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LEICA FERNGLAS 7x42 BDA MIT ENTFERNUNGSMESSER, Geovid Fernglas der ersten Generation mit Laserbasierter Entfernungsmessung. Leichte Altersspuren an der Gummierung, Optik in gutem Zustand, Funktion nicht geprüft da, Stromquelle entladen. Anbei originale Tragetasche. LEICA BINOCULARS 7x42 BDA WITH RANGEFINDER, First generation Geovid binoculars with laser-based distance measurement. Slight signs of age on the rubber coating, optics in good condition, function not checked because the power source is discharged. Original carrying case attached.

Specchio centrato da colonnine rastremate con base e sommità in bronzo dorato, un cassetto nella fascia, H cm 80x50.5x25 (lievi difetti)

Orologio a tempietto con montanti a colonna, quadrante parzialmente smaltato con numeri romani, sculture raffiguranti “Marte” e “Minerva”, Orologio H cm 40x31x15 – Sculture H cm 33 (usure – meccanismo dell’orologio da revisionare – completo di chiave e pendolo)

Cassa in bronzo dorato con Allegoria della Musica poggiante su quadrante anch’esso in bronzo dorato con numerazione romana per le ore firmato ‘Leroy a Pontaudemes’, base ornata da ghirlande e motivi fitomorfi, H cm 42x28x10 (usure – meccanismo da revisionare - completo di pendolo)

Piano con bordo a becco di civetta, quattro cassetti sul fronte lastronati in rigatino e radica, impreziositi da motivi a formelle rettangolari con angoli stondati, piedi a mensola, H cm 98x137x61 (difetti - restauri)

Piano impreziosito da intarsi raffiguranti carte da gioco, sostegno centrale tornito, base tripode, H cm 74.5x47x37.5 (lievi difetti)

Sostegni torniti uniti alla base da traversi, H cm 75x71x50 (difetti)

Lastronato in noce, sponde impreziosite da traverse traforate con rosette dorate, piedi troncopiramidali, H cm 84.5x224x83 (lievi difetti)

Scanalature che corrono lungo tutta la fascia, sostegni a tronco di piramide curvi che si rastremano al centro e rilegati da traversa tornita, H cm 75x51x92 (lievi difetti)

Campiture in radica di olmo delimitate da filettature di ebano e acero, scarabattolo celante tre cassetti in linea sovrastati da tre vani a giorno di forma sagomata, tre cassetti sul fronte, piedi a mensola, H cm 10x102x51 (difetti - restauri)

Fondo nero con decorazioni policrome fitomofe e ornato da riserve con uccelli e fiori, H cm 34 – diametro cm 41 (usure)

Fondo con decorazioni policrome fitomofe e ornato da riserve con scene di vita orientale, uccelli e fiori, H cm 39 – diametro cm 47 (usure)

Sovereign, 2017, Tristan da Cunha. 12 sided sovereign struck to commemorate the 200th anniversary of the sovereign, 22ct, 8.1 grams.

A commemorative Jubilee Mint Remembrance Day 9ct gold coin, in perspex case from Tristan da Cunha denomination One Crown, 1g weight.

Christmas Is, Cocos, Norfolk Is, Tristan Da Cunha, etc. M or U collection in large stockbook (100s)

2019 Leonardo Da Vinci incl. prestige booklet sets (12 sets) in Lighthouse album in slipcase (65 covers)

Maritime covers collection in album incl. Marion Island, Tristan Da Cunha, etc. (few 100s)

1922 Shackleton Expedition: GB 2d pair used MY 25 1922 cancelled by boxed "Tristan Da Cunha" & S R Atlantic Expedition cds in black, left stamp is damaged & perfs are split inbetween. Stated only 984 2d stamps used by the Expedition.

Superb collection of 17 x essential 7". Artists/titles include Tours - Language School (red sleeve original, Tours Rec T-1 - Ex some 'poly bag residue' from the original PVC sleeve/Ex clean condition sleeve), The Freshies - Yellow Spot (RAZZ SIX - Ex/VG+), Da Biz - On The Beach (SIR 4045 - Ex+/VG), The Really 3rds - Everyday, Everyway (EJSP 9610 - Ex+), New Math - Die Trying/Angela (Reliable Records - GUM 002 - Ex+/Ex+ a top copy), Chinas Comidas, The Panic Buttons - Telephone Box (TNS 1, 2 copies), The Boys, The V.I.P's, Slime - Controversial (GOOD1), Slow Motion - Christmas Charade (scarce US Audiodisc acetate), Nick Lowe and Caster And The Totem. Condition is primarily clean VG+ to Ex+.

