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Lot 228
FRENCH GOTHIC STYLE OAK AUMBRY LATE 19TH CENTURY the plain top with a moulded cornice above a pair of doors with carved Gothic arcading, flanked by carved figures of knights in arched niches; above two short frieze drawers over a recess with linen fold back panels, raised on bracket feet 150cm wide, 140cm high, 45cm deep Provenance: Auchtertool House, Fife
Lot 287
REGENCY MAHOGANY AND INLAID CHEST OF DRAWERS EARLY 19TH CENTURY the rectangular top above three short and three long drawers outlined with ebonised stringing, the oval brass hand pulls embossed with anchors, above a shaped apron raised on bracket feet 117cm wide, 99cm high, 52cm deep Provenance: Auchtertool House, Fife
Lot 307
SCOTTISH GEORGE III MAHOGANY AND INLAID LONGCASE CLOCK BY DALLAWAY & SON, EDINBURGH 18TH CENTURY the high swan neck pediment above an arched brass dial with a boss inscribed with the maker's name, above a Roman numeral chapter with subsidiary seconds and calendar dials, flanked columns with gilt metal Corinthian capitals, above a trunk door inlaid with a fan medallion and flanked by brass mounted quarter columns, on a plinth base raised on bracket feet 49cm wide, 229cm high, 25cm deep Provenance: Property from a Highland Estate
Lot 406
GERMAN CARVED OAK BRACKET CLOCK 19TH CENTURY the ogee pediment carved with a central mask motif and acanthus leaf moulding, above the silvered and gilt dial, subsidiary dials and inscribed presentation plaque, flanked by lion and mask spandrels, raised on a carved base, the movement striking on a gong 28cm wide, 43.5cm high, 23cm deep
Lot 407
GERMAN OAK BRACKET CLOCK, BY WINTERHALDER & HOFFMEIER LATE 19TH/ EARLY 20TH CENTURY with gilt metal urn finials above the silvered and gilt dial and subsidiary dials, with further gilt metal mask mounts and four paw feet, the movement striking on a bell and five gongs and stamped with maker's marks 72cm high
Lot 415
CHARLES II CARVED OAK BIBLE BOX ON STAND 17TH CENTURY the sloped hinged and chip carved top opening to a void interior, above a rosette carved frieze, raised on a carved column support ending in a platform base with bracket feet 32cm wide, 80cm high, 25cm deep Provenance: Private London Residence
Lot 500
GOOD DUTCH MARQUETRY BUREAU BOOKCASE 18TH CENTURY in three parts; the straight moulded cornice above a pair cupboard doors with shaped bevelled mirror plates opening to shelves, above a slant front opening to an interior fitted with drawers, pigeon holes and a covered recess; the lower part with three bombe long drawers and shaped apron raised on bracket feet, the whole profusely inlaid with flowering urns, putti, and birds 114cm wide, 217cm high, 57
Lot 87
PAIR OF NEO-CLASSICAL SAUCE BOATS AND ASSOCIATED STANDS C. J. VANDER, SHEFFIELD, 1966 & 1967 with foliate cast scroll handles and gadrooned rims, the oval stands with gadrooned rims and raised on bracket feet (4) sauceboat 12cm high; stand 19.5cm long Provenance: Cairness House, Aberdeenshire
Lot 497
A substantial brass work ecclesiastical lectern in the Gothic manner with shaped ledge with pierced detail to corners, with central incised medallion marked I H R, set upon cylindrical stem with gilded scrolling framework, 68 cm tall approx together with a simple oak desk lectern in the Gothic manner with pierced sides and canted corners, a timber chest with extensive applied brass mounts, with floral and other embossed detail in the Arts & Crafts manner, with simply fitted interior, raised on four bracket supports, also together with a brass box of squared form and hinged lid, also in the Arts & Crafts manner, with stylised trailing floral border and embossed medallion to the top depicting a King upon a throne surrounded by insignia and further scripted border
Lot 581
An eastern lacquer work lidded pencil/stationery box of rectangular form with canted corners, the black ground decorated with hand painted gilt and cream coloured flowing foliate and floral detail, set within gilt borders upon an accommodating stand, also of rectangular form with canted corners, raised on bracket supports, the stand 36 cm long together with a substantial early brass ladle with rectangular pierced detail, an unusual brass draining scoop with chased detail and pierced handle, a pair of Georgian brass candlesticks, a timber and copper crib board, toasting forks, etc
Lot 130
A Victorian tortoiseshell and silver mounted dressing table tray, maker Charles Asprey and George Asprey, London, 1876: of rectangular outline, the centre panel with silver inlaid decoration of a bird amongst trailing foliage, enclosed by a foliate and scroll mounted border with loop carrying handles to the sides, raised on four bracket feet, 30cm wide.
