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A VERY RARE PINXTON PORCELAIN THREE PIECE TEA SERVICE, c.1798, of oblong shape, comprising teapot, sugar bowl and cream jug, with one coffee can, two teacups and two saucers, the teapot decorated with a crocodile attack and each piece with country house scenes, some titled Brook Hill Park, Twickenham Meadows and Woburn Abbey. (8)
A pearlware part tea service c.1800, comprising a teapot, a large jug and a tea canister and cover, the finely reeded forms painted with a blue trellis border, together with a further pearlware tea canister of ovoid shape, painted in famille rose enamels with flower sprays and a pink diaper border, some damages, 11.3cm max. (5)
A small collection of English pearlware and creamware c.1770 and later, including an octagonal Whieldon-type plate sponged in manganese, a Castleford Pottery pearlware dish with pierced arcaded rim, a miniature pearlware teapot and cover printed with a geometric design, a Castleford creamware sauce tureen and cover, and a child's mug inscribed with a poem titled 'Innocence' beneath 'The Delights of Home', some faults, 26cm max. (7) Provenance: from the collection of Rodney Bewes. The Castleford pieces were of interest to Rodney, having been produced not far from his town of birth.
Two creamware teapots late 18th/early 19th century, one of baluster form decorated with vertical brown stripes beneath a reticulated galleried rim, with a domed cover, the other cylindrical and painted with a colourful striped design, and a small glazed redware teapot and cover of Astbury type, sprigged with leaf scrolls, some damages, one cover lacking, 17.5cm max. (5) Provenance: from the collection of Rodney Bewes.
Two Castleford dry-bodied stoneware teapots and covers early 19th century, one square and sprigged with panels of putti and Classical figures reserved on a brown ground, the double walled cover reticulated and with a lion finial, the other teapot of oval shape and well painted with landscape scenes of buildings beside water, the neck moulded with formal leaf borders, 22.5cm max. (4) Provenance: from the collection of Rodney Bewes. The Castleford teapots were of interest to Rodney, having been produced not far from his town of brtih.
A Spode stone china part dessert service 1st half 19th century, comprising two rectangular dishes, two shell-shaped dishes, an oval dish, four shaped dishes and two plates, all printed and coloured in the famille rose palette with peony and other Oriental flowers, together with a Spode porcelain teapot and cover with four coffee cans decorated in pattern 878, 29.5cm max. (17)
A group of English porcelain teawares 2nd half 18th century, including a Worcester teapot and replacement cover painted in polychrome enamels with Chinese figures in a garden setting, a Chelsea plate painted with a butterfly beside fruit, a Worcester teacup in the Dalhousie pattern, a moulded Liverpool coffee cup, a teabowl and saucer painted with back to back roses, a famille rose saucer with a vase of flowers, and a Bow blue and white bowl painted with a small pagoda on a jetty, some faults, 21.5cm max. (10)
A London-decorated Chinese porcelain teapot stand Qianlong 1736-95, the fluted hexagonal form painted perhaps in the atelier of James Giles with exotic birds standing beside leafy branches, 13.3cm. Illustrated: Stephen Hanscombe, The Early James Giles and his Contemporary London Decorators, no.98.
A London-decorated Chinese teapot and cover Qianlong 1736-95, possibly decorated by Thomas Hughes in black monochrome pencilling with figures standing before a church building in a landscape, the reverse with a couple in conversation before Classical ruins, 17.8cm across. (2) Cf. Stephen Hanscombe, The Early James Giles and his Contemporary London Decorators, pp 134-135, fig 151 for a similarly decorated tea canister and cover. Paper label for the Zorka Hodgson Collection.
A European-decorated Chinese teapot and cover Qianlong 1736-95, the globular body painted in the London atelier of James Giles with sprays of European flowers, and a similarly decorated Chinese porcelain jug and cover, 17.8cm max. (4) Illustrated: Stephen Hanscombe, The Early James Giles and his Contemporary London Decorators, no 49.
A Lowestoft blue and white teapot and cover with slop bowl c.1775, painted in the Immortelle pattern with loose flower sprays in wide panels, blue crossed swords marks after Meissen, 18.5cm max. (3) This design is commonly seen on a tightly fluted ground, and these pieces are unusual in featuring it on a plain ground.
A Philip Christian (Liverpool) armorial milk jug c.1768, painted in polychrome enamels with the arms of Brougham impaling Lamplugh, the shield cartouche edged with puce rococo scrollwork, the reverse with the crest of an arm holding a fish, 9.2cm. An extensive tea and coffee service is believed to have been made for Peter Brougham, possibly on the occasion of a proposed marriage to his second cousin, Elizabeth Falconer, prior to her death in May 1769. Cf. Colin Handley's paper to the ECC, Trans. vol. 18, part 3, pp. 543-551. The teapot from the set is shown as fig. 1. The matching coffee pot was exhibited by Simon Spero, Liverpool Porcelain exhibition (2006), fig. 26. Provenance: property of Marie Polley.
A Worcester teapot and cover c.1756-60, the baluster-shaped body printed and hand-coloured with the Red Bull pattern, one side with two Chinese figures standing beside the cattle, the reverse with a further figure leaning on rockwork beside a pine tree, with a faceted spout and grooved handle, a chip to the cover's finial, 16cm across. (2)
A selection of silver plate wares to include a pilgrim silver plated teapot raised on four feet, with matching creamer and sugar pot, a Daniel & Arter ladle, a selection of silver plated condiments, a Lanthe rococo style candelabra and condiment set, an Elkington & Co silver plate mug, and a plated centre piece with pierced decoration, and rubbed makers marks. Measures 30 cm high.

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165422 item(s)/page