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Five 19th century teapots, comprising New Hall style floral painted, two chinoiserie bullet shaped and transfer printed. Largest length 28 cm. CONDITION REPORT: The smaller of the two bullet shaped teapots is in generally good condition. There is no evidence of any repairs or restoration. The lid is in good order. The spout has one very small glaze nibble. The top lip has one small glaze chip. Other than this there are no issues. The second bullet shaped teapot has glaze imperfections to the lid and three edge chips and nibbles to the circumference. There is a hairline crack running from the top lip of the base down into the pot just below the rim. The base also has had a break and there is a riveted repair which should be visible on our image. The grey, white and gilt pot has had restoration to the spout. There is also a star crack to the base visible both inside and out. The pattern is a little faded in places. The teapot with the castellated top has had restoration to the lid. There is also some restoration to the castellation opposite the handle. The interior is discoloured. Old hairline cracks are just visible to the body. There are minor nibbles to the glazing around the spout and to the foot rim. The final teapot has some minor nibbles to the under edge of the lid. The interior shows several old hairline cracks. These are visible also to the underside where there is a significant star crack. There are some minor losses to the paintwork.
A Meissen hausmaler teapot and cover c.1725, painted probably in a Bayreuth atelier with figures loading and unloading boats in a harbour setting, the reverse with Classical buildings flanking a river and central tree, reserved within yellow, puce and green scroll borders, a small landscape vignette beneath the straight spout, the cover with a formal scrollwork design, restoration to the cover's finial, 17.8cm across. (2) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020).
A rare Meissen Böttger stoneware teapot and cover c.1710-13, the flattened globular form sprigged with a spray of flowering prunus to each side, the flat cover with applied leaves, the handle and spout with polished facets, with further polishing to the rim, footrim and cover's edge, the cover broken and restuck, 14.5cm across. (2) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020). This shape is a direct copy of Chinese Yixing stoneware and is listed in the 1711 Meissen inventory as 'niedrige runde TheeKrügel mit erhabenen Blumen', (low round small teapot with raised flowers).
A rare Böttger stoneware hexagonal teapot and cover c.1710-15, the tapered hexagonal form moulded with a different flowering Oriental plant to each panel, glazed black to the interior, with ribbed handle and delicate faceted spout, 15cm across. (2) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020). Cf. Sotheby's, 14th May 1998, lot 82 for a lacquered version of the same shape. The form is recorded in the inventory of the Meissen manufactory of 3rd August 1711, and nine such Böttger stoneware examples (hexagonal teapots with raised flowers) were recorded in the 1719 inventory of the Dresden warehouse, as well as two black-lacquered examples (Claus Boltz, Steinzeug und Porzellan der Böttgerperiode - Die Inventare und die Ostermesse des Jahres 1719, Keramos 167/168 (2000), p. 128, and one Böttger stoneware example was listed in J.F. Böttger's quarters following his death the same year. The 1770 inventory of the Japanese Palace records eight '6. paßigte TheéPotgen, mit erhabenen Blumen, Deckeln, Henckel und Schnautze, 4. Zoll hoch, 5. Zoll in Diam: No. 207' [six-sided teapots, with raised flowers, covers, handles and spouts, 4 zoll high, 5 zoll in diam.], though one was subsequently listed as missing (Claus Boltz, Japanisches Palais-Inventar 1770 und TurmzimmerInventar 1769, Keramos 153 (1996), p. 106). Ernst Zimmermann (Erfindung und Frühzeit des Meissner Porzellans (1908), p. 137) noted that the Dresden Collection included pieces such as the present lot that had cracked in the firing and been lined with a black glaze so that they would not leak, and that sometimes specks of glaze were also visible on the outside. Similar examples were sold from the Saxon Royal Collections, Rudolph Lepke's Kunst-Auctions-Haus, Berlin, 7-8 October 1919, lot 5, and 12-14 October 1920, lot 72. A teapot of the same shape with lacquered and gilt decoration was sold by Sothebys London, 14 July 1998, lot 82.
A Dutch-decorated Chinese teapot and cover 1st half 18th century, the globular form painted in Kakiemon enamels in the Meissen manner with birds and insects in flight above flowering branches, red crossed swords marks, and a Chinese quatrefoil teabowl and saucer in imitation of Meissen, painted with Kakiemon flower sprays on a rich yellow ground, blue crossed swords marks, a large chip to the teapot's rim and cover, 18cm max. (4) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020). The teapot probably formerly the Dorothy Winkworth Collection (wife of Stephen Winkworth).
