We found 43021 price guide item(s) matching your search
There are 43021 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
43021 item(s)/page
Lot 38
PATEK PHILIPPE & CIE, GENEVE. MONTRE DE GOUSSET A CADRAN OUVERT EN OR JAUNE 18K (750) REMONTOIR AU PENDANT PATEK PHILIPPE & CIE, GENEVE. AN 18K GOLD KEYLESS WIND OPEN FACE POCKET WATCH Model: Chronometro Gondolo Retailed by Severino Correa Da SilvaDate: Circa 1890Movement: Gilt Swiss moustache lever, cut and compensated bi-metallic balance, cam regulation, wolfs tooth winding, No.175293, Pat Jan 13 1891Dial: White, black Roman numerals, black outer minute track, subsidiary seconds at 6, gilt leaf handsCase: Engine turned hinged, monogram to reverse, No.276544, 175293Signed: Case, dial & movementSize: 56mmFootnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Lot 80
Chivalric Literature.- Dolce (Lodovico) Libro delli dieci canti di Sacripante qual tratta delle sanguinose battaglie fatte da lui con molti baroni della Franza, title with woodcut vignette, 1 large and a few smaller woodcut vignettes, lacking final blank, a few ff. closely trimmed at outer margin, some worming within text, mostly a few small holes, but more extensive to final couple of ff., some staining, lightly browned, charming 18th century vellum-backed limp decorative paper boards, later ms. paper label to spine, lower cover wormed, large 16mo, Verona, Bortolamio Merlo, [c.1630-1640].⁂ Rare 'chapbook' edition of this classic chivalric tale, with WorldCat recording only one copy (Chicago).
Lot 187
NO RESERVE Rothschild (Philippe de) Éclos a l'Aube: Poèmes, number 58 of 121 copies from an edition limited to 141, title-vignette, 16 plates, illustrations and decorations by Georges Arnulf, colour engravings and aquatints, loose as issued in original wrappers, uncut, browned, original roan-backed boards, spine worn, joints split and rather crudely repaired, slip-case rubbed, Paris, 1954 § Sandoz (Maurice) La Maison sans Fenêtres, limited edition, colour plates by Salvador Dali, original printed wrappers, uncut, lightly browned, tape stains to endpapers, Paris, Pierre Seghers, 1949 § Roger-Marx (Claude) Dunoyer de Segonzac, limited edition, tipped-in colour plates, illustrations, original stiff wrappers, dust-jacket with mounted colour illustration, Geneva, 1951 § Bottari (Stefano) Antonello da Messina, tipped-in colour plates, original cloth, dust-jacket, head of spine slightly frayed, slip-case, 1957, folio & 4to (4)
Lot 170
An Italian maiolica chargerlate 19th centurydecorated in the Renaissance-style with a warrior and female companion, the border with Urbino-style grotteschi, monogrammed 'DA' to verso,35.5cm diameterCondition report: There are three small chips/nibbles to the exterior rim of the dish and also one glaze flake.To the foot rim, there is one wide but relatively foot rim chip and one further, smaller, nibble to the foot. Otherwise, condition is good. The dish rings true when tapped and the decoration is good with no obvious rubbing or wear.
