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Lot 125
An Edwardian silver mustard pot, with foliate and pierced decoration, complete with blue glass liner, Birmingham 1905; a George V silver bachelors teapot with black wood handle and lift, Birmingham 1915; a silver sucrier Chester 1919; a small silver quaiche Chester 1913; a shallow silver dish marks rubbed; an Edwardian glass and silver mounted hip flask with detachable cup (glass broken) (6)
Lot 58
A quantity of miscellaneous porcelain, to include an early 19th Century monochrome transfer printed teapot on stand, a quantity of 19th Century blue and white floral pattern Coalport teaware, a pair of Japanese cylindrical vases, an Imari inkstand, a modern Japanese beaker, a quantity of Coalport "China Rose" teaware, miscellaneous other teaware, a pair of cut glass posy vases etc.
Lot 3051
A Limoges J L Coquet tea, coffee and dinner service, essentially for eight persons, and with various serving dishes (qty). Condition Report List of items:17 bowls, 50 plates including saucers, 16 cups, 5 big bowls, 1 teapot, 1 milk jug. 90 pieces in total, good overall condition with some old marks and scratches. There is a chip to the rim of one large plate. Biggest size: 32cm diameter Medium: 26.5cm diameter Small: 21.5cm diameterSide plate: 15.5cm diameter
Lot 61
A Royal Albert Old Country Roses pattern part tea and dinner service, to include teapot, coffee pot, coffee cafetiere, telephone, milk jug, sugar bowl, three vases, salt and pepper pot, wall clock, tureens, six cups and saucers, six coffee cups, two coffee cans, three bowls, six side plates, six cake plates, six dinner plates, meat plates, etc. (a quantity)
Lot 65
A Chinese Export armorial porcelain teabowl, early 18th century, perhaps for the Portuguese or Spanish market, painted with a floral spray and a figurative armorial enclosing initials LLO, 9cm,: A Chinese Dehua rhino horn shape libation cup, 5.3cm high: and a Yongzheng porcelain teapot, painted with panels of cockerels, modelled in relief with flowers, 9.5cm high (3)Condition report: bowl - tiny rim chip Dehua - tiny rim chips teapot - no cover, , small firing crack in handle side moulding
Lot 335
Five trays of Royal Albert 'Old Country Roses' design tea and dinnerware items, to include; cups, saucers, teapot, milk jug, sucrier, salt and pepper, napkin rings, plates, breakfast bowls etc. (5) (B.P. 21% + VAT)In general, appearing in unused condition. Some plates have scratches through printed marks so possibly 2nd quality. Please note we cannot give full condition report for lots with large quantities in.
Lot 252
The Nanking Cargo - 18th century Chinese export teapot and cover recovered from the wreck of the Geldermalsen, painted with rockwork and flowers within a fenced garden, with applied Christie's Nanking Cargo lot label no. 2148, 22.5cm wideCondition report: The knop has 1/4 of the glaze missing and the rim has a small chip. Both sides of the handle are missing slithers of glaze. Enamels have eroded and discoloured.
Lot 18
Pieter Gerritsz. van RoestratenStillleben mit silberner Ingwerdose, Teekanne und anderen Gegenst Öl auf Leinwand. 71 x 61 cm.ProvenienzJack Kilgore, New York.AusstellungenUn cabinet imaginaire. Natures Mortes et Vanités du XVIIème Siècle, Vic sur Seille, Musée départemental Georges de La Tour, 10.5.-4.9.2005.LiteraturGabriel Diss und LaurentThurnherr (Hgs.): Ausst.-Kat. "Un cabinet imaginaire. Natures Mortes et Vanités du XVIIème Siècle", Vic sur Seille, Musée départemental Georges de La Tour, Bremen 2005, S. 32-33, mit Abb.Maßgeblich für die künstlerische Qualität eines Stilllebens ist nach den Vorstellungen des 17. Jahrhunderts nicht nur die perfekte Wiedergabe, sondern auch die Auswahl der Gegenstände. Rang und Eigenart der Dinge werden durch Kontrast und Vergleich mit benachbarten Objekten charakterisiert. Daraus ergibt sich die unausgesprochene Aussage, der Bedeutungsinhalt eines Stilllebens. Am leichtesten ist dabei das Vanitas-Stillleben zu verstehen, das über Vergeblichkeit und Vergänglichkeit des menschlichen Strebens nach Reichtum und Ruhm aufklärt. In dem kompetitiven Kunstmarkt der Niederlande war es für den Künstler wichtig einen unverwechselbaren Stil und eine unmittelbar erkennbare Handschrift zu erreichen. Aus diesem Grund spezialisierten sie sich auf bestimmte Bildgattungen und Themen.Dem Haarlemer Maler Pieter van Roestraeten ist dies zweifellos gelungen. Seine Werke