LENNON JOHN: (1940-1980) English Musician, a member of The Beatles. A good, unusual signed and inscribed colour candid 3.5 x 4 polaroid photograph of Lennon, the image depicting him seated in a half length pose, wearing his trademark circular spectacles, alongside the disc jockey Alan Smith (also known as 'Brother Love') in the WFIL radio studio in Philadelphia in October 1975 during a weekend fundraising broadcast for the Philadelphia Association of Retarded Children. Signed by Lennon in blue ink to the upper white border, 'To da Brother, love, John Lennon' and dated 1975 in his hand, further adding his familiar doodle of a face in his hand to a clear area of the image. A rare signed photograph. Some very light, extremely minor age wear to the image which detracts little from the appeal of the photograph. VG Provenance: Accompanied by a lengthy and detailed typed statement of provenance signed by Alan Smith and dated 6th October 2017, recounting the circumstances under which the present photograph was taken and signed, in part, 'In 1975, Jay Cook, the Program Director…..somehow, in conjunction with Capitol Records, convinced John Lennon to join us to 'kick off' the event [the WFIL/PARC fundraising marathon of non-stop music] on Friday afternoon…..John arrived early, hung around talking with all of us getting to know our names, sensing our personalities, deciding who was funny and who wasn't…..Over the next day and a half I spent an inordinate (amount) of time (as did my wife at the time) with him around the studio….He was open and charming, extremely bright…..My wife took the picture in the radio studio while we were on the air and when we were looking at it, he took it from my hand and signed it and drew the little face on it….John left early Sunday morning to return home to go into virtual seclusion from the public eye until 1980….'
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Hattons of London, The Double Portrait, Gold Sovereign Series, 2017, Tristan da Cunha, featuring a sovereign, half-sovereign and quarter sovereign, each with a Double Portrait of Queen Elizabeth II and Prince Philip on the obverse and the shields armorial of both on reverse, struck to commemorate the Platinum Wedding Anniversary of Queen Elizabeth II and Prince Philip in 2017, each 22 carat gold, in original presentation case with certificate.
Hattons of London, The Double Portrait, Gold Double Sovereign, 2017, Tristan da Cunha, with a Double Portrait of Queen Elizabeth II and Prince Philip on the obverse and the shields armorial of both on reverse, struck to commemorate the Platinum Wedding Anniversary of Queen Elizabeth II and Prince Philip in 2017, limited to 399 coins, 22 carat gold, diameter 32.0mm, weight 16g, in original presentation case with certificate.
Olio su tavola, firmato in basso a destra O. Curandai, H cm 32x42 Al retro reca timbri ed etichetta Galleria d’Arte Bongiovanni – Bologna. Opera selezionata per la ‘Personale’ di Bologna al centro d’arte Il Nettuno. Opera accompagnata da Certificato di Autenticità della Galleria d’Arte Bongiovanni – Bologna.
