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A Shelley Art Deco regent shape tea service, twenty nine pieces, including teapot, six teapots and saucers, side plates, circular plates, sandwich plate, rectangular plate, cream jug and sugar bowl, (af), decorated with cream and green bands with circular gilt handles and highlights, reg no 781613, patt no 12521, circa 1933.
A Carltonware Jam Dish of a Thatched Cottage, an Anchor Butter Dish, a William Whitely blue and white Commemorative Mug to commemorate ``Longest Reign in English History, 1896``, a Lovett`s Langley ware Sugar Bowl and Cream Jug, a Teapot a/f and a pair of Pratt ware Pots - The Albert Memorial and The Wolf and the Lamb, both lids a/f.
A PART SET OF GEORGE JONES "ABBEY" PATTERN EARTHENWARE, comprising; four 9" cake plates, one 9" plate, one 8" plate, one 7.5" saucer, one 6" bowl, eight 7" side plates, four saucers, three large shredded wheat dishes, one cream jug, two large sugar b owls, on small sugar bowl, five marmalade pots (three with lids), one coffee pot (no lid), one teapot, four coffee pots (three with lids), one teapot
A George III Scottish silver teapot of bullet form, the slightly squat spherical body and hinge lid chased with bands of rococo scrolls, fruit and scallop shells above a crest and motto, flanked by a scroll handle and fluted scroll moulded spout, on a domed circular foot, Edinburgh 1740 by Edward Lothian, Acting Assay Master mark of David Mitchell, height approx 15cm. Note: the engraved crest of a sun shining on a sunflower and motto `Non Inferiora Secutus` belongs to the Clan Buchan of Auchmacoy, Aberdeenshire. Struck with the assay mark of David Mitchell, this piece can be dated to between February and September 1740. The previous Assay Master, Archibald Ure, resigned from the post in February 1740 and, in the absence of a suitable candidate to replace him, the role of Acting Assay Master was assumed by the office of Deacon until the post could be filled. David Mitchell, the then current Deacon, struck his mark until September, followed by subsequent Deacons Douglas Ged and Edward Lothian, until the post was filled once again when Hugh Gordon was appointed Assay Master in 1744.
A Meissen porcelain teapot and cover and three matching teacups and saucers, second half 18th Century, the bullet shaped teapot and cover with branch handle and spout and foliate terminals, the cover with floral knop, each piece painted in puce with scattered bouquets and sprigs, crossed swords in underglaze blue to bases (minor faults).
A Royal Copenhagen porcelain teapot and cover and matching cream jug, circa 1965, decorated in underglaze blue with an Immortelle type pattern of leafy stems and flowers beneath pierced rims, the handles with mask terminals, cancelled wavy line mark to each base with green printed factory marks, together with a matching teacup and four saucers, and a 1964 Copenhagen Christmas plate.
A Royal Albert `Old Country Roses` pattern part service, comprising a tureen and cover, seven dinner plates, eight dessert plates, seven tea plates, a circular platter, an oval platter, a cake plate, two two-tier cake plates, an oval dish, a soup bowl and stand, two fruit bowls, six dessert bowls, salt and pepper, three sugar bowls, preserve jar and cover, spoon, milk jug, eight coffee cups and saucers, nine teacups and thirteen saucers, teapot and cover, coffee pot and cover, mug and biscuit plate and a 1980 year plate.
A Noritake `Boulogne` pattern part service, comprising eleven dinner plates, twelve starter plates, eleven side plates, twelve soup bowls, two graduated oval platters, an oval serving bowl, a sauce boat, a tureen and cover, eleven tea cups, twelve saucers, a teapot and cover, a milk jug, a sugar bowl and cover and ten dessert bowls.
A Worcester porcelain teapot and cover, circa 1775, of globular shape, the cover with floral finial, painted with a version of the Scarlet Japan pattern with alternate panels of puce flowers and deep orange bands reserved with mon against a gilt diaper ground, puce painted crescent mark to base, height approx 13cm (spout restored), together with a similarly decorated Worcester porcelain coffee cup with grooved handle.
A Worcester blue and white globular teapot and cover, printed with the `Three Flowers` pattern, 14.5cm high, hatched crescent mark, circa 1780; a Liverpool (Christian) blue and white coffee can, painted with the `Liver Bird` pattern, 6.5cm high, circa 1765; and a Caughley blue and white printed mustard pot, decorated with the `Three Flowers` pattern, `C` mark, circa 1770 (see illustration on website).
A New Hall commode shaped teapot, cover and stand, painted in the Chinese Export style, the teapot with painted pattern no. N191, circa 1790; and a pair of Worcester blue and white plates printed with the `Pine Cone` pattern, 17.5cm diameter, crescent marks, circa 1780 (see illustration on website).
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151247 item(s)/page