Alfred Nickisch, An den Kohelhäusern (Oberschreiberhau)Blick auf die Kohelhäuser im winterlichen Oberschreiberhau (Schlesien), wo die Sonne das weiße Tal strahlen lässt, flott erfasste, souveräne Malerei in freundlicher Farbigkeit, Öl auf Pressspanplatte, wohl 1920er Jahre, links unten signiert "A. Nickisch", rückseitig ausführliche Bezeichnung und Widmung, unter anderem "Vereinigung Bildender Künstler 'St. Lukas' Ober-Schreiberhau Hotel Zackenfall", diese spätere Annotation mit Kugelschreiber legt die Vermutung nahe, dass das Bild aus den 1920er Jahren stammen könnte, da Nickisch zu dieser Zeit gemeinsam mit anderen, vom Riesengebirge faszinierten Künstlern, darunter Hans Emil Oberländer, Georg Wichmann, Paul Aust, Franz von Jackowski Alexander Pfohl, Arnold Busch, Arthur Wasner, Hans Zimbal, Fritz Rumpf, Werner Fechner und Cirillo Dell’Antonio die Gründung einer Künstlerkommune in der Lukasmühle, dem Gründungsort der damaligen Künstlervereinigung St. Lukas plante, was aber letztlich aus Geldmangel scheiterte, Einrisse in der Platte rechts unten und geringfügig im linken unteren Bildrand, Retuschen, gerahmt, Falzmaße ca. 66,5 x 48,5 cm, Künstlerinfo: eigentlich Alfred Richard Stephanus Nickisch, dt. Landschaftsmaler 1872 Bischdorf bis 1948 Bamberg), 1890 bis 1893 Studium an der Akademie in Breslau, hier Schüler von K. E. Morgenstern, ab 1898 an der Karlsruher Kunstakademie, da bei Carlos Grethe und Viktor Weishaupt, wiederholte Reisen ins Riesegebirge, ab 1917 mit Familie in Schreiberhau, dort auch Mitglied des Vereins Bildender Künstler, auf Ausstellungen vertreten, 1922 Capri-Reise mit Franz von Jackowski und Hans Emil Oberländer, auf das Ende seines Lebens hin in Bamberg, vertreten im Museum Breslau, Quelle: Thieme-Becker und Internet.
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nach Giovanni da Bologna, Pferd der Medicizeitgenössisch, Gießerstempel Ara Kunstguss mit Schriftzug ars mundi, Bronze braun patiniert, nach einem Original des 16. Jahrhunderts des Hofbildhauers Giambologna, der das Pferd für Herzog Cosimo I. de Medici schuf, das Original befindet sich in der Fürstlichen Sammlung in Liechtenstein, auf Serpentinsockel montiert, gute Erhaltung, H Bronze 23 cm, H gesamt 26 cm, L 28 cm.
Nussbaumer, Sklavenhändler mit weißer Sklavin auf einem orientalischen Sklavenmarkt bewacht ein Sklavenhändler mit einer Peitsche unbekleidete und mit einem Seil aneinandergebundene farbige Sklaven, das Ende der Kette bildet die einzige weiße Sklavin, der der Händler gerade das Tuch vom Leib gerissen hat - um sie dem Betrachter feilzubieten, da ihre Hände hinter dem Rücken verbunden sind, hat sie keinerlei Möglichkeiten, sich zu bedecken und steht hilflos und mit beschämtem, gesenktem Blick da, ein provokantes und kompositorisch anspruchsvolles malerisches Spiel mit der seit der Aufklärung virulenten rassistischen Schwarz-Weiß-Konnotation, die dem "Schwarzen" das vermeintlich "Lasterhafte" und dem "Weißen" das sexuell tugendhafte "Unberührte" zuschreibt, das Spiel mit ethnokulturellen Stereotypen erhält eine weitere Nuance, als der Sklavenhändler als Täter und auf dem Basar schachernder "Mohammedaner" selbst eine eurozentristische Zuschreibung ist, spiegelbildlich angeordnet zur weißen Frau steht die schwarze Sklavin links hinter ihr mit vor dem Bauch verbundenen Händen da, sie aber blickt den Betrachter fast herausfordernd an, sie ist das vorletzte Glied der Kette der Versklavten, an deren Ende keine Farbige steht, fallen also Sklaverei und Rassismus am Ende auf die Täter zurück?, Öl auf Leinwand, Mitte 20. Jh., rechts unten signiert "Nussbaumer", geringe Retuschen, doubliert und auf neuen Keilrahmen gezogen, Falzmaße ca. 64 x 54 cm.