Parti in avorio riccamente decorate con scene di vita quotidiana e scene mitologiche, bordature in avorio ornate con motivi di foglie e frutta, cornice superiore guilloché; fronte a due ante celante castello scandito da dodici cassettini che inquadrano antina centrale celante a sua volta altri tre tiretti, fianchi ornati da scene mitologiche e corniciature riccamente lavorate, piedini a ricciolo lastronati in avorio; tavolo d’appoggio con un cassetto nella fascia decorata da riserve in avorio, sostegni a balustro torniti e raccordati da traverse con pigna al centro. H tot. cm 156, Monetiere H cm 70x80x39, Tavolo d’appoggio H cm 86x104x51.5 (difetti – sostituzioni - restauri)
HOMERΟμηρου Ιλιας μεταβληθεîσα παλαι εις κοινην γλωσσαν [Homērou Ilias metablētheisa palai eis koinēn glōssan], 164 leaves (the last blank), text in double columns of 34 lines, text in Greek (except colophon), title printed in red with device in black, 138 fine woodcuts (3 full-page, a few repeats), decorative typographical initials, very slight browning to a few gatherings, occasional minor soiling, eighteenth century red morocco gilt, sides with elaborate roll tool borders, spine gilt in compartments with lettering and acorn tool, raised bands, inner gilt dentelles, g.e. [Adams H776; Brunet III 282-283, 'rare et recherchée'; Dyson Perrins Italian 246], 4to (198 x 143mm.), [colophon:] Venice, Stefano da Sabio... ad instantia di miser Damian di Santa Maria da Spici, May 1526This lot is subject to the following lot symbols: •
[RAMBERTI (BENEDETTO)]Libri tre delle cose de Turchi. Nel primo si descriue il viaggio da Venetia à Costantinopoli, con gli nomi de luoghi antichi & moderni, FIRST EDITION, with 2 final blank leaves (Ev & vi), Aldine dolphin and anchor device on title and final leaf, guide letters in initial spaces, early twentieth century green morocco gilt, covers with 2-line gilt fillet border enclosing gilt-blocked Aldine device, spine gilt tooled in six compartments within raised bands, g.e., uneven fading to sides but a very good copy [Adams T1136, listed under Turkey; Ahmanson-Murphy 285; Renouard 117.1, 'très rare et presque inconnue'; not in Atabey or Blackmer], 8vo, [Venice, Paul Manutius, 1539]This lot is subject to the following lot symbols: •
MORGHEN (FILIPPO)Raccola delle cose piu notabili vedute da Giovanni Wilkins erudite Vescovo Inglese nel suo famoso viaggio dalla Terra alla Luna, con i disegni di animali, e machine a noi incognite e dal medisimo descritte nella sua celebre Istoria, second issue (with title re-engraved to include mention of John Wilkins), engraved pictorial title and suite of 9 engraved plates, loose in cloth portfolio [Grant McColley, 'The Three Editions of Filippo Morghen's Raccolta', in: Art Bulletin, XIX (1937), pp.112-118, 'Outstanding among the imaginary voyages to the moon'], plate mark 280 x 380mm., sheet size 423 x 533mm., [?Naples, c.1767-1768]This lot is subject to the following lot symbols: •
NESBIT (EDITH) AND OSWALD BARRONThe Butler in Bohemia, FIRST EDITION, PRESENTATION COPY INSCRIBED BY NESBIT 'To E.N. da C. Andrade from E. Nesbit. Dec. 27 1910. B.P.' on the front paste-down, correction in ink to one word of text on p.140, light spotting to title, short tear to dedication leaf (to Rudyard Kipling), publisher's limp cloth, lettered in red on upper cover, 8vo, Henry J. Drane, 1894This lot is subject to the following lot symbols: •
Box 133 - Portuguese wine Palmelão White 2018Quinta do Pégo Grande Reserva Douro DOP 2015Loureiro Colheira Seleccionada Adega Ponte de Lima 2018Venâncio da Costa Lima - Moscatel Roxo 2014Loureiro Trajadura Adega Ponte Lima 2018Varanda do Conde 2018Seleção do Ano Branco 2018Guarda Rios 2018Venâncio da Costa Lima - Moscatel de Setúbal Reserva da FamíliaRauasqueira Reserva Familia Branco 2017Monte de Ravasqueira Superior Tinto 2018Monte de Ravasqueira Clássico Branco 2018
