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An 18th century inlaid mahogany long case clock with brass mounted swan neck pedestal and turned columns to the head, full length doors ogee bracket feet with 8 day movement brass dial with rocking old father time to the arch, by J.N. Bryson Dalkeith height 224cm (face and movement repolished)
An early 19th century longcase clock in crossbanded figured mahogany with swan neck pediment and turned columns to the hood, shaped arched drawers and square reeded pillars to the trunk, on bracket feet, square painted dial and 8 day striking movement by John Stinnap, Warrington, height 226 cm. Cleaned and restored to running order, 2005
A Georgian mahogany longcase clock, the hood with swan neck pediment and twin brass finials, extensive inlay depicting flowers and figures to the frieze, with square side columns, the trunk with similar inlay and triple arched door, on bracket feet, with arched painted dial and moonphase to the arch, having 8 day striking movement and centre sweep seconds hand, by Kendall, Liverpool, height 250cm, (patterae to hood missing)
Walker and Hall Sheffield, 1927, of circular form, pierced floral sides raised on four cast bracket feet; together with a twin-handled circular basket, R. Stewart of Glasgow, 1926 London, with gadrooned border, pierced sides, raised on four cast bracket feet Diameter: 31cm, 28cm, combined weight: 44oz
W G Keight & Co, Birmingham 1907, each of bulbous form, cast foliate border, folate initials engraved to body, all raised on a cast foliate bracket foot; together with a modern mustard pot, Royal Irish Silver Ltd., 1967, of cylindrical form and moss agate set finial; with various condiments, toast racks, caster, ice pick etc.Height of teapot: 13cm, weighable silver: 41.6oz
Mackay & Chisholm, Edinburgh 1841, of rounded rectangular outline, with moulded bars, the cast loop handle with shell and acanthus detail, raised on four bracket feet; together with a George IV Warwick cruet set with associated cut glass bottles, crest to dish, raised on four cast bracket paw feet; a pair of spill vases, T H Hazlewood & Co, Birmingham 1917; a silver mounted wine coaster; another smaller example with pierced sides; a pair of sugar tongs with shell bowlsWidth: 17.5cm, weighable silver: 28oz
William Hasler, London 1852, of moulded form, the flat engraved with a crest and scrolling foliate broad border, all raised on three bracket feet; together with a small Victorian basket, Martin Hall, London 1881, of oval form, beaded handle, the body decorated swags and anthemion border, spreading foot; a small Dutch-style two-handled bowl, London 1893, the lugs with chased C scroll work, the body with punch work decorationDiameter of tray: 18.5cm, weight (all in): 19.5oz
the Barnards, London 1837, of lobed melon form with chased floral decoration to each panel, the hinged lid with bud finial, a leaf clasped S scroll handle with ivory inserts, raised on four cast bracket feet with scroll detail; together with a modern water jug, Lee & Wigfull, Sheffield 1913, of squat bulbous form, threaded detail to neck and S scroll handleHeight: 16cm, 13.5cm, weight (all in): 39ozFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
A George III mahogany caddy-top chest of drawers,having a brushing slide over four long graduated drawers with original brass handles and bracket feet,84cm wide 46cm deep79cm highCondition report: Minor veneer repairs to stiles flanking drawers. Some fading and discolouration throughout. Marks, scratches and wear to top. Splits, losses and repairs to mouldings.Cockbeading and veneer around drawers. Repair/alteration and possible replacement to feet. Backboards strengthened. See additional images.
A George III-style inlaid satinwood miniature chest of drawers,20th century, in the Georgian style, the serpentine top and sides inlaid with baskets of flowers, the drawer fronts with feather banding, oak-lined, flanked by chain-link inlaid chamfered panels, and raised on bracket feet, 39.5cm wide23cm deep35cm highCondition report: Some veneer losses to the top of the banding on the top of the chest. Veneer loss to the carcass on the front, Screws to the base of the drawers and back boards
A George II burr elm and rosewood crossbanded kneehole desk,the top with re-entrant corners, over a long frieze drawer and six short drawers around a central kneehole door, on bracket feet, the sides with brass carrying handles,85.5cm wide48cm deep76cm highCondition report: Re-polished and re-finished.Splits to the top.Later handles and hardware.Sides with splits.Feet probably later.Fading and discolouration. Knocks, splits, patches and repairs to veneer.
A walnut cased bracket clock,19th century, by Reid & Auld, the five-pillar movement with twin-chain fusee, strike/silent lever, striking the hours on a bell, the silvered dial and backplate inscribed 'Reid & Auld Edinburgh 1305', the dial also inscribed 'Wilson & Co. Mooltan' at the bottom, the case with scrollwork top, glazed side panels and oval pendulum viewing window, on a plinth base,28cm wide21.5cm deep53cm highCondition report: Clock has been altered at some stage. There are several features that appear to have been changed - the brackets securing the movement have been blocked up and there is an odd hole in one of the brass pieces. Some screws with burred slots, various vacant and filled holes in back plate, current pendulum functions but doesn't fit into travelling bracket. Dial needs cleaning, top of case has repairs to mouldings, front door with loose top hinge and three small filled in hinge end, hinges reset, name at bottom of dial partially obscured by wood surround. Inside woodwork of case appears crude.