Lot 49
A MAGNIFICENT AND VERY RARE PAIR OF ZITAN-FRAMED KINGFISHER FEATHER-INLAID 'LANDSCAPE' SCREENSQianlongEach exquisitely decorated with lavish use of turquoise-blue kingfisher feathers and other materials reserved against a luxurious velvet ground, depicting rugged mountain and lake landscapes dotted with pavilions and pagodas, the leaves, tree trunks and rocks all made from kingfisher feathers, one screen depicting a boy-attendant carrying a guqin to a seated sage below pine trees, with swirling clouds amidst the tall craggy peaks, the other screen with figures in a house gazing out to the lake with a sampan, all set in a shaped skillfully carved zitan frame carved with archaistic scrolls in low relief and stand pierced with floral sprays. 111.2cm (43 3/4in) high x 56.7cm (22 1/4in) wide x 31.2cm (12 1/4in) deep (2).Footnotes:清乾隆 紫檀邊座點翠山水人物圖插屏一對Provenance:H.E. Monsieur Aleksander Vlangali (1823-1908), Russian Ambassador Extraordinary and Minister Plenipotentiary in China (1863-1873)Spink & Son Ltd., LondonMrs E. A. Parry (1879-1977), London, acquired from the above on 31 July 1926, and thence by descentPublished, Illustrated and Exhibited: Royal Academy of Arts, International Exhibition of Chinese Art, London, 1935-1936, pp.215-216, nos.2500 and 2511.來源：俄駐華公使亞歷山大·弗蘭加利（1823-1908）旧藏倫敦古董商Spink & Son Ltd.倫敦E. A. Parry夫人（1879-1977）舊藏，於1926年7月31日購自上者，並由後人保存迄今展覽著錄：皇家藝術學院，《中國藝術國際展覽會》，倫敦，1935-1936年，頁215-216，編號2500与2511Aleksander Vlangali descended from nobility of St. Petersburg. He participated as an officer in the Crimean War of 1853-1856. In the late 1850s he entered the Imperial Russian diplomatic service and was promoted in July 1863 to the position of the Russian Ambassador Extraordinary and Minister Plenipotentiary in China, a position which he held until November 1873. In 1865 he was made Major General. 亞歷山大·弗蘭加利（Aleksander Vlangali）為出身於聖彼得堡的俄國貴族。曾作為軍官參加了 1853-1856年的克里米亞戰爭。十九世紀五十年代後期，任職俄羅斯帝國外交部門，並於1863年7月任命為俄駐華公使，直至1873年11月。1865年，亞歷山大被擢升為少將。This important pair of screens was included in the International Exhibition of Chinese Art held at the Royal Academy of Arts, Burlington House, London, in 1935-1936. This seminal exhibition had the patronage of their Majesties King George V and Queen Mary, and the President of the Chinese Republic. It included over 3,000 objects. These were loaned by the Chinese Government, including pieces shown for the first time outside China, objects from the collection of Sir Percival David, which were exhibited for the first time in public, pieces from the British Royal Collection, and from many important museums including the British Museum, V&A, the Louvre, Guimet, Cernuschi, Topkapi Saray, the Metropolitan Museum of Art, Cleveland, Kansas City, Cologne, Dresden, and from notable private collectors including HRH Crown Prince of Sweden, Alan Barlow, R.C. Bruce, Buchanan-Jardine, Mr & Mrs Alfred Clark, Dr Leonard Gow, C.T. Loo, Carl Kempe, H.J. Oppenheim, Oscar Raphael, F. Schiller, Mr & Mrs Walter Sedgwick, A. Stoclet, S.D. Winkworth and Prof. W. Perceval Yetts - the roll call of the greatest collectors of Chinese art in the west in the 20th century. E.A. Parry loaned 6 pieces to the Exhibition, demonstrating the superb quality of the Collection and the high esteem in which it was held by the Exhibition Committee, which was directed by Sir Percival David. These pieces were admired to this date in the Parry family homes and this is the first time since the 1935-1936 Exhibition that they are seen in public once again. The remarkable screens demonstrate the exceptional artistry of the 18th century craftsmen reproducing idyllic landscapes in variety of materials and in the case of the present pair, utilising the brilliant enduring colours of kingfisher feathers meticulously inlaid within the design. Kingfisher feathers were admired and prized in ancient China, and as early as the Spring and Autumn period (770-475 BC) they adorned clothes and accessories. A Tang dynasty poem by Chen Zi'ang, 661-702 AD) reads: The halcyon kingfisher nests in the South Sea realm;Cock and hen in groves of jewelled trees; How could they know that the thoughts of lovely women; Covet them as highly as yellow gold?' The popularity of the use of the prized feathers in appliqué technique continued into the 18th century, with the majority of workshops specialising in utilising the feathers for decoration and in carving the precious zitan wood, located in Guangzhou. Such works were commissioned by the Qing Court and made as Imperial-tribute. Compare with a pair of related screens with kingfisher feather decoration, Qianlong, in the Shengyang Palace Museum, and a further panel in the Forbidden City, illustrated by B.Jackson, Kingfisher Blue: Treasures of an Ancient Chinese Art, Berkeley, Toronto, 2001, pp.30-31 and 186. See also three other screens decorated with kingfisher feathers, mid Qing dynasty, made in Guangzhou as Imperial-tribute, illustrated by Hu Desheng, Ming Qing Gu Gongting Jia Zhu Da Guan, vol.1, Beijing, 2006, nos.388, 394 and 396.The remarkable screens showing idyllic mountain landscapes and an attendant carrying a wrapped guqin to a scholar, were inspired by literati paintings and ideals. Images of the private retreat proliferated among the scholar-officials from the early Song dynasty, when visions of the natural hierarchy became metaphors for the well-regulated state. The scholars extolled the virtues of self-cultivation and asserted their identity as literati through poetry, calligraphy, and painting. The images of old trees, bamboo, rocks, and retirement retreats created by these scholar-artists became emblems of their character and spirit. Pine trees, for example, remaining green even during the winter, came to represent the sturdy and morally upright scholar. The conquering Manchu Emperors desired very much to show themselves as the custodians of Han Chinese culture and adopted it fully, including the ideals of literati from the Yangzi delta region. In addition to literati landscape paintings, the Qianlong Emperor also showed himself as a custodian and connoisseur of China's ancient heritage by championing archaism as both an aesthetic and intellectual movement. The superbly carved and prized zitan frames and stands follow the Qianlong Emperor's taste for archaism, utilising motifs seen on early ritual bronze vessels, such as taotie masks and S-shaped scrolls.With its smooth and silk-like texture, fine and dense grain and ... For further information on this lot please visit Bonhams.com
Lot 68
A RARE LAPIS LAZULI TRIPOD INCENSE BURNER AND COVER, DINGQing DynastyThe lustrous blue stone carved around the exterior with an inscription reading 大唐貞觀寶鼎 ('Da Tang Zhenguan Baoding'), 'Precious ding from the Tang Zhenguan Reign', supported on three double scroll and paw cabriole feet, the sides with mythical-beast-head handles suspending loose rings, the domed cover similarly carved with characters, carved hardwood stand. 14.2cm (5 5/8in) wide across the handles. (3).Footnotes:清 青金石三足鼎式蓋爐Provenance:Spink & Son Ltd., London,E. A. Parry (1879-1946), London, acquired from the above on 31 March 1925, and thence by descent來源：倫敦古董商Spink & Son Ltd.倫敦E. A. Parry（1879-1946）舊藏，於1925年3月31日購自上者，並由後人保存迄今Lapis Lazuli was valued for its beautiful colour and and the sparkle of gold from the pyrite inclusions. See a closely-related but smaller lapis lazuli archaistic tripod incense burner and cover, late 18th/19th century, in the British Royal Collection, listed by 1920 in Queen Mary's Bibelots, illustrated by J.Ayers, Chinese and Japanese Works of Art in the Collection of Her Majesty the Queen, vol.III, London, 2016, p.827, no.1922.A related archaistic lapis lazuli censer, gui, dated 18th century (12cm wide), was sold at Christie's London, 11 November 2011, lot 1368.青金石屬珍罕石材，色澤藍紫，部分有白斑紋。參考英國皇家收藏一例十八世紀晚期/十九世紀青金石仿古紋三足爐，形似本例惟體積稍小，早在1920年即被收錄入《瑪麗王后擺飾（Queen Mary's Bibelots）》清單，圖見於J.Ayers著，《Chinese and Japanese Works of Art in the Collection of Her Majesty the Queen》，卷三，倫敦，2016年，頁827，編號1922。倫敦佳士得曾於2011年11月11日售出一例十八世紀青金石簋式爐，拍品編號1368，可資比對。This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 31
