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Click here to subscribeA Minton majolica teapot and cover modelled as a Chinese figure, date code for 1874, faintly impressed marks, 13cm high, together with a 19th century Brown-Westhead Moore & Co majolica teapot and cover, of octagonal section, pattern 527, 19cm high, see 'Majolica' by Nicholas M. Dawes, page 138
A late 18th/early 19th century Masonic creamware teapot, jug and mug, all printed in black: The jug depicting Masonic iconography, reading 'Free Masons Arms' 'The graces and virtues united, Regard us with fond admiration; Beholding their work so completed, in forming the heart of a Mason', the reverse of the jug printed with a poem 'A little Health, A Little Wealth, A little House and Freedom: And at the end, A little Friend, And little cause to need him', 15cm high; the mug reading 'The Virtuous Woman is A Crown To Her Husband', 12.5cm high; the matching teapot (repaired) 14cm high (3)
A Chinese porcelain tea service decorated in blue with pagodas and figures in a landscape, with gilt decorated borders and foot rims, no marks. Comprising a 21cm dished plate, six tea bowls and saucers and four cups, a lidded teapot with moulded spout and a small lid. With a paper label 'This blue & white china tea service was brought by Albert Smith from China about 1858. Provenance: By descent from Albert Smith's sister Laura Eady. ** POOR CONDITION. Tea pot extensively broken and stuck back together. Saucers: four with breaks some of which repaired, two with light chips to the rim. Tea bowls: three broken and stuck back together, two with light chips to rim. Cups: three with extensive damage.
William Moorcroft - A collection of teawares glazed in a pale green comprising teapot, teacup and saucer, side plate and hot water pot, all with Moorcroft Museum labels to the bases, impressed marks, S/D. NB - It is believed that this range was made for the British Army for use during World War One.
A George V silver four piece tea set comprising teapot, kettle, milk jug and sugar bowl, circular bodies with ornate pierced scrolling aprons, fruitwood handles, sugar bowl with gilt interior, all hallmarked by Elkington & Co, Birmingham, 1911, all stamped and numbered, approx gross weight 45.45 ozt (1413.7 grams)
A Sevres Lilac-Ground Hexagonal Hard-Paste Porcelain Teapot and Cover (Theiere 'Chinoise Fragonard')Circa 1819bearing stenciled blue interlaced Ls enclosing a fleur-de-lis mark with incised kiln date cypher 14-10 for October 1814 and gilt m, 11, n, 18 (sic) M... for gilding on 11 November 1818 (sic) possibly by Moyer; the hexagonal baluster pot with conforming slightly domed hexagonal cover with gilt coral flower finial, a molded gilt-edged central frieze painted in coral red with a key pattern, the applied upright loop handle also coral with stylized gilt leaf terminals, the angled faceted spout with gilt wolf-head mouth with a bell suspended as the terminal, the neck of the pot coral with a gilt ball resting at the angle of each of the six facets.Height 5 1/2 inches.This lot is located in Chicago.Provenance:Nicolier, Paris (labeled)Dragesco-Cramoisan, Paris, 16 June 1995 (purchased at the International Ceramics Fair, London; with invoice)Exhibited:New York, Bard Graduate Center for Studies in the Decorative Arts, The Porcelain Manufactory at Sevres, 1800-1847: Alexandre Brongniart and the Triumph of Art and Innovation, 14 October 1997-31 January 1998, cat. no. 47Washington, D.C., Hillwood Museum and Gardens, Sevres Then and Now: Tradition and Innovation in Porcelain 1750-2000, 12 September-10 December 2006, cat. no. 41Literature:Tamara Preaud, ed., The Porcelain Manufactory at Sevres, 1800-1847: Alexandre Brongniart and the Triumph of Art and Innovation, Exhibition Catalogue, Bard Graduate Center for Studies in the Decorative Arts, 1997, cat. no. 47Liana Paredes, Sevres Then and Now: Tradition and Innovation in Porcelain 1750-2000, London, 2009, cat. no. 41, pp. 84-85Note:Designed for Sevres