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An early 18th Century walnut Chest, the quarter veneered crossbanded and herringbone banded moulded top above two half width and three full width graduated drawers within double 'D' moulding's, raised on shaped bracket feet, (restorations, repairs and some "new additions" etc., commensurate with age), 98cm wide x 53cm deep x 98cm high
Mahogany compactum wardrobe having single full length left hand door enclosing hanging space and a pair of right hand panelled doors enclosing two fitted slides and further hanging space over series of long and short drawers to include slipper drawer and fall front, standing on bracket feet - 57" wide
Sam ?uarman, 8 day oak long case clock having brass dial with Roman Numerals and pierced black hands, the movement by Walker & Hughes, the case having square moulded top and single glazed door flanked by two turned columns, the trunk having single panelled door with brass knob handle, standing on bracket feet - 76" tall
Walnut three train bracket clock, the Empire movement playing on four gongs and striking on another, the 7.25" square brass dial with silvered chapter ring enclosing a matted centre, within a stepped case surmounted by a caddy top and ornate brass carrying handle, 16.5" high (pendulum and keys)
Contemporary walnut two train bracket clock, the movement striking on two bells, the 6" brass arched dial signed Thomas Smith, London on a silvered plaque to the engraved centre, below a moon phase aperture to the arch, the stepped case with applied gilt metal mounts surmounted by a caddy top and brass carrying handle, 16" high (pendulum)
Good English ebonised triple fusee musical bracket clock, the six pillar movement with pull repeat playing on a nest of eight bells and striking on another, with finely floral engraved back plate and locking pendulum, the 8" brass arched dial signed Chas Haley, London on a shaped plate to the arch over subsidiary slow/fast and chime/silent dials and a silvered chapter ring enclosing a matted centre, within a stepped rounded arched moulded case surmounted by a brass carrying handle, 19" high (at fault)
Good English mahogany single fusee bracket clock, the foliate engraved back plate signed Josiah Kent, Cock Hill, Ratcliff, the 6" cream painted dial within a small moulded arched stepped case upon four ormolu ogee bracket feet and surmounted by a carrying handle, 13" high overall (pendulum and keys)
English ebonised double fusee verge bracket clock, the movement with engraved back plate signed Marshall, Lincoln and striking on a bell, the 7" painted arched dial with pendulum and date apertures, the arch with subsidiary strike/silent and forty-eight hour dials, within a stepped case upon brass bracket feet surmounted by brass acorn finials to the corners and bell top with brass carrying handle, 21" high (pendulum)
Ebonised triple fusee bracket clock, the substantial movement playing on a nest of nine bells and striking on a large gong, the 8" brass arched dial signed J.W. Carr, Leeds to the chapter ring, with subsidiary chime/silent and chime on eight bells/Westminster chime dials to the arch, within a rounded arched pillared stepped case surmounted by a caddy top, 21.5" high (a.f)
Good English burr walnut double fusee balloon bracket clock striking on a gong, the movement and 5" silvered dial signed Payne & Co, 163, New Bond St, London, within a balloon shaped case raised upon ormolu scrolling foliate feet and surmounted by a wavy cornice, 14.25" high (pendulum and keys)
English ebonised double fusee bracket clock, with foliate engraved back plate, the 6" brass arched dial signed Adams, 36 Lombard Street, London on a silvered boss to the arch over a silvered chapter ring enclosing a matted centre with false bob pendulum and calendar aperture, within a stepped case surmounted by a bell top and brass carrying handle, 17" high (a.f) (pendulum and key)
Good small English walnut double fusee verge bracket clock, the movement back plate signed and inscribed Henry Jones in the Temple and with foliate engraved decoration, the movement with six knopped ringed pillars and knife edge suspension, the 6.25" square brass dial with silvered chapter ring enclosing a matted centre with calendar aperture, within a later stepped case (made by J.J. Elliott of London in the 1970s), surmounted by a caddy top with pierced foliate ormolu mounts and a brass carrying handle, 14" high (pendulum and winding key) *This clock has an interesting provenance. Full details of the known provenance chronicled by the vendor are available on request. There is also a report on the clock from Beresford Hutchinson at The British Museum, which is attached with the images of the clock SEE IMAGES OF THE MOVEMENT
