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Click here to subscribeTEIERA VIENNESE IN ARGENTO XX secolo - A SILVER VIENNESE TEAPOT 20th Century Su base in legno sagomata, un contenitore in vetro, uno in argento ed un fornello in argento. Adatta anche come caffettiera o per preparare il punch. Altezza 28 cm - On a contoured wooden base, a container in glass, one in silver and a burner in silver. Can also be used as a coffee pot or to prepare punch. Height 11 in. € 250
SERVIZIO DA THE IN ARGENTO ENTRO CUSTODIA IN CUOIO E SETA, MAPPIN & WEBB - A SILVER TEA SET, MAPPIN & WEBB Londra, 1895-1896 Composto da teiera, lattiera, zuccheriera, sei cucchiaini e una pinza per lo zucchero. La zuccheriera dorata all’interno, i corpi sbalzati a volute e ghirlande di fiori, i cucchiaini e la pinza a conchiglia. Entro custodia sagomata in cuoio con filetti dorati, in velluto di seta e seta viola all’interno, con etichetta all’interno del coperchio ‘Carrington & Co – To H.M.the Queen and the Prince & the Princess of Wales, 130. Regent St. W’. 452 g compresi manico e pomolo della teiera La custodia 11,5 x 39 x 28 cm La teiera 12 x 19,5 cm - London, 1895-1896 Comprising teapot, milk jug, sugar bowl, six spoons and a pair of sugar nipper. The sugar bowl gilt inside, the bodies embossed with flower garlands and scrolls, spoons and nipper shaped as a shell. In a partially gilted morocco and purple silk and silk velvet fitted moulded case inscribed under the cover ‘Carrington & Co – To H.M.the Queen and the Prince & the Princess of Wales, 130.Regent St. W’. 452 g including wooden handle and cover finial The case 4.53 x 15.35 x 11 in. € 400
A CLOSELY MATCHED GEORGIAN SILVER TEA SERVICE with gadrooned bodies, the teapot hallmarked London 1822 by William Bateman, the lid knop with floral embossing, the rim handle spout and feet having shell and floral embossing, the sugar basin and cream jug similarly shaped, the rims with rope decoration, leaf decorated handles, the feet with swirl decoration and lion's paw pads, London hallmarks for 1816/17, maker Joseph Angel (all three items bear monograms), 40.5 troy ozs gross, along with an oval galleried silver plated tray
Five pottery teapots and covers 18th/early 19th century, one of Jackfield type, with sprigged floral decoration, raised on three feet, a brown-glazed teapot with sprigged grapevine and a matched redware cover, a small red-glazed teapot and cover with cream sprigging in the Astbury manner, a blue monochrome stoneware teapot, and a miniature Pratt ware teapot with an associated cover, some damages, 15cm max. (10)
A Worcester blue and white teapot and a trio c.1755-60, the teapot of diminutive globular form, the trio comprising a coffee cup, teabowl and saucer, all painted with the Rock Warbler pattern, the long-tailed bird perched on rocks beside an ornamental fence, workman's marks, the teapot broken and repaired, 15cm max. (5) Provenance: the John Pinnick Collection.
A Meissen teapot and associated cover c.1745, the baluster form fluted and moulded with a band of basketweave to the rim, finely painted with deutscheBlumen and scattered insects, the spout formed as a mythical beast, blue crossed swords mark, the cover seemingly from another piece in the same service, 19cm. (2)
A Worcester teapot and cover c.1758-60, printed in black with a cockerel, hen and chicks to one side, the reverse with a duck and other birds in flight above fancy birds perched on the ground, the cover with three landscape vignettes around the floral finial, 16cm. (2) Provenance: the John Pinnick Collection.
A collection of blue and white printed wares 19th century, including Wolfe Mason, Miles Mason, and Turner's Patent, most decorated with versions of the Broseley Willow pattern, and a Turner's octagonal dish printed with opium smokers. Comprising: a tureen and cover, a teapot and cover, three tureen stands, six plates and a teabowl and saucer. (15) Provenance: the Doug Godden Collection.