by Alexandre-Evariste Fragonard in April 1818, the theiere chinoise Fragonard was put into production immediately. The present teapot and the other example in this sale (lot 104) are two of the earliest examples made, the form produced between 1818 and 1846 as a stand-alone teapot. Later examples featured more elaborate decoration such as that of 1827 now in the collection at Sevres-Cite de la ceramique (MNS 24.784).Three of the five easily located extant examples were at one time in the collection of Mr. and Mrs. Fred Krehbiel. The third, an agate blue-ground pot painted and gilt in the style of Chinese cloisonne enamel, purchased from Dragesco-Cramoisan in October 2006, was a gift to the Art Institute of Chicago in 2010.Fragonard was paid 30 francs for his design. His watercolor of it, retained in the factory" archives (2011.3.900, reproduced here), is almost identical to the present pot, with decoration of a coral red fretwork frieze enriched in gilt on a powdered lavender ground.The salesroom entry records for 26 December 1818 include the first eight examples of the theiere chinoise Fragonard. The Sevres factory held its annual selling exhibition at the Palais du Louvre 29 December 1818-8 January 1819. In total, seventeen examples are recorded between 1818 and 1821, each priced at 36 francs. These were almost certainly a solid ground color with a fretwork frieze similar to the two examples in the present sale. The present example, with its incised kiln date of October 1819 is obviously from this group. Two with a blue ground enriched in gilt and priced at 55 francs may be similar to an example of 1819-1820 sold at auction at Drouot by Audap & Associes, Paris, 10 December 2020, lot 134. Between 1827 and 1846, eight further examples of the form are recorded with richer decoration. The teapot now at the Art Institute dated 1832-1835 (2010.583a-b) may be from this group. The factory markings on this teapot present a conundrum, in that the gilder" mark appears to predate the kiln date. The incised kiln date 19-10 is written in a typical 18th century hand, the loop of the 9 not closing completely. It is the inscribed gilding date of 1818 that must be incorrect. M…. may be for Jean-Louis Moyer (active 1818-1848), recorded at Sevres as a gilder who used a wide capital M as his mark. Looking at the dates involved, the present teapot with its patently incorrect gilding year will have been one of his first pieces, so perhaps one can excuse the error.Photo Credit: © RMN-Grand Palais / Art Resource, NYIn good condition with negligible wear to the angles of both pot and cover. Having a tiny chip to the gilt foot rim to the left of the spout and a miniscule chip to the edge of a finial petal which ha been retouched. Very minor wear to gilding.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Sevres Powdered Pale Blueish Grey-Ground Hexagonal Hard-Paste Porcelain Teapot and Cover (Theiere 'Chinois Fragonard')Circa 1819-1820bearing stenciled blue interlaced Ls enclosing a fleur-de-lis with incised kiln date cypher 19-10 for October 1819 and gilt m 24 Mr 20 for an unknown gilder on 24 March 1820; the hexagonal baluster pot with conforming slightly domed hexagonal cover with gilt coral flower finial, a molded gilt-edged central frieze painted in coral red with a key pattern, the applied upright loop handle also coral with stylized gilt leaf terminals, the angled faceted spout with gilt wolf-head mouth with a bell suspended as the terminal, the neck of the pot coral with a gilt ball resting at the angle of each of the six facets.Height 5 1/2 inches.This lot is located in Chicago.Provenance: Dragesco-Cramoisan, Paris, 16 June 2001 (with copy of invoice)Note: The present teapot was likely gilt by Jean-Louis Moyer (active 1818-1848), recorded at Sevres as a gilder and using a wide capital M as his mark.In good condition with negligible wear to gilding at the high points.