Júlio Resende (1917-2011)"Pintura" (7)Oil on canvasSigned and dated 1960 front and backWith the inscription "R. de Grijó, 87. Porto-Portugal"With the following label on the reverse "XXXe Biennale Internationale D'Art de Venise 1960. Secretariado Nacional da Informação. Palácio Foz - Restauradores - Lisboa - Portugal".114x145 cm
ATTRIBUTED TO FRANCESCO DI MARIA (ITALIAN 1623-1690) SAINT CATHERINE Oil on canvas 69 x 61cm (27 x 24 in.)Provenance: Sale, Christie's London, 14 December 1990, lot 32, as Francesco Guarino The collection of David and Rose Rowse Their sale, Christie's London, Five Private Collections, Online 5-19 July 2022, lot 31 Literature: R. Lattuada, Francesco Guarino da Solofra : nella pittura napoletana del Seicento, Naples, 2000, pp. 264-265, no. G28, illustrated, as 'Attributed to Francesco di Maria'
Collection of Hornby Dublo to include D1 Island Platform, DA456; D1 Through Station; D1 Girder Bridge, Gauge OO; D1 Signal Cabin, DA 458; Petrol Tank, Wagon D1 "Power Ethyl", Gauge OO; Coal Wagon D1, DR372, Gauge OO; EDCR Diamond Crossing Right Hand, Gauge OO; Footbridge D1; EDB1 Straight Rail, Halldozen Electric; D2 Double Bolster Wagon, Gauge OO and Bogie Bolster Wagon D1 (B.R.) Gauge OO, 32051 At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
FUMAGALLI, Paolo(1797 - 1873) Sammlung "Pompeia"26 Aquatinta-Radierungen. Blatt je: 32,5 x 48 cm. 27 lose Ansichten, Pläne und Abbildungen von Pompeji aus dem Mappenwerk "Pompeia. Trattato pittorico, storica, e geometrica. Opera designata negli anni 1824 al 1830 Incisa e pubblicata da P. F. Firenze", 1 Titelblatt; in nicht-originaler Klapp-Mappe. Blätter stärker stockfleckig, teils rissig oder knickspurig. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:19 Uhr (CET) FUMAGALLI, Paolo(1797 - 1873) Collection "Pompeia"26 aquatint etchings. Sheet each: 32.5 x 48 cm. 27 loose views, plans and illustrations of Pompeii from the portfolio "Pompeia. Trattato pittorico, storica, e geometrica. Opera designata negli anni 1824 al 1830 Incisa e pubblicata da P. F. Firenze", 1 title page; in non-original folding folder. Sheets more heavily foxed, partly cracked or creased. Aufrufzeit 24. | Feb 2024 | probably 10:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
NV Taittinger, Brut Reserve 1x75cl NV Laytons, Brut 1x75cl 1966 Croft, Vintage Port 1x75cl 1987 Warre's, Quinta da Cavadinha Vintage Port 1x75cl 2002 Louis Latour, Puligny-Montrachet 3x75cl 2002 Lamy-Pillot, Chassagne-Montrachet 1x75cl 2005 Pierre Bouree, Chassagne-Montrachet 2x75cl 1988 Chateau Giscours 3eme Cru Classe, Margaux Badly damaged labels 2x75cl Total 12x75cl Previously stored in a private temperature controlled cellar in Wiltshire
A mahogany and marble top cabinet mounted to the cupboard doors and sides, with twenty-four 800 standard silver panels depicting 'Human Activities', opening to reveal two internal drawers, with a shelf, with panels mounted to the back of the doors titled 'The silver tiles represent the Human Activities' and 'The Human Activities', 135.5cm wide 57.5cm deep 111.5cm highThe panels on the inside of the cupboards read:'The 24 tiles in silver 800 (stamped with silversmith stamp and tile stamp) reproduce and re-propose the marble tiles ascribed to Giotto in collaboration with Pisano and Maso da Banco. They were placed on the bell-tower of Santa Maria del Fioro in Florence and now they are shown in the Museum of the Duomo. The production of the silver tiles is made by craftsmen and they are embossed with a particular technique typical of the engraver's burin.' and; 'The creation of the man; The creation of the woman; The work of ancestors; The sheep rearing; The astronomy; The navigation; The textile art; The art of construction; The law; The teaching; The medicine; The argument; Bacchus; The grape harvest; The sculpture; The engraver; The smith; The agriculture, Fubol and the music; The painting; The primitive man; The ride; Tearus?.' Condition ReportSome knocks and wear to the wood, edges and corners. Marble nibbled in places. Verdigris to the panels on the inside of the doors.
