui medesimo in due Languaggi Chinese, e Russiano e Pubblicate nella nostra lingua dall` abbate Pietro Chiari. Venice: Appresso Domenico Battifoco, 1768. 8vo (190 x 135mm). Engraved frontispiece, woodcut device on title, initials (paper flaw in I2 with minor loss of letters, occasional light spotting and staining). Contemporary wrappers, title in early manuscript on the spine (new endpapers).
[JOHNSTONE, Charles]. The Reverie: Or, A Flight to the Paradise of Fools ... Published by the Editor of The Adventures of a Guinea. London: Printed for T. Becket, and P. A. Da Hondt, 1763. 2 volumes, 12mo (166 x 102mm). Errata leaf at the end of vol. II (occasional light spotting and staining, "Advertisement" (i-viii) misbound between pp.272 and 273 of text in vol. one). Contemporary calf, spines gilt with red and black morocco lettering-pieces (one lettering-piece lacking, quite heavily rubbed and scuffed). Provenance: Ardoch (armorial bookplate). FIRST AUTHORIZED EDITION of this political satire in the form of a novel.
Da Wu Tang, Singaporean b.1943- "S 98"; watercolour and ink on paper, signed, titled, dated '87 and with red stamp, 56.5x37.5cm: together with another watercolour and ink work on paper by the same artist titled "Take Off", signed, titled, dated '87 and with red stamp, 55x76.5cm, (2), (unframed)
A Rare Spinach Jade Double-Gourd Form Wall Vase The upper bulb centered by a white nephrite roundel enclosing the character da and the lower with the character ji, forming the phrase da ji (good fortune), the two separated by a gilt-bronze ribbon-form frame featuring a champleve-enameled footed stand, the reverse with a ruyi scepter form hanging hook. Qianlong Period Height: 7 1/2 inches (19 cm) [Overall wear] Starting Bid: $1800
(x) Collections and RangesA predominantly mint assortment, most still in their original lot containers, including Ascension 1934 ½d. to 5/- and 1938 ½d. to 10/-, Barbados 1920-21 Victory ¼d. to 3/-, Cayman Islands 1935 ¼d. to 10/- and 1950 ¼d. to 10/-, Falkland Islands 1933 Centenary 5/-, Fiji 1954-59 ½d. to £1, Gold Coast 1928 ½d. to 5/-, Nauru 1916 overprint at foot ½d. to 1/- with both 2d., Nyasaland 1903-04 £10 overprinted "specimen", St. Helena 1922-27 MCA 4d. to £1, Script 7/6d. and 1934 Centenary ½d. to 10/-, Somaliland 1904 ½a. to 5r. overprinted "specimen" and Tristan da Cunha 1952 ½d. to 10/-; condition generally fine Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(x) Collections and RangesAn assortment, still in their original lot containers, including Antigua 1879 CC 4d. and 1932 Tercentenary ½d. to 1/- in blocks of four, Ascension 1934 ½d. to 5/-, Bahamas 1954-63 ½d. to £1, Bermuda 1924-32 Script 2/-, 2/6d. and 10/-, British East Africa 1897 1r. to 4r. (all heavily mounted), Cayman Islands 1935 ¼d. to 10/-, Cyprus 1928 ¾pi. to £1, Falkland Islands 1898 2/6d. and 5/- and 1933 Centenary ½d. to 2/6d., Gold Coast 1913-21 MCA 10/-green and red on green (emerald back) corner plate number block of four and 1928 5/-, St. Helena 1922-37 3d. with torn flag, 7/6d. and 1934 Centenary ½d. to 10/-, Tanganyika 1927-31 5c. to £1 less 2/- and Tristan da Cunha 1954 ½d. to 10/- and 1960 ½d. to 10/-, all mint, mostly fine Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
A Royal Doulton brown matt model of `Spirit of Earth`, on a wooden plinth, DA 61B, three Beswick models of horses, comprising `The Winner` brown matt, model No. 2421, a Stocky Jogging Mare brown gloss, third version, model No. 855/1090, and Arab Xayal charcoal grey, model No. 1265 (chipped ear and foot), and two Franklin Mint models of horses, comprising `Black Beauty` and `The Red Pony`.
