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Lot 191
A FRENCH ENAMELLED BOUDOIR TIMEPIECE, London import marks 1910, of vertical oblong form with ogee top and on integral bracket feet, the circular cream dial with black Roman numerals, the movement numbered 12413, all over painted in colours with panels of boating scenes at sunset on a shaded lilac ground and rococo style flower panels, stamped 935, 2"" high
Lot 691
AN OAK AND BURR WALNUT BANDED LONGCASE CLOCK signed Thomas Radford, Leeds, the eight day movement with anchor escapement striking on a bell, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, chased centre with signature, calendar aperture and secondary dial, arched painted moonphase with inscription over, the case with moulded arched cornice and turned brass finial on fluted columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 91 1/2"" high (Illustrated)
Lot 693
A MAHOGANY LONGCASE CLOCK signed T. Berry, Bolton, mid 19th century, the eight day movement with anchor escapement striking on a bell, arched dial with painted moonphase and allegorical female figures of the Seasons, Arabic numerals and secondary dials, the case with stringing and parquetry banding, scrolled pediment on square reeded columns, arched door flanked by reeded pilasters, canted base and ogee bracket feet, 96"" high (Illustrated)
Lot 695
A FRENCH ORMOLU AND WHITE MARBLE MANTEL CLOCK, late 19th century, the twin barrel drum movement striking on a bell and inscribed ""Var Dewint Her a Paris 162"", 3 1/4"" white enamel dial with blue Roman and Arabic numerals, signed ""J.B. Marchand Rue Richelieu 57 Paris"", the bow fronted case surmounted by a pair of doves on an urn festooned with trailing roses, panelled body shaped base with foliate banding, and scrolled bracket feet, 11 3/4"" high (Illustrated)
Lot 701
A SCOTTISH MAHOGANY LONGCASE CLOCK signed Young, Dundee, early 19th century, the eight day movement with anchor escapement striking on a bell, circular brass dial having Arabic and Roman numerals and secondary dials, the case with ebony stringing, arched top with turned brass finials, arched door flanked by fluted quarter columns, panel base and bracket feet, 85 1/4"" high (Illustrated)
Lot 741
A GEORGIAN OAK AND MAHOGANY BANDED TALL CHEST, early 19th century, the moulded edged top over parquetry banded frieze centred by a floral marquetry patera, two short over five graduated cockbeaded drawers with later oval brass drop handles, moulded base and bracket feet, 42 3/4"" x 20"" x 56 1/2
Lot 766
A GEORGE III MAHOGANY LINEN PRESS, early 19th century, with satinwood crossbanding and stringing, stepped moulded cornice over frieze with urn patera, two panelled doors each centred by an urn patera, and enclosing four slides, the base with two short over two long drawers with later pierced brass drop handles, on ogee bracket feet, 52"" x 24"" x 84"" (Illustrated)
Lot 783
A GENTLEMAN`S GEORGIAN MAHOGANY DRESSING CHEST, c.1800, of bowed kneehole form with banded top, frieze drawer with baize lined writing slide over mirror flanked by lidded compartments and pen rests, six pedestal drawers below with oval brass drop handles, kneehole cupboard with marquetry spandrels, moulded base and bracket feet, 39"" x 22 3/4"" x 33 1/2"" (Illustrated)
Lot 803
A VICTORIAN WALNUT PIER DISPLAY CABINET of oblong form with floral marquetry and gilt metal mounts, moulded edged top and waisted frieze over single door with serpentine opening enclosing velvet lined interior with shelving, raised on canted base with shaped apron and bracket feet, 34 1/4"" x 12 1/4"" x 42 3/4"" (Illustrated)
Lot 841
A MAHOGANY ""BRADFORD DESK"" by Christopher Pratt & Sons, the frieze drawer operating a tambour top section enclosing hinged leather lined writing surface and stationery compartment, three drawers below flanked by a panelled cupboard door, fielded panel sides and back, moulded base and bracket feet, on castors, maker`s label and small silver presentation plaque dated 1905, 30 1/4"" x 21"" x 37 3/4"" (Illustrated)
Lot 27
A Regency mahogany twin fusee lancet bracket clock, the 6 1/2 inch enamel dial with ring of Roman numerals, the mahogany Gothic style case with cluster pillar front corners under turned finials flanking a ribbon moulded panel between pierced fret sides with gilt metal side ring handles, the eight day twin fusee movement lacking bell, 51cm high
Lot 31
A 19th century ebonised and brass inlaid chiming twin fusee bracket clock by John Moore & Sons, Clerkenwell, London No.11520, the 8 inch silvered arched dial with ring of Roman numerals under a silent strike subsidiary dial to the arch, the chain driven twin fusee four pillar movement striking the hours on a single bell and the half and quarters on eight smaller bells, signed and engraved to the back plated, the arched case with scrolling leaf and flowerhead brass inlay to the front under pineapple gilt brass finials over lion ring side handles and lancet glazed panels raised on four gilt metal short claw feet, 61cm high
Lot 35
A late Victorian Gothic revival oak bracket clock, the 9 1/2 inch white enamel dial signed 'Edward Hills, Sudbury' with ring of Roman numerals and silent/strike lever, the triple fusee movement striking the hours and quarters on eight graduated bells and a coiled gong the architectural oak case in the Gothic style with blind tracery, 79cm high along with a matching rectangular wall bracket with single down-swept support, 43.5cm wide Note: Britains 'Old clocks and watches and their makers' note an Edward Hills, 1867 working at 34 Walworth Road, also G H Bailey 'Watch makers and clock makers of the world' volume One notes a Benjamin Hills working in Sudbury circa early 19th century
