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Click here to subscribeA Mixed Lot comprising: a George V Bachelors Teapot, of typical half-fluted oval form with hinged cover, composite finial and handle, London 1911, Maker’s Mark William Hutton & Sons Ltd; together with a Milk Jug, of oval form with half wrythen fluted decoration, cast and applied rim and handle, Birmingham 1901, Maker’s Mark M&B, various dates and makers (2)
An unusual George II mahogany table, c.1740, with a solid lift off top revealing an oak liner, over brass carrying handles and shell carved pad foot cabriole legs, 77cm wide, 52cm deep, 71cm high. The function of this unusual table is unclear. The closest analogy is perhaps with those tea or breakfast tables which have a well under the top in which teapot, cups and other necessaries are kept. Leeds City Art Galleries has an example attributed to Thomas Potter (fl. 1737-8) with a sliding top and rising tray in the well, which could be considered a more sophisticated version of the present lot. Literature: Christopher Gilbert & Tessa Murcoch, John Channon and brass-inlaid furniture 1730-1760, Yale (1993), pp. 84-5, figs 87 & 88. Christopher Gilbert, Furniture at Temple Newsam House and Lotherton Hall, Vol. III, (Leeds 1998), Cat. No. 828
Marcolini period Meissen (mark for 1774-1814) hand painted porcelain saucer, with underglaze crossed swords and star mark and decorated with a couple and a gilt edge; plus a Copeland spode lidded ginger jar in Imari colours; a 19th Century (possibly Minton) teapot, hand painted with roses and gilt detail; and a Aynsley bon bon dish. (4)
A quantity of various items to include blue and white Wedgwood jardiniere, blue and white Wedgwood biscuit barrel with plate, German decorative vase, Satsuma vase, three piece tea set, Hornsea ware items, Aynsley vase, decorative teapot on stand, Royal Worcester dish and a Wedgwood money box.
A NEWHALL COMMODE SHAPE TEAPOT painted with scattered and trailing flowers, pattern no. 677, together with a Newhall helmet shape cream jug, sugar bowl and slop bowl, each painted with an iron red wavy band and scattered flowers, pattern no. 467, circa 1790, a unmarked saucer of fluted form, similarly painted (5). See illustration
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