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Meissen Lilac-Ground Porcelain Teapot and CoverCirca 1745bearing crossed swords in underglaze blue to the underside of the teapot and marked XX in black to the underside of both; the teapot having a wishbone handle and serpent head spout, decorated with two lobed cartouches enclosing grisaille landscape scenes, the cover with two lobed cartouches enclosing grisaille harbor scenes.Height 3 3/4 inches.This lot is located in Chicago.Provenance:The Meissen Shop, Palm Beach, Florida, no. 5045, 21 February 1998 (with invoice)Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Sevres Porcelain Teapot and Cover (Theiere 'Calabre' et sa Couvercle, 1ere Grandeur)Circa 1780bearing blue interlaced Ls enclosing date letters cc below painter's mark of a comma for Mereaud le jeune and incised 6/D; the oviform pot with angled spout, ear handle and slightly domed cover with gilt berry finial, painted with scattered flowers, the shoulder with a blue ribbon entwined with a berried vine and enclosing flowerheads below an orange ground border gilt with oeil-de-perdrix at the mouth of the pot and cover rim.Height 5 1/8 x width 6 1/4 inches.This lot is located in Chicago.Note:Charles-Louis Mereaud le jeune (active 1756-1780) is recorded at Sevres as a painter specializing in flowers and patterns.In good condition. Having minute wear to gilding at tip of spout and minute frits to edge of finial leaves.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Sevres Beau Bleu Porcelain Coffee Can and a Saucer (Gobelet 'Litron', 2eme Grandeur et sa Soucoupe, 3eme Grandeur)Circa 1785the cup with gilt interlaced Ls and incised 36D F, the still life painting attributed to Micaud, the gilding to Le Guay, the saucer with blue interlaced Ls enclosing date letter HH, painter's mark for Julien le jeune, unidentified PR and incised 117; the cup painted in colors with a still life of fruit and flowers in a basket on a marble ledge reserved within a gilt cisele band and with tiny gold foil stars applied to the cobalt blue ground, the substitute saucer with a central jewelled star within a sunburst, the border with gilt foil stars between gilt bands.Height of cup 2 3/4 inches; diameter of saucer 4 5/8 inches.This lot is located in Chicago.Provenance:Mary Poter Walsh, Oklahoma City;Christie", New York, Fine French and Continental & European Ceramics and [...], 16-18 November 1999, Lot 221 Rinceaux, Palm Beach, no. 1101, 30 May 2000 (with invoice) Note:The present gobelet 'Litron' is almost certainly a cup missing from a part cabaret retained in the British Royal Collection. In 1826, an inventory of the Confectionary at Carlton House noted 'no. 239: A Dejeuni of blue with gold stars, painted in fruit and flowers. Consisting of five Cups & Saucers, Teapot, Sugar Bason and Cover, Cream Ewer and Slop Bason.' Of these, only the sugar bowl and cover (pot a sucre 'Calabre' 1ere grandeur), one cup (gobelet 'Litron', 2eme grandeur) and two saucers (soucoupes, 2eme grandeur) remain in the Royal Collection. A comparison of the present cup with the illustrations in Sir Geoffrey" comprehensive catalogue leave little doubt that the still lifes of a basket of flowers on a marble table found on each piece are by the same hand. That the factory mark on the present cup also corresponds to the other pieces in this cabaret helps solidify the attribution of the lush still life painting on the present cup to Jacques-Francois Micaud pere (active 1757-1810 as a flower painter), the stars and gilding to Le Guay (active 1751-1797 as a gilder), and the piece itself as originally part of this service.See Sir Geoffrey de Bellaigue, French Porcelain: In the Collection of Her Majesty the Queen, London, Vol. III, cat. no. 251, pp. 895-898 for a detailed discussion of these pieces and of what is almost certainly the payment records for Micaud and Le Guay when they worked on this service, executed between May 1784 and April 1785.Julien le jeune (active 1784-1786), is recorded at Sevres as a painter specializing in flowers and as a gilder. His mark appears only on the slightly small replacement saucer with gilt decoration.In generally good condition, some foil stars starting to lift or lacking a point here and there.