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SHAPLAND & PETTER, BARNSTAPLE ART NOUVEAU MAHOGANY AND MARQUETRY INLAID CABINET, CIRCA 1900 the projecting cornice above a frieze, marquetry inlaid in brass and copper with a frieze of stylised flower heads, above astragal glazed doors and side panels with open shelf below and with mirror back, the whole raised on a base with twin doors on bracket feet 91cm wide, 175.5cm high, 41cm deep
ART DECO WALNUT GILT WOOD AND OVERPAINTED BEDROOM SUITE, CIRCA 1935 comprising a two door wardrobe with quarter veneered panel doors, painted with summer flowers, stamped marks R3065/ J4356/ U1651, 92cm wide; a DRESSING TABLE, the shaped swing mirror with floral painted surmount above an arrangement of five drawers, flower carved frieze raised on cabriole legs, stamped marks R3056/ J4357, 98cm wide, 155cm high, 51cm deep; and a COMPACTUM CHEST, with two flower painted doors enclosing a shelf above two drawers on bracket feet, stamped marks R3065/ J4358, 68cm wide, 106cm high, 43cm deep (3)
A 19th century mahogany triple pad twin fusee bracket clock, the 7 inch convex white dial signed 'Wyke & Green', London' with ring of Arabic numerals and twin winding holes, the arched case with brass loop handle over fish scale sides on short gilt brass bracket feet, the back plate stamped '2943' (restored), 29cm wide, 38.5cm high, 17.5cm deep
An early 19th century mahogany eight day longcase clock the 12 inch arched painted dial signed 'James Robertson, Dundee' to the arch over an inner ring of Roman numerals and outer ring of Arabic numerals centred by subsidiary seconds and date dials, the hood with swan neck pediment over an arched glazed hood door between reeded turned front corner hood pilasters over an ogee arched trunk door between quarter turned reeded front corner pilasters on a plain box base and ogee shaped bracket feet, 207cm high
A late 19th century French boulle shelf or bracket clock the 4 inch dial with ring of white enamel blue highlighted Roman numerals within a gilt brass engraved face, the balloon case with cast brass mounts under an urn finial over a glazed pendulum aperture on four cast brass leaf moulded feet, 34cm high, 19cm wide, 10cm deep along with a late 20th century stained wooden wall bracket in the Louis XV taste.
A Victorian cylinder music box with timepiece actuation No. 18270 playing ten airs with single section comb and plain bed plate in an ebonised interior under a glazed dust lid with hourly counter balanced trip for the clock movement striking on a single bell with 3 1/2 inch enamel dial with twin winding holes and ring of Roman numerals, the serpentine figured walnut case with tulipwood crossbanding and boxwood line stringing to the lid and sides, standing on an ebonised proud base on four short bracket feet (unrestored and at fault), 64cm wide, 24cm high, 30cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
An early 20th century mahogany barograph by Negretti & Zambra, London of small proportions, the movement and register under a five glass rectangular case on a single drawer base and short bracket feet, 27cm wide, 17cm high, 19cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A George III mahogany eight day longcase clock the 14 inch arched brass dial signed `Hadwen, Ormskirk`, with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and classical urn moulded corner spandrels under a rolling moon to the arch, the arched hood with brass finials over fluted tapering front corner hood pilasters above a long crossbanded trunk door between fluted corner pilasters on a single panel box base and ogee moulded bracket feet, 227cm high, WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A George III oak and elm enclosed dresser base, the elm plank top over three short frieze drawers, over three single panel cabinet doors, fitted on short bracket feet, 185cm wide, 95.5cm high, 40cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
An early 19th century oak crossbanded mahogany Welsh Borders cabinet on chest, the twin two panel crossbanded cabinet doors opening to reveal two fixed shelves on a chest base of two short over three long graduated cockbeaded drawers fitted with later brass Chippendale style handles raised on shaped bracket feet, 91.5cm wide, 214.5cm high, 45cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
An early 19th century oak enclosed dresser base, the rectangular plank top over three short frieze drawers above three short central drawers flanked by a single panel cabinet to each side, all fitted with brass knob handles and ivory key escutcheons raised on shaped bracket feet, 168.5cm wide, 87cm high, 50cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
An early 19th century mahogany secretaire cabinet with open shelf back the two shelves on ring turned brass supports over a secretaire drawer fitted with brass lion ring handles opening to reveal fitted interior of short drawers and pigeon holes over two cabinet doors raised on splay bracket feet, 92.5cm wide, 151.5cm high, 41cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A George II walnut chest, of two short over three long graduated drawers raised on later bracket feet fitted with replacement brass swing handles, 101cm wide, 96cm high, 53cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A 19th century mahogany bow front chest of two short over two long cockbeaded drawers fitted with brass swing-handles with pressed oval backplates between canted front corners with lappeted mouldings on shaped bracket front feet, 105.5cm wide, 89cm high, 52cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
