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Lot 308
A Meissen blanc de chine teapot and cover with applied prunus decoration, a matching milk jug and four tea bowls and saucers, crossed swords mark CONDITION REPORT: EXTRA INFO: Cover with large chip, foot trim with significant fretting, jug with major chips to foot rim, top rim etc , saucers with fretting to top rims and foot rims, one tea bowl with minor chips, all with fretting to top and foot rims nb. the items in this lot have different dates of manufacture
Lot 310
Oval neo-classical teapot and matching sugar basin. Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
Lot 1
A Clarice Cliff Bonjour series three piece tea set in the rare Blue firs pattern, the teapot of circular form, C scroll handle, seated on two horizontal cylindrical feet, 5½in. (14cm.) high, the cream jug of arched form, 2½in. (6.4cm.) and an arched sugar basin, 2½in. (6.4cm.) high, finial repaired on teapot. (3)
Lot 446
An Indian silver plated four piece tea set early 20th century, comprising a baluster form teapot and conforming hot water jug and twin handled sucrier, decorated with bands of repoussé decoration portraying love birds amidst scrolling foliage, the domed cover with horn finials, the teapot with horn handle, 9in. (23cm.) high, on a matching elliptical tray, 24½.in. (64.25cm.) long, together with a matched cake platter. (5)
Lot 449
An early 20th century Chinese silver three piece tea set of rounded cube form with tapered shoulders, the planished body with heavily cast applied decoration of grasses and leaves to the base of one side, from which a flowering branch extends to an adjacent side and encircles slightly raised flowers and birds, twin bamboos grow from the base decoration to form the handles, the teapot with hinged lid and flower bud knob, 4¾in. (12cm.) square, 6½in. (16.5cm.) high, each piece struck with three Oriental marks to the underside, weight 41 tr.oz. (3)
Lot 450
A 19th century Indian silver bullet form teapot by Oomersi Mawjee, Bhuj, c.1870, impressed mark `O.M. Bhuj` to base, all over repoussé decoration of birds amidst floral and foliate meanders, foliate capped scroll handle, an oval reserve to either side, one depicting a huntsman seated upon a giant eagle, the other riding a peacock, the domed cover with parrot finial, on four shell mounted scroll feet, 6¼in. (16cm.) high, weight 23.5 tr.oz.
Lot 499
A good quality William IV silver teapot Sebastian Crespel, London 1836, the squat circular `lamp-shape` body having a broad band of incised flowers and foliage to the rounded shoulders, the short spout with heavily cast flowers and leaves to the underside, conforming with the cast shell attaching the hipped scroll handle to the shoulder and the foliate spray with raised flower knob to the lid, all on an ogee moulded foot rim, 5¾in. (14.5cm.) diameter, weight 22.5 tr.oz.
Lot 562
A George V silver three piece tea set Goldsmiths and Silversmiths Company, London 1922 (jug) and 1924, the rounded rectangular bodies with raised, graduated triple moulding below the neck rim with flattened gadroon edge, the ear shape handles with acanthus thumb-pieces and the teapot with wooden handle and cushion knob to the domed lid, all standing on short foot rims and four ball feet, the teapot 10in. (25.5cm.) long, gross weight 26.2 tr.oz. (3)
Lot 571
A George III silver teapot stand Robert Hennell, London 1794, of rounded lozenge shape with hipped serpentine ends, the bed of the tray within a raised everted rim has a central shield cartouche surrounded by crossed leafy branches all within a border of repeated upright leaf tips and a double dotted line to either side, standing on four "onion" feet, 7 3/8in. (18.8cm.) long, weight 4.7 tr.oz.
Lot 100
Jack Butler Yeats RHA (1871-1957) The Day's First Customer (1952) Oil on board, 35.5 x 45.7cm (14 x 18") Signed Provenance: Purchased at the 1953 exhibition by Mrs. Jobling Purser, and later with Pyms Gallery, London, from whom purchased circa 1993 by the current owner. Exhibited : "Jack B. Yeats" Exhibition Victor Waddington Galleries Dublin 1953, Cat. No. 4; "Jack B. Yeats - Loan Exhibition" New Gallery , Belfast June 1965, Cat. No. 10; and "An Ireland Imagined" Pyms Gallery, London. Oct / Nov 1993 Cat. No. 66 Literature: "Jack. B. Yeats, A Catalogue Raisonné of the Oil Paintings" 1992 by Hilary Pyle, Vol II Cat. No. 1119 p.1021; and "An Ireland Imagined" 1993 full page illustration p.99 This very late work by Jack B. Yeats shows a little boy entering a shop doorway on a sunny morning. The shopkeeper sits reading a newspaper at the end of the counter with his back to the door. The child holds a tin whistle in his hand, alerting the man of his arrival through the sound of music. His small figure is literally sculpted out of paint. He is built up in blends of blues and purples with golden highlights on his legs and head where the sunlight falls on his body. Surrounded by a halo of intense light, with his long eye lashes and down cast face, he materializes like an angelic apparition. The sunlight makes a profound impact on the dark interior of the shop. It throws the features of the elderly merchant into relief as he sits between two sources of light, the door and the window. He is engrossed in reading, his face contorted into an expression of intense concentration. Behind him the red handled teapot suggests that breakfast has just been finished. The counter and the interior walls reflect back the light in a cacophony of dark reds and blues with flashes of green and yellow. This extraordinary construction of form through paint brings every element of the scene to life and conveys with a remarkable intensity the physical sensation of standing in a darkened interior on a hot sunny morning. The relationship between youth and age, a favourite theme in Yeats's work, is central to the painting. While the elderly vendor is preoccupied with the concerns of the adult world and is fastened to one spot, the little boy belongs to the realm of imagination where music and sweetshops are among the many pleasures that the day's adventures will bring. The amusing title brings to mind the positive impact that the arrival of the child has on the shopkeeper, a passing encounter that enlivens the working day. Roisin Kennedy October 2013
Lot 250
Lorna Bailey, Old Ellgreave Pottery, two circular wedge shaped 'Pagoda Garden' design vases, 18.5cm high, a semi-circle vase also of the same design, 20cm high, a circular jar and cover with wavy abstract lines and circular wedge knop, 20cm high, and a circular teapot and cover in the 'Inklewood design', 19.5cm high, printed factory marks and signature (5)
Lot 1204
A George III silver teapot, by Hanry Chawner, London 1795, of oval form with engraved foliate bands and laurel wreath cartouches, 15cm high, 11oz Solder repairs to top of spout. Generally worn, with dents throughout. Reinforcement to hinge of lid. Spout has been pushed back into body, causing creasing. Splits to knop and handle.
Lot 1526
A blue and white pottery plate, by Rogert Stubbs, in the `Village Church` pattern, 25cm diameter, a blue and white pottery platter in the `Genevese` pattern, 26.5cm long, two 19th century pottery tankards, one with a moulded frog interior and one printed with a pattern `Tom and Harry Playing at Horses`, a large 19th century moulded jug, 26cm high, a Masons style jug, a Delft vase, two mugs, and a Rockingham style teapot and cover, with damage
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