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Sevres Bleu Celeste Porcelain Seven-Piece Tea Service (Dejeuner 'Courteille')Circa 1780each bearing blue interlaced Ls enclosing date letters cc below painter's mark of a comma for Mereaud le jeune and above gilder's mark '#' for Chavaux pere, with various incised marks; painted with trailing flower garlands and wreaths, the shaped turquoise border richly gilt and chased with a laurel garland, echoing the shape of the border edged with a gilt cisele band, comprising a shaped rectangular two-handled tray, a teapot and cover, a sugar bowl and cover and four cups and saucers; 7 items total.Length of tray over handles 14 1/4 inches.This lot is located in Chicago.Note:A 'dejeuner' is the name given to a small tea or coffee set with a matching tray, the name for the overall set dictated by the shape name given the tray. In this case, it is a shaped serpentine rectangular tray or plateau 'Courteille' with rounded corners and angled side handles, named after the marquis de Courteille, the King" representative in charge of the Vincennes/Sevres manufactory, to whom the first example of this tray was presented in December 1753. Sales records show Dejeuner 'Courteille' produced from 1757 into the 1780s.The selection of pieces making up the set can vary, as can the size and shape of the tray and of the individual pieces, the complement of pieces dictating the use for the dejeuner. The present dejeuner of a theiere 'Calabre', 3eme grandeur, a pot a sucre 'Bouret', 2eme grandeur, and four gobelets 'Litron' et soucoupes, 3eme grandeur resting on a plateau 'Courteille' originally will have included a pot a lait a trois pieds, likely 2eme grandeur. The individual pieces comprising the set will have been completed at the same time by the same decorators, resulting in identical factory, painters and gilders marks on each piece, as is the case here. With four cups, it is the largest such service produced, although the cups themselves are likely the smallest.Dejeuner 'Courteille' can be found in The Wallace Collection, the Wadsworth Atheneum, and the Victoria and Albert Museum, among others. Cf. Rosalind Savill, The Wallace Collection - Catalogue of Sevres Porcelain, London, 1988, cat. no, C401-6, pp. 615-621; Linda H. Roth and Clare Le Corbeiller, French Eighteenth-Century Porcelain at the Wadsworth Atheneum - The J. Pierpont Morgan Collection, 2000, cat. no. 83, pp. 175-178.Charles-Louis Mereaud le jeune (active 1756-1780) is recorded at Sevres as a painter specializing in flowers and patterns. Michel-Barnabe Chavaux pere (active 1752-1788) is recorded at Vincennes and at Sevres as a gilder. Their work on the present dejeuner is typical of that found on tablewares of the late 1770s-1780s, showcasing their talent and expertise of their specialties honed over many years at the factory.Teapot and cover: height 4 1/2 inches; incised 44 oo and 5.Sugar bowl and cover: height 4 inches; incised 40 and a.Four cans and saucers: height of cups 2 3/8 inches, each incised 48a; diameter of saucers 4 5/8 inches, each incised 48a.In overall excellent condition. The tray with no incised marks, having a tiny nick to the edge of one handle terminal leaf, a touch of wear to the leaf terminal diagonally opposite, very very light surface scratching. The teapot and cover with minute nick to tip of spout. The sugar bowl and cover with wear to gilt dentil rim, gilting on the berry finial possibly refreshed.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Royal Albert Old Country Roses porcelain part tea and coffee service, comprising coffee pot, teapot, butter knife, cake plate, candle stand, large milk jug, small milk jug, sugar bowl, six small saucers, six large saucers, six side plates, six large teacups, six small teacups, and a small sugar bowl. (2 trays)