An early 19th century mahogany secretaire chest, fitted with turned ebony handles, the deep secretaire drawer opening to reveal an arrangement of short drawers and pigeon holes over three long cockbeaded drawers above a shaped apron between reeded front corner pilasters on slender bracket feet, 123cm wide, 118.5cm high, 54cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A late George III mahogany chest on chest the cavetto moulded cornice over two short and six long graduated cockbeaded drawers fitted with brass swan neck handles raised on plain bracket feet, 106cm wide, 185cm high, 53.5cm deep WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A Chinese blanc de chine two handled vase in archaic style, incised with shou characters and the character for `lucky`, on stylised apron and scroll bracket feet, (at fault) 12cm high WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
Two Chinese Yixing tea caddies, 18th century, of tapering hexagonal form, carved in relief with panels of cherry blossom, on shallow bracket feet, (at fault) 15.5cm and 16cm high respectively WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A Chinese hardwood side table, 20th century, with elaborate pierced low back carved with flowers above a plain bevelled serpentine top and florally carved and pierced apron, raised on four acanthus carved cabriole legs joined by c-scroll stretchers to a central acanthus carved bracket, 130cm wide, 58cm deep, 107cm high WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A Chinese rosewood kang table, early 20th century, inset with fielded panel top above a pierced grape and vine apron and curved panel ends carved with vine branches, curled bracket feet, 94cm wide, 44.5cm deep, 33cm high WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
Parkinson & Bouts, a William IV mahogany lyre-shaped clock with a double fusee, five pillar movement striking the hours on a bell, the seven-inch round painted dial having black Roman numerals, blued steel hands and signed `Parkinson & Bouts, London`, the mahogany lyre shaped case having applied carved foliate decoration, complete with matching bracket, height: 41cm. * Parkinson and David Bouts are recorded as working at 59, Gracechurch Street, London from circa 1851 until the death of Bouts in 1883 aged sixty-one.
Thomas Eastland, London, an ebonised quarter-chiming bell-top bracket clock, the eight-day duration, triple-fusee, seven-pillar movement with verge escapement striking the quarter hours on six bells and the hour on a further bell, the backplate engraved with floral and rococo decoration and signed `Thos. Eastland, London`, the eight-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic outer five-minute markings, the matted dial centre having a date aperture and false pendulum aperture with a cartouche above engraved with the maker`s name `Thos Eastland, London`, with cast floral & rococo spandrels to the four corners and decorative blued steel hands, with a `strike/silent` dial to the arch, the ebonised bell-top case with cast-brass caryatid mounts to the canted corners, brass handles to the sides, pineapple finials to the top four corners and case top and standing on cast decorative bracket feet, height: 62cm *Thomas Eastland is recorded as working in London from circa 1744 until at least 1751.
Thomas Sherwood Snr, Yarm, an oak and mahogany longcase clock with an eight-day duration movement striking the hours on a bell, the 12½ inch painted arched dial with black Roman numerals, a subsidiary seconds dial, decorative brass hands and painted with scenes to the four corners depicting ruined buildings with a further scene to the arch depicting fishermen and boats within a riverscape, the centre painted with the maker`s name `T. Sherwood Snr, Yarm`, the falseplate to the dial embossed with the dialmaker`s name `Finnemore, B/Ham`, the oak case with mahogany crossbanding to the trunk door and base with mahogany quarter columns to the trunk and standing on bracket feet, the hood having mahogany quarter columns with brass capitals and a shallow swan neck pediment, height: 220cm. * Thomas Sherwood Snr is recorded as working in Front Street, Yarm, Yorkshire from 1771, the year of his marriage, having being apprenticed to the clockmaker Robert Burgrave of Doncaster. He married Mary Bushley with whom he had twelve children and following her death in 1798 he married Ann Melbury with whom he had a further two children including Thomas Jnr. Thomas Sherwood Snr died in 1821 whereupon Thomas Jnr continued the business having been apprenticed to the well-known maker William Pridgin of York in 1794. In 1807 Thomas Jnr married Eleanor, who then died giving birth and immediately married Jane Chapman with whom he had eight children, one of whom Thomas, became the third clockmaker in the family of that name taking on the business in 1836 after the death of his father. * George Walker & William Finnemore starting working life in a partnership with George Walker and were two of the most influential dialmakers in Birmingham in the first part of the 19th century. They are first recorded working in 1808 at Edmund Street although they were probably together for a few years before this date. The partnership split up in 1811 after which Finnemore went out on his own and started a dialmaking concern that stretched on for a number of years beyond his death, being run by firstly his wife and then his sons.

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177913 item(s)/page