Lot 43
A George III ebonised eight day twin fusee bracket clock by Francis Holland, London, the 7 inch brass dial with centred oval signature plaque signed 'Fran Holland, London' within a silvered chapter ring of Arabic and Roman numerals within foliate pierced spandrels under a subsidiary silent/strike dial to the arch, the four pillar twin fusee movement lacking bell, the arched ebonised case with gilt brass swing handle to the top on four short ogee brass bracket feet, 41cm high
Lot 45
An 18th century style oak longcase clock of small proportions with eight day twin fusee movement striking on a single bell, the 7 inch square brass dial with ring of Roman and Arabic numerals the hood with dentil cornice over barley twist front corner hood pilasters over a narrow trunk with arched long front door on a boarded base with short bracket feet (at fault), 168cm high
Lot 46
An early 19th century oak and mahogany eight day longcase clock, the 14 inch arched painted dial with centred subsidiary seconds dial and date aperture within a ring of Roman numerals and spandrels depicting the four continents under a pictorial landscape and figural painted scene to the arch, the hood with swan-neck pediment over turned front corner hood pilasters, over a short trunk door between short turned front corner front pilasters, on a crossbanded box base with canted corners, raised on short bracket feet, 231cm high
Lot 48
An early 19th century oak and mahogany eight day longcase clock, the 11 inch square painted dial with centred subsidiary seconds dial and date aperture within fruit decorated spandrels the hood with swan neck pediment over line inlaid front corner hood pilasters, above short crossbanded trunk door on a single panel box base and later bracket feet, 211cm high
Lot 49
An early 19th century oak thirty hour longcase clock, the 11 ½ inch square painted dial signed 'Wm Wooller, Tong' with centred date aperture within a ring of Roman numerals and stylised spandrels under a swan neck pediment to the hood and gilt ball finials over reeded front corner hood pilasters above and pointed arched crossbanded short trunk door on a boarded crossbanded box base and short bracket feet, 206cm high
Lot 57
An early 19th century mahogany longcase clock, the 13 1/2 inch square brass dial signed 'Jn Alker, Wigan' with centred subsidiary seconds dial and date aperture within a ring of Roman numerals, outer ring of Arabic numerals and scrolling leaf corner spandrels, the hood with swan neck pediment, over half reeded square front corner hood pilasters over a Gothic arch flame veneered short trunk door and a crossbanded box base on ogee shaped bracket feet, 221cm high
Lot 59
An early 19th century oak and mahogany thirty hour longcase clock the 11 ½ inch arched brass dial with centred subsidiary seconds dial (at fault) and date aperture with false winding holes within a ring of Roman numerals and tulip painted spandrels with a figure of a sleeping child painted to the arch the hood with swan neck pediment over turned front corner hood pilasters and a crossbanded short trunk door on a boarded crossbanded base and short bracket feet, 221cm high
Lot 62
A William III scarlet japanned longcase clock the movement circa 1700 the case associated and later decorated, the 11 inch square brass dial signed T H O Bridge, London, with centred subsidiary seconds dial and date aperture within a ring of Arabic and Roman numerals with cherub moulded pieced spandrels, the eight day five pillar movement striking on a single bell, the case later scarlet japanned depicting figures and pagodas highlighted in gilt, the hood with three quarter tapering turned front corner hood pilasters, over a long trunk door on a box base and short bracket feet, 190.5cm high
Lot 81
A George III and later oak bacon settle, overall later carved with stylised leaves and flowers, the palm leaf carved cornice over two landscape single panel cabinet doors, above two six panel doors to the hanging section, over a box seat with boarded hinged lid, between scroll open arms, on slender baluster supports, with two panels to the front, raised on shaped bracket front feet, 128cm wide, 207cm high, 75cm deep
Lot 87
A George III oak crossbanded fall-front bureau, the fall revealing a fitted interior of seven pigeon holes and seven short drawers, over two short and three long graduated cockbeaded drawers, fitted with replacement brass handles, raised on tall bracket feet, 93cm wide, 104.5cm high, 51cm deep
Lot 90
A George III Welsh oak secretaire linen press, the Greek key moulded cornice over a blind fret frieze, above two ogee moulded panel fielded cabinet doors, fitted with H brass hinges opening to reveal a single fixed shelf, over a long secretaire drawer opening to reveal an arrangement of six pigeon holes, four short drawers and one deep drawer, over three long graduated drawers to the base fitted with brass swan neck handles, raised on shaped bracket front feet, 117cm wide, 179.5cm high, 52cm deep
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177908 item(s)/page