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Click here to subscribeUK Quad film Posters, more than thirty UK Quad film posters, most from the 2000’s, including The Da Vinci Code, Enron, Wah Wah, The Place Beyond the Pines, The Party, Journeys End, 45 Years, Birth of a Nation, Mary and Max, The Selfish Giant, The Greatest Showman, Three Billboards Outside Ebbing Missouri, Victoria & Abdul and more, all unfoldedand mainly Excellent condition - all 30”x 40”
(See English version below)Almir da Silva Mavignier (Rio de Janeiro 1925 – 2018 Hamburg). „flach und konvex, weiß“. 1968Reliefbild aus weißem Porzellan, auf Holzrahmen montiert. 43,5 × 43,5 × 10 cm (89 × 89 × 15 cm) ( 17 ⅛ × 17 ⅛ × 3 ⅞ in. (35 × 35 × 5 ⅞ in.)). Rückseitig auf einer runden Editionsplakette mit Filzstift in Schwarz signiert und bezeichnet: Mavignier épreuve d´artiste.Künstlerexemplar außerhalb der Auflage von 50 nummerierten Exemplaren. Selb, Rosenthal, relief reihe ars porcellana. [3434]Zustandsbericht: In gutem Zustand. Die Porzellanfläche leicht angestaubt. Keine Fehlstellen oder SubstanzverlusteWir berechnen auf den Hammerpreis 30% Aufgeld.Almir da Silva Mavignier (Rio de Janeiro 1925 – 2018 Hamburg). ”flach und konvex, weiß”. 1968Relief image from white porcelain, mounted on wooden frame. 43,5 × 43,5 × 10 cm (89 × 89 × 15 cm) ( 17 ⅛ × 17 ⅛ × 3 ⅞ in. (35 × 35 × 5 ⅞ in.)). Signed and inscribed on the reverse on of a round edition badge in black felt-tip pen: Mavignier épreuve d´artiste.Artist's copy outside the edition of 50 numbered copies. Selb, Rosenthal, relief series ars porcellana. [3434]Condition report: In good condition. The porcelain slightly dusty. No lossesWe charge 30% premium on the hammerprice.
(See English version below)Elisa Martins da Silveira (Teresina, Piauí, Brasilien 1912 – 2001 Rio de Janeiro). Três dançarino. 1958Öl auf Leinwand. 16,5 × 23,5 cm ( 6 ½ × 9 ¼ in.). Rückseitig mit Pinsel in Grau signiert und datiert: Elisa / 1958.[3434]Zustandsbericht: In gutem Zustand. Die kräftigen Farben differenziert und leuchtend. Die Leinwand ist nicht doubliert. Die Farboberfläche leicht angestaubt. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Elisa Martins da Silveira (Teresina, Piauí, Brazil 1912 – 2001 Rio de Janeiro). Três dançarino. 1958Oil on canvas. 16,5 × 23,5 cm ( 6 ½ × 9 ¼ in.). Signed and dated on the reverse with brush in grey: Elisa / 1958.[3434]Condition report: In good condition. The intensive colours differentiated and luminous. The canvas is not relined. The picture surface slightly dusty. Ultraviolet light reveals no retouchings or repairs. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Elisa Martins da Silveira (Teresina, Piauí, Brasilien 1912 – 2001 Rio de Janeiro). Paisagem com ponte. 1958Öl auf Leinwand. 16,5 × 23,5 cm ( 6 ½ × 9 ¼ in.). Rückseitig mit Pinsel in Grau signiert und datiert: Elisa / 58.[3434]Zustandsbericht: In gutem Zustand. Die kräftigen Farben differenziert und leuchtend. Die Leinwand ist nicht doubliert. Das Dunkelrot stellenweise mit Craquelé. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Elisa Martins da Silveira (Teresina, Piauí, Brazil 1912 – 2001 Rio de Janeiro). Paisagem com ponte. 1958Oil on canvas. 16,5 × 23,5 cm ( 6 ½ × 9 ¼ in.). Signed and dated on the reverse with brush in grey: Elisa / 58.[3434]Condition report: In good condition. The intensive colours differentiated and luminous. The canvas is not relined. The dark red in places with craquelure. Ultraviolet light reveals no retouchings or repairs. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Elisa Martins da Silveira (Teresina, Piauí, Brasilien 1912 – 2001 Rio de Janeiro). Festa do Peão. 1956Öl auf Leinwand. 38 × 57,5 cm ( 15 × 22 ⅝ in.). Rückseitig mit Pinsel in Grau signiert und datiert: Elisa / 56.