pointe sèche de Mário Gruber, `Les deux femmes au chapeau` pointe sèche de Mário Gruber (1927-2011, école brésilienne), `Les deux femmes au chapeau`. Signé au crayon dans la marge b. d. Indiqué "Prova da artista / ponta-seca" au crayon dans la marge b. g. H. plaque: 25x32.5 cm Paintings - Watercolours - Drawings - Prints & Maps tableaux - encadrés Gemälde - Aquarelle - Zeichnunen
Marc Ferrez (1843-1923) Brésil, c. 1880. Rio de Janeiro. La Rade de Rio de Janeiro. Rio de Janeiro, de la Rade. Entrée extérieure de la baie de Rio. Vue prise de lÂ’Hôtel International. Vue topographique de Botafogo. La gloire du Castello. Vue prise du Castel. Largo da Lapa, de Sainte Thérèze. La Gamboa. Dix épreuves sur papier albuminé. Légendes et signature de Marc Ferrez en bandeau en bas. Trois épreuves avec le timbre sec « Marc Ferrez, 88 rua Sao José ». Formats : de 14 x 21,5 à 16 x 21,5 cm Bibliographie : Le Brésil de Marc Ferrez,Institut Moreira Salles, 2005, pp. 136 et 202. Bia Correa do Lago et Pedro Correa do Lago, Brésil. Les premiers photographes dÂ’un empire sous les Tropiques, Gallimard, Paris, 2005, p. 185.
Marc Ferrez (1843-1923) Brésil, c. 1880. Rio de Janeiro. Rua do Ouvidor. Place Sao Francisco de Paula. Église Sao Francisco de Paula. Gare du chemin de fer central. La Poste et Rue 1° de Março. Campo da Acclamaçao. Hôtel de la miséricorde. Le Corcovado du jardin botanique. Huit épreuves sur papier albuminé. Légendes et signature de Marc Ferrez en bandeau en bas. Une épreuve avec le timbre sec « Marc Ferrez, 88 rua Sao José ». Formats : de 14,5 x 22 à 16 x 22 cm Bibliographie : Le Brésil de Marc Ferrez, op. cit., pp. 138 et 147.
Marc Ferrez (1843-1923) Brésil, c. 1880. Rio de Janeiro. Grand Hôtel, Botafogo. Largo da Carioca. Ministère de lÂ’Agriculture. Place de la Constitution. Tijuca, Grande Cascade. Tijuca, La Floresta. Tijuca, Hôtel White. Sept épreuves aristotypes dÂ’époque. Légendes dans la marge en bas. Tampon « Marc Ferrez » aux versos. 11,5 x 18 cm avec marges
Marc Ferrez (1843-1923) Brésil, c. 1874-1875. Rue de cocotiers à Cabadello. Boa Viagem. Sao Paulo. Jardin Public. Théâtre de Belem. Port de Belem. Ouro Preto. Statue de Tiradentes à Ouro Preto. Barra de Pirahy. Joao Gomes. Serra de Santos. Alto da Serra. Raiz da Serra. Nova Cintra. Caféier. Rio de Janeiro. Chemin de Sainte Thérèze. Arsenal de Marine. Barque Ferry. Largo da Carioca. Os dois Irmaos. Corcovado du Sylvestre. 20 épreuves sur papier albuminé. Légendes en bandeau en bas. Une épreuve avec le timbre sec « Marc Ferrez, 88 rua Sao José ». Format moyen : 21,7 x 16 cm. Bibliographie : Le Brésil de Marc Ferrez, op. cit., p. 288.
Marc Ferrez (1843-1923) Brésil, c. 1880. Petropolis. Therezopolis. Petropolis, vue prise de la Serra. Vallée. Voie ferrée. Petropolis, sur le chemin de la cascadinha. Therezopolis, alto da Serra. Le Garafao. Neuf épreuves sur papier albuminé. Légendes et signature de Marc Ferrez en bandeau en bas. Trois épreuves avec le timbre sec « Marc Ferrez, 88 rua Sao José », et deux avec tampon aux versos. Format moyen : 21,7 x 16 cm On joint deux épreuves aristotypes dÂ’époque avec tampon « Marc Ferrez » aux versos. 11,5 x 18 cm avec marges
Juan Gutierrez de Padilla (1859-1897) Brésil, c. 1890. Rio de Janeiro. Copacabana. Praia de Copacabana, pris du Morro da Babylonia. Plage de Copacabana. Station des bonds à Copacabana. Tunnel de Copacabana du côté de la mer. Quatre épreuves sur papier albuminé. Légendes et crédit du photographe en bandeau en bas. 20,3 x 27 cm
Moritz Lamberg - Marc Ferrez - Chute & Brooks - Samuel Boote et divers Brésil et La Plata (c. 1880). Brésil. Para. Maranhao. Ceara. Pernambuco. Bahia. Rio de Janeiro (Le Pain de Sucre. Entrée de Rio. Rue 1° de Março. Rue de Gonçalves Dias. Le Corcovado. Jardin Botanique, allée des Palmiers. Tijuca, petite cascade. Vista Chineza). Province de Sao Paulo (Santos, le port. Santos, le marché. Serra de Santos, Raiz da Serra. Sao Paulo, Jardin public). Montevideo. Rosario. Buenos Aires. Album in-folio oblong, reliure en plein maroquin brun, premier plat frappé des initiales A. L., contenant 39 épreuves sur papier albuminé et 12 aristotypes dÂ’époque (Ferrez), contrecollés sur cartons montés sur onglets. Pages de titres. Quelques signatures sur les négatifs. Formats : de 10 x 13,2 à 16,7 x 22 cm Bibliographie : Brésil. Les premiers photographes dÂ’un empire sous les Tropiques, Op. Cit., p. XXVII.