Fascinating collection of over 300 x CD (albums) featuring all things alternative! Covering Indie, Punk, New Wave, Electronica, Downtempo/Chillout with many stops in between, artists/titles include Masters At Work: The Tenth Anniversary Collection, Portishead, The White Stripes, Wild Beasts, Cafe Del Mar series, Warpaint, Prodigy, Tosca, Placebo, Primal Scream, Rob Da Bank, Elbow, Elastica, The Chemical Brothers, Death In Vegas, Norah Jones, Morcheeba, Diskjokke, The Verve, Hard-Fi, Just Good Music set, Iggy Pop, Nirvana Lounge set, Jane Siberry, Wild Ocean, Lauryn Hill and LCD Soundsystem. Including a number of sets which are counted as 'one'. Condition is primarily fantastic Ex+.

A Pentax *istD S DSLR Camera Outfit, body serial no 1009324, shutter, rear screen and autofocus not working, on-off switch very stiff, an SMC Pentax-DA 18-55mm f/3.5-5.6 AL lens, a SMC Pentax-F 35-70mm f/3.5-4.5 lens, a Vivitar MC tele converter 2x and a Vivitar Auto Thyristor 550FD flash, all in a Hippo shoulder bag, A/F

After Piero Della Francesca Tempera on panel"Battista Sforza", the Duchess of Urbino second wife of Frederico da Montefeltro, in arched gesso frame, 46cm x 29cmCondition ReportPlease see added pictures of rear

* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008), PERTHSHIRE LANDSCAPE limited edition lithograph, signed, titled, and numbered 58/400 25cm x 33cm Mounted, framed and under glass

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), LES MAQUIGNONS oil on papercard 34cm x 39cm Framed

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), ANDALUCIA oil on board, signed and dated 2001 46cm x 46cm Framed and under glass

* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008), CARBOST FARMS, SKYE limited edition lithograph, signed, titled, and numbered 57/400 in pencil 25cm x 33cm Mounted, framed and under glass

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), PORTREE oil on canvas board 48cm x 56m Framed and under glass

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), WHITE VILLAGE, ANDALUCIA oil on canvas board 50cm x 40cm Framed and under glass Note: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career.

Maria Helena VIEIRA DA SILVA (1908 - 1992). La Bibliothèque, 1959. 34,5 cm x 45 cm. Druck. Farbserigraphie. Rechts unten signiert. Links " 215 - 250". Zustand siehe Fotos. Bei einem Zuschlag über 400,- € zuzüglich Folgerecht von 4%. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Maria Helena VIEIRA DA SILVA (1908 - 1992). La Bibliothèque, 1959. 34.5 cm x 45 cm. Print. Color silkscreen. Signed lower right. Left "215 - 250". Condition see photos. With a surcharge of more than € 400 plus resale right of 4%. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.

Karagöz Perserteppich. Iran. Circa 80 - 100 Jahre alt. 300 cm x 107 cm. Handgeknüpft. Wolle auf Baumwolle. Möglicherweise Bachtiar da doppelter Schuss. Kein Versand in die USA. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Karagöz Persian rug. Iran. Around 80 - 100 years old. 300 cm x 107 cm. Hand knotted. Wool on cotton. Possibly Bakhtiar because 2 wefts. No shipping to the USA. Shipping of this object by a third party possible. List of selected trusted shipping partners attached to each invoice. The auction house does not ship.

Qashqai Hybe. Perserteppich. Circa 50 - 80 Jahre alt. 27 cm x 27 cm ohne die Quasten gemessen. Handgeknüpft. Wolle auf Wolle. Da es sich um eine einzelne Tasche handelt oft auch als Korantasche bezeichnet. Stammesteppich. Feine feste Knüpfung. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Qashqai Hybe. Persian carpet. Around 50 - 80 years old. Measured 27 cm x 27 cm excluding the tassels. Hand knotted. Wool on wool. Since it is a single bag, it is often referred to as a Quran bag. Tribal rug. Fine, firm weave. No shipping to USA.Shipping of this object by a third party possible. List of selected trusted shipping partners attached to each invoice. The auction house does not ship.