[3434]Ausstellung: V° Salão Nacional de Arte Moderna, São Paulo (?),1956, seção pintura, Nr. 219 (a) (lt. rückseitigem Etikett)Zustandsbericht: In gutem Zustand. Die kräftigen Farben differenziert und leuchtend. Die Leinwand ist nicht doubliert und befindet sich auf dem originalen Keilrahmen (originale Aufspannung). Entlang der Kanten etwas angeschmutzt. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar, stellenweise leicht fleckig. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Elisa Martins da Silveira (Teresina, Piauí, Brazil 1912 – 2001 Rio de Janeiro). Festa do Peão. 1956Oil on canvas. 38 × 57,5 cm ( 15 × 22 ⅝ in.). Signed and dated on the reverse with brush in grey: Elisa / 56.[3434]Exhibition: V° Salão Nacional de Arte Moderna, São Paulo (?),1956, seção pintura, no. 219 (a) (acc. to label on the reverse)Condition report: In good condition. The intensive colours differentiated and luminous. The canvas is not relined and mounted on the original stretcher (original tacking). Along the edges somewhat soiled. Ultraviolet light reveals no retouchings or repairs, in places slightly stained. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Elisa Martins da Silveira (Teresina, Piauí, Brasilien 1912 – 2001 Rio de Janeiro). Malhação do Judas. 1960Öl auf Leinwand. 53 × 40 cm ( 20 ⅞ × 15 ¾ in.). Rückseitig mit Pinsel in Grau signiert und datiert: Elisa / 1960.[3434]Zustandsbericht: In gutem Zustand. Die kräftigen Farben differenziert und leuchtend. Die Leinwand ist nicht doubliert. Rechts oberhalb der Mitte mit kleinen Bereibungsspuren, die Leinwand dort mit leichter Delle und rückseitig einem Feuchtigkeitsfleck. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Elisa Martins da Silveira (Teresina, Piauí, Brazil 1912 – 2001 Rio de Janeiro). Malhação do Judas. 1960Oil on canvas. 53 × 40 cm ( 20 ⅞ × 15 ¾ in.). Signed and dated on the reverse with brush in grey: Elisa / 1960.[3434]Condition report: In good condition. The intensive colours differentiated and luminous. The canvas is not relined. On the right above the centre with small scuff marks, the canvas there with slight indentation and a water stain on the reverse. Ultraviolet light reveals no retouchings or repairs. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Elisa Martins da Silveira (Teresina, Piauí, Brasilien 1912 – 2001 Rio de Janeiro). Banho de rio. 1974Öl auf Leinwand. 38 × 54,8 cm ( 15 × 21 ⅝ in.). Rückseitig mit Pinsel in Rot signiert, datiert und nummeriert: Elisa / 1974 -5.[3434]Zustandsbericht: In gutem Zustand. Die kräftigen Farben differenziert und leuchtend. Die Leinwand ist nicht doubliert und befindet sich auf dem originalen Keilrahmen (originale Aufspannung). Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Elisa Martins da Silveira (Teresina, Piauí, Brazil 1912 – 2001 Rio de Janeiro). Banho de rio. 1974Oil on canvas. 38 × 54,8 cm ( 15 × 21 ⅝ in.). On the reverse with brush signed in red, dated and numbered: Elisa / 1974 -5-.[3434]Condition report: In good condition. The intensive colours differentiated and luminous. The canvas is not relined and mounted on the original stretcher (original tacking). Ultraviolet light reveals no retouchings or repairs. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Brazilian School, 19th CenturyCapriccio views of Rio de Janeiro, a pairoil on canvas 63 x 96.5cm (24 13/16 x 38in). (2)Footnotes:This pair shows capriccio views of the port of Rio de Janeiro bustling with activity. There are merchant ships and smaller boats anchored at shore with local people animating the scene; women and men carrying food and goods on their heads and working on boats. The church on the left in the first image looks to be Santa Lucia and in the background one can see the city surrounded by the mountains. The second image bears a resemblance to Sao Goncalo with its mountains in the background. These street scenes show the clear influence of both Debret and Rugendas. Debret was a French painter who travelled to Brazil in 1816 as a member of the so-called French Artistic Mission, a