We found 177913 price guide item(s) matching your search
There are 177913 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
177913 item(s)/page
Lot 17
JOHN HARDMAN POWELL (1827-1895) FOR HARDMAN & CO. COLLECTION OF ORIGINAL DESIGNS, CIRCA 1860 to include: ORIGINAL DRAWINGS FOR A TEAPOT AND SUGAR BOWL WITH TONGS, CIRCA 1860, pencil, pen and ink on paper, mounted onto card, 17cm x 21cm and 14cm x 11.5cm; also an ORIGINAL DRAWING BY THE SAME HAND, depicting studies of medieval caps and cap badges, pencil, pen & ink on paper, mounted verso, 25cm x 20cm, card inscribed 72/ 30856/15 (1) and 71/ 30856 (15); together with THREE SHEETS OF ORIGINAL DRAWINGS, ATTRIBUTED TO A.W.N. PUGIN FOR HARDMAN & CO., the FIRST SHEET comprising two drawings of INKWELLS, for the Palace of Westminster, 9cm x 16.5cm and 9cm x 17.3cm; two of THURIBLES ON STANDS, 17.5cm x 7cm and 15cm x 6cm; one of a GOTHIC REVIVAL WALL MOUNTED BRACKET, 14cm x 5cm; a MONUMENTAL CLOCK, 17.5cm x 11cm and five further drawings of MEDALLIONS; A CASKET; A DEPICTION OF THE VIRGIN; and a WALL BRACKET; the SECOND SHEET comprising a drawing of a PAIR OF SIDE DISHES, 21cm x 20cm; a SWORD HANDLE, 10cm x 21cm; and verso a FONT COVER, 20cm x 14.5cm; and a STATUE OF CHRIST ON A PEDESTAL, 23cm x 11.3cm; the THIRD SHEET with drawings of a GOTHIC FRAME, 17.3cm x 11.7cm; a POLE SCREEN, 23cm x 8.5cm; a CHAMBER CANDLESTICK, 12.5cm x 16cm, each pencil, pen & ink on paper, mounted onto card; and ORIGINAL DESIGN FOR A PULPIT FOR THE MARQUIS OF BUTE BY JOHN HARDMAN POWELL FOR HARDMAN & CO., pencil, pen & ink on paper, with inscription "Design for a Pulpit in oak "carved"/ Marquis of Bute", bears makers embossed stamp HARDMAN & CO., 61cm x 26cmFootnote: Provenance: Hardman Archive Note: See V&A collection, museum number 8119-1863 for the realised teapot in silver dated 1861-2
Lot 197
the cross banded and moulded edge top over four drawers and shaped apron on cabriole legs 69 x 71 x 45cmFootnote: Provenance: Bonhams London, English and Continental Furniture, 4th February 1988, Lot 75, £1000, From the collection of Claudine Auger (1941-2019), Belgravia, LondonCondition report: Polyurethane finish, dry cracking and bowing to top due to carcase shrinkage, the underside has unusual construction methods for the legs, likely a country made piece rather than a made up piece, brass-ware looks original, some loss of veneer to edges, one leg corner bracket missing
Lot 210
with moulded breakfront cornice above a door with a bevelled rectangular plate, enclosing a bank of five drawers, the fall front enclosing a fitted interior with a central door above two short and two graduated long drawers, on bracket feet 190 x 61 x 47cmFootnote: Provenance: Christie's London, Important English Furniture, 9th April 1987, Lot 116, £7500, From the collection of Claudine Auger (1941-2019), Belgravia, LondonCondition report: The cornice is of a later date, early 20th century restoration and repolish to a very average standard, with poor repairs to veneers, some dry cracking, losses etc., the brass-ware has been replaced, feet look original but have had blocks and work
Lot 311
the break arch case with folding handle and rectangular brass scale fret side panels, the silvered scroll engraved 7inch dial signed ‘Jas Tregent, Watchmaker to the Prince of Wales, London’, with strike/silent to the arch and date aperture below, twin fusee movement signed to the backplate, on a stepped base with block feet 38cm high (with handle folded), 26cm wide; with a mahogany wall bracket, 30cm high (drawer to one side, some old wear and tear).Footnote: James Tregent is recorded in Britten's "Old Clocks and Watches & Their Makers" as working in London at 35 Strand in 1775 and then at 29 Cranborne Street, Leicester Square by 1780.Condition report: Currently ticking. The case with old repairs and presumably stained mahogany veneers. Shrinkage cracks to top (see photos).Private deceased estate sale.
Lot 377
the rectangular hood with dentil cornice above pierced fretwork panels and fluted columns, the 33cm (13inch) silvered brass dial with foliate monogram to a circular disc in the arch, engraved centre with seconds dial and date aperture, signed 'Will. Wilson, Kendal’ between VI, with Indian mask spandrels, and 4 pillar eight day movement, the trunk with arched door flanked by quarter columns, all on a canted base and low bracket feet, (movement and dial probably associated to the case) 234cm high
Lot 304
A Victorian Carved Oak Bureau Bookcase, the moulded cornice above two astragal glazed doors enclosing shelves, the lower sections with a fall front enclosing a fitted interior above a frieze drawer with mask head handles and two carved doors raised upon bracket feet, 96 cms wide, 51 cms deep, 212 cms high
Lot 530
An early 19th Century mahogany long case clock with extensive Sheraton style inlaid decoration, the hood with swan neck pediment and square side pillars, triple arched door and square reeded side pillars to the trunk on ogee bracket feet with arched painted dial with moon phase to the arch by Jno Bavnish, Rochdale. It is It is quite likely to be in going order, but is not sold as such and may require some attention to movement and case. The weights and pendulum are present. The dial has been repainted. The clock has been cleaned/restored at some time in the last 20-30 years.