A SUPERB IMPERIAL CLOISONNÉ ENAMEL, LACQUER AND ZITAN EMBELLISHED DOUBLE-SIDED SCREEN AND STANDQianlongThe central moon-shaped circular panel framed by a gilt-bronze band finely incised with a foliate scroll, the medallion exquisitely inlaid with jade and various hardstones with a rabbit on rockwork gazing up at a gnarled pine tree with coral lingzhi issuing from the roots, all on a turquoise ground surrounded by five bats, wufu, in flight amidst ruyi-shaped clouds amidst flowering and fruiting branches, the reverse with a further gnarled pine tree issuing from an ivory ground with grass and rockwork against a black-lacquered ground, all set within a cinnabar lacquer frame with key-fret border, further inlaid with lime-green-stained-ivory carved with diaper-patterns, the zitan stand elegantly carved and pierced with further floral scrolls and further ivory lime-green sections. 43.3cm (17in) high x 40.3cm (15 7/8in) wide. (2).Footnotes:清乾隆 紫檀嵌象牙座剔紅框銅胎掐絲琺瑯鑲漆地嵌寶「蟾宮月兔圖」插屏Provenance:Spink & Son Ltd., London,E. A. Parry, London (1879-1946), acquired from the above on 15 May 1925, and thence by descent來源：倫敦古董商Spink & Son Ltd.倫敦E. A. Parry（1879-1946）舊藏，於1925年5月15日購自上者，並由後人保存迄今The opulence and exquisite craftsmanship shown in the present screen exemplifies the peak of Qianlong period craftsmanship. No cost was spared to accomplish the auspicious Daoist representation, utilising different techniques and a variety of prized materials, from cloisonné enamel, gilt-bronze, carved lacquer to hardstone inlay, stained ivory, zitan and boxwood. With its exquisite decoration of the rabbit with a lunar-like roundel, the present lot was most likely associated with the Moon festival or Mid-Autumn festival, when China's Emperors worshipped the moon and offerings were made to Chang'e the Moon Goddess of Immortality, for bountiful harvests. A companion of Chang'e is the Moon rabbit, sometimes also known as the Jade rabbit, who constantly pounds herbs for the Immortals. In time, the rabbit became synonymous with the moon, as the famous Tang poet Li Bai (701-762) relates: 'The rabbit on the moon in vain pounds the elixir'The screen also contains several other auspicious symbols beside the moon rabbit. Towering above the rabbit is a gnarled pine tree. The pine tree, bamboo and plum blossoms were called the 'Three Friends of Winter' because they grew and stayed green when nothing else did in the cold winter. Thus, the pine came to symbolise perseverance through difficulty and integrity. Furthermore, the cloisonné enamel has five bats (wufu), a rebus for the 'Five Blessings' of longevity, health, wealth, love of virtue and a good end to life. There are also ruyi clouds that resemble the shape of a lingzhi fungus, said to have life-prolonging properties. The motif can be further interpreted as a pun on the word 'cloud', yun, which is a homophone for fuyun, 'good fortune'. In an agricultural society, the rain-bearing clouds would have been perceived as a benevolent omen, for the necessary irrigation of the crops. Peaches can also be seen, which are symbols of longevity. Peaches were associated with the Queen Mother of the West who grew a peach orchard. Her peaches were said to grant Immortality, and the God of Longevity, Shoulao, is frequently depicted carrying a peach. See a lotus-leaf-shaped dish with a central roundel of a rabbit pounding an elixir of Immortality, Qianlong six-character mark and of the period, from the Qing Court Collection, illustrated in The Complete Collection of Treasures of the Palace Museum: Lacquer Wares of the Qing Dynasty, Shenzhen, 2006, p.28, no.17. Other related ivory, jade and wood inlaid screens, mid Qing dynasty, in the Qing Court Collection, are illustrated in The Complete Collection of Treasures of the Palace Museum: Bamboo, Wood, Ivory and Rhinoceros Horn Carvings, Hong Kong, 2002, nos.192-195.The elaborate and opulent combination of various prized materials in the production of the present screen can also be noted on a pair of Imperial embellished lapis lazuli 'Da Ji' double-gourd plaques, Qianlong, also made of gilt-metal, jade, and standing on zitan and ivory stands, which was sold at Christie's London, 5 November 2019, lot 116.