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George III mahogany and gilt-brass inlaid repeating bracket clock in lancet-topped case having reeded surmount and brass finish acorn finial, having eight-day striking movement, circular dial with roman numerals, the case with triple cluster columns to the forecorners, brass grilles to the sides and pair ring handles, all on reeded bun feet, 56cm high
Early 19th century Scottish mahogany longcase clock, with broken swan neck pediment, the broken arch painted dial with figures seated in interior to the arch, painted with portrait medallions to the spandrels of Ramsay, Scott, Ferguson and Burns, the dial having subsidiary second dial and calendar, inscribed indistinctly with name and “Perth”, the trunk with inset quadrant mould, fore-columns arched door, all with bead moulding, on slender bracket feet, 213cm high
Edwardian Turner & Co mahogany bureau with satinwood banding, the fall front enclosing a cupboard, a pair of drawers and pigeonholes and inset red leather writing pad, with two short and three long drawers to base, on bracket feet, brass swan neck handles, bears ivorine label Turner & Co, Manufacturers by Appointment to HRH The King, 36 John Dalton St, Manchester' to insider of drawer, 73cm wide
George III inlaid mahogany secretaire bookcase, the top section with line inlaid frieze, three shelves enclosed by astragal glazed doors with brass beading, the base with gadrooned bordered inset panel above secretaire drawer, fitted with drawers, pigeon holes, ivory knob handles, three long graduated drawers below all with brass drop handles and oval stamped back plates on bracket feet, 107cm high
Victorian lady's workbox, the moulded black lacquer top opening to reveal fitted sewing compartments, with six mother-of-pearl bobbins, the two front doors with painted panels of country house, opening to reveal five drawers, the bottom pulling out to reveal miniature writing slope with integral inkwell, the sides and back painted also with country house scenes, the whole raised upon ogee bracket feet, 25.5cm x 26cm
Pair of George III silver salvers by John Crouch and Thomas Hannam, London 1792, of plain circular form with reeded border, on three bracket feet, with later engraved armorial, 21cm diameter, approx total weight 26oz, with original description from their purchase from Wartski and in bespoke Wartski leather fitted case with velvet interior (provenance: bought from Wartski for £100 on 15th August 1957) (2)
A GEORGIAN MAHOGANY AND BANDED ASTRAGAL GLAZED DOUBLE DOOR SECRETAIRE BOOKCASE, the top with an overhanging cornice, having two sections with adjustable shelving flanked by rope columns, the top drawer with a hinged fall front, green baize interior, various assorted drawer and cupboards with satinwood front and central tambour door above three graduating drawers with turned handles and ivory escutcheons flanked by fluted columns on ogee bracket feet, width including cornice 135.5cm x depth 39.5cm x height 238cm (sd to glass, losses) (key) (Provenance: Oulton Abbey, Stone)
A LATE 19TH CENTURY CARVED OAK PRESS CUPBOARD/SIDEBOARD, incorporating older timbers, overhanging top. The top flanked by square tapered supports, four back panels above a base section with two open shelves flanked by panelled cupboard doors with brass drop handles on bracket feet, width 168cm x depth 53.5cm x height 215cm
AN EDWARDIAN MAHOGANY, EBONY STRUNG AND SATINWOOD BANDED BARREL FRONT BUREAU/BOOKCASE, overhanging cornice, the top with double astragal glazed doors revealing two adjustable shelves, the base interior with four maple fronted drawers, pull out slide with black tooled leather inlay above four exterior drawers with brass handles, on bracket feet, width 97cm x depth 51.5cm x height 210cm (key)
Francis Dorrell of London. A George III stained pearwood and ormolu repeating bracket clock, the arched brass dial with painted moonphase, date aperture and alarum ring, twin fusee movement with some later adaptations, engraved backplate and repeat mechanism striking on two bells, height 18.5in.

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