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A 19th Century longcase clock, the eight day movement with painted arched dial depicting a river scene, hunting hounds and game to the spandrels with seconds dial and date aperture, in mahogany and oak case with broken pediment on turned column supports, pointed arched trunk door, flanked by ring turned pilasters and bracket feet, 85 1/2" high
A 19th Century bracket clock by Andrew King of Hull, with triple barrel eight day movement and musical strike on eight bells, the hour striking to gong and with repeat, the square dial with silvered chapter ring, fast/slow and chime/silent dials, with gilt metal spandrels, the rosewood arched case with pineapple finials and fretted side doors, fluted Corinthian columns to the front corners, on break front base, 16 3/4" high
An 18th Century oak dresser, and associated rack, with shaped apron over two long shelves flanked to either side by narrow shelves, over a row of spice drawers, the protruding base with central drawer over a shaped cupboard door flanked by three drawers, brass loop handles, panelled sides and bracket feet, 80" high, 65 1/2" wide, 23" deep
19th Century mahogany two section secretaire bookcase, the top having a high inlaid swan neck pediment with fretwork panels, cornice with Greek key decoration, fitted three adjustable shelves enclosed by a pair of astragal glazed doors, the base fitted secretaire drawer with two long drawers below, each with cast gilt brass handles, standing on ogee bracket feet, 127cm wide.
Regency mahogany two section secretaire bookcase, the upper section having a moulded cornice with satinwood crossbanding, fitted four shelves enclosed by a pair of glazed doors with reeded tracery, base fitted secretaire drawer with conforming satinwood crossbanding and enclosing a satinwood fitted interior, three long graduated drawers below all with brass lion mask ring drop handles and standing on splayed bracket feet, 107cm wide.
George III mahogany bracket clock by Hardeman & Son of Bridge. The painted dial with Roman numerals and strike/silent above twelve. The twin fusee movement striking on a bell, signed to the engraved back plate, the pendulum engraved with regulation scale. The case with brass inlay, fish scale fretwork panels and ring drop handles to each side, 50cm high.
George III mahogany longcase clock by William Bilbie of Chew Stoke, the hood with moulded swan neck pediment having carved giltwood foliate embellishments, reeded pillars with brass Corinthian capitals, trunk with long door flanked by reeded canted corners and standing on bracket feet, arch shaped brass dial with painted moon phase, silvered `High Water At Bristol Key`, silvered chapter ring, subsidiary seconds dial and calendar aperture. Signed William Bilbie, Chew Stoke - eight day striking movement, 232cm high - see full length image on page one.
George III oak longcase clock, the hood with a stepped moulded pediment and a band of scroll penwork, reeded pillars, the trunk with mahogany crossbanded long door and standing on bracket feet, the square silvered and brass dial with cast spandrels, moon phase and calendar aperture, signed John Collier, Cheadle, 213cm high.
A Chinese mother-of-pearl inlaid hardwood stand late 19th / early 20th century, of square form, the sides finely inlaid with tree stumps, flowering branches, moths, birds, animals and seals within a geometric border, each with a different inlaid Chinese inscription, standing on integral bracket feet, 9.25in (23.5cm) square.
A Victorian Gothic oak chiming bracket clock circa 1850, of large proportions, by John Moore of Clerkenwell, the top pediment with turned acorn finial, carved lion mask and four further turned finials, the arched dial with engraved gilt decoration, silvered dial with Roman numerals, strike/silent mechanism, slow/fast dial, Eight Bells and Cambridge chimes, fusee movement, the base with carved flower-heads and engraved brass pate inscribed "This clock was made in about 1851 by John Moore of Clerkenwell fore someone unknown. Purchased by Mr Channing of Puttenham Nr. Guilford in 1969", the side panels missing, 30in (76.5cm) high, 16in (41cm) wide.
An oak cased longcase clock 1930s, the hood with an arched and moulded pediment over an arched glazed door flanked by barleytwist columns, enclosing an eight day movement and silvered Roman Numeral dial with `Tempus Fugit` cartouche, gilt metal crown and putti spandrels and pierced blued hands, the trunk with an arched glazed door and panelled base, on shaped bracket feet, 77in (195.5cm) high.
A George III mahogany linen press circa 1780, the moulded and dentilated cornice over a blind fret carved frieze, above a par of panelled doors, the interior converted to hanging space, the base with two short over one long drawer with pierced brass handles, standing on bracket feet, 50.5in (128cm) wide x 65.75in (167cm) high x 23.5in (60cm) deep.
A GEORGE IV SILVER TWO HANDLED SUGAR BOWL BY JOSEPH ANGELL of compressed circular outline, having a gadroon and foliate rim and scrolled handles, the body repousse decorated with a band of wrythen foliage centred with opposing cartouche, one engraved with a stag crest, on four scrolled bracket and paw feet, 19.5 cms over handles, 12.5 ozs, London 1820
A GEORGE III MAHOGANY CHEST-ON-CHEST having a moulded and greek key cornice above a plain frieze, two short and three long graduated drawers the lower section with three further drawers, cock beaded with gilded metal ribboned laurel wreath back plates and foliate cast swing handles and escutcheons, on bracket feet with pierced angle brackets, 117 x 177cms high. See illustration

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177908 item(s)/page