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A Dresden porcelain cabaret set late 19th/early 20th century, painted with panels of lovers in pastoral scenes alternating with floral arrangements on a yellow ground, crowned Dresden marks. Comprising: a teapot and cover, a hot water jug and cover, a sugar bowl and cover, a cup and saucer and a tray. (9)
A Meissen teapot and cover c.1730-35, the small globular body richly painted with indianische Blumen issuing from a small blue and gilt table standing on rockwork, the octagonal faceted spout with small flowers prigs, wishbone handle, blue crossed swords mark, Dreher`s mark of a cross, probably for Johann Elias Grund Senior, painter`s numeral 14 to the inside of the footrim, some restoration, 16.7cm. (2)
A Worcester armorial saucer c.1758, printed in black with an elaborate scrolling and floral cartouche, the central shield painted with the arms of Wilson impaling Langton, 11.7cm. Cf. H Rissik-Marshall, Coloured Worcester Porcelain of the First Period, pl. 35, no. 754. A small number of these services were made by the factory using printed blanks and decorating the arms to order, possibly at external ateliers such as that of James Giles. However, the British Museum has a teapot stand from the same service and notes that the arms are incorrectly painted.
A small collection of polychrome Worcester porcelains 2nd half 18th century, including two teapot stands, one with flower sprays within a blue border, the other with stylized puce flower sprays, a similarly decorated coffee cup, a fluted saucer dish, a spoon tray with gilt flower garlands, a sucrier and matching teabowl with green and gilt flowers within a serrated border, some faults, 18.3cm max. (7)
A combined Worcester tea service c.1780, decorated in gilt with the Queen`s pattern, with simple flowerhead or foliate spray adornments to some pieces. Comprising: a teapot and cover, two sucriers and covers, a milk jug, a tea canister and cover, a slop bowl, two cake plates, ten tea cups, five coffee cups, and fifteen saucers. (42)
A Liverpool blue and white teapot and cover c.1775, printed with flower sprays and small butterflies, the shoulder painted with a formal border, a Liverpool coffee cup painted with an Oriental landscape, a Bow coffee cup with a large peony beneath willow, and a teabowl with a Chinese landscape, some damages, 21.5cm max. (5)
A Worcester blue and white punch pot and cover c.1768, sometimes known as Dr Johnson`s Teapot, printed with the Thorny Rose pattern, the naturalistic flowers loosely arranged beneath a continuing garland suspended from ribbon ties, the cover with similar tied sprays, a small chip to the spout, 29.5cm. (2) The name `Dr Johnson`s Teapot` derives from an identical pot in the collection at Pembroke College, Oxford, which belonged to Dr Samuel Johnson and is referenced by Boswell as holding two quarts.
An impressive silver-plated six-piece tea service on tray, Barker-Ellis, comprising spirit kettle, teapot, hot water pot, cream jug, slop bowl and two-handled sugar bowl, all on a rectangular tray with vine-cast handles and rim, the whole cast and chased with scrolls and foliage, stamped mark. Tray 72cm by 45.5cm
A George V silver three-piece tea service, Martin Hall & Co Ltd, Sheffield 1923, comprising teapot, cream jug and two-handled sugar bowl, each with undulating rim, scrolls handles and palmette capped C-scroll legs terminating in flattened palmette cast feet; together with a pair of associated Walker & Hall silver-plated sugar tongs. (4) Gross 39.5 troy ozs
WWII Interest: A Crown Ducal "Liberty and Freedom" pottery teapot, with "War Against Hitlerism..." caption dated 1939 and decorated with flags, green printed factory mark; together with two Doulton Burslem Royles Patent Self Pouring teapots, each dated 1886, black printed factory marks. (3) Largest 22cm high
A Cadogan pottery brown-glazed teapot, probably by Brameld, moulded in Chinese style with boughs of peach blossom, unmarked, 18cm high; together with a Victorian copper lustre teapot, painted with floral sprays; and a Jackfield type teapot, moulded with opposing vignettes and highlighted with gilding. (3)
An English porcelain teapot and stand, probably by Grainger Wood & Co Worcester, early 19th Century, the oval teapot puce painted with a band of elongated ovals and gilded with leaves to the spout and handle, the stand similarly decorated and centred by a gilded eight-point star, teapot and stand with overglaze blue painted crossed L's enclosing an M above a 9. 16cm high