A rare and early Chelsea hexagonal teapot and cover c.1750-52, painted to one side with the Flaming Tortoise pattern, the eponymous creature beneath gnarled pine branches, a stork in flight above the spout, the reverse with a large stork beside flowering branches, the cover broken and restuck, 17cm across. (2) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020). Bernard Watney, Puttick and Simpson, 11th December 1962. The 1755 sale catalogue for Chelsea records this pattern as 'Flaming Tortoise', although the creature is actually a Japanese minogame - a mythical water creature. Cf. Ayres, Impey and Mallet, Porcelain for Palaces, p.281.
An early Derby teapot and cover c.1756-60, the globular shape painted in polychrome enamels with Chinese figures in an interior setting to one side, the reverse with a Chinese gentleman waving at a large flying insect over a vase of flowers, a large Bow white-glazed knife handle moulded with foliate scrolls, a Tournai coffee cup and saucer painted with simple flower sprays in underglaze blue, and a New Hall coffee cup painted with Chinese figures in pattern 20, some chipping to the teapot's spout, 28.3cm. (6) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020). The knife handle gift from Frank and Kathleen Tilley.
A creamware teapot c.1770, possibly Cockpit Hill, Derby, the cylindrical body painted in a palette of red, green and yellow with tall buildings flanked by trees, the reverse with a large flower spray, the double strap handle issuing from applied flowers, the spout modelled as bamboo, the cover lacking, 21cm. Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020).
A rare and early Chelsea hexagonal teapot and cover c.1750-52, unusually decorated in famille rose enamels with colourful birds perched on flowering branches, the shoulder and cover's rim with flowerhead panels between cash diaper borders, some chipping to the spout, the cover possibly associated, 18cm. (2) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020). Cf. Elizabeth Adams, Chelsea Porcelain, p.61, pl.48 for a teapot of the same shape with Kakiemon decoration.
A Chelsea hexagonal Fable-decorated teapot and cover c.1752-55, painted by Jefferyes Hamett O'Neale with a depiction of the Lion and the Goat, the latter standing atop a mountain while vultures circle above, the lion the other side of a stream, looking up towards his former adversary, in a continuous landscape scene with brown trees, the cover with similar landscape decoration, the cover and handle with old restoration, 18cm across. (2) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020). Exhibited: on display at the Ashmolean Museum between 2009 and 2020.
A combined part tea service 18th century, including English (Worcester and Liverpool) and Chinese porcelains decorated in the Scarlet Japan pattern with alternating panels of Kakiemon flower sprays and stylized flower mons on an orange ground. Comprising: a teapot and cover, a milk jug and cover, a slop bowl, a coffee cup, six teabowls and five saucers. (17)
A William Brownfield and Co. Majolica teapot and cover c.1875, modelled as a fish leaping through a scrolling wave, its tail and fins tinged lilac against a brownish green body, the turquoise water forming the handle and spout, faint impressed registration diamond, a few small chips, 18.5cm. (2)
Two salt-glazed stoneware teapots and covers c.1760, of square section, each side moulded with a large central shell motif reserved on a moulded Greek key ground, the spouts formed as the head and necks of mythical beasts, the larger teapot surmounted with a liondog finial, some damages and repairs, 18.5cm max. (4)
A small salt-glazed teapot and cover c.1760, the squat globular body incised with a geometric band around small sprigs, raised on three paw feet with a faceted spout, and a sauceboat moulded with bands of fruiting grapevine, raised on paw feet issuing from mythical masks, some damages and repairs, 18cm max. (3)
A salt-glazed stoneware teapot with associated cover c.1755, the globular body brightly painted with a portrait of the King of Prussia beneath the inscription 'Fred Prussia Rex', the reverse with a crowned black eagle behind an armorial shield and motto, all reserved on a dense black and white ermine ground, with crabstock handle and spout, the cover matched from a Jackfield teapot, 19cm across. (2)
A collection of creamware c.1760-80, including a teapot and cover, tea canister and cover and a milk jug painted in red monochrome with a lady seated at a tea table, a plate similarly decorated with a girl and a bird in a garden, two coffee cups and saucers painted with flowers, a small teapot and cover with sponged manganese decoration and six dishes and a tureen and cover from a toy or miniature dinner service, some restoration, 24.5cm max. (20)
Three pearlware plates c.1790-1850, two of them nursery plates and printed with scenes including Queen Victoria and Prince Albert within moulded and coloured borders, the last a charger painted in blue with a simple floral design, and a fluted creamware teapot and cover painted with sprays of Oriental flowers, some damages, 31.3cm max. (5) Provenance: the collection of Aurea Carter.
A Worcester part tea service c.1765-75, painted with panels of flowers and banded hedges in the Kakiemon palette, reserved within gilt rococo panels on a blue scale ground, open crescent and square seal marks. Comprising: a teapot and cover, a milk jug, a slop bowl, a cake plate, a coffee cup, a teacup and two saucers. (9) Provenance: the collection of Aurea Carter.