Lot 855
Gide a Paris, a miniature mahogany bracket timepiece with bracket: the watch movement with gilded cover signed Gide a Paris, 12351, the gilded dial with a decorative scene embossed to the centre, black Arabic numerals to the individual enamel roundels and blued steel moon hands, the mahogany break-arch case with walnut panels set below the dial, standing on bracket feet, complete with matching wall bracket, height 16.5cms, 25cms with bracket.
Lot 862
A Regency mahogany bracket clock: the eight-day duration timepiece fusee movement with anchor escapement, the six-inch round painted dial with black Roman numerals and blued steel moon hands, the mahogany case with a steeple pediment, decorative brass inlay to the front, cast brass handles to the sides and standing on brass ball feet, height 35cms.
Lot 863
Winterhalter & Hoffmeier, an oak cased mantel clock with pedestal: the eight-day duration movement with 'ting-tang' quarter-strike on two gongs, the backplate stamped W&H, Sch., the eight-inch arched brass dial having a raised chapter ring engraved with black Roman numerals, Arabic five-minute numerals and fleur-de-lys half-hour markings, the arch with two subsidiary dials for 'strike/silent' and 'regulation', with a matted dial centre and gothic blued steel hands, the oak case carved with various decorative features including a tiled roof to the pagoda top, floral decoration to the front pillars, inset panels to the sides, with brass mounts and male-head masks and surmounted with turned wooden and brass finials, standing on a matching floor pediment with splayed bracket feet, height 217cm.
Lot 864
A 19th century mahogany inlaid bracket clock: the eight-day duration, double-fusee movement striking the hours on a gong, the round silvered dial engraved with black Roman numerals and having blued steel moon hands, the mahogany pagoda-topped case with boxwood stringing and inlaid decoration to the front depicting a butterfly within an oval, the quarter columns with cast brass capitals, brass ball finials and standing on brass ball feet, height 49cms.
Lot 872
Joseph Gent, Walsall, an oak and mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Arabic hour numerals and five-minute numerals, a subsidiary seconds dial, date aperture, and brass hands (now painted), the four corners painted with shell and scroll gilt decoration continued into the arch either side of an oval panel depicting a young girl and her dog seated beneath a tree, signed Jos Gent, Walsall, the rear of the date dial stamped for the dial maker Wilson, Birmingham, the oak case with mahogany crossbanding to the trunk door, mahogany panels with boxwood and ebony stringing, a swan-neck pediment to the hood, fluted hood pillars with brass capitals, quartered-fluted columns to the trunk with brass capitals, the base with mahogany veneered canted corners, a shaped raised panel and standing on bracket feet, height 230cms. * Joseph Gent is recorded as working in Walsall from 1805-50 and was the son of the maker John Gent. * James Wilson is believed to be, along with his partner Thomas Osborne, the earliest recorded maker of painted dials for longcase clocks having, in September 1772, placed an advert in Aris's Birmingham Gazette to announce 'White clock dials in Imitation of Enamel, in a manner entirely new' at an age when Wilson was only seventeen and Osborne nineteen. Their dials, and those of Wilson after the dissolution of the partnership in 1777, are considered some of the finest made with superb decoration. Wilson continued at 11, Great Charles Street and would have used a number of artists on his dials. He died in 1809, aged 54.
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177908 item(s)/page