THE FOLIO SOCIETY, Eleven Titles including three volumes of Vasari; Giorgio, Lives Of The Artists, Gaunt; William, The Pre-Raphaelite Tragedy, Holmes; Edward, The Life of Mozart, Brief Lives by John Aubrey, Finlay; Victoria, Colour, Clark; Kenneth, The Nude, Clark; Kenneth, Leonardo Da Vinci, Hibbard; Howard, Michelangelo & The Folio Society Book of The 100 Greatest Paintings, all titles in slip cases, some scuffing or dust marks to cases and biro handwriting to one case (1 BOX) (PLEASE BE AWARE THAT THE LOT MAY HAVE SIGNS OF MOULD/DAMP DAMAGE, SMELLS FUSTY)
* ROBERT KELSEY DA MUniv PAI FRSA (SCOTTISH b. 1949), PLEASURE BOATS ON THE CRINAN CANAL oil on canvas, signed framed image size 71cm x 76cm, overall size 88cm x 93cm Note 1: The Crinan Canal between Crinan and Ardrishaig in Argyll and Bute in the west of Scotland is operated by Scottish Canals and is one of Scotland’s natural beauty spots. The canal, which opened in 1801, takes its name from the village of Crinan at its western end. Approximately nine miles (14 km) long, the canal connects the village of Ardrishaig on Loch Gilp with the Sound of Jura, providing a navigable route between the Clyde and the Inner Hebrides, without the need for a long diversion around the Kintyre peninsula, and in particular the exposed Mull of Kintyre. Note 2: Robert Kelsey is one of Scotland's most prominent landscape painters working today. Born in Glasgow in 1949, Robert studied painting at the Glasgow School of Art from 1966-70 under David Donaldson, James Robertson, and Alexander Goudie. Kelsey went on to teach art until 1995, at which point he left education to paint full time. Since then, Robert Kelsey has developed a reputation as one of Scotland's finest and in-demand painters, particularly for his stunning coastlines.
* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008), OLD SHED oil on board, signed, titled versoframedimage size 46cm x 61cm, overall size 49cm x 64cmNote: Hamish MacDonald was born in Glasgow in 1935. He studied at Glasgow School of Art between 1963 and 1967. From 1968 he successfully combined painting with teaching and also guest lectured throughout Scotland. In 1991 he retired from his post as an Art Department Principal to concentrate fully on the development of his painting. Much of his work was inspired by the Scottish Colourist movement, but MacDonald preserved an individuality which marks him out as both a vibrant and important artist. Throughout his career he succeeded in capturing dramatic scenes with his own passionately innovative palette. Hamish MacDonald is now widely regarded as one of Scotland's most successful contemporary artists. From 1964, Hamish staged numerous solo exhibitions in Scotland and Cornwall. He also participated in group shows with prominent galleries in London and throughout the UK. His works can be found in many major collections throughout the world.No known or visible restoration, good overall condition but would probably benefit from a light clean.
* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), STRAWBERRY FIELDS oil on canvas, signed, titled label versoframed and under glassimage size 46cm x 56cm, overall size 62cm x 72cm Artist's label versoNote: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab RE ROI (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi-abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely, especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career. In recent times we have offered a growing number of Sheila Macmillan's paintings with several achieving more than £1000. The current leading price is £1700 (hammer) for "Ronda, Spain", a 45 x 48cm oil on board (lot 510A, The Scottish Contemporary Art Auction 24th October 2021).Condition is good overall, with no visible or known issues.