A HEAVILY CAST BRONZE CENSER, QING DYNASTY China, late 17th-19th century. The compressed globular body rising from a short spreading foot to an everted rim, set at the shoulder with a pair of loop handles. The underside with a seal mark cast in low relief within a horizontal, rectangular reserve, reading: “da Qing Kangxi nian zhi yan tai shi shi jing zao”. Condition: The black lacquer coating is strongly worn with some areas revealing the naked bronze especially to the edges. There are areas of extensive erosion as well as dents and nicks all over, some soiling, and verdigris to the interior. Minor casting flaws. Provenance: From a British private estate. Weight: 4.8 kg Dimensions: Height 11.5 cm With an associated wood base dating from ca. 1900 and bearing several manually inscribed collectors’ notes on paper, written in German. (2) Auction result comparison: Compare with a different censer, but bearing the same mark, at Lyon & Turnbull, London, June 16th 2015, lot 471, sold for GBP £7,500. 雙耳銅爐，清代 中國，十七世紀末至十九世紀。球狀爐體，圈足外撇，兩側一對環形耳。 爐底印製“大清康熙年制燕台施氏精造”。 品相：黑色漆塗層局部強烈磨損，尤其是邊緣露出了原銅色。有廣泛的侵蝕區域，到處都是凹痕和刻痕，內部有些污垢和銅綠。輕微鑄造缺陷。 來源：英國私人遺產. 重量：4.8 公斤 尺寸：重量11.5 厘米

Brown (Dan) The Da Vinci Code FIRST EDITION, SIGNED BY THE AUTHOR original publisher's boards, dust-jacket, 8vo, Doubleday, New York, 2003.

Folio Society, Historical subjects, White (TH) The Once and Future King, Clark (Kenneth) Leonardo Da Vinci, etc. (12)

AN IMPRESSIVE FULL-SIZE PLASTER SECTION OF DONATELLO'S EQUESTRIAN STATUE OF GATTAMELATALATE 19TH / EARLY 20TH CENTURYShowing the rider's right leg, clad in armour, and partial ornate saddle144cm high, 85cm wideProvenance: The Metropolitan Museum of Art, New YorkAcquired Sotheby's New York, 28 February 2006, Historic Plaster Casts from the Metropolitan Museum of Art, lot 124 (with tag)Catalogue note: In 1444, Donatello was commissioned to sculpt a large bronze equestrian group of the condottiero Erasmo da Narni ("Gattamelata", which means "honeyed cat"), who had served various city states during his military career. The piece, finished in 1453, currently sits in the Piazza del Santo in Padua, where Gattamelata had been 'podesta', or chief magistrate. The horse and rider, inspired by the Equestrian Statue of Marcus Aurelius in Rome and the Greek horses atop the Venetian Church of St Mark's, remain some of the Italian Renaissance's most iconic works of sculpture, and would provide a source of inspiration for Renaissance and later equestrian monuments.Condition Report: Marks, knocks and scuffs overall consistent with age.The leg has been repaired. There is cracking to the saddle in various places including a large vertical crack to the upper moulding, and a horizontal crack to the rear part of the tasselled border. Possible repair to putto's protruding elbow. Further minor areas of surface flaking.This lot is fragmentary and may be fragile to handle. It is currently hanging from a large chain, and the rear (as far as visible) looks hollow and is irregularly modelled. Condition Report Disclaimer

FIVE VARIOUS PLASTER ARCHITECTURAL MOULDINGSMOSTLY 20TH CENTURYTo include; an impressive column capital after the Erechteion, Athens, with articulated volutes above a band of anthemia, approximately 72cm high; another, smaller capital in Renaissance style, with scrolls modelled as facing dolphins and inscription for LAC LUGAN..; and three various columnar mouldings, 19th century, including a fluted baluster and a Solomonic column, two with inscriptions to rectangular backplatesThe largest example 212cm high, 25cm wide (5)The distinctive capital with the twin dolphins is likely derived from the circa 1520 arcade carvings of the Palazzo Antinori Corsini Serristori, Florence, which is attributed to Giuliano da Sangallo. Condition Report: All elements with marks, knocks, scratches and abrasions commensurate with age and use. Capitals with some knock and chips revealing underlying white plaster to a relatively minor extent. High number of losses to side edges to the two columns with flat surrounds. One column with cracks across the centre, all with the expected chips and some losses. Some uneven colouring. Please refer to additional images online for visual reference to condition. Please note, we are unable to inspect the items off the wall.  Condition Report Disclaimer