A combined Flight Worcester tea service c.1785-90, the spiral-moulded forms decorated in blue and gilt with small flower sprigs and a narrow formal border, blue crescent marks, some faults. Comprising: a teapot with cover and stand, a sucrier and cover, two milk jugs (one Barr), a slop bowl, two cake plates, four teacups, two teabowls, 13 coffee cups and 13 saucers. (43) Provenance: the John Pinnick Collection.
A comparison group of blue and white porcelains 18th century, including a Caughley sauceboat, a Chinese porcelain bowl cover, a Caughley saucer, a Chinese saucer, and a Worcester saucer and two teabowls, two Caughley teapot stands, a pearlware teapot stand, a Caughley bowl, two pearlware teabowls, a Worcester spoon tray and a Caughley spoontray, a Caughley coffee cup and a Liverpool coffee cup, all decorated with versions of the Fisherman and Cormorant pattern, various marks, some damages, 18cm max. (17) Provenance: the John Pinnick Collection.
A miniature pearlware teapot and cover late 18th century, and a cylindrical tea canister, painted with a version of the Gilliflower pattern, and two miniature transferware dishes, printed in blue with the Parasol pattern after Cornelius Pronk, some damages, 10.6cm max. (5) Provenance: the John Pinnick Collection.
A Chinese porcelain Dutch-decorated bowl 1st half 18th century, later painted in Holland with the 'Cherry Picker' pattern, a man in a windswept coat and black breeches standing on a ladder and picking fruit from heavy laden branches, two Chinese coffee cups and a teapot stand, later enamelled with the Stag Hunt pattern, a Dutch-decorated Chinese coffee can with sepia figures in the Du Paquier manner, and another later enamelled with peony over the original under-glaze blue decoration, 14.7cm max. (6) Provenance: the bowl from the Helen Espir Collection, no. 344. The other pieces from the reference collection of Geoffrey Godden. The Cherry Picker, or Apple Picker, pattern is discussed in European Decoration on Oriental Porcelain, pp.165-166. Traditionally thought to be merely an erotic allusion to stolen fruit, credence has also been given to a theory that the fruit in the tree is actually oranges, and the young couple William and Anne enjoying the early years of their marriage.
A Mennecy white-glazed chocolate cup with cover and stand c.1750, applied with sprigs of flowering prunus, incised DV mark to the cup, the cover with a silver mount, two Chinese porcelain libation cups applied with prunus and magnolia, and a cinquefoil teapot applied with prunus, some damages and replacements, 15.8cm max. (7)
A Worcester teapot and cover c.1780, brightly enamelled with scattered sprigs of flowers within delicate iron red borders, a pair of John Pennington (Liverpool) teabowls painted with simple floral arrangements, and a finely potted Worcester saucer with a large spray of European flowers, small chips to the saucer, 19.8cm max. (5)
Two salt-glazed stoneware teapots mid 18th century, one of quatrefoil pear-shape moulded with shells and branches of oak, raised on three feet, the other of square form, decorated with a geometric design, the spout modelled as a serpent, and a Spode creamware plate painted in pattern 1640 with a band of leaves, some damages, one teapot lacking its cover, 19cm max. (4)
Four items of French faïence 2nd half 18th century, including a Toulouse cylindrical teapot painted with a strutting bird to one side and a fishing Chinaman to the reverse, a two-handled sauceboat painted with flowers, a shaped Paul Hannong plate painted with a large peony spray, and a deep saucer with stylized flower sprays, some damages, the teapot's cover lacking, 24.8cm max. (4)
A Worcester blue and white punch pot and cover c.1768, sometimes known as Dr Johnson's Teapot, printed with the Thorny Rose pattern, the naturalistic flowers loosely arranged beneath a continuous garland suspended from ribbon ties, the cover with similar tied sprays, a little chipping to the spout, 30cm. (2) The name 'Dr Johnson's Teapot' derives from an identical pot in the collection at Pembroke College, Oxford, which belonged to Dr Samuel Johnson and is referenced by Boswell as holding two quarts. Provenance: the John Pinnick Collection.