* JACK MORROCCO DA (SCOTTISH b. 1953), NUDE WITH RED CHAIR oil on canvas, signed, titled label versoframed and under glassimage size 62cm x 47cm, overall size 82cm x 66cm Note: An exceptional example by one of Scotland's most successful contemporary artists. Jack Morrocco's paintings very rarely appear at auction.
* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), ST FLORENT FROM RUBBISH DUMP oil on card, dated '06 and titled versoframed and under glass image size 41cm x 47cm, overall size 47cm x 52cmNote: Saint-Florent is a commune in Haute-Corse department on the island of Corsica, France. Originally a fishing port located in the gulf of the same name, nowadays pleasure boats have largely taken the place of fishing vessels.
* ROBERT KELSEY DA MUniv PAI FRSA (SCOTTISH b. 1949), YACHT IN THE SOUND OF IONA oil on canvas, signed, titled versoframedimage size 40cm x 61cm, overall size 58cm x 78cm Handwritten artist's label versoNote: Robert Kelsey is one of Scotland's most prominent landscape painters working today. Born in Glasgow in 1949, Robert studied painting at the Glasgow School of Art from 1966-70 under David Donaldson, James Robertson, and Alexander Goudie. Kelsey went on to teach art until 1995, at which point he left education to paint full time. Since then, Robert Kelsey has developed a reputation as one of Scotland's finest and in-demand painters, particularly for his stunning coastlines. Lot 48 "Portree Bay, Skye" by Robert Kelsey from the same private collection as "Yacht In The Sound of Iona" sold in The Scottish Contemporary Art Auction of 17th August 2023 sold for £2200 (hammer). Known collections include: Paisley Art Gallery, Lord Macfarlane of Bearsden, , Frances Shand Kydd, The Fleming Collection, Cairn Energy PLC, Credit Lyonnaise Bank, Turnberry Hotel, Taylor Woodrow, Lord Smith of Kelvin, His Grace, The Duke of Bedford, Anthony Shaffer, Highland Spring Water, Scottish Property Services, Arisaig Partners (Asia) Ltd, Enterprise Oil, Scottish Friendly Assurance.
* BRENDA LENAGHAN DA RSW (SCOTTISH 1941 - 2020), CARNIVAL PAINTING gouache on paper, signedmounted, framed and under glassimage size 53cm x 72cm, overall size 77cm x 95cmNote: Brenda Lenaghan DA RSW was born is Galashiels in 1941. She went on to study at Glasgow School of Art between 1958-63. Brenda won many awards, including SSWA's Anne Redpath Award in 1975 & 1983, and the Special Award in 1980. Brenda also won the RSA's Maud Gemmell Hutchison Award in 1996. Brenda's son lives and works in Japan and she visited him every year. The art of Japan had a profound influence over her work. Her galleries include Macaulay Gallery, Stenton; Cyril Gerber Gallery, Glasgow; William Hardie, Glasgow; Open Eye Gallery, Edinburgh; Edinburgh Gallery, Edinburgh; Rendezvous Gallery, Aberdeen; Duncan Campbell Gallery, London; Thompsons Gallery, London; Christopher Hull Gallery, London; Richard Hagen Gallery, Broadway; The Vicarage Cottage Gallery, North Shields; The Green Gallery, Buchlyvie and Gullane Art Gallery, East Lothian.
