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Lot 373
A large Black Forest carved cuckoo clock and bracket, 19th Century with a triple fusee movement, twin cuckoos, and striking on a gong, the rear of the interior door inscribed in pencil `Febrero 1880` and further dates and inscription, `Julio 13, 1938, Regundo ano triunfal vibo, Franco`, 69cm high (excluding bracket).
Lot 1337
An early 20th Century Oak cased triple barrel Musical Bracket Clock, Winterhalter & Hoffmyer, the architectural pediment set with a blind frieze over brickwork detail, to flat fronted Corinthian columns and pierced sound frets, raised on a further plinth base, to an 8" rectangular brass dial, set with subsidiaries for chime/silent, regulation & chime on 8 bells/chime on 4 gongs, to a Roman and Arabic silvered chapter ring, with outside minute track to a matted centre with blued steel fancy hands, the triple spring-driven movement with plates united by four heavy pillars, and anchor escapement with strike on 8 bells and 4 gongs, height 21"
Lot 1344
A late 20th Century Mahogany cased Mantel Timepiece, the caddy top set with a cast and applied Brass handle to an over hanging cornice, the single arched glazed door with plinth base and flared bracket feet, to a 3 ¾" arched Brass dial with silvered boss, signed Tempus Fugit, with mask spandrels enclosing a silvered Roman and Arabic chapter ring and blue steel hands, to a circular Brass movement with platform escapement, height 10"
Lot 1573
A Mahogany Chest on Chest, with moulded dentil cornice, the upper section fitted with two short and three full width graduated drawers, flanked on either side by fluted canted corners, and the lower section with a brushing slide over three full width graduated drawers, on bracket feet, circa early 19th Century, 44" wide (ILLUSTRATED INSIDE BACK COVER)
Lot 74
AN 18TH CENTURY OAK DRESSER, having moulded planked top over three freize drawers over cockbeaded outlines, two similar centre drawers below flanked by blind panelled cupboards, standing on bracket feet. Now with associated open rack back having moulded cornice over arcaded freize with two shelves. C1740 and later. 72" Wide x 18" Deep x 79" High overall.
Lot 79
AN 18TH CENTURY NORTH WALES OAK DRESSER, having boarded rack back with moulded dentil cornice, shaped sides and two shelves, the base with three freize drawers over two crossbeaded short centre drawers, cupboard below flanked by two further arch panel cupboards, standing on bracket feet. C1780. 68" Wide x 20" Deep x 82" High.
Lot 90
AN EARLY 20TH CENTURY MAHOGANY CUPBOARD BOOKCASE IN GEORGIAN TASTE, having moulded foliate cornice over two astragal glazed doors, the projecting base with moulded top above two raised and fielded drawers, two blind panelled cupboards with foliate moulded decoration below standing on bracket base. C1900. 48" wide x 17.25" Deep x 90" High.
Lot 94
A LATE 19TH CENTURY WELSH OAK DOUBLE CORNER CUPBOARD, having moulded cornice above mahogany veneered freize, two arch moulded glazed doors revealing shaped shelf to the interior, the base with similar mahogany veneer freize above two blind panel doors, standing on bracket feet. C1875. 38" Wide x 80" High x 21" Deep.
Lot 123
AN 18TH CENTURY MAHOGANY TALL BOY CHEST ON CHEST, having moulded Grecian key cornice above strap work freize, the upper section with three short and three long graduated drawers, the projecting base with three graduated drawers, standing on bracket feet. C1780. 40" Wide x 20" Deep x 70" High.
Lot 126A
AN 18TH CENTURY WELSH OAK CARMARTHENSHIRE COFFER, having four panel ogee moulded fall front, under a moulded cornice with three freize drawers below and pull out slopers. Projecting base with three short and two long drawers on bracket feet. C1740 with later alterations. 54" Wide x 21" Deep x 55" High.
