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Click here to subscribeGanthony, Royal Exchange London mahogany bracket clock, double fusee movement, the back plate engraved with leaf scrolls, the broken arch case inlaid with brass leaf scrolls, raked pediment and brass acorn knob, applied with lion mask ring side handles, convex white painted face with Roman numerals, raised on gilt ball feet.
German bracket clock by Winterhalter & Hofmeier, circa 1890, square oak case with bevelled glass sides, silvered face engraved John Hall & Co, chapter ring with roman numerals and slow/fast strike/silent dials, two train movement striking the quarter on two coils. Height 275mm. (Pendulum and two keys).
Cottage oak long case clock, the hood with swans neck cornice and plain columns with square brass face, named Jas. Brindley, Newcastle, applied spandrels, engraved field with subsidiary seconds, eight day movement striking the hour on a trunk with reeded corners and shaped top door on set out plinth and bracket feet. Height 198cm, 78in.
Oak long case clock banded in mahogany by (Thomas) Birchall, Nantwich, brass broken arch face with painted rolling moon, brass chapter ring, silvered field with subsidiary seconds and date aperture, two train movement striking the hour in swans neck hood with blind fret frieze and reeded columns on a trunk with reeded quarter columns set out canted base with raised panel and bracket feet. Height 221cm (pendulum, two weights, winding key and door key)
Pine long case clock, the 14 day, two train movement by William Massey, Nantwich striking the hour, painted square face with shell spandrels, gilt chapter ring, subsidiary seconds and date aperture in a swans neck hood with turned columns on cluster column trunk and set out base with bracket feet. Height 217cm
Mahogany long case clock, the swans neck hood with broken arch face, painted with the harvest and windmill spandrels, the dial with subsidiary seconds and pierced date aperture, two train movement on chequer banded trunk with fluted quarter columns on canted plinth and bracket feet. Height 225cm, 88 1/2 in.
Mahogany long case clock circa 1850, the painted broken arch face named Thomas Osmond, Tisbury, rolling moon, subsidiary seconds dial and date aperture, spandrels painted with shells, two train movement striking the hour in a swans neck hood with plain columns, the trunk and plinth with black line inlay raised on bracket feet. Height 210cm (pendulum, two weights, winding key and door key)
George III oak long case clock circa 1770 by Edward Barlow Oldham, broken arch brass face with painted rolling moon landscapes, silvered chapter ring, subsidiary second dial, date aperture and field painted with classical ruins, two train movement striking the hour in a swans neck hood with plain mahogany columns on fluted corner trunk, set out base with raised panel on ogee bracket feet. Height 230cm (pendulum, winding key, door key, two weights)
Oak North Wales dresser, mid 18th Century, pine boarded plate rack back with moulded cornice over two shelves, base with rectangular plank top with moulded rim over three top drawers and double cupboards with arched fielded panelled doors, brass knob handles and bone escutcheons, on bracket feet, 190cm high, 138cm wide.
An Edwardian Regency style mahogany cased, striking mantel clock, of bracket clock design, the silvered dial with black Roman numerals and detailed T. R. Walter & Son, 51 City Rd. London EC1, the case inlaid with brass stringing and with a brass artichoke shaped finial, with a pendulum and key.
A George III oak 8-day longcase clock, the 12 inch, silvered dial with two train movement inscribed 'John Price, Chichester', with silvered chapter ring, subsidiary seconds dial and date aperture, and strike/silent to the arch, the domed hood with three urn finials and fluted pillars, above an arched door on bracket feet, 218cm high.
"An 18th century oak cwpwrdd deuddarn, the moulded cornice above an inlaid strung canopy with finials, three ogee panel doors with bone shield shaped escutcheons above a short candle drawer and two frieze drawers, a pair of triple panel cupboard doors on bracket feet, 70.5in (179cm) h, 52.75in (134cm) w, 20.5in (52cm) d. Restoration."
"A large carved oak chest, the quadruple panel hinged top to two candle boxes, the frieze inscribed ‘DEO. SIVERE. IST. REGE. NARE. ANNO. DOMMINO 1657.’ to a quadruple panel front carved figures under arches, on bracket feet to carved panel sides, 34in (86.4cm) h, 66.25in (168.2cm) h, 30in (76cm) d."
"A George III mahogany small chest, the applied moulded edge top above a baize lined slide and four long graduated drawers, fitted later brass handles, the base moulding on replaced bracket feet, 32in (81.4cm) h, 31.5in (80cm) w, 18.75in (47.5cm) d. The top drawer with a paper label ‘SOLD BY Thos. F. Phipps, Licensed valuer, Antique Furniture Dealer, 208 EARL’S COURT ROAD, S.W.5’. Old repairs."
"A George III mahogany bureau, with later bookcase, the moulded cornice above adjustable shelves, enclosed by a pair of astragal glazed doors, the fall reveals pigeon holes and drawers with a central panel door, above four long drawers fitted brass handles on bracket feet, 84.5in (214.5cm) h, 38.75in (98.4cm) w, 21in (53.3cm) d."