Sport Collection 10 signed 10x8 inch colour photos include great names such as Colin Jones, Johnny Nelson, Steve Robinson, Wayne Mardle, Peter Ebdon, Wayne Mardle, Da Ponts, Oliver Skeete, Phil Parkes, Paul Reaney and Bobby Moncur. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
A fine inter-War K.P.M. group of three awarded to Temporary Lieutenant Colonel A. C. E. Caiger, Indian Army and Burma Police, late County of London Yeomanry, who directed his men up a steep cliff face and then led a frontal attack against a ‘firebrand’ enemy and his outlaw supporters holed up in a converted Burmese monastery King’s Police Medal, G.V.R., 1st issue (Capt. Arthur C. E. Caiger. I.A. Asst. Commdt. Burma Mil. Pol.) on gallantry riband; British War Medal 1914-20 (Lieut. A. C. E. Caiger); Victory Medal 1914-19 (Capt. A. C. E. Caiger.) good very fine (3) £600-£800 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- K.P.M. London Gazette 1 January 1923. The official citation published in The Gazette of India Extraordinary on 1 January 1923, states: ‘Late in 1919 information was received that a large body of outlaws intended to invade British territory from China. In December 1919 Captain Caiger was sent out to command an outpost to prevent these outlaws from crossing the border. In March 1920 a body of 47 armed men crossed the border and was driven out with loss, the leader, one Eing Da escaping. During the rains three temporary outposts were maintained on the Frontier under the command of Captain Caiger, who set to work to try and capture Eing Da and other leaders. In October he was rewarded by having one Man Chilu, a brother-in-law of Eing Da’s, arrested. By perseverance and tact he persuaded some loyal Shans to go far into China to obtain information about Eing Da, and on the night of the 31st December 1920 the Shans, acting under Captain Caiger’s orders, ran Eing Da to earth and arrested him. This left one dangerous firebrand named the Kyemong of Tawngma on the border. The temporary outposts were then withdrawn. On the 19th March 1922 a strong body of outlaws under the Kyemong of Tawngma descended on the Muse, in the Northern Shan States, burnt some houses and invested a monastery which was strengthened and converted into a Fort. Captain Caiger was despatched from Lashio with a party of Mounted Infantry, and by long and arduous marches, arrived on the 23rd March in time to take part in an attack on the enemy’s fort. He was detailed to lead the frontal attack and had to advance over an open plain and then to scale a steep cliff before he reached the fort. Captain Caiger led his men most gallantly under a very heavy fire from the fort and succeeded in driving out the outlaws with very heavy loss.’ Arthur Clarence Everett Caiger was born in West Ham, London, on 29 June 1895, the son of a bank manager. Educated at Whitgift School, he enlisted as a Trooper in the 3/3rd County of London Yeomanry on 26 August 1914 and was appointed to a commission in the 1/1st County of London Yeomanry on 8 November 1915. Transferred to the Indian Army 16 September 1917, he served as Captain in the Indian Army Service Corps (14th District Supply Company) from 27 July 1920 and was raised Major in the 18th Motor Transport Corps on 27 July 1934. Transferred to the Special Unemployed List 22 November 1937, Caiger was recalled to Special Command during the Second World War and was appointed General Staff Officer, 1st Grade, in the rank of Temporary Lieutenant Colonel on 15 October 1941. Appointed G.S.O. at the Directorate of Military Training and Assistant Director of Transport, Supplies and Transport Services on 21 November 1944, he retired in the spring of 1947. Sold with extensive copied research.
1977 Queen Elizabeth II Silver Jubilee eight-piece silver proof Crown coin set from the Pobjoy Mint. Includes (1) 1977 Gibraltar Crown silver, (2) 1977 Mauritius Crown silver, (3) 1977 Tristan Da Cunha Crown silver, (4) 1977 St Helena Crown silver, (5) 1977 Jersey Crown silver, (6) 1977 Guernsey Crown silver, (7) 1977 UK Crown silver, and (8) 1977 Jubilee Crown medal with 9127 gold plating. Offered in the original presentation box with a certificate. Composition: 925 silver. Finish: proof.