插屏中央月洞形開光以鏨卷草紋鎏金銅帶為緣，開光內於平面松綠漆地上鑲嵌各色玉石，組成「蟾宮月兔圖」；玉兔蹲坐石上，昂首仰望蒼松，蒼松之下有靈芝一株。開光四周為掐絲琺瑯流雲五蝠花果紋。插屏背面為另一幅黑漆地嵌寶松石圖。剔紅屏框以回紋為飾，並在邊框上方兩角及上緣嵌有灰綠象牙錦地紋條。所附紫檀底座亦同樣嵌有牙雕飾件及黃楊木鏤刻纏枝花卉。本插屏造工之精細及裝飾之富麗，可堪體現乾隆時期工藝高峰。全器之製作包括了掐絲琺瑯、銅胎鎏金、雕漆等工藝，材料則囊括了從象牙、紫檀至黃楊種種珍貴之物。工不厭細，料不厭精，終成這座融匯多種祥瑞寓意之珍品。屏上精嵌的玉兔形象及月洞形開光均蘊含中秋意象。中秋為帝王祭月祈賀豐收之時。傳說中，與居於月宮的嫦娥為伴的玉兔長年不停搗製長生藥；古詩中也往往以兔指代月，如李白所之詩句「月兔空搗藥」。開光圖案之外... This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
Lot 154
AN ENAMELLED AND GILT 'DA JI' PORCELAIN WALL PLAQUETypically modelled in the form of a double gourd vase tied at the waist with a yellow ribbon, the coral ground reserved with a continuous swastika design with blue enamelled bats and two medallions enclosing the characters da and ji. 36cm (14 1/8in) highFor further information on this lot please visit Bonhams.com
Lot 530
A JADE 'TORTOISE' UNCUT SEAL AND THREE ROCK CRYSTAL SEALSThe jade seal Ming Dynasty or earlierThe jade seal of mottled green hue and on square base, the crystal seals comprising: a rectangular-section example seal face in zhaunshu script and also bearing family inscription Tie Zhi; a square-section example seal face in zhaunshu script and also bearing family inscription Da Chuan; and an uncut example of oval-section with suspension ring. The tallest: 4.8cm (1 7/8in) high (4).Footnotes:Provenance: The jade seal with Du Boulay Collection label numbered P230.For further information on this lot please visit Bonhams.com
Lot 532
A CLOISONNÉ-ENAMEL VASE, HUJingtai four-character mark, Qing DynastyOf pear-shaped form, the shoulders flanked by a pair of gilt-bronze 'lion head' handles suspending loose rings, the exterior enamelled with lotus blossoms and scrolling foliage against a turquoise ground, on the base a four-character Da Ming Jing Tai mark. 34cm (13 3/8in) highFor further information on this lot please visit Bonhams.com
Lot 52
A LATE GEORGIAN SILVER VINAIGRETTE, of rectangular outline, the central cartouche engraved with the initials DA, within an engine turned surround and outer foliate border, opening to reveal a pierced grill, sponge and gilt interior, silver hallmark for William Simpson, Birmingham, 1829, length 36mm, approximate gross weight 23 grams (condition report: overall good to fair condition for age of piece, moderate general surface scratches, lid hinge wobbles slightly, lid doesn't quite close flush, inner grill detaches, the inner hinge needs attention, hallmark to inner lid and inner base, hallmark quite rubbed to inner lid, interior gilt fairly worn, interior base heavily tarnished)
Lot 158
Ink on PaperChina , dated 1947Dimensions: 68 cm x 23 cmZhang Daqian is known as one of the most talented artists of the 20th century.He is a master of traditional Chinese painting, calligraphy and seal cutting. This horizontal scroll was written in running script in June 1947 at the age of 48.The text reads Dui jiu dang ge, which means "singing while drinking".Inscription: Dinghai liuyue ximo Signature: Daqian Jushi Seal: Da feng tang
Lot 87
Ink on PaperChina , Zhang Da Qian (1899-1983), dated 1946"The Rivers Xiao and Xiang"The painting is a copy of Dong Yuan's "The Rivers Xiao and Xiang" by Zhang Daqian in 1946. Zhang Daqian was good at imitating the ancients' and his works were comparable to the real ones. "Xiao-xiang" is shorthand for the rivers Xiao and Xiang in Hunan province to the south of the Yangtze River. The two rivers drain into Dongting Lake. The term "Xiao-xiang" also refers to the ancient state of Chu. In the painting, the mountains are rolling in-group, the clouds and fog are dim, and the rivers, trees and stones are all enveloped in the ethereal haze, which create a vast, dreamy and quiet atmosphere.