Box 134 - Portuguese wine Villa Palma Reserve White 2016 Vale dos Barris Syrah 2017Cerro do Santo DOP Douro Reserva 2014Venâncio da Costa Lima - Moscatel Roxo 2014Loureiro Colheira Seleccionada Adega Ponte de Lima 2018Portal DO Fidalgo 2018Guarda Rios Signature tinto 2018Guarda Rios Gold Edition 2018Venâncio da Costa Lima - Moscatel de Setúbal Reserva da FamíliaRavasqueira Reserva da Familia tinto 2016Monte de Ravasqueira Seleção do Ano Tinto 2018Vinha das Romãs 2016
Box 135 - Portuguese wine Villa Palma Reserve Red 2015Curvos Avesso 2018Quinta do Gradil Sauvignon Blanc & Arinto 2018Quinta da Raza Alvarinho Trajadura 2018Curvos Alvarinho 2018Raza 2018Dom Diogo Arinto 2018Ferreira Malaquias Cadoucos Natur 2015Quinta da Devesa Tinto Vinhas Velhas 2013Herdade da Barrosinha Grande Reserva Red 2012Cruzeiro Branco NVQuinta da Sequeira Grande Reserva Tinto 2015
Box 136 - Portuguese wine Altano Organic Red 2016Tapada dos Monges Branco 2018The Sardine Submarine Tinto 2018Quinta da Raza Avesso 2018Ferreira Malaquias Vinha Dourada Reserva 2016Quinta da Raza Avesso Alvarinho 2017Vinha do Arco Douro 2015Dom Diogo Padeiro 2018Quinta da Devesa Branco 2018Roquette & Cazes 2015Altano White 2016Quinta do Gradil Alvarinho 2018
Box 139 - Portuguese wine Quinta Dona Mafalda Vinhas Velhas 2016AR Triplo 2015Periquita Reserva 2017Vinhas de Pegões Syrah 2018Maré Viva Selection Red 2018AR Reserva 2017Vinhas de Pegões Touriga Nacional 2018Maré Viva Selection White 2018AR Reserva 2015Portinho do Covo 2017Adega de Pegões Syrah 2016Porta da Ravessa Reserva 2017
Box 22 - SpiritsPassionfruit Gin LiqueurLabel 5 Gold HeritageHowitzer Canadian WhiskyFinlandia Raspberry VodkaLe Diciotto Lune Botte PortoRhum Agricole Neisson Profil 105Ouse Poire JaponaiseBundaberg Rum : Master Distillers' Collection - Small Batch Silver ReserveBrentingby Gin Black EditionLicor Flor de Sabugueiro Serra da EstrelaDuffey's Irish WhiskeyJameson Blender's Dog Irish Whiskey
Box 49 - SpiritsLicor Flor de Sabugueiro Serra da EstrelaGelston's 12 Year Old Port Cask Finish Single Malt WhiskeyGilors Single Malt Whisky Portwein FinishSacred Bond Bottled-in-Bond BrandyVery Old Barton 90 Proof Kentucky Straight Bourbon WhiskeyVecchia Romagna Etichetta NeraRom Rincon Private StockFercullen 10YO Single Grain Irish Whiskey Infusionist Raspberry & Elderflower Gin Liqueur Glen Marnoch Islay Single Malt Scotch WhiskyLunazul Blanco TequilaLR Dry Gin
Box 50 - SpiritsLicor Flor de Sabugueiro Serra da EstrelaGelston's 12 Year Old Sherry Cask Finish Single Malt WhiskeyGilors Single Malt Whisky SherryfassSacred Bond Bottled-in-Bond BrandyVery Old Barton 80 Proof Kentucky Straight Bourbon WhiskeyLunazul Blanco TequilaRom Rincon Private StockVecchia Romagna Etichetta NeraGlen Marnoch Speyside Single Malt Scotch Whisky Greyson's Seville Orange & Persian Lime Gin XO BrandyLR Dry Gin
Various historical autographs, letters, etc. to include Charles John Brandling (DA 1856), various sealed letters with wax seals, 18thC and others, early 19thC and others, 1830 and letter, Carlo Pellegrini sketch and annotations, Edward Duke of Kent letter for Grimsby Lincolnshire, another for C Tennyson, addressed 23 Lincolnshire Fields, London from a M Rupels, another in same hand addressed 4 Park Street, Westminster, letters associated to Charles John Brandling, etc. (a quantity)