A collection of Electronic Dance 12" to include (1) Dr. Timothy Leary Meets The Grid - Origins Of Dance (1990 UK, evo 1); (2) Le Knight Club - Troobadoor / Mirage (1998 France, CRYDA 003); (3) Lifelike & Chris Menace - Discopolis (2005 France, Vult 012); (4) Felix Da Housecat - Harlot (2001 UK, ROCKERS3); As well as other titles; All conditions from Good Plus to Very Good Plus including sleeves. (24)
TRISTAN DA CUNHA Elizabeth II gold proof three-coin set 2018 'Armistice Centenary Remembrance Gold Gallantry Three Coin Prestige Sovereign Proof Set' comprising sovereign, half sovereign and quarter sovereign, in issue box with certificate of authenticity by Hattons of London. Condition Report:Available upon request
Mixed Lot of Circulation and Commemorative Coinage; large mixed lot to include; Tristan Da Cunha, gold crown 2014 (.375 gold, 16mm, 1g); 4x Whitman folders, shillings 1953 to date, complete but case damaged; florins 1941 to date, 7 missing; sixpences 1937 to date, 3 missing; and, pennies 1930-1966, 8 missing; 'Time Capsule' 2000 Royal Mint brilliant uncirculated set, 9-coin set housed in metal tin; 4x brilliant uncirculated sets, 1994, 1995 and (2x) 1999; brilliant uncirculated 50p, 50th anniversary of decimal day, encapsulated and sealed on presentation card; 2x coinage of Great Britain sets; 5x Festival of Britain Crowns; together with a range of commemorative coinage, comprising; (2x) complete Windsor Mint sets, 'Ships of the Royal Navy,' and 'African Wildlife' and 9x assorted commemorative crowns, most boxed with certificates; a large lot with viewing recommended
Mixed Selection of Silver Coins and Medals, comprising; 2x Victoria, Crowns 1891 and 1894, both fine, one with edge knock; USA, 1oz fine silver dollar 1996; UK 1/4oz silver Britannia 2014, commemorating the SS Gairsoppa, housed in sealed Royal Mint presentation pack; Tristan Da Cunha, silver proof £5 coin, commemorating Queen's 90th birthday, encapsulated and boxed with certificate; Year of the Three Kings 1936-1937 3-medal set by W.H.Hasler Ltd each 32mm in silver, housed in fitted case of issue; 'Day of Concorde' commemorative coin and stamp cover 1976; and, 'The Partners in Space' commemorative coin and stamp cover, commemorating the Apollo-Soyuz Space Mission 1975
Assorted Silver Proof Commemoratives, to include; the Battle of Waterloo silver two coin set, boxed with certificate; a UK silver Britannia 2010, and six silver proof coins from the 'Lifetime of Service' collection, with certificates; together with 2x Royal Mint BU £5 coins in packaging; a Diamond Jubilee BU coin set with crown; an uncirculated 1983 £1 in packaging; 4x assorted base metal crowns; together with, a small selection of Tristan Da Cunha commemorative stamps
Plato.: Il Dialogo, intitolato il Timeo, overo della natura del mondo, tradotto di lingua greca in italiana da Sebastiano Erizzo... et nuovamente mandato in luce da Girolamo Ruscelli. Venedig, Trino 1558. Kl.4°. Mit Titelvign. u. Druckermarke am Schluß. 4 nn., 41 num., 1 nn. Bl. Flex. Prgt. d. Zt. (Läd., Rckn. mit Ldr. erneuert). Graesse V, 325. Paitoni III, 112. Zweiter Druck der ersten Ausgabe, selten. - Fleckig u. gebräunt bzw. wasserrandig, tls. Randläs. - ╔Dabei: Plutarch╗ Alcuni opusculetti de la cose morali. Nuovamente ristampati... Tl. 2 von 2. Venedig, Giglio 1559. - Zus. 2 Bde., beide mit starken Gebrauchsspuren.
Vitruvius,M.: L'Architettura di Marvo Vitrucio... tradotta e comentata da Marchese Berardo Galiani. Edizione seconda. Nella Stamperia di Luigi, e Benedetto Bindi, 1790 Mit gest. Titelvign., gest. Frontisp., 25 Kupfertafeln u. einigen Holzschnitt-Vign., 1 Bl., XX S., 272 S. Hprgt. d. Zt. (Ob. Kap. läd., etw. best. u. brieb.). Vgl. Ornamentstichkat. Bln. 1820 (Ausg. 1758). - Univ. Cat. of Books on Art II, 2080. - Zweite Ausgabe der ital. Übersetzung von B. Galiani, im Gegensatz zur Ausg. von 1758 ohne lat. Text.