group of bonapartist French artists and artisans bound to creating an arts and crafts lyceum in Rio de Janeiro under King D. João VI and the Conde da Barca; this later became the Academia Imperial de Bellas Artes under Emperor Dom Pedro I.Debret is known for his depictions of everyday life in Brazil and started to sketch street scenes, local costumes and people between 1816 and 1831. He was particularly interested in slavery of black and indigenous people in Brazil. Together with the German painter Johann Moritz Rugendas, his work is some of the most important documentation of Brazilian life during the early decades of nineteenth century. This pair of paintings executed at a later date, around 1880, show the influence of prints after both of these important artists' work.For further information on this lot please visit Bonhams.com
Ring mit feinem Rubelith (rosenroter Turmalin) oval facettiert, da. 4,5 ct, flankiert von je 2 eingeschliffenen Citrinen in schöner Farbe, GG 14K, 4,9 g, RW: 54, Ende 20. Jh., leichte Tragespuren, Turmalin minimal bestoßen. Ring with fine rubelite (red tourmaline), ca. 4.5 ct, oval faceted, flanked by 2 nice coloured citrines in each side, 14K yellow gold, 4.9 g, ring size 54, late 20th century, minor signs of wear, tourmaline min. chipped. Gewicht 4,9g Legierung 585/000
A collection of silver flatware to include: American Interest: An American late 19th Century white metal fiddle pattern memorial table spoon, the reverse engraved: Willa Shankland Married June 3rd 1828 Cooperstown N.Y John Holmes Prentiss Died June 1st 1890 - Mary Kellog Doane 1890 (CR: apparently unmarked, engraving to reverse crisp) Two various 19th century fiddle pattern sauce ladles - 1 x William Eley, London, 1830 and American sterling silver example by G LOOMIS, stamped DA pair of late 18th Century salt shovels and a Dutch white metal sugar spoon with windmill (139.3 grams gross)
A collection of sterling and continental silver to include: a George V silver circular watch case, the interior cover with mirror, Birmingham, 1926; a Elizabeth II engine turned circular powder case, by Adie Bros, Birmingham, 1952; a Continental .833 standard powder case, the cover chased with the Church of Nativity Bethlehem and a 925 stamped Italian silver plaque depicting The Last Supper by Leonardo da Vinci, stamped Luigi Franco (4)
Original vintage poster promoting an exhibition of Albrecht Durer woodblock prints and etchings at the Gera Museum of History in Germany from 9 January to 27 February, 1972. Albrecht Durer sometimes spelt in English as Durer or Duerer (without an umlaut), was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Durer is commemorated by both the Lutheran and Episcopal Churches. Very good condition, fold, repaired tears, minor discolouration. Country of issue: Germany, designer: Unknown, size (cm): 59x40, year of printing: 1972
Original vintage cruise travel poster featuring a dynamic design depicting the steamship SS Helouan (1912-1937) at sea sailing towards the viewer in front of other ships in the background with smoke rising from the funnels into a pink shaded sky with hills on the horizon and seagulls flying overhead behind flags flying on the side, the text in bold lettering on the green margin below: Lloyd Triestino Societa di Navigazione a Vapore Linee Celeri da Trieste per L'Egitto, Il Levante, La Soria, La Dalmazia, Le Indie e L'Estrimo Oriente / Lloyd Triestino Steam Navigation Company Fast Routes from Trieste to Egypt, The Levant, La Soria, Dalmatia, The East Indies and the Far East. Good condition, creasing, small tears, cardboard attachments at top and bottom. Country of issue: Italy, designer: Unknown, size (cm): 79x51, year of printing: 1920s