Lot 325
A SELECTION OF COINS, Tristan da Cuhna 2006 22ct gold plated on sterling silver, proof £5 coin with ruby, sapphire & diamond stones inset on reverse for QEII 80th birthday, box & certified issue of 20,000, a 2007 silver proof £5 for QEII diamond wedd ing, boxed & certified, issue 4999, together with a collection from South Georgia & Sandwich Islands & UK
Lot 179
DUNCAN AYSCOUGH; a smoke fired stoneware vessel with narrow neck and cupped top, burnished and lightly incised decoration with gold leaf to cup, impressed DA mark, height 27.5cm, and a bowl with geometric decoration by another hand (2). (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 69
Theatre.- Association copy.- Crawford (Francis Marion) Francesca da Rimini. Drame en cinq actes dont un prologue. Représenté au Théâtre Sarah-Bernhardt, le 22 avril 1902, translated by Marcel Schwob, number 3 of 20 copies on Japon, this a presentation copy from the author and translator to Maurice Bernhardt, son of the dedictatee, half-title with inscription, sheets trimmed to different sizes, light dust-soiling to some margins, contemporary dark green crushed morocco by Franz, gilt, spine in compartments and with inlaid morocco floral decorations and the monogram of Maurice Bernhardt, spine faded, t.e.g., small 4to, Paris, Librairie Charpentier et Fasquelle, 1902.⁂ An attractive association copy. Presented to Maurice Bernhardt, manager of the Théâtre Sarah-Bernhardt, where the play premiered, and son of the dedicatee, the great actress Sarah Bernhardt, who had commissioned the play.
Lot 79
Ancient Rome.- Mexia (Pedro) Le vite di tutti gl'imperadori romani da Giulio Cesare fin'à Massimiliano, translated by Lodovico Dolce, woodcut portraits to title and within text, woodcut head- and tail-pieces and decorative initials, H1 loose, occasional ink staining (a few instances where obscuring text), some water-staining and foxing, lightly browned, contemporary carta rustica, a few nicks, lightly soiled, Venice, Barezzi, 1644; and 2 others, Julius Caesar, and the Dauphin edition of Sextus Aurelius, 1681, v.s. (3)
Lot 698
African Colonies: 1895-1930s mainly Mint collection on album pages with Nyasa 1898 7 values to 300r between SG 1 & 13, second set SG 14-26, 1901 Pictorial set, various 1903 surcharges incl. 130r on 300r SG 47, 1911 set, 1921 surcharges, 1921-3 values to 5e, 1924 Postage Due & 1925 Charity sets, Congo 1898 values to 50r used plus range of later mint, Angola 1870-77 values to 300r, 1894 values to 80r, 1898 values to 50r, 1914 Ceres values to 5e, 1932-46 values to 10a, Lourenco Marques 1895 values to 150r, various Republica overprints, 1913 Ceres values to 40c, plus surcharges, similar ranges for Mozambique, Mozambique Company 1937 18 values to 20e, Quelimane M & U range incl. the three Vasco da Gama sets SG 1-24, range of Tete, Zambesia, etc., condition mixed in places, many good to fine, high cat. (600+)
Lot 91
QV-QEII Atlantic Islands Collection, housed in five homemade albums, the Falkland Islands with (mint unless otherwise stated) 1898 2/6d and 5/- (SG.41/42, cat. £525), KEVII 5/-, 1933 Centenary to 2/6d (SG.127/135, cat.£490), KGVI first set with MNH 10/- and £1 (SG.162 and 163, cat.£330), etc. The other albums for Ascension, Tristan da Cunha, St. Helena and Falklands Dependencies/B.A.T., all the 1948 silver wedding sets MNH as well as other better values mounted only on the selvage. A fraction of the stamps are stuck down, not including anything listed here. Please inspect.
