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Fine 19th century London & North Western Railway burr walnut bracket clock, the 5.5" square silver engraved foliate dial signed Jno Walker 77 Cornhill and 230 Regent Street London, inscribed `L & N.W.R 6603, single chain fusee movement with anchor escapement and double shaped suspension, stepped bevelled four glass case with applied white enamel inventory number plate `5221`, 12.75" high; pendulum
Good English mahogany triple fusee boardroom bracket clock, the substantial movement playing on a nest of eight bells and striking on a large gong, the 8" silvered engraved dial signed Noble & Chivers, Bath with subsidiary chime/silent, slow/fast and chime on eight bells/Westminster dials, within an ormolu mounted stepped case surmounted by five finials, 25" high (pendulum)
Good and rare Black Forest musical flute two train automata clock by Emillian Wehrle in Furtwangen, the 7.25" silvered chapter ring signed Camerer Kuss, New Oxford St, over two doors revealing the standing figure of a flautist in traditional costume, the movement with interchangeable cylinder, within a panelled stepped case applied with foliate strapwork and surmounted by an ornate cornice, 31" high; also with matching bracket *This is a very rare clock produced by a maker who developed a niche for selling expensive musical clocks to people who could afford them. We have only managed to trace one clock similar to this which sold in America for $10,000
English mahogany double fusee bracket clock striking on a bell, the movement back plate and 8" convex cream dial both signed Thomas Coleman, Westmoreland St, London, within a rounded arched panelled case inlaid with geometric brass lines and surmounted by a caddy top and ball finial, 20.5" high (pendulum)
Good English transitional fruitwood double fusee verge bracket clock, the movement with engraved back plate signed Hamley, Warwick Place, London with pull/repeat and striking on a bell, bearing a Camerer Cuss plaque to the inside of the door, the 6.75" cream dial signed Hamley, Warwick Place, London above fish scale fret panels, within a pad top stepped case with moulded arched cornice and brass carrying handle, 15" high (a.f) (pendulum)
Gilt metal two train mantel clock, the S. Marti movement signed H. Marc, Paris with outside countwheel and striking on a bell, the 3.5" white dial with recessed visible escapement signed J.O. Simmons, Fareham within a repousse stepped case upon swept bracket feet, with lion head carrying handles to the side and surmounted by a twin handled urn finial, 14.5" high (pendulum)
English mahogany triple fusee bracket clock branded W.H. Goudy to the inside bottom of the case, the movement playing on a nest of eight bells and striking on a gong, the 10" brass dial with silvered chapter ring enclosing a matted centre and surmounted by chime/silent and Whittington/Westminster subsidiary dials, within a stepped moulded arched case, 20" high (pendulum)
Britten - Watch and Clockmakers Handbook, two editions, Donald de Carle - Practical Clock Repairing, Eric P. Smith, Repairing Antique Clocks, A Guide for Amateurs, Brian Loomes - Country Clocks and Their London Origins, Deryck Roberts, The Bracket Clock, five other reference books, a quantity of `Clocks` magazines and box containing a quantity of various photographs of clocks
Contemporary French style balloon bracket clock, the movement stamped Lauris striking on two bells, the 4" repousse dial with Roman cartouche enamel numerals within a waisted case with applied gilt metal mounts, 16.25" high; together with a contemporary Franz Hermle skeletonised mantel clock striking on a bell, 9" high (2)
A Georgian style mahogany bureau bookcase with satin wood cross banding and shell inlaid detail, the upper section with broken swan neck architectural pediment over a pair of astragal glazed panelled doors revealing two sliding shelves to the interior over a fall front enclosing a fitted interior of small stepped drawers and pigeon holes flanking a central cupboard over three long and two short drawers on bracket supports

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177913 item(s)/page