A SET OF FOUR NORWEGIAN DAVID ANDERSEN GOLD WASHED STERLING SILVER AND GUILLOCHE ENAMELED COFFEE SPOONS Each spoon having a gold washed bowl with an enameled stem, terminating in a stylized flower, enameled to verso, marked DA NORWAY STERLING. Set in a fitted case. Approximate total weight overall 1 ozt 5.5 dwt / 39.6 g. H 4 x W ¾ inches.
Coffret cabinet en bois sculpté, laqué noir et doré avec intérieur rouge ouvrant à un couvercle légèrement bombé et un abattant qui découvre trois tiroirs. Décor de rinceaux feuillagés et fleuris aux enroulements vigoureux ; poignées latérales et entrée de serrure à moraillon en fer forgé Travail indo-portugais, Golfe du Bengale, XVIe siècle H. 16,8 cm L. 42,5 cm P. 32,8 cm Bibliographie : > À rapprocher d’un coffre similaire de la collection Artur de Andrade de Assiz e Santos, reproduit dans Ferrao, Mobiliario Português, Vol III, p. 154 > P. Carvalho, « Um conjunto de lacas quinhentistas para o mercado português e a sua atribuçao à regiao de Bengala e Costa de Coromandel », dans O Mundo da Laca - 2000 Anos de Historia, Fondation Calouste Gulbenkian, Lisbonne, 2001, p. 127-153 > Frade et Körber, Lacas asiaticas - uma encruzilhada entre a India e Riukiu, dans Viagens - Lacas Namban e de otras Paragens, Musée National d’art ancien de Lisbonne, 2011, p. 30-44, 202 et 203 Usures, petits accidents
Francisco Antonio da Veiga Cabral da Camara Pimentel Visconde de Mirandela Plat rectangulaire en porcelaine à décor polychrome et or des émaux de la famille rose au centre des armoiries de Francisco Antonio da Veiga Cabral da Camara Pimentel, visconde de Mirandela dans un écu surmonté d’une couronne et de la devise AVE MARIA dans une banderole, l’aile à motifs de vannerie en relief décorée de guirlandes de fleurs et galons à fond bleu Chine, fin de l`époque Qianlong (1736-1795) L. 32 cm Provenance : Collection privée, Lisbonne, Senhor M. Bibliographie : Un plat similaire du même service est illustré par Nuno De Castro, A Porcelaina Chinesa Ao Tempo do Império, 2007, p. 201
An Italian bronze ship`s plaque of San Francesco Da Paola, patron Saint of boatmen, mariners and naval officers:, the central circular relief depicting Francesco Da Paola with staff, cloak and monks on an anchor beneath a pendant banner inscribed as per title, flanked by helm and compass points with steamship to left hand side opposed by sailing vessel, the anchor entwined by dolphins over the Latin `Ad Litus Educ Patriae` (Guide us to the native shore) , the whole within a chain border, 34.5 x 39cm
A PORTUGUESE PALISSY WARE TEAPOT AND COVER in the form of a cabbage and snake, 20cm h, c1860-85 Both M C G Maffra and J A Cunha made cabbage and snake tea services at Caldas da Rainha. The present teapot is almost certainly by José Alvez Cunha, since a tea service with a teapot of identical shape is illustrated Katz (M P), Portuguese Pallisy Ware, New York, 1999, plt 68. ++The cabbage leaves extensively chipped, the snake, spout and handle undamaged. No restoration and rare
CIRCLE OF GIOACCHINO LA PIRA VIA DI NAPOLI DAL CARMINE; NAPOLI DA POSILLIPO; NAPOLI DA MARE a set of three, gouache, inscribed black borders, 31 x 42cm, unframed (3) ++All with mainly marginal tears, creases and loss from long having been kept loose and unframed. Napoli in Generale da Mare lacking the upper right hand corner. Despite these faults entirely unrestored
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