* Prussia. Cantelli da Vignola (Giacomo), La Prussia Divisa in Reale che Appartiene al Re di Polonia et in Ducale che Spetta all'Elettore di Brandeburgo..., G. G. Rossi, Rome, 1689, engraved map with contemporary hand colouring, large decorative cartouche and mileage scale, one repaired hole in margin just affecting printed image, slight creasing, mounted with another copy similar, each 425 x 580 mm, displayed in a double aperture mount, framed and glazedQty: (1)

* Silesia. Cantelli da Vignola (Giacomo), Il Ducato di Silesia et il Marchesato di Moravia descritti su L'Esemplare delli Carte migliori, e con la direzione delle piu recenti Notizie da Giacomo Cantelli da Vignola [with 2nd sheet with dedication cartouche] '"Dedicace. All'Illmo. et Eccellmo. Sigre. Il Sigre. Prencipe Don Gio Battista Pamphilij Aldobrandini... Domenico de Rossi", Rome,1692, two engraved maps (not conjoined), both with contemporary hand colouring, additional titles to horizontal margins, each 420 x 585 mm, displayed in a double-aperture mount, framed and glazedQty: (1)

Vignola (Jacopo Barozzi da). Regola de cinque ordini d'architettura. Con la nuova aggionta di Michael-Angelo Buonaroti, 2 parts in 1 volume, Amsterdam: Jan Janzsoon and Jan van Hilten, 1642, bound with: Passe (Crispijn van de, the younger). Oficina arcularia in qua sunt ad spectantia diversa eximia exempla ex variis autoribus collecta, 1st edition, Amsterdam, in officina Crispini Passei impressum, 1642, Vignola part 1 complete with 95 leaves comprising engraved portrait frontispiece, letterpress title-page in five languages, 42 full-page engravings each with letterpress description in five languages on verso of facing leaf, text for engravings 40 and 41 transposed, Vignola part 2 with 57 engraved plates only (of 84), comprising: I-VI (chimneypieces, unsigned); I-VI (Dutch façades, II-IV signed Pieter Vinckeboons); VII-X (chimneypieces, of which VIII-X signed Sieur de Bros); I-VI (façades of Genoese palaces, V-VI signed Jan van Santen); XIX-XXII (tombs: XX signed Gioan Baptista Montano; XXI signed Bastiano Fulli); XXIII (pulpit); XXIV (font, signed M. H. Keyser); 1-28 (i.e. 29 including 17 bis, the engraved title-page 'Varie inventioni per depositi di Bernardino Radi Cortonese, in Roma. Con licenze su superiori, 1625', here bound at front of part 2; the plates depict altars and tombs, most unsigned but after Montano, 27-28 respectively signed J. Franckardo and J. Francken), i.e. lacking engraved title-page, plates I-XVIII (Roman churches), XXIV-XXV (fountains), and plates I-VI (doorways), Crispijn van de Passe with engraved architectonic title-page (bound before Vignola part 2 sequence 1-28), and 18 plates lettered A-S (of 19: lacking plate T), intermittent spotting and browning throughout, Vignola part 1 pp. 23/4 torn at upper fore corner, pp. 25/6 and 75-82 possibly supplied from a shorter copy, pp. 29-32 stained, a few other marks, contemporary mottled vellum, rubbed, folio (43.2 x 28 cm)Qty: (1)NOTESBerlin Katalog 2586 (Vignola parts 1-2), 3644 (Vignola part 2, catalogued separately under Radi but described as 'Enthalten in: Vignola, Amsterdam, 1642'); Fowler 362 (Vignola parts 1-2), 241 (Crispijn van de Passe, but the copy of Vignola described as 'bound with Crispin de Passe, Oficina Arcularia ... Amsterdam, 1642'); cf. Berlin Katalog 1223 (Crispijn van de Passe, second edition, 1651). This pentilingual edition of Vignola, with a second part containing architectural engravings by other artists, is often found bound as here with the first edition of Crispijn van de Passe the younger's Oficina arcularia, a suite of designs for furniture and ornaments including multiple examples of beds, tables and chairs.