Original vintage travel advertsing poster for TWA / Trans World Airlines featuring an illustrated menu for Da Meo Patacca restaurant including drawings of grapes, wine, TWA planes and a man on horseback. Patterned red border on a yelow background. Da Meo Patacca, a 19th-century taverna located in the Trastevere area in the centre of Roma, the Italian capital city. In July 1959 Remington Olmsted, American actor and Roman of adoption, conceived and founded the restaurant Da Meo Patacca in Rome. He recreated the atmosphere of a Roman tavern of the nineteenth century within the splendid setting of Trastevere, historical and architectural gem of medieval Rome. The dishes, the location, the furnishings: everything in the restaurant Da Meo Patacca expresses history, the rich and fascinating history of the city, but above all the history of the Roman people and their ancient traditions; the lighting is still entrusted to the gas lights, to the oil pans, to candles and soft lights, the waiters are in costumes of the time, professional musicians go around the tables every evening entertaining the customers with Roman songs, jokes and folk songs. Good condition, tears, creasing, small paper losses at margins. Country of issue: Italy, designer: D'Evelmia & D'Amico, size (cm): 100x43, year of printing: 1959
Konvolut Medaillen, darunter Baden Silberne Verdienstmedaille Friedrich I. FÜR VERDIENST, dazu Zentenarmedaille und Siegestaler 1871 Wilhelm I. an Öse. Anbei wohl nicht authentische Medaille (da nicht Silber) Bronze versilbert Preussen Wilhelm und Augusta Geschenk zur Silberhochzeit des P. Schwerdtfeger und seiner Gattin geb. Bemmer 1923 (üblicherweise Geschenk an Logenmitglieder). Erhaltungen unterschiedlich, bitte ansehen Mixed lot of medals, among them Baden Silver Merit Medal Friedrich I. FUR VERDIENST, plus Zentenar medal and Siegestaler 1871 Wilhelm I. with loop. Enclosed probably not authentic medal (because it is not silver) Bronze silver-plated Prussia Wilhelm and Augusta, gift for the silver wedding anniversary of P. Schwerdtfeger and his wife, née Bemmer 1923 (usually a gift to lodge members). Conditions different, please have a look
LEICA FERNGLAS 7x42 BDA MIT ENTFERNUNGSMESSER, Geovid Fernglas der ersten Generation mit Laserbasierter Entfernungsmessung. Leichte Altersspuren an der Gummierung, Optik in gutem Zustand, Funktion nicht geprüft da, Stromquelle entladen. Anbei originale Tragetasche. LEICA BINOCULARS 7x42 BDA WITH RANGEFINDER, First generation Geovid binoculars with laser-based distance measurement. Slight signs of age on the rubber coating, optics in good condition, function not checked because the power source is discharged. Original carrying case attached.
Superb collection of 17 x essential 7". Artists/titles include Tours - Language School (red sleeve original, Tours Rec T-1 - Ex some 'poly bag residue' from the original PVC sleeve/Ex clean condition sleeve), The Freshies - Yellow Spot (RAZZ SIX - Ex/VG+), Da Biz - On The Beach (SIR 4045 - Ex+/VG), The Really 3rds - Everyday, Everyway (EJSP 9610 - Ex+), New Math - Die Trying/Angela (Reliable Records - GUM 002 - Ex+/Ex+ a top copy), Chinas Comidas, The Panic Buttons - Telephone Box (TNS 1, 2 copies), The Boys, The V.I.P's, Slime - Controversial (GOOD1), Slow Motion - Christmas Charade (scarce US Audiodisc acetate), Nick Lowe and Caster And The Totem. Condition is primarily clean VG+ to Ex+.
Fascinating collection of over 300 x CD (albums) featuring all things alternative! Covering Indie, Punk, New Wave, Electronica, Downtempo/Chillout with many stops in between, artists/titles include Masters At Work: The Tenth Anniversary Collection, Portishead, The White Stripes, Wild Beasts, Cafe Del Mar series, Warpaint, Prodigy, Tosca, Placebo, Primal Scream, Rob Da Bank, Elbow, Elastica, The Chemical Brothers, Death In Vegas, Norah Jones, Morcheeba, Diskjokke, The Verve, Hard-Fi, Just Good Music set, Iggy Pop, Nirvana Lounge set, Jane Siberry, Wild Ocean, Lauryn Hill and LCD Soundsystem. Including a number of sets which are counted as 'one'. Condition is primarily fantastic Ex+.