Lot 1012
A Mahogany and Brass Inlaid Striking Bracket Clock, Thomas Farr, Bristol, circa 1820, the arched top case with side carrying handles and pierced sound frets, recessed front with brass inlay, rectangular base raised upon brass ball feet, 8-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement backplate with engraved borders and secured with brackets, pendulum bob with matching engraving, 46cm high See illustration, Thomas Farr is recorded working in Bristol 1820-30. See Bailllie (GH) Watchmakers & Clockmakers of the World, pg 105.
Lot 1013
A Walnut Striking Bracket Clock, signed Clerke, 1 Royal Exchange, London, No.5020, circa 1880, the nicely figured case with a top gallery and finials to the corners, pierced side sound frets, the rectangular base with applied gilt metal mounts and a presentation plaque to the front, raised upon scroll shaped feet, 5-inch rectangular dial with Roman numerals, elaborately scroll decorated borders, strike/silent selection above 12, twin fusee movement with anchor escapement and striking on a gong, movement backplate signed and numbered, movement secured by brackets, 42cm high See illustration
Lot 1014
A Rosewood Striking Bracket Clock, circa 1840, case with arched top and applied carved mounts, side carrying handles and sound frets, rectangular base raised upon bun shaped feet, 8-inch silvered dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement secured by brackets, 44cm high See illustration
Lot 1015
A Rosewood Bracket Timepiece, Beaven, Nantwich, circa 1840, the arched top with applied carved mounts, side sound frets, rectangular base with acorn decoration and raised upon carved feet, 8-inch painted dial with Roman numerals, single fusee movement with anchor escapement, shaped movement plates secured by brackets, 45cm high See illustration
Lot 1016
A Chiming Bracket Clock, retailed by Pearce & Sons, Leeds, circa 1900, the stained case with top and side viewing bevelled windows, 7-inch rectangular dial with silvered Roman chapter ring, two subsidiary dials for fast/slow and chime/silent, triple barrel movement with anchor escapement, striking four hammers on four gongs for the quarters and a further hammer string a larger gong for the hours, movement backplate stamped W&H Sch, 33cm high, together with wall bracket, 36cm high See illustration
Lot 1017
A George III Ebonised and Gilt Metal Mounted Chiming Table Clock, signed Thomas Field, Bath, circa 1790, the inverted bell top case with finials and applied scroll decorated mounts, side carrying handles and pierced sound frets, front door flanked by mask and floral mounts to the canted corners, the base raised upon bracket shaped feet, 8-inch arched brass dial with silvered central dial and Roman and outer Arabic numerals, inner date ring with corresponding central date hand, dial centre signed Thomas Field, Bath, the arch with a silvered dial for strike/silent selection, triple fusee movement with verge escapement, quarter chiming with eight hammers striking onto eight bells and a further hammer striking a bell for the hours, movement backplate elaborately engraved with a central pagoda and scroll work, bob pendulum, movement secured by brackets, 60cm high See illustrations , Thomas Field is recorded working in Bath 1773-1812. See Baillie (GH) Watchmakers & Clockmakers of the World, page 108.
Lot 1020
A Mahogany Eight Day Longcase Clock, signed Robt Roskell, Liverpool, circa 1810, the nicely figured case with swan neck pediment, turned columns, wavy shaped trunk door flanked with fluted sides, inlaid plinth with canted corners and upon bracket shaped feet, 14-inch painted arched dial with Roman and Arabic chapter ring, dial centre with subsidiary seconds and date, the arch with rolling moonphase, four pillar movement with attached falseplate stamped Osborne, rack striking on a bell, 235cm high See illustration
Lot 1022
A Mahogany Eight Day Longcase Clock, the case with flat top pediment, fluted columns, arched trunk door with later inlay and flanked by canted corners, rectangular plinth raised upon bracket shaped feet, 13-inch arched brass dial with silvered Roman and Arabic numerals and a outer calendar ring with corresponding central calendar hand, dial centre with engraved scroll decoration and depicting a fish, subsidiary seconds, the arch with rolling moonphase and above signed Michael Heaton on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 235cm high (dial and movement associated to the case) See illustration
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177908 item(s)/page