A Chinese Export porcelain teapot, late 18th Century, the globular body painted with floral sprays in a Famille Rose palette, the domed and brimmed cover with moulded bud knop, highlighted with gilding; together with a Chinese Export porcelain teapot, the globular body painted with flowering boughs, the domed and brimmed cover with moulded bud knop (detached); a Chinese Export porcelain teapot, the globular body painted with opposing figural panels and extensively gilded; a soft-paste teapot, painted in Chinese Export style, associated cover; and a hard-paste teapot, painted with floral sprays and sprigs of foliage. (5) (a/f)
Martin McKeown (b.1931) STILL LIFE WITH TEAPOT AND BOTTLES, 1952 oil on canvas signed and dated lower right 20 by 30in. (50.80 by 76.20cm) Collection of Mrs Irene Calvert MP since 1952; Thence by descent CEMA Basil Blackshaw & Martin McKeowan"", Donegal Street Gallery, Belfast, September 1952"" It was following, and partly as a result of this commission, that the artist was commissioned to paint the then Governor of Northern Ireland, LordWakehurst. Irene Calvert was an enthusiastic patron of Blackshaw and other young artists in Northern Ireland during the 1950s. Irene Calvert (1909-2000) was a Northern Irish politician and economist. Bornin Belfast, as Lillian Irene Mercer Earls, she studied at Methodist College, Belfast. She studied economics and philosophy at Queen`s University, Belfast. In 1941 she was appointed Chief Welfare Officer for Northern Ireland, immediately having to organise care for a flood of wartime evacuees. In 1944, she contested a by-election for the Queen`s University Belfastconstituency. She was unsuccessful but stood again in the Northern Ireland general election, 1945, as an independent (non-party) candidate, and on thisoccasion succeeded in taking a seat at Stormont. She held the seat until she stood down at the 1953 election. In Parliament, she avoided the traditional Unionist versus Nationalist arguments, which she regarded as a distraction from the real task of socialreform, including the passage of the Education Act, 1947. In her resignation speech, she did however question whether the Northern Irish economy couldthrive while the partition of Ireland continued. In 1950 Calvert began working at the Ulster Weaving Company as an economist, and having successfully helped build up their institutional sales was appointed a managing director. In 1956 she was invited to become a group chairman at the Duke of Edinburgh`s Study Conference on Industry. She also served on the Belfast City Chamber of Commerce, becoming its first - and, to date, only - woman president in 1965-1966. She also served on Queen`s University`s Senate and Board of Curators, and was active in the Irish Association. In 1964, she worked as an executive manager with Great Southern Hotels, a subsidiary of CIE, the Irish Transport Company, with whom she worked until early 1970. She retired to Dublin where she was an active supporter of the Irish Labour Party until her death in 2000.
Peter SHIRE (Né en 1947) & CLETO MUNARI (Éditeur)Spectacular silver, ivory and lacquered wood teapot, circa 1980/1981. Stamped and numbered 16/99, hallmark. Produced by Cleto Munari. Height. 4 5/8 in. - Width. 12 1/8 in. - Length. 5 1/8 in. - Weight. 1?100?g. Bibliographie?: Allesandro Vezzosi, Il Tessoro Dell`Architettura 1980-1990, Cleto Munari, catalofue d`exposition au Palazzo Medici Riccardi, Éditions Edifir, Florence, 1990, p.?93.
A collection of 19th Century and later Chinese porcelain and other wares to include an oval shallow dish decorated with palm trees, birds and flowers, Imari fruit bowl, Yixing teapot, small sang de boeuf vase, Chinese porcelain tankard, ginger jar and cover, and a beaded abacus (7) CONDITION REPORTS The oval dish approx 31.5cm wide - with general wear and scuffs. Teapot has wear and scuffs. The bowl is broken and rivet repaired. The tankard - handle broken off and some of the pieces present, heavily crazed, various chips. Sang de boef vase with general wear and scuffs and firing blemishes - height approx 16cm. Abacas with some chips and splits and various inscriptions.

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