An extensive Royal Doulton Norfolk pattern pottery part dinner and tea service, comprising two graduated meat plates, two large bowls, three soups bowls, a rectangular serving tray, teapot, sugar bowl, preserve jar and lid, milk jug, butter dish and cover, four small teacups, four breakfast cups, a two handled cup, small milk jug, four egg cups and tray, shell pin dish, square pin dish, serving plate, five saucers, circular serving plate, one hexagonal serving plates, tureen lacking lid, one dinner plate, coffee pot lacking lid, small milk jug, sauce jug and lid, tureen and cover, eight large saucers, and six side plates. (a quantity)
YIXING STONEWARE TEAPOT ATTRIBUTED TO TAN XIAOJUN (1967- ) ‘曉君製陶’款 宜興紫砂堆料花卉圖茶壺 of compressed globular form, slip decorated to one side with a branch of fragrance flowers, the reverse with poem, signed 'Kun Sheng Hou Ren', underside of the cover impressed 'Xiao Jun', base of the pot marked 'Xiao Jun Zhi Tao'Dimensions:14.5cm wide
GROUP OF THIRTEEN FAMILLE ROSE 'FISH' WARES 20TH CENTURY, DENG BISHAN MARK 二十世紀 鄧碧珊款 各色粉彩魚藻紋瓷器（一組十三件） comprising: a foliated oval plate, inscribed with a poem upper left, signed 'Tie Jianzi Deng Bishan', dated to the year of Ding Mao, corresponding to 1927AD, 27.7cm wide; a pair of larger bottle vases, 20.3cm high each; a pair of smaller ovoid vases, 13.8cm high each, all four inscribed with a poem, further with the year of Bing Chen, corresponding to 1916AD, signed 'Tie Jianzi Deng Bishan', the base sealed 'Bishan' in iron-red; a handled vase, 17cm high; a cylindrical mug, 11.1cm high; a lidded teapot, 14.7cm wide, all three inscribed with the same poem, signed 'Tie Jianzi Deng Bishan', dated to the year of Ding Mao, corresponding to 1927AD; a porridge jar and cover, inscribed and signed similarly as the former, dated to the year of Ji Si, corresponding to 1929AD, 14.5cm wide; a lidded cup, 13.9cm high; and three stem saucers, the stem foot of different form, all four signed 'Deng Bishan'Note: Note: One of the eight famous master ceramic painters of the Republic period, Deng Bishan (1874-1930) was known as the 'Eight Friends of Zhushan'. Among his most celebrated works were those depicting fish swimming amidst aquatic plants. As Deng Bishan was the son of an iron-monger, his chosen style name was Tiejianzi, 'The Child of Iron Shoulders' which appears on both vases.
[A PRIVATE SCOTTISH COLLECTION] GROUP OF FOUR PORCELAIN TEAWARES QING DYNASTY, 18TH-19TH CENTURY 清 青花教子圖、纏枝花卉紋提梁、粉彩人物紋茶壺 及 粉彩孔雀花卉紋茶杯帶蓋及盞（一組四件） comprising: two blue and white teapots, one Kangxi period painted with ladies and boys in gardens, 21.5cm wide, the other set with an overhead handle painted with scrolling floral and foliage, 11cm wide; an export famille rose teapot, decorated with figures in outdoor setting, 21.5cm wide; and a famille rose teacup with cover and saucer, top of the cover inscribed with a four-character Qianlong mark, the base of the cup with a four-character Tongzhi mark, 10.6cm wideDimensions:widths: 10.6cm to 21.5cmProvenance:Provenance: Private Scottish collection, Edinburgh
A George V silver circular bonbon dish with pierced rim, Sheffield 1911 by Walker & Hall, diameter 10.2cm, a silver sovereign case, Chester 1895, and a small group of other silver, including two photograph frames and a cigarette box, weighable items 94.8g, together with a small group of plated items, including a teapot and tankard.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George V silver oval teapot with half-reeded and scroll decoration, Sheffield 1918, length 27.5cm, and a matched milk jug, London 1898, both by W. & C. Sissons, total weight 760g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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![[A PRIVATE SCOTTISH COLLECTION] GROUP OF FOUR PORCELAIN TEAWARES QING DYNASTY, 18TH-19TH CENTURY 清 青花教子圖、纏枝花卉紋提梁、粉彩人物紋茶壺 及 粉彩](https://cdn.globalauctionplatform.com/d2eb2310-83e0-46fc-9b08-afb1010398b3/e1c2ad35-9e5b-46c9-921d-afbd01175e70/468x382.jpg)