Zucchi (Bartolomeo). L'idea del Segretario dal Signore Bartolomeo Zucchi Da Monza...Rappresentata in un Trattato de l'Imitatione, e nelle lettere di Principi, e d'altri Signori, 2 parts (in 1), Compagnia Minima, Vince, 1600, black & white engraved title vignette, bookplate of 'The Hon. George Baillie Esq.' dated 1724 to the front pastedown, front gutters cracked & spine partially detached, some minor spotting & toning throughout, contemporary full vellum with ink title to spine, front & rear boards marked, 8vo, together with; Morton (Charles), Whitelockes Notes Uppon the Kings Writt for Choosing Member of Parlement XIII car II Being Disquisitions on the Government of England by Kings, Lords and Commons, 2 volumes, printed for Andrew Millar, 1766, contemporary inscriptions to volume 2 front endpaper, some light toning throughout, contemporary uniform full calf, front boards detached, boards & spines rubbed with loss to head of volume 1, volume lacking spine label, large 4to, and Burlington (Charles et al), The Modern Universal British Traveller;..., printed for J. Cooke, circa 1782, black & white engraved frontispiece & 1 plate, bookplate to front pastedown, some water stains & toning, lacks rear endpaper, contemporary rebinding retaining tree calf boards, spine & boards rubbed with minor loss to head & foot, folio, plus other 17th - 19th century literature & reference, mostly leather bindings, some odd volumes, overall condition is fair/good, 8vo/folioQty: (6 shelves)NOTESApproximately 130 volumes

Two 88 mm Super Crown boxed coins, Tristan Da Cunha Diamond Jubilee and Royal Baby commemorative. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Two Queen Elizabeth Tristan Da Cunha boxed £5 coins, one silver. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Shopping Bag von Liebeskind (Berlin), schwarzes Leder, Trageriemen. Wohl ungetragen, da alle Etiketten noch an der Tasche, minimale LagerspurenShopping Bag from Liebeskind (Berlin), black leather, carrying strap. Probably unworn, because all labels still on the bag, minimal signs of storage.

* GILLIAN GOODHEIR DA (SCOTTISH b 1949), VENICE GONDOLA goauche on paper, signed 45cm x 36cm Mounted, framed and under glass Label verso: Tolquhon Gallery, Tolquhon, Tarves, Ellon.

A 19th Century Sevres style 'jewelled' cabinet cup and saucer, painted with an oval portrait of a lady holding a teathered dove, pseudo Sevres marks, cup 7.5cm high; another with agricultural implements to the saucer; and a 19th century Nove cup and saucer, painted with a Da Vinci style portrait of a lady, various marks (3) Condition Report: First with gilding particularly to rim, some mild rubbing to raised enamels of saucer. Second with some small losses to 'jewels.' Third with rubbing and irregularities to gilding throughout. Condition Report Disclaimer

1972 SCOTLAND / IRELAND 1972 BRAZIL INDEPENDENCE CUP Played 7/6/1972 - 9/7/1972 in Brazil. 48-page issue of the Brazilian weekly football magazine ''PLACAR'' which previews the tournament, entitled ''EXTRA A TABELA COMPLETA DA MINICOPA'' the central pages has a large tournament fixture table which includes group details, dates of games, stadium and host City details and fixture tables etc. Generally good

Four Philatelic/Numismatic Covers, to include Benham First Day of The New Fifty pence Coin - 28th February 1998, Westminster Leonardo Da Vinci First Day of Issue Coin Cover, Fifty Pence Coin 1998-NHS.

Photography - Travel - Spain, Portugal, Scotland and Isle of Man - an album of photographs, depicting cruising and travel, comprehensively annotated, Ocean Pictures Ltd, Boxing Tournament, Tuesday 13th August 10pm, Promenade Deck Aft.; Overtaking Sailing Vessel near Santa Cruz; Three Cave Dwellers Outside Their Home at Atalaya, Gran Canaria; Ready for Descent to Funchal From Terrreiro da Lucta; Iona; The Green, Oban; The Cathedral of St Columba in Course of Construction at Oban; View of Douglas; etc

A 1960s Antonio da Ros for Cenedese Italian Murano glass stoppered bottle of low shouldered form with a tapered neck and hollow blown spherical stopper, decorated with tonal blue and green murrine canes over the pale blue ground, unmarked, height 14.5cm.

A large 1614 bronze mortar, by Thomas Carter (d. 1619), Whitechapel Foundry, London, inscribed beneath the rim ‘WILLIAM CARTER MADE ME FOR JAMES BILL 1614’ and with the trefoil mark and the initials TB for Thomas Bartlet (d. 1632), the waist with a broad band of tracery topped by alternating septfoils and trifoils, spreading base, diameter 34cm x height 26cm.Thomas Carter Another mortar inscribed ‘William Carter made me for George Beere 1615’ is noted in ‘Comminution and English Bell-Metal Mortars, c.1400-1850’ by JK Crellin and DA Hutton (p279) and is described as ‘the earliest dated example of the Whitechapel septfoil and trifoil pattern’. This mortar, made for James Bill, is earlier by a year. The 1615 mortar also bore the mark of William Carter’s foreman or apprentice, Thomas Bartlet, who took over the Whitechapel foundry on Carter’s death in 1619. Bartlet’s descendants ran the foundry until the end of the 17th Century.