Lot 112
A very large diorama model of a Foster of Lincoln Threshing Machine in approximate 1 1/2 inch scale with working parts, tool box, ladder and figures with sheaves of corn together with a Foster elevator on transportation wheels. The machinery being driven by a Robey Portable steam engine having blued steel cladding to boiler with detailed rivet work, single cylinder mounted to the top of the boiler with steam inlet control, steam pressure gauge, safety valve, motion and fitted speed governor, chimney rest bracket, hand operated brake gear with wooden brake blocks, eccentric driven water pump to side, a pair of wooden horse shafts and two heavy horses in full leather working harness with farm workers in foreground. The whole model set on plinth bases and was built by Mr C W Glenworth of Louth. * Please note: This fine large diorama is formed in three parts and can be easily moved or displayed separately.
Lot 156
A period model of a live steam colliery engine, the six spoked flywheel supported on four polished steel columns with open crank, bearings with brass oiler cups, eccentric driven steam valve to single vertical cylinder 1 1/2 inch bore by 3 inch stroke. Cylinder drain-cock, 'wish-bone style' connecting rod with bracket guide, eccentric driven water pump from over-crank and the whole supported on cast iron sole plate. 17cm by 17cm. Overall Height 38cm.
Lot 304
VINTAGE OAK COILED GONG STRIKE BRACKET CLOCK, the movement backplate stamped 'R S M' before a silvered dial set with Roman numerals and gilt spandrels (one hand loose), the case architectural style with tiled dome effect and turned finials, bevelled glass view side panels and door, turned and block carved pillars on a shaped face with bun feet, pendulum and key included (some work required to the case)
Lot 1
VICTORIAN MAHOGANY MOON FACE DIAL LONGCASE CLOCK, the arched top dial with castle and ruin painted spandrels, rolling moon upper dial, Roman numerals set main dial with minute and seconds subsidiary dials, twin weight pendulum driven bell strike movement, pendulum and weights with winding key included behind a single glazed hood door with broken swan neck pediment and turned pillars repeated to the central trunk with shaped top trunk door and stepped base on corner bracket feet, 234cms overall H, 61.5cms W
Lot 283
A GEORGE III MAHOGANY BRACKET CLOCK BY SAMUEL HONYCHURCH, LONDON, C.1770 the brass eight day movement with four turned pillars and a later anchor escapement striking on a bell, with pull-repeat, the backplate engraved with Rococo scrolls and a basket of flowers, the arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a signature panel and date aperture, with a strike / silent dial and scrolling leaf and flower gilt metal spandrels, the bell top case with a brass handle and cone finials, with glazed sides and doors, with pendulum, a case key and winding key 52.1cm high
Lot 284
λ A GEORGE IV ROSEWOOD BRACKET CLOCK BY CUMMINS, LONDON, C.1825-30 the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the backplate signed 'Cummins London', the circular silver dial also signed and with Roman numerals and pierced blued steel hands, with a brass bezel, in an architectural case with outline mouldings, with pendulum, winding key and case key 42.2cm high, 35cm wide, 16.5cm deep
Lot 286
AN EARLY 19TH CENTURY MAHOGANY BRACKET CLOCK BY HAWLEY, LONDON the brass eight day movement striking on a bell, the circular painted dial with Roman numerals and pierced hands and signed 'Hawley London', the arched case inlaid with boxwood stringing, with a panelled front and pierced brass sides and brass feet, with pendulum 38.2cm high
Lot 288
λ A SMALL WILLIAM IV ROSEWOOD AND PATINATED BRONZE BRACKET CLOCK BY FRODSHAM & BAKER, C.1830-35 the brass eight day movement striking on a bell, the backplate numbered '292', the circular brass dial with Roman numerals and an engine turned centre, signed 'Frodsham & Baker Gracechurch St. London', in an architectural case with applied panels, the front decorated with a lion and foliage, the corners with quoins, the sides with scrolling leaves and palmettes, with a fan pagoda top with a retractable handle, on leaf scroll feet, with pendulum, winding key and case key 28.5cm high
Lot 289
A BURR OAK GOTHIC REVIVAL CHIMING BRACKET CLOCK BY BARNARD OF LONDON, C.1825-30 the brass three train movement with turned pillars and an anchor escapement chiming on eight bells and striking the hours on a gong, with pull-repeat, the painted arched dial with Roman numerals and strike / silent dial, signed 'Barnard London', the oak and burr oak case decorated with quatrefoils, turned columns and leaf carved finials, together with an associated walnut and oak bracket, with pendulum, winding key and case key (2) 68cm high, 36cm wide, 21.9cm deep
Lot 29
A GEORGE I WALNUT BUREAU C.1715 with cross and feather banding, the hinged fall revealing an interior with an arrangement of pigeonholes, drawers and a central panelled cupboard door flanked by a pair of secret pilaster compartments, with a sliding well cover and a later leather writing surface, above two short and two long drawers and bracket feet 96.8cm high, 88.1cm wide, 50.3cm deep Provenance The Estate of the late Jane Sumner.
Lot 52
AN EARLY GEORGE III MAHOGANY CHEST C.1760 the caddy moulded crossbanded top inlaid with stringing and with a central flame veneered oval panel, above a brushing slide and four long graduated drawers, on later bracket feet 79.4cm high, 82.6cm wide, 45.1cm deep Provenance The Estate of the late Jane Sumner.
Loading...-
177913 item(s)/page