A late Victorian silver bonbon dish,by Gibson & Langman, London 1895,retailed by the Goldsmiths' & Silversmiths' Company, 112 Regent Street, of oval bellied form, the sides pierced and embossed with husk swags draped over roundels, applied with a bead scroll border and raised on four shell-shaped bracket feet,18.5cm long, 9.75oztCondition report: Hallmark clear as underneath heavily tarnished.Slightly uneven on a flat surface, one of the vacant cartouches has a small dent.Otherwise good.15cm wide9cm high
A George III serpentine mahogany chest of drawers,having a brushing slide over four long graduated drawers with original brass bail handles within canted, fluted corners, and ogee bracket feet,89cm wide58cm deep91cm highCondition report: Top - replacement veneer to front left corner 7cm long, old veneer split.Front - 3cm strip of veneer missing between drawers 2 & 3.Feet - 3 with repairs or replacements.
A pair of Irish mahogany open armchairs,18th century and later, in the Chippendale taste, each with an acanthus-carved top rail centred with a shell, a scrolling pierced splat and open arms, raised on knee-carved cabriole supports, terminating in claw and ball feet united by turned stretchers, with later needlepoint-upholstered drop-in seats,62cm wide62cm deep95cm high (2)Condition report: Knocks, marks and general wear commensurate with age and use. A little bit of wobble in arms. Split to one top rail. Repairs, alteration and restoration to both, including a metal bracket behind one of the right arms shoring up an old break. One stretcher broken and repaired with a screw. Numerous other breaks and repairs. Knocks and wear to both, particularly legs and stretchers, with losses to feet. Viewing in person advised.
An oak chest of drawers,late 17th/early 18th century, the rectangular top above four graduated panelled drawers, raised on bracket feet,92cm wide54cm deep88cm highProvenance: Eastington Hall, Upton-upon-Severn, Worcestershire.Condition report: The top with splits, losses and repairs. Bracket feet not original. Some fading and discolouration. One backboard missing. Evidence of woodworm to drawer backs. Joints relatively solid, with a little bit of lateral wobble. General wear commensurate with age and use. Has been through several sets of handles. Evidence of alteration and repair to the carcass.
A George III mahogany longcase clock, c.1770, the dial signed 'Lassel, Park', eight-day striking movement, an arched brass and silvered dial with moon phase and date, the hood with swan neck break-arch pediment, two wood ball and spike finials and verre églomisé panels, the trunk with a shaped top long door, to a panelled and staged base, on ogee bracket feet,56cm wide28cm deep228cm highCondition report: The movement hasn't run for some time and is dusty, the moonphase has been disconnected and the feather is missing from the pendulum. The two finials are later and there is no central finial. There are cracks to one of the verre eglomise panels and an old repair to the arch of the hood door.
A George II feather strung and crossbanded walnut bureau,the slope with a reading slip enclosing a stepped interior and well, over two short and two long drawers and double 'D' moulding on bracket feet,77cm wide47cm deep99cm highCondition report: Old veneer splits to slope. Later brass furniture. Half veneer opening to sides. Wear and tear.
A Swedish Gustavian painted bureau bookcase,late 18th/early 19th century, the moulded cornice above a pair of panelled doors, the base with a fall front above two further doors, on short bracket feet, with all-over reeded decoration,99cm wide60cm deep216cm highCondition report: Old splits, knocks, losses and wear. Has been wrapped up in storage for some time. Rubbing and wear to paint throughout, but in a pleasantly distressed state. Very solid and sturdy.
A carved beech open armchair,c.1775, in the manner of Thomas Chippendale, with an oval padded back, padded arms and an overstuffed seat, the frame carved with beading and husks, the arm supports scrolled and moulded,64cm wide67cm deep95cm highCondition report: One rear leg broken and repaired with a metal bracket. Lower part of the leg appears to be a replacement. Metal brackets to the back. Probably painted or gilded at one point. Splits and separation to joints. Wear, repair and restoration throughout. Traces of worm and upholstery holes.
A George III mahogany commode,of serpentine outline, the four graduated cockbeaded drawers set between blind fret-carved edges and raised on bracket feet105cm wide57cm deep83cm highCondition report: Splits, scratches, knocks and wear throughout. Marks and stains to top.Several splits to both sides. Fading and discolouration. Losses and repair to veneer, especially to the centres of the bottom three drawers. Chips and losses to cockbeading. Replacements to moulding. Back foot loose/nearly off and in need of re-affixing.Traces of worm beneath. Possible repair/alteration to feet. Metalware later. See cataloguing for dimensions.
A mahogany cased bracket clock,by Thos. Hale, Sydney, the five-pillar movement with twin-chain fusees, striking the hours on a gong, the silvered dial with engraved spandrels and inscribed 'Thos. Hale, Sydney', the case with bevelled glass to top and sides and silvered brass bevel to the front door, over an ogee moulded base on shallow bun feet,24.5cm wide17.5cm deep32.5cm highThomas Hale (1814-1883) was born in Kent and emigrated to Australia. Records show that he was employed as a watchmaker and jeweller in Sydney from 1847. The following year he advertised his own business as goldsmith and watchmaker at 168 Elizabeth St. Sydney. By 1850 he was in King St., and in 1851 at 496 George St. Condition report: Small chips, knocks, splits and losses to veneer.Small chips to glass in places. Probable repair/replacement to feet.Label within door shows that it has seen a degree of repair/restoration at some point.Wear and fading to case. See additional images.

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177908 item(s)/page