"A George I oak bureau, the cross-banded fall with a book rest to a fitted interior with drawer, pigeon holes and a well, with secret compartments above an arched banded frieze to two short and one long drawer, fitted later handles on bracket feet, 38.75in (98.4cm) h, 38in (96.5cm) w, 22in (56cm) d."
"A George III mahogany bureau, the moulded edge fall to a fitted interior with central cupboard door, drawers and pigeon holes above a frieze drawer to two short and two long drawers, fitted replaced brass plate handles on later bracket feet, 41in (104cm) h, 38.25in (97cm) w, 20.5in (52cm) d."
"A George III mahogany longcase clock, the later 8-day movement striking on a bell to a painted arch dial with subsidiary seconds dial, the hood with a broken swan neck pediment and ball and eagle brass finials above Corinthian capital reeded pilasters, to a dentil moulding and a shaped top waist doors, flanked by fluted pilasters to a conforming panel base on ogee bracket feet, 95in (241.4cm) h."
"A George III mahogany longcase clock, the 8-day striking-movement to a painted arch dial, with subsidiary seconds dial and date aperture, inscribed ‘TORKINGTON NEWCASTLE’, the arched wood with later turned finials, above stop fluted columns, the shaped waist door flanked by stop fluted quarter pilasters, the base with a shaped panel to bracket feet, 97.5in (247.5cm) h."
"A George III mahogany longcase clock, the 8-day movement striking on a bell to an arch painted dial, with subsidiary seconds dial and date aperture, decorated a couple in a landscape, the spandrels representing the four seasons, the arch inscribed ‘JOHN BANKS, OLDHAM’, the case with marquetry and parquetry inlay and a double lancet topped door, flanked by cluster columns, the base on ogee bracket feet, 93in (236cm) h."
"A late 17th century brass lantern clock, the later anchor escapement striking on a bell to a circular brass chapter ring inscribed ‘Cutbufh Maidstone,’ to a floral and bird engraved centre with a single hand, to turned pillars and urn finials with pierced and engraved fret, on ball feet, 14.25in (36cm) h, on a later carved and pierced oak bracket. (2)"
"A 19th century mahogany bracket clock, the twin fusee movement striking on a bell to a circular dial inscribed ‘HENLEY’, the arch shaped case inlaid stringing and a floral motif, with brass floral ring handles, the sides with pierced brass lancet shaped panels, on brass bun feet, 14.75in (37.5cm) h, 10.5in (27cm) w. With bracket. (2)"
"A George III mahogany bracket clock, with pull repeat, the twin fusee movement with a verge escapement and striking on a bell, to an engraved backplate, the brass arched dial with a silvered chapter ring and a shaped aperture inscribed ‘William Carter, Southwark,’ and a date aperture, the arch with a Strike/Silent dial, the veneered case with an inverted bell top and a lacquered brass carrying handle and fir cone finials, the sides with trellis panels, on bracket feet, 20.5in (52cm) h, 11.25in (28.5cm) w, 7.75in (19.6cm) d."
"A George III mahogany bracket clock, with repeat, the twin fusee movement with a verge escapement and striking on a bell, to an engraved backplate, the arched 'Battersea' enamel dial inscribed 'Marmke Storr, LONDON,' with subsidiary Strike/Silent dial, to painted decoration, the bell top case with a brass carrying handle, pierced fret sides, the base base moulding on pads, 20in (50.8cm) h, 11.5in (29.2cm) w,7.5in (19cm) d. Baillie states; Marmaduke Storr, Lombard Street, London, was active from 1724 - 1775. See Barder, Richard C.R. The Georgian Bracket Clock 1714 - 1830, for a similar example by James Upjohn. This rare enamel dial is thought to be the work of a former Battersea enamel worker, Anthony Tregent. Who on leaving the enamel factory set up his own business in Denmark Street. There are a handful of both longcase and bracket clocks with these type of dials. Anthony's brother, James was a well known London clockmaker."
A good Regency pad top mahogany repeating bracket clock by Whitehurst & Son Derby the double fusee eight-day movement with five knopped and ringed pillars anchor escapement striking on a bell signed on the back plate the 17cm arched one piece silvered brass dial with Roman numerals pierced blued steel hands subsidiary strike/silent dial to arch inscribed Whitehurst & Sons Derby to centre the arched case with acanthus clad brass carrying handle brass edged door and corners on a moulded skirted base brass ball feet brass fish scale frets to side apertures 43.5cm high c.1815
A George IV mahogany secretaire bookcase the ogee moulded cornice above pair of doors with reeded glazing bars enclosing three adjustable shelves the projecting base with secretaire drawer typically fitted with drawers and pigeon holes tooled leather writing surface above three further graduated cockbeaded drawers foliate cast loose ring handles bracket feet 121cm wide 22cm high c.1825
A George V four-piece silver teaset with splayed pierced rims ebony handles and finials hinged domed lids and central ropetwist design to the oval bodies on four scroll bracket feet comprising: a teapot; a coffee pot; a twin-handled sugar bowl and a milk jug London 1913 maker's mark for Thomas Bradbury & Sons 44oz approx
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