Lot 149
Alain Delon, Mobile Stereo AD800 - Unità di intrattenimento personalizzata, 1975. Base e colonna rivestiti in ottone, ornata da indicatore di selezione progettato con metalli in rilievo e smalto, console in acrilico fumé con vani contenenti giradischi Thorens, una torretta di lavorazione B&O, un lettore di cassette Sony e vano contenitore per cassette, altoparlanti mimetizzati da dischi in ottone sporgenti, reca monogramma e firma Alain Delon sulla colonna, H cm 177x139x102 (usure). Raro esemplare prodotto in serie limitata. Prodotto e distribuito in Italia da R.S.D.Collezioni di Arredamento. Bibliografia di riferimento: Catalogo originale del distributore in Italia; Casa Vogue - Novembre 1977.
Lot 152
Alain Delon per Maison Jansen, Tavolo da pranzo AD364, Parigi, 1972. Struttura in ottone, rame e cromata con bordi in radica di erable grigio, piano retroilluminato in plexiglas tartaruga inserito tra due piani in vetro, firmato Alain Delon e monogramma, H cm 73x1501x150 (lievi usure - lievi difetti). Bibliografia di riferimento: Jansen Furniture, James Archer Abbott, Achantus Press 2007 - New York, p.222; Catalogo originale del distributore in Italia R.S.D.Collezioni di Arredamento; Casa Vogue - Novembre 1977.
Lot 150
Alain Delon per Maison Jansen, Credenza a tre ante AD363, 1972. Piano in legno laccato, ante lastronate in radica di erable, struttura in metallo cromato, ottone e rame, finiture in ottone, ripiani e cassettiera interni, reca monogramma e firma Alain Delon, H cm 87x194x50 (lievi usure). Prodotta e distribuita in Italia da R.S.D. Collezioni di Arredamento. Bibliografia di riferimento: Jansen Furniture, James Archer Abbott, Achantus Press 2007 - New York; Catalogo originale del distributore in Italia; Casa Vogue - Novembre 1977.
Lot 30
Louise Sue e Andre Mare, Credenza a demi-lune, Produzione Europea artigianale in stile Art Deco. Forma bombata, struttura in massello di acero, lastra di erable, lastra di palissandro, intarsio in legno di varie essenze, due ante intarsiate a decoro di fondale marino, interno a due ripiani lastronati in radica, piedi rifiniti a foglia oro fino, piano in marmo, H 88x150x61 (lievi difetti). Mobile di stile “Deco” riedizione dell’originale di Sue e Mare presentato all’esposizione internazionale di Parigi del 1925.Intarsio disegnato da Mathurin Méheut. Bibliografia di riferimento: Catalogo Colombo Stile - Milano.
Lot 151
Alain Delon per Maison Jansen, Due applique AD900, 1972. Struttura in metallo cromato e ottone con vetri colorati, cupola in rame, H cm 36x62x35 (lievi usure). Prodotte e distribuite in Italia da R.S.D. Collezioni di Arredamento. Bibliografia di riferimento: Jansen Furniture, James Archer Abbott, Achantus Press 2007 - New York; Catalogo originale del distributore in Italia; Casa Vogue - Novembre 1977.
Loading...-
43021 item(s)/page