A toy-sized Worcester blue and white teapot and cover c.1756-60, the diminutive form painted with the Mansfield pattern, a slightly larger teapot and a bell-shaped cup with an elaborate handle both decorated with the Mansfield pattern, workman's marks, the larger teapot lacking its cover, 15cm max. (4) Provenance: the John Pinnick Collection.
A miniature matched Caughley tea and coffee service c.1780, printed with the Fisherman and Cormorant pattern. Comprising: a coffee pot and cover, a teapot and cover, a milk jug, six coffee cups, seven varying teabowls, six saucers in differing sizes, and a miniature milk jug printed with the ZigZag Fence pattern. (25) Provenance: the John Pinnick Collection.
A small collection of miniature C J Mason Ironstone wares c.1820-30, including a teapot and cover decorated with gilt flowers, an octagonal jug and a side-handled jug gilded and enamelled with flowers, a globular jug, a mug and a taperstick gilded with insects and flowers, all reserved on a rich mazarin blue ground, minor faults, 10.5cm max. (7) Provenance: the Doug Godden Collection.
A Plymouth blue and white teapot c.1768-70, painted with a large peony spray to each side, the spout and grooved handle with stylized scroll designs, the shoulder with a hatched diaper band, tin mark to the base, the cover lacking, some faults, 16.5cm across. Provenance: the John Pinnick Collection.
A creamware teapot and cover c.1770, the globular body inscribed 'Bohea Tea' to one side, the other with 'When this you see, remember mee, Tho many miles We distant be', and a salt-glazed stoneware teapot modelled as a three storey building, one side bearing the Royal coat of arms, with gilt detailing, some damages, the cover lacking to one, 19.5cm. (3)
A Wegely teapot and associated cover c.1755-57, painted in underglaze blue with a version of the Strawflower pattern, blue W mark, the cover fitted with a gilt metal finial and overhead handle, and a Meissen plate, moulded in the Gotzkowsky manner and painted with floral specimens, 24.2cm max. (3) Cf. The Victoria and Albert Museum, Accession No. 137 to A.1872 for an identical example of the Wegely teapot.
A group of Worcester blue and white teawares c.1755-60, all strap-fluted and painted with the Fisherman and Willow Pavilion pattern, workman's marks, some damages. Comprising: a teapot, a milk jug, two coffee cups, two teabowls and a saucer. (7) Provenance: the John Pinnick Collection. One teabowl with a paper label for the Henry Sandon Collection.
A George III silver teapot on stand, GS, London 1788, of rectangular shape with concave corners, crested, approximately 545gm/see illustration Condition Report: Teapot and stand very dirty. Wooden acorn finial a replacement which has been attached from under teapot lid with a screw and signs of old solder. Otherwise condition appears good. The teapot is 25.5cm long from handle to spout. There is a crest to one side and to the stand
Extensive Paragon and Royal Albert Clarence pattern tea, coffee and dinner service (86 pieces) CONDITION REPORT Majority of the pieces have a scratch through the name on the base, indicating seconds. Some general wear to gilding on rims. One dinner plate has very small chip in rim. Hairline crack on underside of one soup bowl. Two of the soup bowls are Parragon 'Clarence' pattern. Overall very good condition.2 x tureens with covers, 2x large oval meat platters, 1 x medium oval meat platter, 1 x two handled plate, 1 x salt and pepper, 1 x gravy boat and stand, 3 x oval bowls, 8 x breakfast bowls, 2 x small bowls, 9 x soup bowls, 8 x dinner plates, 8 x dessert bowls, 9 x tea plates, 9 x saucers, 8 x tae mugs, 1 x teapot, 1 x sugar bowl with cover, 2 x sugar bowls (one smaller than other), s x milk/cream jugs (one smaller than other
Royal Albert Old Country Roses tea and dinnerware (53 pieces) CONDITION REPORT Comprising of one teapot, seven tea cups, seven saucers, six coffee cups, one milk jug, one sugar bowl, eleven tea plates, one two tier cake stand, two handled dishes, one gravy boat and stand, salt and pepper pots, six dinner plates, six dessert plates. One cup has hairline crack visible on both sides
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