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Lot 1029
A GEORGE III MAHOGANY BUREAU, the sloping crossbanded fall enclosing a fitted interior, with a central door inlaid with a scene of Britannia, flanked by pigeonholes and short drawers, all above four long graduated drawers with brass handles, on bracket feet, 18th century, 42" high x 43" wide. See illustration
Lot 1058
AN OAK "CHILDS" BUREAU, the sloping fall with moulded border enclosing a fitted interior with a central arch top cupboard flanked by short drawers and pigeonholes, above two short and two long drawers with brass drop handles and key escutcheons, on tall bracket feet, late 17th/early 18th century and later, 35.5" high x 24" wide. See illustration
Lot 948
AN 18TH CENTURY STYLE LACQUERED BRACKET CLOCK of waisted form with a circular dial, indistinctly signed and inscribed "Zenith", with a three train movement striking on gongs, the waisted rounded case with all over gilt floral decoration, on scrolling feet and a matching wall bracket, the clock 25" high x 13" wide, the bracket 9.5" high x 14" wide.
Lot 949
AN OLIVEWOOD CASED BRACKET CLOCK by Charles Goode, London (fl. 1686-1730), the brass dial with strike/silent ring above a silvered chapter ring enclosing a date aperture and visible pendulum bob, with a two train fusee movement striking on two bells, the elaborate backplate signed "Cha. Goode, London", the case surmounted by a gilt carrying handle and domed top, the sides with glazed fretwork panels, 18th century, 18" high x 11" wide. See illustration Charles Goode was made Free of the Clockmakers Company in 1686 with workshops in the Strand employing a number of apprentices. Similarities between his work and that of George Graham and Daniel Quare have been noted, with some considering him one of the great underrated makers of his age.Please note it has been suggested that the timber may be another exotic wood
Lot 951
AN OLIVEWOOD CASED BRACKET CLOCK signed Pellegrino Amorotti, Roma, with a gilt dial and a sona/non-sona dial above a chapter ring with Roman numerals enclosing a pendulum window and alarm dial, with a two train movement striking on two bells, the elaborate case with a raised top and central carrying handle, the arched top door with gilt metal brackets, the sides similarly decorated, on splayed gilt feet, 18th/19th century, 24" high x 19" wide. See illustration
Lot 960
A GEORGE III MAHOGANY CASED BRACKET CLOCK, the silvered arched dial signed "John Lloyd Bittleston, London" with strike/silent dial and date aperture, with a two train fusee movement striking on a bell with an elaborate engraved backplate, the case surmounted by a gilt metal carrying handle, 16" high x 10.5" wide. See illustration
Lot 961
A LOUIS XIV STYLE BOULLE AND ORMOLU MOUNTED BRACKET CLOCK retailed by S. Wartenberg, Paris, the gilt dial with enamel Roman numerals, with a three train fusee movement striking on a coiled gong and eight graduated bells, the elaborate case surmounted by a winged cherub, with all over boule work decoration and gilt metal mounts, 19th century, 31" high x 15" wide. See illustration
Lot 671
A late 18th Century oak longcase clock With a twin swan-neck pediment above a break arch painted dial, the thirteen inch dial painted with Arabic numerals with two subsidiary dials and with a thirty hour movement, the dial painted with gilt fan spandrels and flanked by two reeded columns, the case with a shaped door and conforming quarter columns and a panelled front board raised on bracket feet, with one weight and pendulum, height win finial 240cm.
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