sind geschmackvoll komponiert und brillant gemalt. Unverwechselbar sind in seinem Oeuvre bestimmte Gegenstände, die er geradezu leitmotivisch und in unterschiedlichen Arrangements immer wieder malt. Zu diesen Gegenständen gehört der reliefartig ziselierte silberne Ingwertopf, die Teekanne aus braunem Steinzeug und vor allem die feinen blau-weißen Teeschalen aus chinesischem Porzellan. Diese Gegenstände arrangiert er meistens, wie auch auf diesem Bild, auf einem marmorierten Sims oder Platte. Roestraeten war Schüler von Frans Hals und heiratete 1654 dessen Tochter Adriaentje. Er lebte mit seiner Frau in Amsterdam, bevor er 1663 nach London zog, wo er bis zu seinem Lebensende 1700 blieb. Wir danken Dr. Fred Meijer für die Bestätigung des Gemäldes als eigenhändiges Werk von Pieter van Roestraeten. Pieter Gerritsz. van RoestratenStill life with a Silver Ginger Jar and a Teapot on a Ledge Oil on canvas. 71 x 61 cm.ProvenanceWith Jack Kilgore, New York.ExhibitionsUn cabinet imaginaire. Natures Mortes et Vanités du XVIIème siècle, Vic-sur-Seille, Musée départemental Georges de La Tour, 10 May - 4 September 2005.LiteratureGabriel Diss and Laurent Thurnherr (eds.): Un cabinet imaginaire. Natures Mortes et Vanités du XVIIème Siècle, Vic-sur-Seille, Musée départemental Georges de La Tour, Bremen 2005, exhib. cat, pp. 32-33, reproduced.According to the concepts of the 17th century, the artistic quality of a still life is determined not only by the perfect reproduction, but also the choice of objects. The rank and individuality of the things are characterised by their contrast and comparison with neighbouring objects. This results in an unspoken statement, the contextual meaning of a still life. The vanitas still life is hereby the easiest to understand, clarifying the futility and transience of the human pursuit of wealth and fame. In the competitive art market of the Netherlands, it was important for the artist to achieve an unmistakable style and an immediately recognisable signature. For this reason, they specialised in certain genres and themes. The Haarlem painter Pieter van Roestraeten undoubtedly succeeds in this. His works are tastefully composed and brilliantly painted. Certain objects are distinctive in his œuvre, ones which he repeatedly paints, almost as a leitmotif, and in various arrangements. These objects include the relief-chased silver ginger pot, the brown stoneware teapot and in particular the fine Chinese blue and white porcelain tea bowl. These items are usually arranged, as in the present picture, on a marble ledge or platter. Roestraeten was a student of Frans Hals and married his daughter Adriaentje in 1654. He lived with his wife in Amsterdam before moving to London in 1663 where he remained until his death in 1700. We would like to thank Dr Fred Meijer for the confirmation of the picture as a work by Pieter van Roestraeten.
Lot 918
A SILVER THREE PIECE TEA SERVICE, the teapot with ebonised handle and knop, by Viners Ltd, Sheffield 1931, teapot 15cm high; and a pair of Edwardian silver peppers, on spreading circular bases, Birmingham 1902, 8.5cm high, 36.5oz overall all in (5) Condition report: a few dents and knocks to the tea pot and sucrier.
Lot 1048
A WILLIAM IV SILVER TEAPOT of lobed and compressed form, the lobes with stylized leaf decoration, and having rose finial, on scallop & scroll feet, makers mark rubbed but possibly T. Cox Savory, London 1830, 12.5cm high, and a similar milk jug, by John, Henry & Charles Lias, London 1832, 27.5oz overall (2) Condition report: in good condition overall, a few minor dings and scratches. Marks on jug a bit worn.
Lot 882
A LATE VICTORIAN SILVER TEAPOT, of oval half lobed form, with ebonised handle and knop, by Thomas Bradbury & Sons, London 1902, inscribed, 14.5cm high, 15oz all in; together with a matched silver plated milk jug and sugar basin (3) Condition report: tea pot spout dented and reduced, handle split and chipped. Marks worn. Has presentation inscription.
Lot 952
AN EDWARDIAN SILVER TOPPED GLASS PRESERVE JAR, with matching spoon, by William Hutton & Sons Ltd, Birmingham 1909, together with a silver mounted glass oil and vinegar bottle, Birmingham 1930, two silver mounted and pierced circular teapot stands, by Adie Bros, Birmingham 1923 & 1928, 15.5cm diameter, and a late Victorian silver mounted cut glass pepper grinder, London 1900 (5)
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151247 item(s)/page