A New Hall tea and coffee service c.1800, richly decorated with a Tobacco Leaf design in pattern 274, painted pattern numbers. Comprising: a coffee pot with cover and stand, a teapot with cover and stand, a sugar basin with cover and stand, a slop bowl, two cake plates, ten teabowls, nine coffee cups and ten saucers. (41)
A Nantgarw sucrier and cover c.1818-20, the London shape decorated probably by Thomas Pardoe in an extended Imari palette with a formal design of long-tailed birds flanking an urn, between chequered panels and foliate motifs, 6.3cm across. (2) Paper labels for the Sir Leslie Joseph Collection, No. 364, and for the P G White Collection, No. 61. Cf. Roland Williams, Nantgarw Porcelain 1813-1822, figs 42 and 43 for a teapot in the same design.
Five small Meissen plates 19th century, later decorated with birds and scattered insects, three Meissen-style plates painted with flowers within reticulated borders, a Daniel teapot and cover painted with baskets of flowers on a green ground, and an English stone china tureen with warmer and cover, some damages, 4.5cm max. (13)
A Chantilly teapot and cover c.1750, the globular body painted with sparse flower sprays, the handle modelled as a knotty branch, and a Chantilly milk jug moulded with overlapping leaves, some faults, 19.5cm max. (3) Similar cream jugs are recorded in early Chelsea porcelain, however the glaze on this jug appears to contain tin, in common with Chantilly wares of the period.
A Sèvres teapot and cover (théière calabre) and a milk jug (pot à lait à trois pieds) c.1773, painted with panels of travellers beneath tall trees in landscapes, reserved on a white ground with a dense gilt sprig design, yellow crowned interlaced Ls marks enclosing date letter U, some restoration, 13.8cm max. (3)
Vintage charm bracelet, with approximately twenty-five charms, mainly 9 ct, including binoculars, a fish, a post box, elephant, two rings, a dolphin and an iron, with a heart padlock clasp, hallmarked 9 ct, Birmingham 1970, length 19cmCondition Report: Gross weight approximately 32.12 gramsThe heart, teapot, iron, and key are all dented. The seahorse is missing the end of its tail. The elephant charm is not attached to the bracelet
ROYAL DOULTON & DOULTON LAMBETH STONEWARE - 7 pieces including a General Gordon jug, Governor General of The Sudan 1874 with verse 'By the Help of God I Will Hold The Balance Level' Khartoum 1884, monk relief decorated tobacco jar with panels reading 'Anticipation, Realisation, Gratification', Incised Baluster Vase, tube lined vase along with a three-piece salt glaze teapot, milk jug and sugar basin
A Victorian Staffordshire flat-back figural spill vase of a courting couple, 27.5cm high, another as a watch holder, 31.5cm high, a Wiltshaw & Robinson Carltonware floral-decorated teapot with stand, a Victorian strawberry dish with central sugar bowl, lid and sifter spoon, (shortened), decorated with blossom and leaves and other ceramics.
A three piece Middle Eastern style tea set, the base marked 800 - the largest teapot measuring 19cms highCONDITION REPORTBy our judgement, condition of lot is generally good.Notably, the spout on the smaller jug is broken and the sugar bowl sports some marking to the rim, as shown.Gross weight, 1430gOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
A SMALL TEAPOT WITH GARDEN SCENE, TWO SMALL BOWLS WITH SAUCERS AND TWO DESSERT PLATESChina, Qing dynasty (1644-1912), 19th century. Blue and white porcelain. A distinctive teapot with a spherical form on a ring-shaped foot, curved handle and slightly vaulted lid, on each of which is a peach - symbols for the desire for a long life. Similarly, the decorative rocks placed in the foreground on the sides were clear-ly shaped like ruyi-forms, that is, in the form of the magical longevity mushroom. Large peonies in the gardens - a symbol of prosperity. Accompanying this, two small, more or less matching, attractive bowls with saucers and 2 florally decorated dessert dishes.Condition: Very good condition.Provenance: Swedish private collection.Dimensions: Height teapot 11.2 cm, Width teapot 17 cm, Height 4 cm, Diameter plates 9.2 cm, 10.2 cm, 16 cm
A YIXING CERAMIC TEAPOT AND COVERChina, 20th century. The hexagonal baluster teapot with a handle in form of a stylized dragon. The body incised with six reserves, two comprising an inscription and two a landscape, with a four-character seal mark to the base which reads "Shao You Ting Zhi".Condition: Excellent condition. Provenance: Dutch private collection.Weight: 280.9 g Dimensions: Height 12 cm
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151151 item(s)/page