Rugendas, Georg Philipp: (1666 Augsburg 1742). Soldatenlager; Kampfszene zwischen Bäumen, 2 Ölgemälde Öl/Leinwand. 55 x 72 cm, altdoubliert, minimal retuschiert, schönes Alterscraquelé, l. u. sign. Zwischen Bäumen kämpfen Berittene und Fußsoldaten, im Hintergrund ein größeres Kampfgetümmel, - Öl/Leinwand, 55 x 72 cm, altdoubliert, min. retuschiert, schönes Alterscraquelé, l. u. sign., beide in gleichen Goldstuckrahmen des 19. Jhs. Er ist der Gründervater der bedeutenden Künstlerfamilie Rugendas des 18. und 19. Jahrhunderts, hier: Auf einer Anhöhe über einem Soldatenlager versammeln sich Männer in Rüstungen, ein vornehmer Herr auf einem edlen Ross sowie Kinder und Frauen. Unter ihnen in diffusem Licht ein Soldatenlager neben einer Ruinenarchitektur, Öl/Lw., 55 x 72 cm, altdoubliert, minimal retuschiert, schönes Alterscraquelé, l. u. sign. Zwischen Bäumen kämpfen Berittene und Fußsoldaten, im Hintergrund ein größeres Kampfgetümmel, Öl/Lw., 55 x 72 cm, altdoubliert, min. retuschiert, schönes Alterscraquelé, l. u. sign., beide in gleichen Goldstuckrahmen des 19. Jhs. Rugendas gilt als Sonderfall seiner Zeit, da er sich nicht auf die populäre Historienmalerei, sondern auf die Schlachten- und Pferdemalerei spezialisierte. Die meisten seiner Schlachtenbilder beziehen sich allerdings nicht auf einen konkreten Ort oder ein Ereignis, sondern sind allgemein und auf Vorrat gehalten. - Soldiers' Camp, Battle Scene between Trees, 2 oil paintings (counterparts), both in identical 19th century gold stucco frames. - German painter and engraver. He is the founding father of the important Rugendas family of artists of the 18th and 19th centuries, here: On a hill above a soldier's camp, men in armour, a distinguished gentleman on a noble steed, as well as children and women are gathered. Below them in diffuse light a soldier's camp next to a ruined architecture, oil on canvas, 55 x 72 cm, old doubling, minimally retouched, beautiful age craquelé, l. and below sign.; Mounted and foot soldiers fighting between trees, in the background a larger battle, oil/white, 55 x 72 cm, old doubling, min. retouching, beautiful age craquelé, signed on the left, both in the same gold stucco frame of the 19th century. D
Venedig.: XX Vedute di Venezia disegnate da C.B. Cecchini e T. Viola. Venedig, Kier (ca. 1850). Qu.4°. Mit kolor. lithogr. Titel u. 19 (von 20) kolor. lithogr. Taf. Illustr. Ohlwd. (Etw. fleckig u. berieb.). Seltene Vedutenfolge, mit reicher Figurenstaffage belebte Ansichten. - Tls. beschn. u. in den Rändern etwas fleckig, Titel stärker fleckig, fehlt eine Tafel.
Cortona, Pietro (Berretini) da: (1596 Cortona - Rom 1669) nach. Minerva bekämpft die Riesen. Kolor. Kupferstich v. Jacobus de Rubeis, um 1677. Aus: Barbarinae aulae fornix, nach den Deckenfresken des Palazzo Barberini. 25,8 x 57,6 cm. Mit den Namenszügen u. Nr."4" i.d.Pl. - Ränder etw. gebräunt minimal fl. außerhalb der Darstellung. D
Molitor, Franz Joseph,: philosophisch-historischer u. mystisch-kabbalistischer Schriftsteller u. Freimaurer (1779-1860). Eh. Brief mit Unterschrift, dat. Frankfurt, 16. März 1852. 4°. 2 Bl., 2 S. beschrieb. Mehrf. gefalt. An den Buchhändler Mohr in Heidelberg, mit besten Wünschen zu dessen Jubiläum. Entschuldigt sich für die späte Antwort, da er zu sehr mit Arbeit überhäuft war. Er hofft auf dessen Besuch, wenn er zur Messe nach Frankfurt kommt. - Tls. Einriß im Falz. D
(Dobbeler,D.de.).: Merckwürdige Fata Der Groß-Britannischen Krone, sint der Zeit, da die Religion reformiret worden... 2. Aufl. (Hbg.) 1715. 2 Bl., 144 S. Mod. Pbd. VD 18, 1045022 X. Holzmann-B. II, 3009. Nicht identisch mit VD 18, 1156984 O (dort ohne 2 Bl. Widmung hinter dem Titelblatt). - Etw. Gebrauchsspuren. - Selten.
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