Cicero, De Finibus bonorum et malorum, in Latin, a leaf from a fine humanist manuscript on parchment [Italy (variously ascribed to Ferrara, Florence or the Veneto), c. 1460 (variously dated 1456, 1463 and 1466)]single leaf, with single column of 28 lines in a fine humanist hand, capitals starting significant section set off in margin, slight darkening at edges, 2 wormholes and a small brown mark in margins, some modern pencil marks (including fol. nos. ‘6r’ and ‘6v’ and “MS 701”, ie. the Schøyen collection number) and small strip of paper attached to inner edge, else outstanding condition on fine cream-coloured parchment, 253 by 175mm. (written space 156 by 97mm.)Provenance: From a parent manuscript probably once in the Florentine library of Cardinal Archbishop Angelo Niccolini of Pisa (d. 1567; see S. Gwara, Otto Ege’s Manuscripts, 2013, Handlist no 143): other leaves with his ex libris and stamp. The parent manuscript was offered on three occasions by Payne and Foss in London, the last February 1830, no. 1111, where it was acquired by Sir Thomas Phillipps; sold in his sale at Sotheby’s, 17 May 1897, lot 198, returning in 25 July 1900, lot 1132. There it passed to Preston A. Perry, and was subsequently auctioned in New York on 21 April 1908 (lot 269), where acquired by Coella Lindsay Ricketts (d. 1941) and thence to Otto F. Ege, the Cleveland bookseller and biblioclast, who dated it 1463. Ege dispersed it from 1944 onwards, and this leaf was sold by his daughter at Sotheby’s, 26 November 1985, lot 79, thereafter Schøyen collection, sold Christie’s, 10 July 2019, lot 455. Other individual leaves can now be found in Rutgers University in New Brunswick (their MC 1220:04), the Beinecke Library, Yale (their MS. 682) and Phoenix Public Library (their MS. Fragment 40). Another was sold in our rooms, 6 July 2016, lot 38.Text: From a stately humanist manuscript of Cicero’s explanation of the Greek philosophical schools of Epicureanism, Stoicism and the Platonism of Antiochus of Ascalon (d. 68 BC.). It is dedicated to Brutus, the assassin of Julius Caesar, and was written in the summer of 45 BC. It is the least well studied of Cicero’s works. There is no extant ancient or Carolingian exemplar, and the earliest witnesses are those of the eleventh or twelfth century. All Italian copies, including the present fragment, appear to descend from ‘a small book of Cicero’ given to Petrarch by his friend Barbato da Sulmona in Naples, and which circulated among Petrarch’s close associates.
Conveyance of the title and privileges of the Priore d’Urbino to Giovanni Battista Zanchini da Castiglionchio, granted by Ferdinand Medici, Grand Duke of Tuscany, grand illuminated manuscript charter in Italian on parchment [Italy (Florence), dated 8 November 1589]large and impressive single sheet document, opening with liquid gold capitals: “NOI FERDINANDO MEDICI” (each letter about 34mm. high), above 37 lines of capitals ruled in liquid gold, with ending of sentences marked off with gilt floral sprays, rows of gilt fleur-de-lys down each side of text, and entire text framed within concentric bands of liquid gold (in outermost layers these laid over turn up at foot to continue striking visual impression), contemporary endorsements at foot including scrawled signature of the Grand Duke, brief endorsements on reverse, cords for lead bulla attachment present but broken, lead bulla with Medici arms also present (but loose with item), natural flaw in parchment hidden by turn up with contemporary patch repair, some folds resulting in small scuffs, else outstanding condition, 487+10 by 740mm.Giovanni Battista Zanchini da Castiglionchio (d. 1590) was a sixteenth-century Florentine senator, who greatly enlarged the Palazzo Zanchini-Corbinelli in Florence. He commissioned a statue of Giasone from Pietro Francavilla, a pupil of Giambologna (now Muzeo Nazionale, Bargello), and is recorded as a substantial art collector by Francesco Bocci’s 1591 guide to Florence. This is most probably his own lavish copy of this grant.
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