Mid 20th century English mahogany double fusee bracket clock made by Lewis Springfield, Grantham, the movement with pull wind alarm and locking pendulum, the silvered chapter ring enclosing a matted centre with two ringed winding holes and central alarm dial, within a caddy top stepped case surmounted by an ornate mermaid pierced brass handle, 18.5" high (pendulum and key)
Good English mahogany double fusee bracket clock and bracket, the movement back plate with locking pendulum and signed Frodsham, Gracechurch Street, London, the 8" convex white dial also faintly signed, within a panelled stepped case with inlaid foliate brass lines, surmounted by a scrolling carved pediment, 18.75" high (pendulum)
English walnut triple fusee bracket clock, the movement playing on a nest of eight bells and striking on five gongs, the 6.75" brass arched dial with silvered chapter ring enclosing a matted centre and subsidiary fast/slow, chime/silent and eight bells/four gongs dials to the arch, within a stepped case surmounted by a moulded rounded arched pediment and three brass acorn finials, 18" high
English triple fusee striking ebonised bracket clock of month duration, the movement back plate finely and profusely engraved with scrolling foliage, playing on six bells and striking on another, the 7" brass arched dial signed Stephen Asselin, London on a silvered arched plate to the matted centre with false bob pendulum and calendar aperture, enclosed by a silvered chapter ring and with a strike/silent dial to the arch, within an associated ebonised stepped case surmounted by a caddy top, four gilt metal finials and brass carrying handle, 20" high (alterations) (later pendulum) Francis and Stephen Asselin of London worked from 1687-1717 as recorded in Loomes 'The Early Clockmakers of Great Britain'.
Fine English flame mahogany triple fusee musical verge bracket clock, the 8" brass arched dial signed Benjamin Wilter, London to the centre, enclosed by a brass chapter ring with calendar, under subsidiary chime/silent and jig/dance/hornpipe/dance dials, the five pillar verge movement with engraved back plate, playing on a nest of eleven graduated bells and striking on another, also with pull repeat, within an ormolu mounted stepped case surmounted by a true bell top with five turned pillars, 24" high (pendulum and door key)
Good French period tortoiseshell and brass inlaid boulle two train bracket clock with bracket, signed Mynuel a Paris on the back plate and on a cartouche enamel plaque beneath six o'clock on the dial plate, the 8" gilt engraved dial plate with Roman cartouche enamel numerals, within a glazed balloon shaped case with applied cast mounts and surmounted by a seated angel, clock 26" high, bracket 13" high (pendulum and keys) *Louis Mynuel (1675-1742) was an important French maker and his clocks are held in important private and museum collections around the world, including the V & A
Decorative silvered brass and green onyx industrial mantel clock timepiece, the 4" silvered dial and movement within a convex glazed swivelling case supported in a cradle over two dolphin supports to the stepped shaped brass and rectangular onyx base raised upon ogee bracket feet, surmounted by a ring carrying handle, 14" high
Good English ebonised triple fusee bracket clock, the 7.5" silvered rounded arched dial signed Thomas Gath, Bristol on an angled bezel plate beneath six o'clock, the foliate engraved dial plate with chime/silent and fast/slow subsidiary dials to the arch, the movement playing on a nest of eight bells and striking on a gong, within an ormolu mounted stepped case surmounted by a rounded arched pediment and four compressed urn finials, 21" high
English ebonised double fusee verge bracket clock, the movement with pull repeat and advance/retard dial, the 7.5" painted arched dial with strike/silent dial to the arch over the principal dial fitted with a calendar aperture, within a stepped case with pierced brass panels, surmounted by a caddy top, four turned finials and brass carrying handle, 21.5" high (pendulum)

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177908 item(s)/page