Great Britain - QV (surface printed) : (SG 137s) 1867-83 £5 orange, DA, ovptd. SPECIMEN Type 9, pressed-out diagonal crease, gum toning and adherence at top on reverse, m.m. Fine appearance. Cat £3750 (image available) [US1]

VINTAGE PORT, COMPRISING: NIEPOORT COLHEITA 1934, BOTTLED 1972, ONE BOTTLE, NIEPOORT COLHEITA 1937, BOTTLED 1972, ONE BOTTLE, MESSIAS COLHEITA 1962, BOTTLED 1978, ONE BOTTLE, MESSIAS COLHEITA 1966, BOTLED 1992, ONE BOTTLE, C DA SILVA DALVA 1987, BOTTLED 1980, ONE BOTTLE AND BARROS COLHEITA 1991, BOTTLED 2001, ONE BOTTLE (6)

In order to view full details and any additional images for this lot as well as place advanced bids or bid live, please click here to view this lot on the auctioneer's websiteShanghai Jubilee Medal 1893, silver ‘L. Da Roza.’, edge bruise and minor edge nicks, good very fine £500-£700

BRONZE, after Leonardo Da Vinci horse sculpture, 50cm L.

Turks & Caicos, Tristan Da Cunha mint and used on 2 album pages, useful ranges, unpicked.

Lindner Album Europa, Blöcke und Briefe Album mit selbstgestalteten Blättern mit Briefen und Blockausgaben verschiedener Länder. Da es sehr vielfältig ist, wäre eine Besichtigung sehr angebracht. Lindner Album Europe, souvenir sheets and letters - Album with self-designed sheets with letters and souvenir sheets of different countries. Since it is very diverse, a viewing would be very appropriate.

Württemberg - Goldene Militärverdienstmedaille Wilhelm II., mit Ring an Öse, dort Punze 333. Wohl ein Kriegsexemplar, da aufgrund Mangels an Edelmetallen die letzten Stücke in 333 anstelle 585 gefertigt wurden. Mit Stempelschneidersignatur K. Schwenzer. Insgesamt ca. 4.200 Verleihungen in verschiedenen Goldgehalten. Raugewicht ca. 13,7 g, ss-vz Württemberg - Golden Military Merit Medal William II., with ring on eyelet, there hallmark 333. Probably a war exemplar, as the last pieces were made in 333 instead of 585 due to a lack of precious metals. With die cutter signature K. Schwenzer. A total of around 4,200 awards in various gold grades. Full weight approx. 13.7 g, VF-EF

Berlin 1948-77 - schöne postfrische Sammlung im Lindner Ringbinder mit guten Anfangswerten. Schwarzaufdruck, Rotaufdruck, 64/67, 42/60, hier fehlt nur die 80er. Block 1 II mit beiden Plattenfehlern (Katalogwert 2500 €). Weiter kleine Lücken, aber doch sehr vollständig. Da die Aufdruckwerte und der Block nicht geprüft wurden, erfolgt die Abgabe ohne Obligo. Bitte besichtigen. Berlin 1948-77 - nice mint collection in Lindner book with good beginning values. Black imprint, red imprint, 64/67, 42/60, here the 80 is missing.For this values we can't give an open item, because there aren't checked. Please visit.

dating: Mid 19th Century provenance: Bologna, Round, smooth-bore, twisted, 16 mm cal. barrel, the upper one with fore-sight; engraved tang; backward spring locks, finely engraved with floral motifs. Wooden, half stock with white metal mounts, decorated en suite. Metal-tipped wooden ramrod with iron cartridge extractor. Leather strap. White metal barrel bracket bands, engraved with floral motifs. Illustrated in 'Antiche Armi da Fuoco' by Paolo Pinti. length 129 cm.

dating: Mid 19th Century provenance: Bologna, Round, smooth-bore, 17 mm cal. barrel, in damask, with raisers, the upper one with silver fore-sight; backward spring locks, signed 'Rossi' or 'Possi' (barely readable first letter); wooden, half stock with checkered grip and iron mounts, decorated en suite. Brass-tipped wooden ramrod and iron cartridge extractor. Illustrated in 'Antiche Armi da Fuoco' by Paolo Pinti. length 132 cm.