A Pentax *istD S DSLR Camera Outfit, body serial no 1009324, shutter, rear screen and autofocus not working, on-off switch very stiff, an SMC Pentax-DA 18-55mm f/3.5-5.6 AL lens, a SMC Pentax-F 35-70mm f/3.5-4.5 lens, a Vivitar MC tele converter 2x and a Vivitar Auto Thyristor 550FD flash, all in a Hippo shoulder bag, A/F
* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), WHITE VILLAGE, ANDALUCIA oil on canvas board 50cm x 40cm Framed and under glass Note: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career.
Maria Helena VIEIRA DA SILVA (1908 - 1992). La Bibliothèque, 1959. 34,5 cm x 45 cm. Druck. Farbserigraphie. Rechts unten signiert. Links " 215 - 250". Zustand siehe Fotos. Bei einem Zuschlag über 400,- € zuzüglich Folgerecht von 4%. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Maria Helena VIEIRA DA SILVA (1908 - 1992). La Bibliothèque, 1959. 34.5 cm x 45 cm. Print. Color silkscreen. Signed lower right. Left "215 - 250". Condition see photos. With a surcharge of more than € 400 plus resale right of 4%. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Karagöz Perserteppich. Iran. Circa 80 - 100 Jahre alt. 300 cm x 107 cm. Handgeknüpft. Wolle auf Baumwolle. Möglicherweise Bachtiar da doppelter Schuss. Kein Versand in die USA. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Karagöz Persian rug. Iran. Around 80 - 100 years old. 300 cm x 107 cm. Hand knotted. Wool on cotton. Possibly Bakhtiar because 2 wefts. No shipping to the USA. Shipping of this object by a third party possible. List of selected trusted shipping partners attached to each invoice. The auction house does not ship.
Qashqai Hybe. Perserteppich. Circa 50 - 80 Jahre alt. 27 cm x 27 cm ohne die Quasten gemessen. Handgeknüpft. Wolle auf Wolle. Da es sich um eine einzelne Tasche handelt oft auch als Korantasche bezeichnet. Stammesteppich. Feine feste Knüpfung. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Qashqai Hybe. Persian carpet. Around 50 - 80 years old. Measured 27 cm x 27 cm excluding the tassels. Hand knotted. Wool on wool. Since it is a single bag, it is often referred to as a Quran bag. Tribal rug. Fine, firm weave. No shipping to USA.Shipping of this object by a third party possible. List of selected trusted shipping partners attached to each invoice. The auction house does not ship.
A HEAVILY CAST BRONZE CENSER, QING DYNASTY China, late 17th-19th century. The compressed globular body rising from a short spreading foot to an everted rim, set at the shoulder with a pair of loop handles. The underside with a seal mark cast in low relief within a horizontal, rectangular reserve, reading: “da Qing Kangxi nian zhi yan tai shi shi jing zao”. Condition: The black lacquer coating is strongly worn with some areas revealing the naked bronze especially to the edges. There are areas of extensive erosion as well as dents and nicks all over, some soiling, and verdigris to the interior. Minor casting flaws. Provenance: From a British private estate. Weight: 4.8 kg Dimensions: Height 11.5 cm With an associated wood base dating from ca. 1900 and bearing several manually inscribed collectors’ notes on paper, written in German. (2) Auction result comparison: Compare with a different censer, but bearing the same mark, at Lyon & Turnbull, London, June 16th 2015, lot 471, sold for GBP £7,500. 雙耳銅爐，清代 中國，十七世紀末至十九世紀。球狀爐體，圈足外撇，兩側一對環形耳。 爐底印製“大清康熙年制燕台施氏精造”。 品相：黑色漆塗層局部強烈磨損，尤其是邊緣露出了原銅色。有廣泛的侵蝕區域，到處都是凹痕和刻痕，內部有些污垢和銅綠。輕微鑄造缺陷。 來源：英國私人遺產. 重量：4.8 公斤 尺寸：重量11.5 厘米
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